Send Me a Postcard ~ A Short Story by Allen Kopp

Send Me a Postcard
~ A Short Story by Allen Kopp ~

(Published in Fringe Magazine.)

Since Paul’s mother lost her job at the hospital, she’s not the same anymore.  She stays in bed a lot of the time during the daylight hours, something she never did before. If she’s not in bed, she’s sitting in front of the TV in her bathrobe smoking cigarettes and watching soap operas and game shows with the sound turned all the way down. He stands in the doorway looking at her and she doesn’t seem to know he’s there until she sees his shadow on the wall.

“What are you doing?” she asks, craning her neck around to look at him. “You creep around the house like a thief.”

“I’m just looking at you,” he says. “What’s for dinner?”

“Oh, is it time for dinner?” she asks, looking at the clock. “I didn’t think it was that late.”

He goes into the kitchen and fixes himself a peanut butter sandwich. He is glad to see she has been to the store and bought some fresh bread while he was at school. He puts the sandwich on a plate and goes back into the living room where she is.

“Just help yourself to whatever you can find in the kitchen,” she says. “I don’t feel like cooking dinner.”

“Did you eat anything?” he asks.

“I don’t have any appetite,” she says. “I’ll have something later.” She reaches for her pack of Lucky Strikes and takes one out and lights it and inhales deeply.

He looks at her skeptically but she doesn’t know it. “Smoking is bad for you,” he says.

“So I’ve heard.”

“I’m not ever going to smoke.”

“Bully for you.”

“How about if we go to a movie tonight? There’s a western at the Criterion and a comedy at the Gem.”

“How about if we stay at home and watch TV? There’s a western on one channel and a comedy on another one, and you don’t have to pay to see them. I’m not made out of money, you know.”

He marvels at how mothers always say they’re not made out of money, but he says nothing because he doesn’t want to argue. He would someday like to see a mother made out of money, though. That must be a sight worth seeing.

“I have to write a book report,” he says.

“How lovely for you.”

“Do you want to help me?”

“What’s the book?”

A Tale of Two Cities by Charles Dickens.”

“Isn’t that kind of a grown-up book for eighth grade?”

“I read grown-up books all the time.”

“Oh, yes, I forgot. You’re already quite the little man, aren’t you?”

“I chose that book to read from the list. I’m the only person in the class who read it.”

“Isn’t that about the French Revolution or something?”

“Yes, they’re killing all the aristocrats. They’re mad at them because the king and his wife are rich and they don’t care that the peasants are starving, so the peasants want to kill all the aristocrats, whether they’ve done anything wrong or not. Do you know how they kill them?”

“Let me guess,” she says. “They cut off their heads with a thing with a big blade that drops down.”

“It’s called a guillotine. It was invented by a Dr. Guillotine. He was a Frenchman. They make them stick their heads through a hole and tie their hands behind their backs and then they let the blade drop down and wham! it slices off their heads.”

“Sounds divine,” she says. “I’ll be sure and add that book to my reading list.”

“They say it doesn’t hurt, but I don’t know how having your head cut off could not hurt.”

“Why don’t you try it some time and let me know?”

“I saw Daddy when I was walking to school today.”

“Where?”

“He drove past in a black car.”

“It must have been somebody else. His car is blue. Was it a new car?”

“I don’t know.”

“You can tell a new car from an old one, can’t you?”

“I think it was a new car.”

“Well, the next time you see him tell him to throw some of that money our way that he’s spending on a new car.”

“I wouldn’t ask him for money.”

“Why not? He’s your father, isn’t he? You wouldn’t be on this earth if it wasn’t for him, so he’s supposed to pay your way. That’s the way it works.”

He notices how many of his conversations with his mother always come around to the subject of money. He tries to steer her in another direction.

“Are you still looking for a job?” he asks.

“Off and on,” she says. “If it’s any of your business.”

“Do you want me to read the want ads to you? I’ll bet there are some good jobs in there.”

“If I wanted to read the want ads, don’t you think I could read them myself? You’re just a two-bit punk and you don’t know anything.”

’You’re just a two-bit punk and you don’t know anything,’” he says, in exact imitation of her voice.

“You’re getting just a little too big for your britches!”

’You’re getting just a little too big for your britches.’”

“Stop it!” she says.

’Stop it!’”

“Don’t you know you’re driving me crazy?”

’Don’t you know you’re driving me crazy?’

“Do you want me to get up from here and come over there and slap you silly?”

“No, I don’t,” he says solemnly, using his own voice again.

“You remind me more of your father every day.”

“Well, what am I supposed to do about it?”

“Run away from home and join the circus. You could be one of their freaks.”

He knows she’s only teasing him, but remarks like that hurt him a little, he has to admit. It’s as if she doesn’t want him around her anymore.

“When I’m old enough, I’m going to join the navy.”

“Good for you,” she says. “Serve your country. See the world. Send me a postcard.”

A man and woman are kissing on the TV. Their noses are pressed together.

“Can we change channels?” he asks.

“No!” she says. “I’m watching this!

