The Dirty Parts of the Bible ~ A Capsule Book Review

The Dirty Parts of the Bible ~ A Capsule Book Review by Allen Kopp

The time is 1936. Tobias Henry is twenty years old, but sometimes he acts like he’s twelve or thirteen. He’s a Baptist preacher’s son from Michigan who has led an altogether sheltered life. (His one goal in life is to have sexual intercourse with a girl before the “Rapture.”) While Tobias’s pious father spouts scripture whenever it suits him, he skillfully avoids mention of the “dirty parts of the Bible,” namely The Song of Solomon, where breasts are openly and frequently discussed.

When Tobias’s father gets drunk and smashes his car into the church, the Baptists decide they no longer want him to be their preacher. They give him his walking papers; he has sixty days to clear out. The Henry family is about to become destitute. Wait one damn minute, though! Tobias’s father hid a bag of money—a lot of money—in a well in Texas some twenty years earlier. He draws a map where he left the money. If Tobias can go on his own to Texas and find the money and bring it back, the family will be saved.

Right away, Tobias’s trip to Texas doesn’t go as planned. He ends up in a whorehouse in St. Louis, where he has a not-very-pleasant encounter (not a sexual one) with a jaded whore, whose only interest is in stealing Tobias’s money. From that point on, things only get worse. He loses his suitcase, along with the map to find the money, and ends up living the life of a hobo, living in a “Hooverville,” eating “Hoover steaks” (sardines), and riding the rails in boxcars. An old, philosophical hobo with a hook for a hand, named Cornelius McCraw (“Craw” for short), becomes his mentor and protector and teaches him some of the tricks of survival, such as how to catch a catfish when you’re starving and how to run from the law.

Eventually Tobias and Craw make it to Texas and the home of Tobias’s uncle and aunt. The uncle gives them a place to stay and puts them to work but won’t allow Craw into the house because he’s a black man. Tobias meets Sarah, a strange girl who believes (and everybody else believes it, too) that she is under an ancient Indian curse that makes her boyfriends die young.

In a roundabout way, Tobias finds his way to the lost money in the well, but it’s not the lifesaver his family hoped it would be. There’s money forthcoming, however, from another, unexpected source that will keep the Henry family from ending up on the poor farm. More importantly, Tobias discovers love—and sex—with the Texas girl Sarah. “Where did you learn to swear?” Sarah asks Tobias. “From my mother,” he says. “I can’t wait to meet her,” Sarah says.

The Dirty Parts of the Bible, by a writer named Sam Torode, is a too-cute, coming-of-age story with a simplistic plot and predictable characters. What I’m saying is, there’s not much depth here, although it is well written and engaging. It’s light summer reading if that’s what you’re looking for. It’s pleasant, fast, easy reading that will not require you to use your brain. Try not to roll your eyes too much while you’re reading it.

Copyright © 2019 by Allen Kopp

The Overstory ~ A Capsule Book Review

The Overstory ~ A Capsule Book Review by Allen Kopp

Richard Powers’ novel, The Overstory, is this year’s Pulitzer Prize winner for fiction. It’s a big novel, 500 dense pages, that took me almost three weeks to read. It’s a big story about big ideas. People don’t matter much where big ideas are concerned. You see, the earth has grown too overcrowded. The earth has to sustain seven billion (and counting) people. Trees are something that most people don’t ever think about. Trees play an important part in keeping the world functioning the way it’s supposed to. They replenish the air we breathe. Their roots keep the soil from coming apart. They provide food and medicine. Birds and small animals live in trees and rely on them for their livelihood. Trees are beautiful and capable of inspiring awe in insignificant humans—that is, those humans who are able to put aside their cell phones long enough to pay attention.

The world’s forests are dwindling at an alarming rate. The human race is an insatiable beast that must be fed. People must be kept happy and comfortable, oftentimes at the expense of the earth’s resources. People don’t seem to be aware of what’s going on, or, if they are aware, they don’t much care. Many species of trees in the world are extinct and more are becoming extinct every year. A few dedicated souls are establishing seed banks where seeds can be stored and replanted at a later time but, if the human race is dead, who is going to plant the seeds? Aliens from outer space?

