A Conversation Between Two Mothers

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A Conversation Between Two Mothers ~ A Short Story by Allen Kopp

(I posted a slightly different version of this short story in April 2013.)

It was Madge’s turn to host the card party and she still had much to do. She had put her hair up in curlers and was tying a scarf around her head to make herself presentable to go and buy some last-minute items, when there came a knock at the back door. She huffed with impatience, snuffed her cigarette out in the garbage pail, and opened the door to a short, toad-like woman with frazzled red hair.

“Mrs. Simple?” the woman said.

“It’s Semple,” Madge said.

“Well, Simple or Semple or whatever it is, I need to have a word with you.”

“What about?”

“You have a son named Dakin?”

“That’s right.”

“He’s been picking on my Leslie.”

“Picking on your what?”

“On my son Leslie, dodo bird!”

“Oh. And who are you?”

“My name, if it should happen to be of any interest to you, is Mrs. Felton. My son is Leslie Felton.”

Madge sighed and stepped out the back door. “Maybe you’d just better tell me what happened,” she said.

“Leslie was riding his bicycle on the sidewalk, minding his own business. Dakin jumped out from behind a tree and yelled and scared him and caused him to wreck his bike. He cut a big gash in his leg that was pouring blood.”

“I’m sure that’s an exaggeration.”

“And that’s not all. When Leslie was lying on the ground howling in pain, Dakin took his bicycle.”

“Oh, he’s just playing. That’s what boys do.”

“Oh, is that so? Well, if you want to know the truth, I think Dakin is a lunatic! Only a lunatic enjoys inflicting pain on others.”

“Now, hold on a minute!” Madge said. “You don’t have any right to speak to me that way about my child!”

“Then when Leslie finally got his bike back, it had some scratches on it that weren’t there before. Caused by your brat!”

“Wait a minute!” Madge said. “Did you see Dakin do any of this?”

“He did it all right!”

“Did you see him do it?”

“Well, no, I was in the house, tending to my little girl.  She’s got a rash all over her body and we don’t know what’s causing it.”

“If you didn’t see Dakin do it, how do you know he did?”

“Because Leslie said so. If you could have seen how upset he was, it would have broken your heart. If you have a heart.”

“Maybe Dakin didn’t do it. There are lots of boys in the neighborhood.”

“Leslie said he did it and if Leslie says a thing, it’s true! He came into the house crying with the blood dripping down his leg. He was so upset he couldn’t speak. When I held him on my lap and got him to calm down, he told me what happened.”

“So, you’re taking Leslie’s word that Dakin did it?”

“Hell, yes!”

“You can’t always go on what kids say. They have a way of distorting the truth. Sometimes you have to find out what happened on your own.”

“So you’re saying my boy is a liar?”

“Look, Mrs. Whatever-your-name-is, I’m very busy at the moment and I don’t have time to stand here and jaw with you all day, as lovely a prospect as that is. When Dakin comes home, I’ll speak to him and I’ll find out what really happened. If he did what you say he did, he will be made to apologize.”

“And that’s all?”

“You want a written confession in blood?”

“I have a good mind to call the police.”

“They’ll just laugh at you for being so trivial.”

“You tell that little ham-handed troglodyte of yours to stay away from Leslie and Leslie’s bike and anything that belongs to Leslie.”

“You’d better watch who you’re calling names! You’ve got a lot of nerve coming to my door and raising such a fuss over nothing!”

“So now you’re saying it’s nothing? First Leslie is a liar and now it’s nothing!”

“I told you the matter will be taken care of! Now, so help me, if you don’t get off my property right now, I’m going to throw something at you!”

“My, aren’t we hoity-toity, though? You think you’re better than me, don’t you? Well, I’ll tell you something. I have no intention of getting off your property until I’m good and ready.”

Oh!” Madge said. She ran into the kitchen, looking for something to throw. The first thing that came to hand was a bag of grapefruits. She carried the bag out the door and began lobbing grapefruits at the woman, one after the other. The first one hit her in the chest but the rest missed her.

“I see where Dakin gets his craziness from!” the woman said. “Only crazy people throw fruit!”

When Madge had run out of grapefruits, the woman, as deft as a monkey, rushed her and punched her in the chin with her fist. The blow almost knocked her off her feet but she caught herself on the doorframe.

“I’ll give you fifteen seconds to get off my property,” she said. “That’s how long it’ll take me to go to the bedroom closet and get the loaded gun my husband keeps there.”

“Oh, my!” the woman said, taking a few mincing steps and waggling her hips in a demonstration of hoity-toity. “You can see how scared I am, can’t you?”

“You are the most repulsive woman I’ve ever seen!”

“Well, that goes double for me!”