He goes into the kitchen and gets an apple and goes out the back door with it and around the house and sits on the front steps, between the bushes that grow on both sides. He throws the apple up in the air a couple of times and catches it and then takes a bite out of it. The juice is running down his chin when he sees a black car pull up to the curb in front of the house, the same black car he saw that morning.

Somebody in the car motions to him. Fascinated, he stands up, throws down the apple, and crosses the lawn toward the car.

“Hello, son!” his father says brightly, rolling down the window.

“Did you get a new car?” he asks. He can’t think of anything else at the moment to say.

“No, it’s a friend’s car. I’m just borrowing it. How are you?”

“I’m all right. When are you coming home?”

His father turns off the engine and puts both hands on the steering wheel. “I’m not,” he says. “How’s your mother?”

“She’s fine.”

“Don’t tell her I was here.”

“All she has to do is look out the window and she’ll know you’re here.”

“Well, this is just between you and me.” He reaches into his pocket and takes out some money and hands his son a twenty-dollar bill. “Get yourself something good to eat,” he says.

“Thanks.”

“Well, I just wanted to see you for a minute and see how you are. I’ve got to be going.” He reaches to start the engine again.

“Daddy, can I come and live with you?”

“No, I’m afraid that’s out the question right now. I’m staying with friends. We’ll talk about that later when I’m more settled.”

“Mother hates me.”

“She doesn’t hate you. She loves you very much.”

“She’s crazy. She’s going to smoke herself to death and she doesn’t eat any food.”

“Well, she’s just going through a rough patch right now. You’ll understand when you’re older and not hold it against her.”

“I’m going to run away from home.”

“No, you’re not. You just stay put for now. We’ll talk more about a different kind of arrangement later, after things have settled down.”

He starts the engine and looks over his shoulder to see if any cars are coming. He makes a u-turn in the middle of the street and speeds off in the opposite direction from which he came with a little squeal of tires.

When Paul goes back into the house, his mother is waiting for him at the door.

“Who was that you were talking to?” she asks.

“Nobody. A man looking for the hospital.”

“That was a black car, wasn’t it?”

“I think it was.”

“Did he try to get you to get into the car with him?”

“Of course not.”

“Did you tell him how to get to the hospital?”

“I tried to.”

At ten o’clock that night his mother is still in front of the TV, but now she’s asleep with a bottle of gin on the table beside her. On the TV is a skinny old man in a tuxedo doing a tap dance in front of a wall of mirrors that reflect the people watching him.

He goes into his room and shuts the door, moving the bureau in front of the door so nobody can come in. He starts to work on his book report; writing it should be easy because he’s already read the book, but he can’t seem to concentrate. Luckily it’s not due for a few days.

He turns off the light, finding the dark comforting; it makes him feel safe. Far off in the distance he hears a siren. The wind is blowing against the house as if to blow up a rainstorm. He settles under the covers and sighs. The last thought he has before going to sleep is about the guillotine. He wonders if it really hurts or if it’s just like a whisper on the back of the neck. Of one thing, though, he is certain: He will never know for sure.

Copyright © 2026 by Allen Kopp 

Percy Picket Succumbs to Infirmities

Percy Picket Succumbs to Infirmities
~ A Short Story by Allen Kopp ~

(Published in Abandoned Towers magazine.)

Mr. Percival “Percy” Francis Harrigan Picket, of Harmony Hill, entered into eternal rest on Thursday, the sixth of September, having attained the age of eighty-five years, four months, and sixteen days. He was preceded in death by his parents, Dewey Alonzo Picket and Alameda Hortense Fredericka (Wicket) Picket; and conjoined twin sons, Alfredo Joshua Torrance Picket and Alphonse Jerome Tyrone Picket. He was also preceded in death by his beloved wife of fifty-eight years, Louisa Maria Helena (Belladonna) Picket, with whom he had ten children.

Surviving children are Victor Hugo Pierce Picket (wife, the former Beatrice Carlotta Pogue Hinchcliff); Tammany Hector Guillermo Picket (wife, the former Magdalena Maybeetle Montclair); Lawson Jervis Wicket Picket (wife, the former Clara Beedle Champagne); George Emmett Grayson Picket (wife, the former Grace Gruber Grudnick); Georgiana Victoria Regina Chinn (husband, Chang Win Chinn); Albertina “June Bug” Dunleavy (husband, Dixie Clement Dunleavy); Alice “Tiny” Wigglesworth (husband, Charles Chandler “Chick” Wigglesworth); and Lucille Lucretia Faith-Winterhaven (wife of Montague Sidney Faith-Winterhaven III).

The deceased is also survived by a brother, Raleigh Gunderson Hartselle Picket; a sister, Adelaide Emmaline Picket Moncrief; and grandchildren Arundel, Woo, Lotus, Astoria, Polly Esther, Brigadier, Judson, Lupé, Xerxes, Chandler, Trixie Bell, Enar, Gunnar, Fritzie, Bongo, Hermes, Echo, Pan, Lou Anne, Jade, Opal, Bean, Babby, Rockwell, Belvedere, Zaza, and twins Jag and Dag. Great-grandchildren include Gaston, Pluperfect, Sasqueesha, Cavendish, Bump, Doral, Horatio, Hector, Eff, Bea-Elza, Vamoose, Lothario, Coriander, Barclay, Oona, Splurge, Penny Ante, Dosie Patootie, Nimbus, Torsten, Lala, Biffy, Maybelle, and quadruplets Choi, Chang, Chen and Ah-Choo.