All the characters in The Overstory come to see the importance and significance of trees, each in his or her own way and in ways that most people don’t ever imagine. Nick is a lonely Iowa boy-man. He’s a sketch artist who sketches trees. His legacy is a gigantic and unusual tree that graced his family farm for generations. His life lacks meaning until one day Olivia comes along and changes it for him. She’s a self-absorbed college girl, a self-described “bitch,” who is electrocuted in her room at school and brought back to life. After she is revived, she hears “voices” that tell her to travel across the country to California because ancient trees there are being sacrificed to “progress.” Armed with nothing but their “cause,” Olivia and Nick set out across the country to California, where they become “environmental activists.” They “tree sit” in a California redwood that is marked for destruction; it’s a thousand years old and hundreds of feet high. The idea is that the tree can’t be cut down while people are living in it. Nick and Olivia live in the tree for almost a year until they are forced out and the tree is cut down. The lesson here is simple: When you fight the law, the law always wins. From being an “environmental activist,” it isn’t a very large step to being an “environmental terrorist.” Nick and Olivia make the step easily enough, along with others.

There are also other interesting and compelling characters in The Overstory. Dr. Patricia Westerford is a tree scientist. If anybody in the novel can be called the “lone voice in the wilderness,” it is her. She advances the theory that trees communicate with each other, help each other, know how to heal themselves, and know when they are going to die. She sounds the alarm about the number of species of trees that are vanishing, but most people are not willing to listen. These environmental people are very passionate, willing to give up everything they have, to die, even, for their cause.

Neelay Mehta is an Indian-American who, from an early age, is a computer whiz. As a high school student, he falls out of a tree he is climbing and breaks his back. From that point on, he is a paraplegic. His stunted body doesn’t keep him from achieving success, however. He starts a software computer company that makes wildly successful computer games. Despite his wealth and success, happiness eludes him. He wants always to create bigger and better programs that mirror the diversity and complexity of life on earth. In this way, he is God in miniature.

The Overstory is long, involved, and mostly involving. Reading it through to the end takes a considerable amount of time and effort but, despite its environmental subject matter, it never seems preachy, condescending, or pretentious. As long as it is, it’s not difficult to grasp for the, let us say, casual or unscientific reader. I would never have read it if it hadn’t won the Pulitzer Prize. I’m glad now that I did. I learned some things and it opened my eyes on the subject of trees and forests and the few people who will do anything, go to any lengths, to protect and preserve them.

Copyright © 2019 by Allen Kopp

The Biograph Girl ~ A Capsule Book Review

The Biograph Girl ~ A Capsule Book Review by Allen Kopp

Back in the early days of silent movies, in the first and second decades of the twentieth century, actors in movies were not identified to the public by name. The cult of personality surrounding the larger-than-life personages on the movie screen had not yet begun. It was not until the 1910s that one movie actor became known to the public by her own name. She was the official “first” movie star. She became wildly famous and popular, mobbed by adoring fans wherever she went. She was Florence Lawrence, known as the Biograph Girl, after the movie studio where she worked.

Florence Lawrence rode the wave of popularity and stardom for a number of years but, as always happens in Hollywood, the fickle public soon turned to other darlings of the screen such as Mary Pickford, and poor Florence Lawrence became one of the first in a long line of Hollywood has-beens whose name came to mean nothing. In 1938, at about age 50, she poisoned herself in her modest Hollywood home. Try as she might, she had never been able to regain her footing in the motion picture industry and reignite her early fame and success.

The Biograph Girl by William J. Mann is an imaginative “what-if” novel about Florence Lawrence. What if she really didn’t die in 1938? What if she used another woman’s suicide to make people think it was her and then continued to live for a long, long time? Not likely, you say? Well, strange and unexpected things can and do happen.

Fast-forward to the late 1990s. Two twin brothers, Richard and Ben Sheehan, one a journalist and the other a documentary film maker, discover a very old woman, 107 years old, living in a posh Catholic old folks’ home. After talking to her and finding out about her life, they discover that she is none other than Florence Lawrence, the Biograph Girl. They both immediately begin to calculate how they might exploit her. The documentary film maker, Ben, wants to make a film about her life, while his brother, Richard, wants to write a book about her. Not to worry, though. Florence Lawrence has an intrepid nun, Sister Jean, to stand in the way of all interlopers and protect her from the harsh and ugly realities of the modern world.

After Florence Lawrence is “re-discovered,” she becomes famous all over again, with appearances on TV talk shows and write-ups in magazines. She is so vital and lively to be 107 years old! How does she do it? Soon questions are raised about how Florence Lawrence faked her own death. Did she kill a woman to make people think it was her? Well, as might be expected, all the fame, publicity, eventual suspicion—and the surrounding innuendo—begin to wear the old woman down.