The gun was in the exact spot in the closet where Madge thought it would be, high up where the kids wouldn’t find it. She checked to make sure it was loaded and then before she knew what she was doing she was outside again, pointing the gun at the woman.

When the woman saw the gun, she didn’t leave as Madge hoped she would but bent over from the waist and made a raspberry sound with her tongue and lips. Then she stuck her thumbs in her ears and waggled her fingers.

“Hah-hah-hah!” she said. “Are you supposed to be scaring me with that little pea shooter? I’ve had bigger guns than that pointed at me!”

The first bullet struck the woman in the breastbone, the second knocked her off her feet. She was lying on the ground, struggling to stand up, as Madge fired all the bullets in the gun at her, six in all.

When she was sure the woman was dead, she dragged her body by the ankles into the bushes in the overgrown neighboring yard where the house just happened to be vacant. It would be a while before anybody found her and, when they did, they wouldn’t know what had happened.

She put the gun back in the closet and checked herself in the mirror. No, she didn’t look as if she had just killed somebody. She went out to the garage and backed the car out and zoomed up the street, waving and smiling at some of the neighbors. It was getting late and she had to get to the store before they were out of the best cuts of meat.

Copyright © 2013 by Allen Kopp

Cotton

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Cotton ~ A Short Story by Allen Kopp 

There were five of us: me, a brother and three sisters. When we were old enough, we were taken away one after the other. I think my mother was a little glad to see us go. She was getting old and wanted only to lie in the sun and take uninterrupted naps.

As with all of us, a big one came to get me. He smelled funny but he handled me gently as he put me into a carrier and closed the door. I cried a little and pulled at the door with my paws but I knew it wouldn’t do any good—I wouldn’t be let out again until I was in my new home.

The car ride made me sleepy and made me forget that I had to pee. I had ridden in a car before on a couple of different occasions and I knew how it either makes you want to throw up or go to sleep. I curled up in a tight ball, making myself as small as I could, and went to sleep.

The car went a long, long way from where we started but finally it came to a stop. When the big one got out, I stood up in anticipation of being let out. I was knocked off my feet again, though, when he picked up the carrier, carried it inside the house and set it down on the floor. (A rough but short ride.) Right away I smelled all kinds of awful smells that I couldn’t identify. Was it the smell of another cat? My heart started to pound. All I wanted was to go back to the safety of my mother.

When the big one saw I didn’t want to come out of the carrier, he stuck his big hairless, pink face through the door and spoke the terrifying language that to me sounded like a dog barking. I crouched down and backed up into the corner.

He upended the carrier—I tried holding on but there was nothing to hold to—and I went sliding out against my will. I stood up and took a few steps, stretched my muscles and licked my paw. The big one seemed to approve.

Just then a different big one, a “she” big one, came out of nowhere and scared me with her loud voice. I started to run for cover but she scooped me up in her paws. Now, I have to tell you it’s an odd sensation to be picked up by something fifty times bigger than you are. I meowed a couple of times to let her know I didn’t like what she was doing to me, but she nuzzled me and started scratching my neck and ears. In spite of the bad smells that made me want to gag, I began to purr a little.

The “he” big one said something to the “she” and they both made that hideous sound that I was to recognize later as laughter. They gave me some water out of a little red bowl and, after I took a good long drink, I was directed to the litter box, which I was very glad to see. I scratched in the box for a few seconds, sat on my haunches, made a tiny wet spot and covered it up so it didn’t show.

The two big ones began playing with me, even though I was in no mood. They had a toy mouse on a string that they dangled in front of my face. I thought I smelled another cat on the toy mouse, but I obliged them anyway by batting at it with my paw and trying to catch it in my mouth. After they tired of this game, they gave me some food, which I was barely able to eat because it didn’t smell like anything I had ever eaten before. I guess I was still too nervous to eat, anyway.

Later on they left me alone to do some exploring on my own. I went into the next room and then the room after that. I jumped up on a big table but there was nothing there that interested me so I jumped down. I walked the length of the couch and the chairs in the living room, exploring every inch of the stinky fabric; I stuck my paws in the dirt of some plants and then I climbed on the TV. I crawled under the couch and came out with dust stuck in my whiskers that caused me to sneeze. I jumped onto the counter in the kitchen, nosed into the sink and took a couple of licks out of a greasy skillet on the stove.

I went into the bedroom, which seemed to be the best room of all. The bed was soft with enough room for a hundred cats like me. As good as the top of the bed was, the underside was even better. It was dark and there were some boxes and things that offered complete concealment from any dangers that might still be lurking. I was thinking it would make a good place for a nap when Finley jumped out at me and scared me so bad I jumped sideways and took a few spider-like steps backwards. The fur ruffled up on my back and my tail puffed out to three times its normal size.