Also surviving are many nieces and nephews, cousins, business associates, and friends, as well as a special companion with whom he enjoyed white-water rafting and five-card stud, Dinwiddie Oglethorpe-St. Clair, of Steamboat Springs, Colorado, and Council Bluffs, Iowa.

Throughout his long life, the deceased was known as a caring and philanthropic individual. In spite of his large family and his successful and distinguished career as a mannequin designer, he was always ready to don his white makeup, glittery nose, baggy tuxedo and red wig to transform himself into the beloved clown, Mr. Peevish Quackenbush. As this well-known clown character, he was often seen riding on floats in parades and lending a hand at charitable fund-raising events. He often stated to friends and family in later years that it was as Mr. Peevish Quackenbush that he felt most alive. He was frequently quoted as saying, “Mr. Peevish Quackenbush is more Percy Picket than Percy Picket is.”

And it was in mid-life that he launched his second career, that of a professional circus clown. Leaving behind family, home, and business, he traveled with the Fitch Brothers Circus for fifteen years as one of its star attractions. Mr. Otto Fitch, owner and founder of the Fitch Brothers Circus, has stated unequivocally that it was Mr. Peevish Quackenbush who saved the circus from bankruptcy. “We would have never made it through the hard times without Mr. Peevish Quackenbush bringing in new customers in every town,” Mr. Fitch stated. “He is what kept us on the rails.” A life-size statue of Mr. Peevish Quackenbush can be seen on display at the National Clown Museum and Hall of Fame.

In keeping with the wishes of the deceased, he will be interred in the clown car that he made famous in the clown section of the Cemetery of the Holy Ghost. He will lie in state in full clown regalia at the Seltzer Water Funeral Parlor tomorrow evening only from seven p.m. until closing. Tickets may be purchased at the door. Bring the entire family.

Copyright © 2026 by Allen Kopp

Seascape ~ A Short Story by Allen Kopp

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Seascape
~ A Short Story by Allen Kopp ~

(This is a repost. It has been published in Black Lantern Publishing.)

Blanca Longworth and her husband checked in on a brilliant, sun-infused day in early May. They had a delightful room on the fourth floor with a little balcony overlooking the ocean that from that distance was like a mirror reflecting the sunlight. Feeling tired from the long journey, Blanca lay down on the enormous bed to rest her eyes and soon she was asleep.

When she awoke, she knew from the way the sun slanted into the room that it was very much later than it had been. She arose and went into the bathroom and fixed herself up and then changed her clothes and waited for her husband to come back—back from wherever it was he had gone—to take her downstairs to dinner.

She waited for twenty or thirty minutes and, when her husband still hadn’t returned, she made up her mind to go and have dinner alone. She hadn’t eaten all day and was feeling faint from hunger. She was sure he would understand and would be able to get something for himself later from room service.

When she swept into the crowded hotel dining room, she noticed a few heads turn in her direction. She enjoyed being the woman alone, the woman with a slight air of mystery. For all anybody knew, she might be an heiress or a movie star or an important novelist. She seated herself at a pleasant table-for-two beside a window and a young waiter appeared at her elbow with a menu and an appropriately servile attitude.

After eating her spicy and too-heavy dinner, she left the dining room and, not feeling like returning to her room just yet, went into the cocktail lounge. She was irresistibly drawn by the sound of the music and chiming laughter and the clink of glassware.

Feeling slightly awkward and out of place, she sat at the bar and ordered a martini. She drank the martini quickly, finding it good for her digestion, and ordered another one. By the time she had taken a sip from her second drink, a young man seated himself beside her at the bar. She turned and looked at him with curiosity and when he smiled at her she smiled back at him.

He was perhaps ten or so years younger than she was, making him twenty-eight or thirty. Speaking with a slight foreign accent, he told her his name was Tibor. He had a charming smile and brown-blond hair combed straight back from his forehead that revealed the superb shape of his head and perfect small ears. They exchanged small talk for a few minutes and then he asked her if she would care to dance. She shrugged charmingly and consented.

While she was dancing with Tibor, she thought she had never felt more natural and more at ease with a stranger. As they moved around the dance floor, she felt the strength in his arms and shoulders. She tightened her hold on him and moved in a little closer.

When the dance floor came to be too crowded, they sat down at a small table in the shadows and ordered fresh drinks. After a while, he reached his hand across the table and placed it on her hand and asked if she would care to go someplace else with him. His soft eyes glistened in the romantic light.

She smiled sadly and, in answer to his question, held her left hand in front of his face and waggled her fingers so that he would see her wedding ring. Seeing it, his smile faded and his face clouded. He stood up and, bowing formally from the waist, apologized for his presumption and excused himself. Then he was gone.

After Tibor left, she was just another lonely middle-aged woman sitting pathetically by herself in a barroom. She continued to sit at the small table for a while longer, feeling the kind of sweet sadness she hadn’t felt since she was sixteen, and then she stood up and went back to her room.

