At the River ~ A Short Story

Floating,In,San,Marcos

At the River
~
A Short Story by Allen Kopp ~ 

(This short story has been published in The Sim Review.)

All day long he had nothing to do. His legs didn’t work so well anymore; neither did his eyes or his ears. He slept at night and got up in the morning and there was somebody always there, sometimes a stranger he had never seen before, to help him get himself into the bathroom and dressed and downstairs to breakfast, where he sat with thirty or forty others just like him, making a mess of his oatmeal and eggs and not saying anything. After breakfast somebody always sat him down in a comfortable spot in the solarium or the TV room and he just sat there, usually all day, until they came and got him for the next meal. After that it was time to get into bed and sleep again and wake up again and get dressed and go down for breakfast and do the same thing all over again; again and again as if that was what he was put on the earth for: a lot of nothing that seemed to have no end. Whoever said life was short?

He wondered what happened to the people he used to know. Didn’t he have a wife and a couple of children? Didn’t he have at one time some grandparents, uncles and aunts, a mother and father, a sister and a couple of brothers? What happened to all of them? Did he just dream them up? Oh, yes, that’s right: one after the other they all died. He came to see life as a kind of lottery: the winners went on ahead and the losers had no other choice but to stay behind. In the end there would be one loser left, and he was it. When they were children and they played tag or kick-the-can or hide-and-seek, somebody always had to be “it.” He didn’t like being “it” then, and he didn’t like it now.

Since he had no current life to speak of, he dwelt mostly in the past. Once, when he was eight years old, he and his whole family—including grandparents, aunts, uncles and cousins—went on a camping trip to a river. The men went fishing while the women went in swimming. He had never fished and wasn’t interested in learning, so he stayed with the women. His mother told him he didn’t need to be embarrassed about staying with the women, but somebody always teased him about it and it hurt him enough that he thought he should probably learn to fish so it wouldn’t happen again. His mother took his swimming trunks out of her suitcase and gave them to him and told him to go into the tent and take everything off and put on the trunks and come back out as soon as he could because they were all waiting to go in swimming.

After he put on the trunks, he was ashamed of the way he looked. His arms and legs were a pale yellow color and as thin as sticks. His chest was ugly and not at all manly. His stomach stuck out farther than he would have liked. He imagined that he looked like a monkey without any hair, a shaved monkey. He couldn’t let anybody see him almost naked with just a strip of red cloth around his middle. He stayed in the tent until his mother came and pulled him out, looking plenty silly herself in her green swimsuit and matching bathing cap that wrinkled the skin on her forehead. When he insisted that he had to stay in the tent because he felt sick, she slapped at him and told him she was in no mood for any of his nonsense. He slapped her back on the arm, which later he regretted. He could tell that she wasn’t quite herself; her tongue seemed thick in her mouth and her movements were jerky; she had been drinking. She dragged him out into the sunlight and held him to her hip as if she thought he might get away if she let him go.

Nobody looked at him in his silly red swimming trunks so he started to relax. He went into the water up to his elbows and then got back out and sat on a towel in the shade on the bank. The women were splashing around in the middle of the river, talking and laughing. The older kids were playing in a spot farther off, screaming and trying to hold each other under. He wanted no part of any of them.

He realized after a while that he couldn’t just sit there all day while everybody else was having fun, so he went back to the water. He waded in slowly until he was up to his chest and then, taking a quick look over his shoulder, began walking downriver. He walked until he was out of sight and hearing of the others.

He went farther and farther, staying in the middle of the river. The farther he went the deeper the water became. It was up to his breastbone and then past his shoulders to his neck. When he looked down all he saw was green-black murkiness; he could no longer see his feet, but still he kept going.

Every couple of feet he advanced, the water came closer to swallowing him up. It was up to his chin and then to just beneath his mouth. If he stepped off a drop-off that he couldn’t see, he would go under. He knew the drop-off was there, up ahead, waiting for him; he could see it without seeing it. All he had to do was keep going and he would find it. He would drown because he had never learned to swim. And even if he had had a chance to yell before he drowned, nobody would hear him because they were all too far away. He knew, even at his young age, that he was flirting with death.

As he stood in the water up to his mouth—unable to swim if he should go under—he looked over at the river bank; at the sky and the wild foliage that began on the other side of the trees. He was watching some birds doing acrobatic loops in the air when he noticed a smell in the air, a smell that he realized had been hanging over him all day. It seemed to him to be the smell of death. He thought for a moment that it was his own death he had been smelling, but as he turned around and began walking back upriver he knew it was somebody else’s.