The Biograph Girl is entirely a fictional, speculative story based on the sad life of a real person from the early days of Hollywood and not in any way to be taken for reality or any facsimile of reality. It’s pop fiction for those seeking “light” reading. It’s way too long for what it is, nearly 500 big pages, and it takes a long time to get to the “pay-off” at the end. If it wasn’t so easy to read, you might stop reading about halfway through and read something else instead.

Copyright © 2019 by Allen Kopp

French Exit ~ A Capsule Book Review

French Exit ~ A Capsule Book Review by Allen Kopp

Patrick DeWitt is an American novelist (b. 1975), whose previous works include The Sisters Brothers and Undermajordomo Minor. His latest is French Exit, a comic novel about a feckless New York widow, Francis Price (age 65), who spends her money without regard for how much might be left. When she discovers she has spent too freely and her money is all gone, she and her grown son, Malcom (age 32), are faced with the prospect of having to alter their way of living.

Francis Price has a very old cat named Small Frank. We discover, although we suspected it beforehand, that Francis’s husband, Franklin Price, who died twenty years earlier of a heart attack, lives inside (occupies) the cat. Francis didn’t especially like her husband and doesn’t especially like Small Frank but instead seems only to tolerate him. Small Frank goes everywhere Francis and Malcolm go. As a cat, he is completely self-sufficient. He is immune even to the dangers that city streets might pose to any other cat.

When Francis’s husband died in his bedroom, there was some controversy surrounding his death. Francis discovered Franklin dead and then went on a three-day skiing trip without letting anybody know what had happened. She was, subsequently, suspected of some wrongdoing in his death and spent a short time behind bars. It was, apparently, immediately after Franklin’s death that a cat (who later came to be Small Frank), was seen hanging around Franklin and seemed to be tête-à-tête, or at least mouth-to-mouth, with him.

Being the child of rich parents, laconic Malcolm Price never prepared himself to make a living and get along in the world on his own. As a 32-year-old man, he lives with his mother and is as dependent on her for his support as he was when he was a child. He has a girlfriend named Susan but, as with most things in his life, he can take her or leave her.

With all their money gone, Francis and Malcolm are locked out of their fancy New York apartment and need a place to live. Francis’s good friend, another wealthy socialite named Joan, tells Francis that she and Malcolm can live in her apartment in Paris, which is currently unoccupied. Francis and Malcolm board a passenger ship and set sail across the Atlantic for Paris, just as wealthy people used to do long ago. They take Small Frank with them to get on the boat but are told they will have to leave him behind because they don’t have any “papers” for him. With barely a backward glance, they leave Small Frank standing there alone at the point of embarkation. Not to worry, however. Small Frank manages to make his way to Francis’s stateroom, where he makes himself quite comfortable. Francis and Malcolm even take Small Frank into the dining salon with them, where he sits on a chair at the table. When a fussy waiter ejects Small Frank, he comes right back in when the waiter has his back turned, as cats are wont to do.

Francis and Malcolm live in Paris in much the same way they lived in New York; that is, with little thought of the future and blissfully unaware of the consequences of their own actions. Francis has retained a little of her fortune from the sale of some personal items, but she seems intent on spending the last of her money any foolish way she can. It seems she has a plan in mind for the future, or at least her own future. When Small Frank leaves home and takes up residence on the streets of Paris as a homeless cat, Francis consults a “psychic” named Madeleine she and Malcolm met coming over on the boat to try to locate him. Madeleine is able to contact Small Frank through the use of a séance, even though he isn’t dead but just in a bad way living on the Paris streets.

French Exit is perfectly written, far removed from reality, entertaining, clever, droll, witty, whimsical, offbeat, and unlike anything else. If you’re looking for these qualities in a novel, they are here in abundance.

Copyright © 2019 by Allen Kopp

Every Word on Every Page

Every Word on Every Page ~ A Short Story by Allen Kopp

His name was Mr. Crimm. He was a man in his fifties with the bulk of a gorilla. There was something about him not quite savory; he was missing a finger on his right hand and he had bristly hairs growing out of his nostrils. He looked more like an auto mechanic than a book dealer. He knocked savagely on the door. Mrs. Fairleigh went to let him in, disliking him at once.

“You got some books?” he said, baring his yellow monkey teeth.

“You’re the book expert?” she asked.