Her husband still hadn’t returned yet, but she was glad in a way to be alone with her thoughts. She wouldn’t like having to explain that she had been dancing and drinking—however innocent—with a handsome young stranger. She went out on the balcony and breathed in the scent of the ocean and listened to the soothing sounds of the surf.

When she awoke at seven o’clock the next morning, the first thing she was aware of was that she was alone in the bed. Her husband still had not come back. She got out of bed and called down to the front desk to see if anybody had left any messages for her, but there were none.

She had a light breakfast and then took a long walk down the beach. She walked to an isolated spot and spread her blanket on a pleasant incline and lay down. She read her novel for a while and then, growing weary of reading, stared out at the ocean, the enormity of which had always frightened her in a way. Soon she became sleepy and fell into a light doze.

When she awoke it was to the sound of voices. A man and three children had come upon her but they hadn’t seen her yet, although she could see them. Her pleasant feeling of being isolated from the rest of the world was gone. She stood up and walked to the water’s edge, thinking to speak to the man and the three children, and that’s when she saw a sailboat gliding by about fifty yards out.

One lone man was on the sailboat. She could see him clearly until the sail shifted around in the wind and obscured him. In the couple of seconds she could see his face, she was sure it was her husband. He had the same gray hair and goatee, but he was too far away and moving too fast for her to be sure. She waved her arms, thinking to get the man’s attention, but he was occupied with navigating the boat and didn’t see her. Then he was gone.

Clouds were now obscuring the sun and a chill had come into the air, so she went back to the hotel. Before going to her room, she stopped at the front desk and asked the clerk if anybody had seen her husband, but he assured her nobody had. She told him that if he saw her husband to please be sure and tell him she was looking for him. The clerk nodded his head solemnly and scribbled on a pad, pretending to make a note, but after she left he tore the sheet off the pad and threw it away.

She had a prolonged, leisurely dinner, sitting at the same table as on the previous evening, and when she was finished she once again went into the cocktail lounge. She sat at the bar and ordered a scotch and soda, her husband’s favorite drink; she drank it down and ordered another.

She hadn’t dared to hope that she would see Tibor again but when she turned partway around and looked over her shoulder, there he was. He was sitting at a table toward the back with a blond-haired woman in a red dress. They were both sitting on the same side of the table and he had his arm draped over her shoulders and was nuzzling her neck and laughing. He was obviously quite drunk.

She left quickly, before Tibor could see her, but it was mostly her disappointment that she didn’t want him to see. On the way up to her room in the elevator, she laughed at her own foolishness.

In this way she passed an entire week at the hotel. Telling herself she didn’t care about Tibor but catching a glimpse of him every chance she got and seeing him with a different woman every night, all of them prettier and younger than herself. (Tibor never looked directly at her, so she couldn’t be sure if he knew she was there.) Taking walks on the beach, occasionally sunbathing (she never went into the water, as she was deathly afraid of drowning). Eating large, lavish, expensive meals (her loneliness seemed to increase her appetite). Alternately reading her book and dozing on the bed in her room. Shopping for things she didn’t need and spending all her ready money. Smoking cigarettes on the balcony of her room while watching people come and go on the beach a hundred yards away through binoculars she had purchased on an impulse. Most of all, though, she waited for her husband to return, wondering all the time where he had gone and why she didn’t hear from him. She took to asking every chambermaid, desk clerk, or bellboy if they had seen him, thereby earning a reputation for herself as a crazy woman.

On the morning of her seventh day in the hotel, just as she had dressed to go out, there was a knock at the door. She opened the door, seeing a small man, slightly cock-eyed, wearing a dark suit. He told her he was the assistant manager and he needed to speak to her. She had no other choice but to allow him to come into the room.

“Since you didn’t have a reservation for this room,” he began nervously, “we were wondering if you intended on staying past today.”

“I’m not sure,” she said. “You’ll have to ask my husband.”

“Is he here?”

“Not at the moment.”

“The thing is,” he said, clearing his throat loudly, “this room is reserved after today. I’m afraid I’m going to have to ask you to vacate this morning.”

“I couldn’t do that until my husband comes back.”

“The room is no longer available to you after today.”

“Might I move to a different room?”

“I’m sorry. The hotel is all booked up for the coming week. There’s a convention in town, you see.”

“So, you’re telling me I have to leave today?”

“I apologize for the inconvenience, but I’m sure you understand.”

“My husband isn’t going to like this.”

“If you’ll call down to the desk when you’re ready to check out, they’ll have your bill ready for you.”

After the little man left, she checked to see how much money she had left and discovered only a few dollars remaining in her purse. It was clear she wasn’t going to be able to pay the bill, which she was sure was sizeable by now.

She went down in the elevator to the lobby and walked past the front desk and out the hotel to the street that led away from the city. She began walking away from the hotel and didn’t look back.

After she had walked for more than an hour, looking straight ahead and never once stopping, an enormous black car pulled up alongside her and stopped at the curb. She could feel someone in the car looking at her, but she didn’t turn her head and kept walking. As she continued to walk, the car inched forward to keep pace with her. Finally she stopped and turned toward the car. A man inside had rolled down the window.