When he got back to camp, everybody who had been in the water earlier was now out. His mother, as he was soon to find out, had had an argument with her younger sister and swam off by herself to another part of the river. Everybody expected her to come back in a few minutes, after she cooled off, but more than an hour had gone by and nobody had seen her. They were starting to get a little worried.

After another hour or two, they were certain something bad had happened, or she would have come back on her own. Somebody drove to the nearest phone and called for help. The police came in due time and, after they had asked their myriads of questions, conducted a search of the river. They found her body near some bluffs where it had been swept by the current and become lodged against some rocks. The green bathing cap was what they saw that led them to her.

His mother’s drowning was the terrible event of his life, the one event by which all other events were measured; the event that changed everything. It was his primer in death—the death that prepared him for all the others, including his own.

Not a day—and barely a waking hour—had gone by in his life that he didn’t think of her. She was and always would be the unknowable thirty-three-year-old wife and mother of four and he, the frightened eight-year-old boy clinging to her memory. He had—and always would have—unanswered questions that only she could answer.

After dinner he had a sinking spell; he blacked out on the way to his room and fell in the hallway. The nurses got him to his room and into bed and called his doctor.

He had been dozing in the darkened room when he opened his eyes and saw a nurse he had never seen before standing beside his bed. He smiled at her and she smiled back.

“I knew you would come,” he said.

“Of course I came.”

“Where’s the green bathing cap?”

“This is my day not to wear it.”

“You don’t look a day older.”

“That’s the way it is. You look much older.”

“Isn’t it awful?”

“Don’t talk now. The doctor is on his way.”

She straightened the blanket around his shoulders and went to the window and pulled back the curtain and looked out. “It’s starting to rain,” she said.

“You won’t leave again?” he asked.

“No,” she said. “I’ll be right here.”

Copyright © 2024 by Allen Kopp

The Literary Hatchet, Issue 37

The Literary Hatchet cover, Issue 37
The Literary Hatchet, Issue 37

The Literary Hatchet is an independent international journal devoted to emerging and established voices crafting provocative short fiction and thoughtful poetry and prose. Published three times a year! (Stefani Koorey, editor; Eugene Hosey, editor; Michael Brimbau, editor.)

In Issue 37, we are proud to present 144 pages, 13 short stories, 35 poems, and 7 works of original art/humor from authors and artists worldwide!

Available for purchase for $12 a copy at this link on Amazon:

Amazon.com

*****

(I have three short stories published in Issue 37 of The Literary Hatchet: “Patrick White,” “Young Father Underground,” “When Woolworth’s Closed Its Doors.” ~ Allen Kopp

Find Out Where the Train is Going ~ A Short Story

Find Out Where the Train is Going image 1
Find Out Where the Train is Going
~ A Short Story by Allen Kopp ~ 

(This short story has been published in Selected Places: An Anthology of Short Stories.)

We’re in a long room that was once used for something else. There are thirty beds in two rows. These are accommodations for guests of the state: check bouncers, bigamists, shoplifters, pickpockets, prostitutes. You could go on and on calling out their misdeeds, but why bother? They are the morally bankrupt repeat offenders who are not beyond being redeemed or reformed. Give them two years, or four or five, and they’ll be out if they’re lucky. Redeemed? Not very likely. The really bad ones, the hardened criminals, the murderers, the ones that would throw acid in your face and enjoy doing it, are in another part.

Juniper Tarrant has only been in residence for a few days. She didn’t do anything. She is innocent. She was left with some hash or blow or something—she wasn’t even sure what it was called—that belonged to her boyfriend, a man named Ed King. He disappeared and she went to jail, no matter how many times she told them it wasn’t her fault. Her one hope is that he comes back and tells them what really happened. Of course, she’s going to stick a knife in his ribs if she ever gets the chance, but that’s something that is going to have to wait.

On her fifth or sixth day (she has lost count already), her lawyer, an elderly man named Arthur Lux, comes to see her. She meets with him in a tiny room with a table and two chairs. A blank-faced guard stands against the wall, a silent observer. As she tells the lawyer again everything that happened, he writes it all down.

“When I woke up,” she says, “he was gone.”

Who was gone?” the lawyer asks. “You have to be specific in your answers.”

“Ed King.”

“Was that his real name?”

“It’s the name he gave me.”

“Did he use any other names?”

“I don’t know. Why would he do that?”

“How long had you known him?”

“I don’t know. A few months.”