“That’s what they tell me,” he said. “You called for somebody to come and take a look at some books?”

She opened the door for him. She took two steps ahead of him and then stopped and turned to look at him. “My late husband was the book collector. He loved books, mostly novels and books on history. The Renaissance and Magellan and that sort of thing.”

“Uh-huh,” Mr. Crimm said, obviously not impressed.

“I don’t know much about them myself. The books, I mean.”

“Are you going to show me the books,” Mr. Crimm said, “or are we going to stand here all day and gab?”

She took him up the stairs, along the hallway to the last door on the left. She opened the door and stepped inside, Mr. Crimm following her.

“This is a bedroom, but all it has in it now is books,” Mrs. Fairleigh said.

Shelves from floor to ceiling were loaded with all manner of books, old books and newer books, every shape, size and color. Where the shelves were overflowing, books on their sides were laying on books standing upright. Books were stacked on the floor in front of the shelves, in corners and in every available space. Cardboard and wooden boxes full of books allowed only a narrow path through the room.

Mr. Crimm made a sound in his throat of disapproval, as if about to discharge a ball of phlegm.

“They’re not very well organized, I’m afraid,” Mrs. Fairleigh said. “Ever since my husband died, I thought I’d go through them and organize them in some way but I never seemed to find the time.”

Mr. Crimm selected a book at random from the shelf, opened it and turned a few pages. Putting the book back, he did the same thing with another one.

“Not worth much,” he said.

“What?”

“I said nobody wants books like these. They’re not worth anything.”

“You’ve hardly even looked at them.”

“I’ve been in business for a long time. I know what people want and what they don’t want.”

“It seems you’d look at each book individually and establish a price for each one.”

“I ain’t got time for that. That’s not the way I do business.”

“Well, I’m sorry to have wasted your time, but I don’t think…”

“I give you two hundred dollars for the lot.”

“What?”

“I said I give you two hundred dollars for every book in this room. That’s very generous. I might even buy the shelves if the price is right.”

“They’re worth a lot more than that, I’m sure!” Mrs. Fairleigh said.

“You just said you don’t know nothing about no books,” Mr. Crimm said. “Believe me, this is a lot of junk and it’s not worth anything. A thing is only worth as much as somebody is willing to pay for it. This is a lot of crap, I can tell, and I’m offering you two hundred dollars to take the whole mess off your hands this very day.”

“No, I’ve changed my mind. I’m going to call somebody else.”

Mr. Crimm gave an exasperated sigh and leaned his monkey-like paw against the door frame. “You can call any book seller in the city and they’ll all say the same thing. Do you want me to give you a little time to think about it? That’s what people always say.”

“No, I’ve already made up my mind. I’m not going to sell to you.”

“Do you mean to say you got me all the way out here for nothing?” Mr. Crimm asked.

“I’ll give you fifty dollars for your time and effort and that’s the best I can do.”

Mr. Crimm looked at her as if she was a very difficult case. “I give you two hundred fifty dollars,” he said. “That’s the best offer you’ll get anywhere.”

“No, that’s not enough for this many books. There are thousands of books in this room. I’m sure they’re worth more than that.”

“You won’t do no better, believe me.”

“I’m sorry your time had been wasted. I’ll write you a check for fifty dollars and we’ll call it even.”

“Three hundred! That is my last and final offer!”

“No! Don’t you understand English? I’m not going to sell to you!”

“That’s no way to treat a businessman, you know!” Mr. Crimm said. “You get me all the way out here in good faith and then you back out of the deal? I don’t think I’m going to let you treat me in this way! There’s such a thing as ethics in business, you know! Don’t you have no ethics?”

“I’m not going to stand here and argue with you!” Mrs. Fairleigh said. “I want you out of my house this very minute!”

“I think we can work something out.”

“There’s nothing to work out!”

“You have a very bad attitude, you know that?” Mr. Crimm said. “You can’t treat people like dirt and expect them to take it lying down!”

“Is there any way I can make it any clearer? I want you out of my house! Right now!”

“I’m not leaving until we’ve concluded the transaction.”

“The transaction is concluded!”

“I’ll make it four hundred dollars but only if you throw in the shelves. That is a very generous offer and I know I’ll never make a cent of it back.”

“That’s not enough for this many books. Some of these books might be worth four hundred dollars on their own!”

“My driver is outside in the truck. His name is Paolo. I’ll get him to come in and help me and we’ll have this room emptied out in no time at all.”