“You need a lift,” he said, a statement rather than a question.

He swung the door open and she got in beside him without hesitation and closed the door. As he sped off and for several minutes after, he was looking straight ahead and seemed to forget she was there. She studied him, though—the way the stubble grew on his cheek and the pout of his lips—and she was sure she knew who he was, even though he was pretending to be somebody else.

“Where you headed?” he asked.

“Nowhere,” she answered, taking her eyes off him and looking at the unreeling scenery.

“You just left everything behind, didn’t you? Everything you owned?”

“I don’t think that’s any of your business.”

“My name is Alvin.”

“No, it isn’t. Or at least that isn’t what you said before.”

“All right. If you say so.” He smiled and ran his fingers through his hair.

“I see you’ve dyed your hair and are not as suave and polished as before and have dropped the accent, but you’re not fooling me. I know who you are.”

“Is that so?”

“You’ve been watching me all week while pretending not to.”

“What?”

“I saw you with a different girl every night. You knew all the time I was there.”

“I don’t know what you’re talking about.”

“I was sure the name and the foreign accent weren’t real. You were like a made-up character in a story. Nothing about you was real.”

“Have it your own way. Everybody in this town is crazy in one way or another. You’re no exception.”

“Some people are not so easily fooled. Keep that in mind.”

“I will.”

She was silent for several miles and then, as if it just occurred to her that she was in a speeding car, she asked him, “Where are we going?”

“Someplace a long way off,” he answered. “Do you want me to let you out of the car?”

“No.”

“I didn’t think so. Do you have any money?”

“Not even the price of a pack of cigarettes.”

“Would you be surprised if I told you I have a dead body in my trunk?”

“Not very.”

“Just remember. I warned you.”

She moved over closer to him and put her hand on his arm and her head on his shoulder and let out a long sigh. “I knew you would come for me,” she said. “I never stopped believing.”

Copyright © 2026 by Allen Kopp

A Cross-Eyed Woman ~ A Short Story by Allen Kopp

Cross-Eyed Bitch

A Cross-Eyed Woman
~ A Short Story by Allen Kopp ~  

“Did I tell you I’ve got a new girlfriend, grandpa?”

“Is that so? What’s her name?”

“Lucille Meisenbach.”

“How much does she weigh?”

“A hundred and thirty.”

“How old is she?”

“She’s a year younger than me, grandpa.”

“Don’t be in no hurry to marry a person with a name like Lucille Meisenbach.”

“I’m not. I only just met her.”

“Make sure you know everything about her before you marry her. Her people, too.”

“I’m not going to marry her.”

“What’s wrong with her?”

“Nothing, except that she’s cross-eyed.”

“You don’t want to marry no cross-eyed woman.”

“Okay, I won’t.”

“Cross-eyed woman is a sign of trouble.”

“How do you know, grandpa?”

“I’m seventy-three years old. I’ve seen everything and what I haven’t seen I’ve heard about.”

“I wouldn’t want to marry her, anyway.”

“Why not?”

“She’s got six toes on one foot.”

“How many on the other?”

“Just five.”

“Eleven toes is bad luck. It’s a mark of the devil.”

“If you say so, grandpa.”

“You don’t think you’d want to marry her after you’ve known her for a while?”

“No, sir.”

“You say that now, but if she gets it into her head to marry you, she’ll find a way to ensnare you against your will.”

“I don’t think that’s going to happen, grandpa.”

“Why not?”

“She’s not very smart.”

“You don’t have to be smart to be evil.”

“I wouldn’t exactly say she’s evil, grandpa.”

“You probably just don’t know her well enough to see her evil side.”

“If I start to see it, I’ll dump her.”

“Maybe she won’t let you dump her.”

“If I want to dump her, she can’t stop me.”

“I see you know very little about women.”

“I know enough.”

“Just make sure you find out everything there is to know before you marry her. If she’s got them two flaws, she’s bound to have others.

“I haven’t seen any others.”

“Well, she’ll be setting her trap to catch you.”

“I don’t think so, grandpa.”

“Well, don’t say I didn’t warn you.”

“I went over to her house for dinner on Sunday. We had fried chicken. Her mother’s name is Vera Meisenbach.”

“How old is she?”

“Forty-three.”

“How much does she weigh?”

“Two hundred.”

“A big woman.”

“Yes, sir. Big and tall. Broad shoulders. A wild look in her eye. Kind of scary.”

“And that’s not all, is it?”

“No, sir. She’s got a hump on her back.”

“Uh-oh! A big woman with a hump on her back has a cross-eyed daughter with eleven toes. Freakishness runs in the family. That’s not good.”

“I can’t claim to be perfect myself.”

“You’ve got the right number of toes, you’re not cross-eyed and there’s no hump on your back.”

“That’s true.”

“Count your blessings.”

“Yes, sir. I also met Lucille’s daddy. He’s a little bitty man like a midget.”

“A pattern has been established.”

“Lucille told me he’s got a metal plate in his head that lets him pick up radio transmissions. I tried to keep from laughing.”

“How much does he weigh?”

“Ninety-four pounds.”

“His wife weighs more than twice what he weighs?”

“Yes, sir.”

