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You’re Going on a Trip

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 You’re Going on a Trip ~ A Short Story by Allen Kopp

The bus station was noisy and crowded. Bernice stopped just inside the door with Mrs. Greenstead, looking for a place to go. On the far side of the room, a man and a woman were just vacating chairs. Bernice pulled Mrs. Greenstead by the arm, quickly, to get to the chairs before somebody else did.

Mrs. Greenstead didn’t know what was happening. Bernice turned her around and backed her up to the empty chair and then, taking her by both hands, bade her sit. Once in the chair, Mrs. Greenstead swiveled her head from left to right. “What is this place?” she asked. “Are we here to see the doctor?”

“We’re in the bus station, mother!” Bernice said loudly, sitting down beside her.

“Are we going on a trip?”

You’re going on a trip. I’m staying at home.”

“I don’t want to go. I think I forget to turn off the stove.”

“No, mother, the stove is fine. I checked it before we left.”

“I don’t feel like riding on a bus. I’m going to be sick.”

“I gave you Dramamine. Don’t you remember? That’s supposed to keep you from getting car sick.”


“You can doze on the bus and in a couple of hours you’ll be there and Warren and Velma will meet you.”

“Two hours?”

“You can take a little nap and be there in no time.”

“What if I don’t want to go?”

“You don’t want to disappoint Warren and Velma, do you? They’re expecting you.”

“Call and tell them I’m not coming.”

“Now, you just sit right here and don’t get up. I’ll go get your ticket.”

“Can you hurry it up a little? I don’t want to miss that train.”

“It’s a bus, mother, and you’re not going to miss it.”

After what seemed to Mrs. Greenstead a very long time, Bernice returned with the ticket.

“Here it is, mother!” she yelled. “Give it to the driver when you get on the bus.”

“What is it?”

“It’s your bus ticket! Don’t lose it! You’ll need it when you get on the bus!”

“I don’t want to go. I want to stay home.”

“Now, your suitcase is right beside your feet. Keep an eye on it because people steal things in bus stations. Your money is in it and your identification.”

“My what?”

“We want people to know who you are in case you get lost.”

“I won’t get lost.”

“There’s your ticket in your right hand. Your suitcase is on the floor beside your feet. Don’t let the ticket or the suitcase out of your sight. If you need to go to the toilet, take them with you. Don’t leave them here. Somebody will steal them.”

“I won’t get lost.”

“Well, goodbye, mother. I hope you have a wonderful time.”

Mrs. Greenstead was glad when Bernice left. She never did like being bossed and fussed over.

What was she supposed to be doing, now? Wait for something and then get on a bus and go somewhere. Wait a minute, though. Wouldn’t there be more than one bus? How was she to know which bus? Bernice had a way of making things more complicated than they needed to be. Always so many words.

She wanted an ice cream cone and looked around from her chair for a place where she might buy one but saw nothing. She had the money to buy one—she knew she did—but there was no ice cream cone to be had. She’d have to get up and go outside to find a place and she wasn’t supposed to do that. She was supposed to wait in her seat until something. Until what? She couldn’t remember.

She forgot for the moment about the ice cream cone. An enormously fat man walked in front of her, moving with the ponderous and deliberate slowness of an elephant. She was sure she had never seen so fat a man. He wore a long coat that might at one time have been used as a parachute. He found a place to sit; the chair upon which he sat nearly disappeared beneath his girth.

The loudspeaker rumbled and crackled announcing arrivals and departures. To Mrs. Greenstead, it might have been in an obscure foreign tongue. She didn’t know how anybody could know what was being said. She looked around for somebody who might help her, but the people near her didn’t see her. She didn’t exist.

A small girl screamed and her mother jerked her by the arm, knocking her off her feet. She didn’t fall all the way to the floor, though, because the mother kept hold of her arm. The girl screeched like an animal, dangling in a horizontal position just inches from the floor. She started crying and the mother pulled her upright and clapped her soundly on the side of the head, which made her cry even louder.

A pair of nuns came into view and Mrs. Greenstead gawped at them in fascination, as at a species of penguin. The nuns’ faces were hard and sour and they seemed to be arguing, but quietly. The skirts of their black gowns swept the filthy floor. They took seats and continued moving their mouths, consumed in their arguing.

More interesting than the nuns was a pair of husband and wife midgets. They were the size of children but dressed in adult clothes. The woman wore a white dress with puff sleeves and carried a handbag over her arm. Her face was sweet but freakish and mask-like because of the disproportionate size of her head. The man was dressed in a suit and hat and smoked a cigarette. He looked like a tiny businessman. The woman nearly lost her balance when someone ran into her. The man laughed at her and took hold of her arm to steady her. Mrs. Greenstead watched until they were out of sight.

Finally she grew restless with the waiting and began wondering if it wasn’t about time for her to get on the bus. The voice on the loudspeaker came again, but not a word of it was to be understood.