“I don’t believe you’re an expert on books, at all,” Mrs. Fairleigh said. “I think you’re a junk dealer.”

“You don’t have to insult me on top of everything else!” Mr. Crimm said.

“A person who knows books would take the time to look at each book separately and assess its value. I’m sure some of these books are rare. Some of them alone may be worth thousands of dollars!”

“I’ve already told you what they’re worth, and they ain’t worth diddly squat!”

“You think I’m only a stupid woman. You’re trying to cheat me, but I’m not going to let you do it! I knew the second I saw you that you didn’t know a thing about books.”

“I know as much as anybody else and I know these books ain’t worth shit!”

“Well, they’re my books and I’m going to keep them!”

Mr. Crimm was no longer listening. He had been writing out a check. He tore it from his book and handed it to her.

“What’s this?” she asked.

“It’s your check for four hundred dollars for the books! Did you think I wouldn’t pay you what I said?”

She looked at the check and tried to give it back. “I don’t want it!” she said.

When he wouldn’t take the check from her, she tore it up in little pieces and threw them in his face.

“I see you are a very unstable woman,” he said.

“Get out of my house now or I’ll call the police!”

Ignoring her, Mr. Crimm called his driver, Paolo, on his two-way radio and instructed him to come inside. Paolo was no more than a boy, but in less than two minutes he and Mr. Crimm were hefting boxes over their shoulders, carrying them down the stairs and out the door.

“I’d advise you to stop with that right now!” Mrs. Fairleigh said, but she knew they were ignoring her. She had no other choice but to stand by and watch them.

She was going to call the police but she believed she needed more immediate help than they could offer. She went to her bedroom and got her husband’s loaded gun out of the dresser drawer. Holding the gun to her side, she went outside.

Mr. Crimm was loading boxes into the dark interior of the nearly empty truck and didn’t see Mrs. Fairleigh standing at the curb looking in at him. Paolo was still inside the house.

“Unload those boxes from your truck and set them here on the sidewalk!” Mrs. Fairleigh commanded.

Mr. Crimm was pointedly ignoring her. His face was inscrutable. “I’ll mail you a check for four hundred dollars,” he said, “since you tore the other one up.”

She pointed the gun at him. He didn’t bother to look at her until he heard the gun cock.

He laughed. “You going to shoot me?” he said.

“You think I won’t?”

“You going to shoot me over a load of old books?”

“No, I’m going to shoot you because you’re robbing me.”

“Put the gun down and stop acting like a child,” he said.

She fired the gun one time above his head. The bullet hit the far wall of the truck and made a hole clean through to the outside.

Mr. Crimm threw his arms up in surprise. “You shoot me, you crazy bitch!” he said. “What’s the matter with you? Are you insane?”

“No, I wasn’t trying to shoot you that time, but next time I will.”

“Wait just a minute!” he said. “You don’t have to shoot again! We’ll talk about this thing!”

“There’s nothing to talk about. Unload those boxes and set them here on the sidewalk and then get into your truck and drive away and forget you were ever here.”

“You crazy woman!” he said.

“Unload the boxes! Now!”

“All right! All right! It just ain’t worth it!”

He set the boxes on the sidewalk as he was told and when he was finished he stood looking at Mrs. Fairleigh as he rubbed his hands together. “You going to shoot me now?” he asked.

“Get back up in the truck!” she said.

“What?”

“I said get back up into the truck!”

“Why?”

“You’ll see why.”

He did as he was told. About halfway to the back of the truck, he turned and looked down at her. He put his hands on his hips and smiled. If he had been afraid of her before, his fear had passed.

“I don’t like you,” she said. “I didn’t like you from the moment you first knocked on my door.”

“Let’s just say it’s mutual,” Mr. Crimm said.

She shot him in the thigh of his right leg. He grabbed the leg, looked at her in surprise, screamed and fell back, cursing her in a language she didn’t recognize. Still holding the gun in her right hand, she slammed the doors of the truck, effectively shutting Mr. Crimm off from the light and air and out of her life.

Paolo came out of the house carrying a carton of books under each arm. When she saw him, she smiled.

“I don’t know if you understand English,” she said, “because I haven’t heard you speak a syllable, but I want you to listen very carefully to what I’m about to say.”

He smiled, nodding to show he understood. He set the cartons down alongside the others on the sidewalk, took a cigarette from behind his ear and lit it.