“Not pleasant to contemplate. How old is he?”

“He’s forty-nine years old.”

“And his name?”

“Luther Meisenbach.”

“Any other progeny besides Lucille?”

“A brother named Norland Meisenbach. He’s sixteen.”

“Is he cross-eyed?”

“Not that I noticed, but I didn’t pay that much attention.”

“How much does he weigh?”

“A hundred and ten.”

“That’s small for sixteen, isn’t it?”

“I guess so.”

“Anything freakish about him?”

“He’s got a turned-in foot and he doesn’t talk much because he’s got a stutter.”

“So there’s something wrong with every one of the Meisenbachs.”

“Yes, sir. I guess you could say that.”

“If you take my advice, sonny, you’ll get as far away from that bunch as you can. They’re not wholesome to be around.”

“Yes, sir. I don’t really care that much for Lucille, anyway. When she looks at me, it looks like she’s looking over my shoulder.”

“She’s probably looking to her satanic master for direction.”

“You sure have opened my eyes, grandpa. I’m glad we had this little talk.” 

“Not at all, sonny. That’s what grandpas are for. And be sure and bring her around some time so we can all get a good look at her.”

“I was thinking about Sunday dinner, grandpa.”

Copyright © 2026 by Allen Kopp

Find Out Where the Train is Going ~ A Short Story by Allen Kopp

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Find Out Where the Train is Going
~ A Short Story by Allen Kopp ~ 

(This short story has been published in Selected Places: An Anthology of Short Stories.)

We’re in a long room that was once used for something else. There are thirty beds in two rows. These are accommodations for guests of the state: check bouncers, bigamists, shoplifters, pickpockets, prostitutes. You could go on and on calling out their misdeeds, but why bother? They are the morally bankrupt repeat offenders who are not beyond being redeemed or reformed. Give them two years, or four or five, and they’ll be out if they’re lucky. Redeemed? Not very likely. The really bad ones, the hardened criminals, the murderers, the ones that would throw acid in your face and enjoy doing it, are in another part.

Juniper Tarrant has only been in residence for a few days. She didn’t do anything. She is innocent. She was left with some hash or blow or something—she wasn’t even sure what it was called—that belonged to her boyfriend, a man named Ed King. He disappeared and she went to jail, no matter how many times she told them it wasn’t her fault. Her one hope is that he comes back and tells them what really happened. Of course, she’s going to stick a knife in his ribs if she ever gets the chance, but that’s something that is going to have to wait.

On her fifth or sixth day (she has lost count already), her lawyer, an elderly man named Arthur Lux, comes to see her. She meets with him in a tiny room with a table and two chairs. A blank-faced guard stands against the wall, a silent observer. As she tells the lawyer again everything that happened, he writes it all down.

“When I woke up,” she says, “he was gone.”

Who was gone?” the lawyer asks. “You have to be specific in your answers.”

“Ed King.”

“Was that his real name?”

“It’s the name he gave me.”

“Did he use any other names?”

“I don’t know. Why would he do that?”

“How long had you known him?”

“I don’t know. A few months.”

“How many months?”

“About six.”

“You didn’t know he was involved in the selling and distribution of drugs?”

“No! And if he was, I wasn’t!”

“Do you have any reason to believe he deliberately framed you?”

“No! Why would he do that?”

“So, the two of you were living in this hotel together. What was it called?”

“The Excelsior. And I wouldn’t say we were living there. We were staying there for a few days.”

“For what purpose?”

“Why does anybody stay in a hotel?”

“Hotel records show the room was registered in your name alone.”

“Ed always took the room in my name.”

“Why is that?”

“He always had the feeling that somebody was following him. Watching him.”

“And you suspected nothing?”

“No. I stayed out of his business.”

“After the Excelsior Hotel, where were you planning on going?”

“I don’t know. If Ed knew what our next move was, he hadn’t told me.”

“So, you traveled around with him from place to place and you didn’t know what kind of activities he was involved in?”

“He told me he was a salesman.”

“What did he tell you he sold?”

“In his day he sold cars, washing machines, life insurance policies and other things, too. He didn’t like to talk about it.”

“And you didn’t question him?”

“Why should I?”

“And you thought he was a perfectly legitimate salesman?”

“I had no reason to believe otherwise.”

Arthur Lux closes his notebook, puts his pen away and places one hand on top of the other. “Would you be able to identify him if you saw him again?” he asks.

“Of course!” she says.

“Were you in love with him?”

“I thought I was but right now I hate him so much I could kill him.”

“Did you give him money?”

 She shrugs and pushes her hair back out of her face. “All I had,” she says.

“How much?”

“Five thousand dollars and some change.”

“It seems he did you a dirty deed.”

“If he would only come back and square me with the police,” she says. “Tell them the truth about what really happened. That’s all I ask. I would never bother him again.”

“Maybe you should be more prudent in your associations in the future,” Arthur Lux says with a sad smile.

“Thanks for the advice. It’s a little late.”

“We’re doing all we can but, in spite of our best efforts, we haven’t been able to locate him.”

“You’ve got to find him!”

“There’s no indication that he even exists.”

“What are you saying? Do you think I made him up?”