She was on the verge of getting up, when a large woman with a girl of about eleven approached her. The woman sat in the chair to her left and the girl to her right. Mrs. Greenstead looked from one to the other.

“Anything the matter, honey?” the woman asked. “You look a little bewildered.”

Finally a kind word! Mrs. Greenstead could have wept. She handed the woman her ticket. “I’m not sure what I’m supposed to do,” she said piteously.

The woman looked at the ticket and then looked at the clock. “You got about seven minutes before your bus leaves,” she said.

“Seven minutes!” Mrs. Greenstead said. “That’s not much time!”

“You’ve still got time,” the woman said. “You need to take it slow and easy. Take your time. We don’t want to fall down, now, do we?”

“Can you show me where to go?”

“Of course I can, honey!” the woman said.

She helped Mrs. Greenstead up and they had taken only a few steps when Mrs. Greenstead remembered her suitcase. She started to go back to get it, but the girl had picked it up for her.

“Now, which way do we go?” Mrs. Greenstead asked.

“The busses board over there, honey,” the woman said.

“Where’s my suitcase?”

“Gina’s got it, honey. She’s right behind us.”

“It’s got my money in it and all my valuables. My medicine, too.”

As they passed the restrooms, Mrs. Greenstead remembered that she needed to make a stop there before she got on the bus. Once in her seat on the bus, she wasn’t getting up again.

When the woman realized Mrs. Greenstead’s intention, she said, “You’d better make it quick, honey. They announced your bus a few minutes ago.”

“Won’t be a minute.”

“Me and Gina will wait right here for you,” the woman said. “Right outside the door.”

Mrs. Greenstead hated using a public toilet, but sometimes she had no other choice. She did what she had to do as fast as she could and washed her hands thoroughly.

When she exited the toilet, the large woman and the girl were not waiting by the door. They were not among the dozens of strangers walking, talking, sitting or loitering within the radius of a few yards.

Maybe they’ll be right back, Mrs. Greenstead thought. They only stepped away for a minute to buy a newspaper or get a drink of water.

She stood by the door of the ladies’ toilet for a few minutes and when the large woman and the girl didn’t reappear, she knew the worst of it. She had been robbed. Her money, her clothes, her bus ticket, her precious Bible. Everything!

When she approached the man who swept the floor and emptied the trashcans and told him what had happened, he told her she needed to report it to the office.

“Report it to the office?” she asked, not sure if she understood the meaning of the phrase.

Making her way to the door, she went out onto the sidewalk. It was the middle of the afternoon and glaringly hot. She looked one way and then the other. Both ways looked the same. She set off walking in the direction away from the sun.

After she had walked a couple of blocks, a filthy-looking bum approached and asked for a dollar.

“No!” she snapped. “I don’t even have money for an ice cream cone!”

She walked with her eyes down after that because she didn’t want anybody else speaking to her. She came to a hotel with a smudged plate glass window and went into the lobby that, though squalid, was much cooler than the street.

“I’m looking for someone,” she said to the desk clerk. “A fat woman with a moon face and a little girl of about eleven or so.”

The clerk smiled. He himself was fat with thinning blond hair combed back from his forehead.

 “That sounds like Toots Gottlieb and her daughter,” he said. “The daughter may look eleven but she’s really twenty-seven. There’s something wrong with her to make her look that way.”

“Is the girl’s name Gina?”

“That’s the one!”

“Can you tell me where I might find her?”

“She robbed you at the bus station, didn’t she? Took your purse?”

“Suitcase. How did you know?”

“It’s what she does.”

“Where can I find her? I need to get my suitcase back.”

The clerk picked up a phone. “Hello, is this Toots?” he said. “There’s a lady in the lobby wants to speak with you. Says you took her suitcase at the bus station. Yeah. Yeah. I don’t think so. Well, you’d better give it back or the lady is going to call the police. She’s plenty mad. She’s willing to pay a twenty-five-dollar reward, though, for the return of her property.”

When he hung up the phone, he was laughing. “Toots is indisposed,” he said. “If you’ll give me the fifty dollars now, I’ll go up and get your suitcase for you and you can be on your way.”

“You said twenty-five.”

“The price of the reward has just gone up.”

“I have no money,” Mrs. Greenstead said. “It was all in my suitcase.”

“Nothing in your pockets?”

“Only a handkerchief.”

“How about a watch or a ring or a bracelet?”


“In that case, I’m afraid we can’t help you. Move on, please. We’re awfully busy here.”

She left then, back out into the heat and glare of the sidewalk. A couple of blocks past the hotel, she heard the wailing siren of an ambulance. She waved her handkerchief but it just kept going. She heard someone laugh then and, turning, saw the bum who had asked her for a five dollars.