“I don’t know what relation this man is to you,” Mrs. Fairleigh said, “but I hope for your sake he isn’t somebody important to you because I just shot him in the leg. You probably heard the gun fire. Take him to the nearest hospital. Tell them a stray bullet hit him in a violent neighborhood you were passing through. You didn’t see exactly where the bullet came from. If you don’t follow these instructions to the letter, I have another bullet for you, with your name on it, and I have to tell you I’m not a very good shot. If I aim for your leg, I might hit something more vital.”

Paolo shrugged and smiled again and tossed his cigarette into the street. He climbed into the driver’s seat and slammed the door. He started the truck, grinding the gears and, pulling away from the curb, rattled away down the block and disappeared from view.

While Mrs. Fairleigh was still standing on the sidewalk, her next-door neighbor Mrs. Bushmiller came out and stood beside her. She had a cigarette hanging from the corner of her mouth and her hair was pinned up in bobby pins, making her appear to be wearing a tight-fitting brown cap.

“What was that noise?” Mrs. Bushmiller asked.

“I didn’t hear anything,” Mrs. Fairleigh said.

“It sounded like a car backfiring.”

“That’s probably what it was, then, dear.”

“Why are these cartons sitting here on the curb?”

“They’re some books I had delivered. I need help carrying them in the house and up the stairs.”

“Don’t worry,” Mrs. Bushmiller said. “I’ll get my sixteen-year-old son, Trippy, to help you. All he does is lay around the house anyway.”

“I’d be glad to pay him.”

“You won’t pay him a cent. What are neighbors for?”

Mrs. Fairleigh stood and waited while Mrs. Bushmiller went to get Trippy. In no more than a minute, he came running out of the house, eager to help a neighbor lady with a lifting job. How kind people are, Mrs. Fairleigh thought, as Trippy leaned over to get a good grip on the first box and she stared intently at the elastic of his underwear.

Copyright © 2019 by Allen Kopp

The Martian Chronicles ~ A Capsule Book Review

The Martian Chronicles ~ A Capsule Book Review by Allen Kopp

The Martian Chronicles, by Ray Bradbury, was first published in 1950 and is set in a future time in the early 21st century, a time that we have now exceeded and passed. It is a collection of interrelated short stories that are almost but not quite a novel. The stories are all set on the planet Mars and are about earth people traveling to Mars, living on Mars and trying to survive on Mars. Mars may be the one planet in our solar system that is most like earth but, as the people in the book discover, living on Mars is not quite the same as living on earth.

In The Martian Chronicles, tens of thousands of people from earth are traveling to Mars because—you guessed it—mankind has defiled and annihilated earth and, for people to go on living, they must find a new planetary home. Mars, as we see it, is an eerie, lonely planet, with dried-up oceans, deserts and canals, and remnants of Martian cities that are thousands of years old.

Earth people on Mars, as you might imagine, are not good for Mars. They set about destroying Mars the same way they destroy earth and there’s nobody to stop them. The once-proud Martian race has all but died by the time the bulk of earth people arrive. There may be a few Martians still living, but they keep themselves hidden in the hills and are rarely seen.

The stories in The Martian Chronicles are divided into three parts. The first part is about the attempts of men from earth to reach Mars and the methods Martians use to keep them away. In the second part, humans from earth set about colonizing Mars, having all but wiped out the Martians with earth diseases, and are preoccupied with making Mars as much like earth as they can. However, as earth is about to be destroyed in a nuclear war, most of the earth colonists on Mars pack up and return home. The third part deals with the aftermath of the destructive war on earth and the few earth people still remaining who will become the new Martians because earth is gone and they have no place to return to.

The Martian Chronicles is intelligent, inventive and engaging, with just a touch of creepiness to enlighten the proceedings, as when an inventor, whose wife and children have died on Mars, makes look-alike robots to replace them, or when the Martians eliminate one of the expeditions from earth by using telepathy to make the men of the expedition think their long-dead relatives are alive and well on Mars. It’s classic sci-fi fantasy as only Ray Bradbury can do it.

Copyright © 2019 by Allen Kopp

Tolkien ~ A Capsule Movie Review

Tolkien ~ A Capsule Movie Review by Allen Kopp

Thirty-year-old, blue-eyed actor Nicholas Hoult plays English fantasy writer John Ronald Reuel (J. R. R.) Tolkien in the film biography of Tolkien’s life, called, appropriately, Tolkien. J. R. R. Tolkien’s work is probably more popular now than it was during his lifetime due, in large part, to the two popular film trilogies (six movies in all), based on his works The Lord of the Rings and The Hobbit.