“I’m not saying that at all. I’m saying that he probably gave you a false name and that he planned on running out on you from the very beginning.”

“I fell for his line. I was such a fool.”

“We’re all fools.”

“Can’t you pull some strings to get me out of here? Some writ of habeas corpus or something? I don’t belong in prison.”

Arthur Lux reaches across the table and pats her arm. “Don’t despair, my dear. Something is bound to turn up.”

Now, every night at nine-ten, just before lights out, a passenger train goes by the prison. For fifteen or twenty seconds the long room with the thirty beds is filled with the clatter and excitement of a train on its way to some undisclosed location. Some of the prisoners cover their heads with their pillows to try to drown it out, while others wait to catch a glimpse of it and, if the light is just right, to catch a glimpse of some of the people riding on it. The train goes by so fast that it is just a blur, but some of the prisoners claim to have seen passengers on the train that they recognized. One woman said she saw her husband who was supposed to be in a mental institution but was obviously out having a good time. Another claimed to see the daughter and son, twins, that she gave up for adoption at the time of their birth twenty-seven years earlier.

Juniper Tarrant falls into the habit of watching the train every night. She is one of those who, for a few seconds at least, feels a curious sense of release and possibility as the train goes by in the night. As long as trains carry happy people from city to city, the world cannot be all terrible and bad. Some day I’ll be free and I’ll be the one on the train.

After a week or so of watching the train, she sees Ed King, looking out at her from one of the sleek passenger cars that glides through the night like a bullet. She sees his face so clearly she cannot be mistaken: the dark hair with a little gray mixed in, the brown-green eyes, the little scar above the right eyebrow, the commanding chin. He is wearing a gray suit with a light-blue shirt and a red tie. She remembers the tie. It was the one tie of his that he liked the best.

She turns away from the window, lets out a little cry and is sick. Lying on the floor, she has a kind of seizure. The prisoner in the bed next to her calls for help and she is taken to the infirmary. When the doctor examines her, he tells her she is going to be a mother in about seven months time.

She is given a sedative and kept in the infirmary overnight for observation. In the morning she is desperate to talk to Arthur Lux, her lawyer. When she asks to call him, she is denied. (“What do you think this is, a finishing school?”) One of the matrons will try to get a message to him if she can. The message is simple: I saw Ed King on the train. Find out where the train is going and there you will find Ed King.

Copyright © 2026 by Allen Kopp

 

A Head of Its Time ~ A Short Story by Allen Kopp


A Head of Its Time
~ A Short Story by Allen Kopp ~

(This short story has been published in Death’s Head Grin.)

Frankie Zell was not accustomed to the fast life. She grew up on a farm, where she lived plainly and simply with her mother, father and two brothers. Painfully shy and stick-thin, she was never pretty or attractive in the way other girls thought themselves and in fact she never gave much thought at all to the way she looked.

In her late teens, though, Frankie began to change. She lost her adolescent awkwardness; she became rounded in the places where she had always been angular. She developed flawless, pale skin and a head of lustrous, chestnut-colored hair. She turned into the beauty she was always meant to be, like the lowly caterpillar turning into the ravishing butterfly.

She began to attract the attention of young boys and older boys into manhood, some of them as old as forty or fifty years. When she would go into town on a shopping trip or to pay the light bill or see the dentist, people would stop what they were doing and look at her because they weren’t used to see so pretty a girl on the streets of such a dreary town. Some more astute observers said she ought to go to Hollywood and try out for the movies. She was as pretty as Rita Hayworth or Ava Gardner or any of those others.

Through a friend she became acquainted with a boy named Angus Persons who lived with his parents in the best neighborhood in town, where the finest homes were. His father was president of the bank and raised horses on a ranch he owned. Angus was the same age as Frankie and planned to be an attorney and one day go into politics. With his good looks and family connections, he would go far. He might one day be governor of the state or a senator in Washington. Frankie would be just the right kind of wife for him. They planned an elaborate June wedding to which everybody in town was invited.

Angus and Frankie indeed made a handsome couple. When they drove around town in Angus’s beautiful convertible sports car, they were like something out of a dream. People who saw them were admiring, envious, or maybe even a little bit jealous.

Frankie had never driven a car before but Angus taught her to drive. When he was busy working or at school and didn’t have time to spend with her, he let her drive his car as if it were her own. She enjoyed driving on the hilly, curvy country roads between the farm she lived on and the town where Angus lived. She liked nothing better than letting the top down on the car and driving as fast as she could and letting the wind blow her hair. She discovered that fast driving exhilarated her and made her feel free in a way that nothing else did.

On a brilliant May morning one month before Frankie and Angus were to be married, Frankie was driving in the hills and valleys she had known all her life. Bathed in the fresh morning sunlight as it was, the landscape was as beautiful as anything she had ever seen. Past fences and farms, horses and cows, and the occasional scenic barn or grain silo, she drove with abandon around curves and up hill and down dale. Her car—or rather Angus’s—was the only car on the road.

At one long downward hill with a sharp curve that wrapped around a scenic promontory of rock, signs warned prudent drivers to drive slowly and carefully. The treacherous curve could be difficult to negotiate even for the most experienced of drivers.