“Did you see a big fat woman with a girl who looks about eleven but is really twenty-seven?” she asked. “The fat woman would have been carrying a suitcase. The suitcase belongs to me.”

“I don’t speak no English,” the bum said, but she knew it too was a lie.

She kept walking back the way she had come, toward the bus station. She knew after a few steps that the bum was following her closely. When she felt him touch her somewhere around the upper back, she twitched her elbow as if at a pesky insect. When the bum laughed she turned and confronted him.

“What do you want from me?” she said. “I already told you I don’t have any money!”

The bum smiled, showing stained teeth. “It’s all right,” he said. “You seem like nice lady. I take you anyplace you want. Five dollar.”

She looked around and, seeing nothing, said, “You have a car?”

“Hell, no, ain’t got no car!” he said.

He took hold of her arm at the elbow. She resisted but when he didn’t let go she had no other choice but to submit herself to his touch.

“Do I know you?” she asked.

“Everybody know me,” he said. “Take you anyplace you want go. Only five dollar.”

Copyright © 2017 by Allen Kopp

Las Vegas 1953

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Las Vegas, 1953. Observers at a swimming pool see mushroom cloud resulting from nuclear testing seventy-five miles away. 

New York 1929

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New York, 7th Avenue and 45th Street, 1929. Norma Shearer’s first talking picture, The Trial of Mary Dugan, is playing at the Loew’s State Theatre.

Broadway in the 1920s

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New York, Broadway, February 4, 1926

The Strand Theatre on Broadway was the first large theatre in the world built exclusively for the showing of motion pictures, the first “movie palace.” 

The Dorris Motor Car Company of St. Louis (1906-1926)

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The Dorris Motor Car Company operated on Vandeventer Avenue in St. Louis from 1906 until 1926. The “practically hand-made” cars were too expensive for most people (as much as $7,000), when a Model T Ford cost $370. The company went out of business in 1926.

Twin Peaks: the Return ~ A Capsule Review

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Twin Peaks: the Return ~ A Capsule Review by Allen Kopp

Twin Peaks, the too-offbeat-for-mainstream TV series, appeared on commercial TV in 1990 and 1991. It didn’t last any longer than it did, we will assume, because it wasn’t the usual ho-hum TV fare (it was challenging to watch). Now, all these years later, we have Twin Peaks: the Return on the Showtime network, with, it must be assumed, less network censorship and more leeway on the part of the show’s creators to bring us disturbing images and situations, not to mention R-rated language. “Visionary” director David Lynch is back as one of the show’s two writers, its director and one of its principal actors. He’s still using some of the same directorial techniques he used forty years ago on Eraserhead.

If you can remember back all the way to 1990, you will remember the show’s premise: a high school beauty queen named Laura Palmer from the small town of Twin Peaks in the state of Washington is mysteriously murdered and “wrapped in plastic.” Handsome FBI agent Dale Cooper (Kyle McLachlan) is summoned to Twin Peaks to try to figure out who (it might have been anybody in the town) murdered Laura Palmer. (If I remember correctly, it was her own crazy father who killed her.)

Anyway, the early-thirties Dale Cooper of 1990 is now in his late fifties, although he still looks essentially the same. He has been missing since the end of the first series twenty-six years ago. He is still wearing the same darkly conservative suit and has been in a sort of nether world, where the floor is a red-and-white zigzag pattern, heavy red curtains hang all around, and the people (including the dead but now middle-aged Laura Palmer) speak as if they just landed here from another planet. (You’d have to hear it to know what I’m talking about.)

Dale Cooper has two (that we know of) “doppelgangers,” or doubles. One of the doppelgangers is (or has been until recently) in prison, has long hair and is terrible-looking. The other doppelganger is named Dougie Jones. Through a series of mishaps, Agent Dale Cooper is now living the life of Dougie Jones in the state of Nevada. He looks so much like Dougie Jones that nobody, including the real Dougie’s wife and son, knows it isn’t him. He goes to work every day at the Lucky 7 insurance company in Las Vegas and the people who work with him believe he’s Dougie Jones and don’t know that he’s not. Dale Cooper doesn’t know who he is, so he can’t tell them he’s not who they think he is.

If you have been watching the seven episodes that have so far aired, I defy you to explain the “plot” of Twin Peaks: the Return. There are so many characters and so many different things happening that one wonders if all the (seemingly unconnected) pieces will ever come together into a cohesive whole. Maybe the show’s writers don’t even know where it’s all headed.

Copyright © 2017 by Allen Kopp

After Many Springs ~ A Painting by Thomas Hart Benton

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After Many Springs (1945) by Thomas Hart Benton

American regionalist painter Thomas Hart Benton (1889-1975) painted After Many Springs in 1945. The skull, discarded revolver and dead leaf hidden in a tangle of branches, blossoms and vines suggest that death awaits even as new growth springs into life.