J. R. R. Tolkien lived from 1892 to 1973. Both of his parents check out early, so he and his younger brother are left under the guardianship of a priest. He attends a traditional boys’ boarding school, where he, as usually the case with creative people, occupies his own world, in this case the world consisting of sketching fantastic creatures, creating his own language, and dreaming of a fantasy world of his own making. (His early preoccupation with fantasy is fueled mostly by his soon-to-be-dead mother.) While still in school, he develops an infatuation for a young girl named Edith, who is the “paid companion” of a wealthy woman named Mrs. Faulkner. His love affair with Edith doesn’t work out right away and she announces she’s marrying somebody else, but eventually they end up together and marry.

While still at school, Tolkien develops a close relationship with several other boys, who are all unique in their own way. This friendship is very intense and lasts presumably for a lifetime or until death. The theme of friendship (“fellowship”) becomes an important theme in Tolkien’s yet-to-be written fantasy works. Other important themes would be questing for something that is lost and the titanic, never-ending battle between good and evil.

Tolkien experiences The Great War (“The War to End All Wars”) firsthand, on the front line of battle. He survives the war, while so many others do not, marries, has four children, and goes on to become a college professor and a prolific writer. We have to presume he would be surprised by the continuing fascination with his life and work 46 years after his death.

Tolkien covers roughly the first half of J. R. R. Tolkien’s life. The movie ends before he came to write the books that would make him famous. It’s a fairly standard movie biography, well-made, but not as compelling as films based on the lives of other famous Britishers, Alan Turing (The Imitation Game) and Stephen Hawking (The Theory of Everything.) The British accents in Tolkien are sometimes difficult to comprehend, but that’s usually the case with British movies (some English subtitles for American audiences might not be amiss).

Copyright © 2019 by Allen Kopp

Outer Dark ~ A Capsule Book Review

Outer Dark ~ A Capsule Book Review by Allen Kopp

The two main characters in Cormac McCarthy’s novel Outer Dark, brother and sister Culla and Rinthy Holme, are victims of poverty and ignorance. (She has no shoes, while he wears stolen boots.) Rinthy is nineteen. Culla is some older. Rinthy has a baby and Culla is the father. Apparently because he is ashamed of impregnating his own sister, Culla takes the nameless baby, a boy, and leaves him alone in the woods to die. The baby is picked up by a ragtag, itinerant tinker who travels around with his cart. Where the tinker takes the baby or for what reason is never made quite clear, but it can’t be for any good or because he is concerned for the baby’s welfare.

Rinthy and Culla undertake separate journeys, Rinthy to find the baby (her “chap”) and Culla to find Rinthy, or maybe he’s just looking for work. Wherever Rinthy goes in her quest to find her baby, she is mostly met with kindness, with people who feed and shelter her. With Culla it is just the opposite. Death and disaster follow in his wake. The people he encounters are menacing and more than once threaten him in some way. (Does the trio of despicable desperadoes who seem to be trailing him really exist, or have they been called forth by his sin?) Even nature is unforgiving for Culla. When he is crossing a ferry on a river, the cable holding the ferry in place inexplicably breaks and Culla nearly drowns. He survives, but would have possibly been better off to have drowned, considering what happens to him afterwards.

Can we say, then, that Rinthy is a child of light and Culla a child of darkness because of his sin of engaging in incestuous relations with his sister and then trying to destroy the evidence of the relationship? His biggest sin, however, is possibly his lack of awareness of his sin and his failure to seek redemption. (At the end of the book, Rinthy finds herself in a glade and Culla in a swamp.)

Cormac McCarthy, now 85 years old, is one of America’s greatest living writers, the only writer we have comparable to William Faulkner. Outer Dark is a fascinating exploration of sin and retribution (or the absence of retribution). I’ve read it twice, years apart, and found it compelling both times. It’s an example of how good contemporary American literature can be in the hands of an undisputed master.