“How many months?”

“About six.”

“You didn’t know he was involved in the selling and distribution of drugs?”

“No! And if he was, I wasn’t!”

“Do you have any reason to believe he deliberately framed you?”

“No! Why would he do that?”

“So, the two of you were living in this hotel together. What was it called?”

“The Excelsior. And I wouldn’t say we were living there. We were staying there for a few days.”

“For what purpose?”

“Why does anybody stay in a hotel?”

“Hotel records show the room was registered in your name alone.”

“Ed always took the room in my name.”

“Why is that?”

“He always had the feeling that somebody was following him. Watching him.”

“And you suspected nothing?”

“No. I stayed out of his business.”

“After the Excelsior Hotel, where were you planning on going?”

“I don’t know. If Ed knew what our next move was, he hadn’t told me.”

“So, you traveled around with him from place to place and you didn’t know what kind of activities he was involved in?”

“He told me he was a salesman.”

“What did he tell you he sold?”

“In his day he sold cars, washing machines, life insurance policies and other things, too. He didn’t like to talk about it.”

“And you didn’t question him?”

“Why should I?”

“And you thought he was a perfectly legitimate salesman?”

“I had no reason to believe otherwise.”

Arthur Lux closes his notebook, puts his pen away and places one hand on top of the other. “Would you be able to identify him if you saw him again?” he asks.

“Of course!” she says.

“Were you in love with him?”

“I thought I was but right now I hate him so much I could kill him.”

“Did you give him money?”

 She shrugs and pushes her hair back out of her face. “All I had,” she says.

“How much?”

“Five thousand dollars and some change.”

“It seems he did you a dirty deed.”

“If he would only come back and square me with the police,” she says. “Tell them the truth about what really happened. That’s all I ask. I would never bother him again.”

“Maybe you should be more prudent in your associations in the future,” Arthur Lux says with a sad smile.

“Thanks for the advice. It’s a little late.”

“We’re doing all we can but, in spite of our best efforts, we haven’t been able to locate him.”

“You’ve got to find him!”

“There’s no indication that he even exists.”

“What are you saying? Do you think I made him up?”

“I’m not saying that at all. I’m saying that he probably gave you a false name and that he planned on running out on you from the very beginning.”

“I fell for his line. I was such a fool.”

“We’re all fools.”

“Can’t you pull some strings to get me out of here? Some writ of habeas corpus or something? I don’t belong in prison.”

Arthur Lux reaches across the table and pats her arm. “Don’t despair, my dear. Something is bound to turn up.”

Now, every night at nine-ten, just before lights out, a passenger train goes by the prison. For fifteen or twenty seconds the long room with the thirty beds is filled with the clatter and excitement of a train on its way to some undisclosed location. Some of the prisoners cover their heads with their pillows to try to drown it out, while others wait to catch a glimpse of it and, if the light is just right, to catch a glimpse of some of the people riding on it. The train goes by so fast that it is just a blur, but some of the prisoners claim to have seen passengers on the train that they recognized. One woman said she saw her husband who was supposed to be in a mental institution but was obviously out having a good time. Another claimed to see the daughter and son, twins, that she gave up for adoption at the time of their birth twenty-seven years earlier.

Juniper Tarrant falls into the habit of watching the train every night. She is one of those who, for a few seconds at least, feels a curious sense of release and possibility as the train goes by in the night. As long as trains carry happy people from city to city, the world cannot be all terrible and bad. Some day I’ll be free and I’ll be the one on the train.

After a week or so of watching the train, she sees Ed King, looking out at her from one of the sleek passenger cars that glides through the night like a bullet. She sees his face so clearly she cannot be mistaken: the dark hair with a little gray mixed in, the brown-green eyes, the little scar above the right eyebrow, the commanding chin. He is wearing a gray suit with a light-blue shirt and a red tie. She remembers the tie. It was the one tie of his that he liked the best.

She turns away from the window, lets out a little cry and is sick. Lying on the floor, she has a kind of seizure. The prisoner in the bed next to her calls for help and she is taken to the infirmary. When the doctor examines her, he tells her she is going to be a mother in about seven months time.

She is given a sedative and kept in the infirmary overnight for observation. In the morning she is desperate to talk to Arthur Lux, her lawyer. When she asks to call him, she is denied. (“What do you think this is, a finishing school?”) One of the matrons will try to get a message to him if she can. The message is simple: I saw Ed King on the train. Find out where the train is going and there you will find Ed King.

Copyright © 2024 by Allen Kopp