When Frankie Heywood came to the hill, she ignored the signs. She had driven the hill many times before and didn’t fear it. She sped up to experience once again the thrilling downward whoosh and the tension on the wheel as she struggled to keep the little car on the road.

In the middle of the curve, with her downward momentum and her accelerated speed, she lost control of the car as if an invisible hand had reached out and pulled the steering wheel sharply to the right. In the blink of an eye, the car left the road, became airborne, and sailed out over the tops of the trees. In her final seconds, Frankie had the time-stands-still sensation of being suspended above the earth—breathless and in defiance of the laws of gravity.

When she failed to appear for her luncheon date with Angus in town, he became alarmed and started calling all the places she might be, but nobody had seen her. He called her home and Frankie’s mother told him not to worry, that Frankie was probably enjoying herself too much—wherever she was—to be aware of the time. Deep down, though, Frankie’s mother believed that something bad had happened to Frankie.

The next day, when nobody still had not seen or heard from Frankie, her mother called the police and filed a missing person’s report. The police questioned Frankie’s mother and father and brothers extensively about Frankie’s habits and associations, but none of them were able to tell them anything that helped in finding her.

The police began an extensive search for Frankie between her home and the town. They theorized that she was living a secret life and had run away from home or that she had been abducted by a person or persons unknown. If they were able to find the car she had been driving, that at least might give them some clues.

Two days later a young police officer found a hubcap in the underbrush near the dangerous curve. Angus recognized the hubcap as belonging to his car. From this clue they were able to piece together what had happened to Frankie on the day she disappeared.

When they found the sports car a quarter of a mile or so from the road, concealed in the trees, Frankie’s body was in it. Her head had been sheared off at the shoulders, neatly and cleanly, as with a sharp blade.

Logic dictated that Frankie’s head would be not far from her body, but when police searched the surrounding area (and much farther away), they were never able to find any sign of the head. After a few days they gave up the search, telling Frankie’s mother and father that the head must have been carried off by wolves or some other wild animals. It was still possible, though, that the head would be found and, if so, whoever found it would be sure to report it to the police. Finding a head by itself was not that common an occurrence.

As distraught as Frankie’s mother was at having lost her only daughter, she was even more distraught at the idea of Frankie having to go to her grave without her head.

Frankie’s mother took an old china vase she had had for a long time that was roughly equivalent to the size and shape of a human head. On the front of the vase was painted a bouquet of flowers, but on the back was nothing, so on the back of this vase she painted a semblance of Frankie’s features using the watercolor paints that Frankie sometimes worked with. (Handles on the sides of the vase were a good approximation of human ears.)

When she was finished painting a fairly credible approximation of Frankie’s face on the vase, she put Frankie’s wig on it and then took it to the funeral parlor and asked the undertaker if he would put the vase where Frankie’s head should be. The undertaker was happy to comply, knowing that grief sometimes causes people to make unusual requests.

At the funeral-home visitation, people were surprised to see a painted vase in place of a real head, but most agreed the vase was less jarring than no head at all. The undertaker artfully arranged the collar of Frankie’s dress around the neck of the vase so that the vase did indeed look like a part of her body. He draped a veil across the open lid of the coffin to soften the effect, as he frequently did with the bodies of accident victims.

The entire town turned out for Frankie’s funeral, as they would have turned out for her wedding. Angus Persons, looking solemn and more handsome than ever, was impeccably dressed in a dark-blue suit and dark glasses that hid his eyes. Several young women, friends of Frankie’s who considered themselves fully capable of stepping into Frankie’s shoes, kept their eyes on Angus in the hope that he would look their way. Which one among them wouldn’t jump at the chance to marry the future governor?

Frankie’s head was never found. According to local legend, her ghost was said to walk along the highway at night near the dangerous curve, looking for her head. She wanted to find her head, the legend went, so she could stick it back on her body and go through with her wedding to Angus Persons. Every year at Halloween, different variations on the headless bride theme appeared at parties and on the streets of the town.

As for Frankie’s head, the truth was quite simple, as the truth often is. Not long after her head was separated from her body, a buzzard spotted her head lying in the brush about fifty feet from the wrecked car. It swooped down and picked up the head (by the hair) in its talons and flew away. Carrying its gruesome cargo, the buzzard was flying back to its lair (or wherever buzzards go when nobody sees them) when the weight of the head became too much and the buzzard dropped the head quite without meaning to.

The head landed in a tree, on a natural shelf formed by the convergence of several large branches thirty feet off the ground. The head was perfectly upright and lodged in such a way in the top of the tree that no amount of wind and weather would ever shake it loose. As long as the tree remained upright, the head would stay where it was and nobody would ever see it.

Crows pecked at the eyes until there was nothing left. Birds used the hair for their nests. Insects and other birds ate away at the flesh, tissue, and brain until, over time, the head was only a skull.

Several generations of chipmunks used the empty skull as their home. When the chipmunks moved on, as they inevitably do, the skull became a sanctuary for small birds, with one eye socket serving as a way into the skull and the other as a way out. As you see, nature always finds its own way to make use of things.

Copyright © 2026 by Allen Kopp