Copyright © 2019 by Allen Kopp

Full Service ~ A Capsule Book Review

Full Service ~ A Capsule Book Review by Allen Kopp

Scotty Bowers was born in 1923 and is now 95 years old. He grew up in a small town in Illinois, served in the Marine Corps in World War II and began living in California after the war. He started out as a gas station attendant in Hollywood in the 1940s and became a male prostitute (for either sex), a procurer (for anybody of any sexual orientation who wanted a sex partner), bartender, handyman (repairing anything from plumbing to electrical wiring), husband and father, sexual powerhouse, friend to many, including famous and celebrated people in and out of the movie industry, including Ramon Navarro (silent screen star), Katharine Hepburn, Spencer Tracy, Harold Lloyd (silent film comedian), George Cukor (movie director), Cary Grant, Randolph Scott, Vivien Leigh, Laurence Olivier, Walter Pidgeon, Charles Laughton, Noel Coward (English playwright), Cecil Beaton (English photographer and set designer), Cole Porter, Rita Hayworth, William Randolph Hearst, Marion Davies, Lana Turner, Errol Flynn, Vincent Price, Rock Hudson, J. Edgar Hoover, Tennessee Williams, Mae West, Edith Piaf (French singer), Tyrone Power and the Duke and Duchess of Windsor. The list goes on and on. According to Scotty Bowers’ memoir, Full Service, everybody loved Scotty and looked upon him as a great friend. He was the “go-to-guy” for fulfillment of many of their desires and needs. There was nobody ever who didn’t need and love Scotty. He was known as “Mr. Sex.”

If all of Scotty Bowers’ claims are true, he was one of the most extraordinary human beings who ever lived. He was equally accommodating for sex with either gender—of how many heterosexual men have you known this to be true?—and could perform easily at least three times a day. He was never squeamish about bizarre or repellant sexual practices or fetishes and could engage in them without reservation. According to Scotty Bowers, it’s all about giving and receiving pleasure and, as long as those requirements are met, what could possibly be wrong?

Full Service is an entertaining memoir by a man who claims to have “been there,” done it all, and known just about everybody worth knowing in the Hollywood of the 1940s, ‘50s, ‘60s and ’70s. Whether or not you believe that one man could know so many famous and celebrated people and be as prodigiously sexual as Scotty Bowers claims to have been is up to you. As with Kenneth Anger’s equally entertaining Hollywood Babylon, it might be a good idea to consider large parts of Full Service as pure fiction, especially since all the people mentioned are dead now and can’t be solicited for their opinions (and can’t sue from wherever they are).

Copyright © 2019 by Allen Kopp

Dream Boy ~ A Capsule Book Review

Dream Boy ~ A Capsule Book Review by Allen Kopp

The novel Dream Boy by Jim Grimsley is set in rural North Carolina. No time is given when the novel takes place, so we’ll assume it’s in the 1950s since it has a 1950s feel. Nathan and Roy live on neighboring farms. Nathan has just moved to the area with his mother and his creepy, alcoholic father, so he’s new to the local high school. Roy is older than Nathan but still in high school. Roy drives the school bus and when they start out in the morning, Nathan is his first passenger. Nathan seems troubled and withdrawn. Roy reaches out to Nathan and they become friends, despite their obvious differences.

Since they live in an isolated farming community, Nathan and Roy have lots of chances to be alone together. They take long walks in the lonely woods where they discover an old cemetery and, later, an abandoned and long-neglected plantation house. Expectedly or not, surprisingly or not, their friendship develops into a furtive sexual relationship. Later, Roy becomes jealous when Nathan seems to be experienced in the practice of being with another man. Where did he learn it, Roy wonders?

Nathan has a secret. We know it if Roy doesn’t. Since he was a small boy, Nathan has been sexual abused by his own father, a person who has plenty of problems of his own, alcoholism being just one of them. Nathan’s mother just hangs in the background and, doing nothing to help, wallows in her own sorrows.

Afraid that his father will come into his room at night and try to rape him, Nathan begins sleeping in Roy’s barn or in the old cemetery that he and Roy discovered on one of their walks. Roy knows that something is wrong with Nathan but doesn’t suspect what it is. He helps Nathan all he can and tries to protect him. When Nathan and Roy go on a weekend camping trip with two other boys, the other boys learn firsthand the nature of Nathan and Roy’s special friendship, leading to the novel’s tragic conclusion.

Jim Grimsley is a talented, interesting writer. Besides Dream Boy, I’ve read some of his other books, including Boulevard, My Drowning, and Winter Birds. Dream Boy is a slim novel, under 200 pages, with elements of the southern gothic. The ending is a little ambiguous, but I suppose that’s the way it’s meant to be. Nathan’s victimhood is to become Roy’s lifelong sorrow.

Copyright © 2019 by Allen Kopp