Finley was a young cat, not quite full grown, but bigger than me. He was a long-haired cat that made him seem bigger than he was and he had a mane like a lion. He let out a couple of guttural meows that to me sounded like war cries and came running toward me. I wouldn’t let him get near me, though. I ran into the other room with him chasing me. I didn’t know if he was going to kill me or just hurt me.

I dove under the couch and I knew right away it was a smart move because Finley wouldn’t fit. He could see me, though, and he knew I wasn’t going anywhere and that if I came out he would know it. Every now and then he stuck his paw under to try to grab at me, but I pulled away out of his reach.

I discovered then that Finley was the most patient cat in the world. He stood guard there, stalking me, for the rest of the day and most of the night. I was hungry and thirsty and I had to use the litter box, but I was still too scared to come out. When the big one tried to coax me out by shining a flashlight in my face, I just ignored him.

Finally, in the morning, with the big one there to keep Finley at bay, I came out. The big one picked me up and set me on the table in the kitchen to feed me. He spooned some food into a bowl and I began eating. When Finley, who knew everything that was going on, realized I was eating what he thought of as his food, he tried to get at me to push me away. The big one had to make him stay away from me so I could eat. (That’s when I learned how to eat and growl threateningly at the same time.) After I ate, I had a good drink of water and a satisfying couple of minutes in the litter box, while the “she” big one held Finley in her arms and whispered in his ear.

After a couple of days I was feeling more courageous and I stood up to Finley, nose to nose. Instead of hurting me, as I thought he was going to do, he licked me on the face and head. I guess I discovered then that he wasn’t as bad as I thought he was going to be. What I thought at first was meanness and aggression was more curiosity and playfulness, with just a little jealousy thrown in.

I was still leery of him for a week or so, keeping my distance and hiding from him if I found him a little too overbearing, but I began to get used to him after a while. If he wants the spot on the couch that I’ve made warm, he makes no qualms about trying to take it from me, but more often than not I’m willing to move to another spot and let him have it.

Cold weather was coming on. Cats, as you probably know, are always looking for extra warmth. Finley makes a really good sleeping partner. Not only is he warm, but he has the softest fur I’ve ever felt. Sometimes we sleep head to head or cheek to cheek or crossed over each other like a couple of earthworms. Sometimes I use his belly for a pillow or he uses mine. When winter comes and the nights are really cold, the big one lets us sleep under the covers with him in the bed. There is no warmer place in the house.

Finley and I are now inseparable friends. We play together a lot and keep each other company. We’re a lot alike but also a lot different. Sometimes we eat together out of the same bowl, but most of the time he lets me eat first before he eats. If anybody ever knocks on the door, I run and hide but Finley stays right there to find out what is going on. When we both are taken to the doctor at the same time, I’m still scared but not as scared as I would be if Finley wasn’t with me. When I hiss, he hisses, like two parts of the same hissing machine.

Copyright © 2014 by Allen Kopp

Typehouse Literary Magazine, September 2014, Issue 3

Typehouse Literary Magazine, September 2014, Issue 3 ~  

Typehouse, September 2014, Issue 3, cover

For a PDF version, click on this link:

http://typehousemagazine.com/issues/TypehouseIssue3Sept2014.pdf

In This Issue:

Fiction

Blood on the Bayou: Dani Nicole
The Orphan Cleopatra: Kristen Abate
The Apprentice: Neal DeRidder
Mama Hari Dass: Jeff Burt
Zumba: Kalpana Negi
Cold Fort: Michael B. Tager
Poor Harvest: Joe Berry
The Good Death: Allen Kopp
The Man Behind Me: Kole
We Have a History: Tony Conaway

Poetry

Carol Shillibeer
Alyssa D. Ross
Nathaniel Sverlow
Sally Yazwinski

Visual Art

W. Jack Savage
Sheri L. Wright
Shannon Cavanaugh
Denny E. Marshall

Poised on the Edge of Eternity

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Poised on the Edge of Eternity ~ 

In this undated vintage photo, a trio of young men demonstrate their skill and courage by balancing in concert on the ledge of a tall building in New York City. One tiny wobble and they could all go tumbling over the side. That’s enough excitement for one day!

 

Odd Family

Odd family

Odd Family ~

In this undated vintage photo, the adult in the picture, obviously a woman (the mother?), is covered from head to toe like a warehouse statue. There must be a good reason, but, of course, we don’t know what it is. Is she just simply camera shy or horribly ugly and disfigured as the covering suggests? Even her hands are covered. Maybe she’s trying to give the illusion that she’s not even there. (We see you even if you think we don’t!) Possibly she’s allergic to dust or to those three odd young ones. The boy looks angry, the girl looks sad and the baby looks mystified.

 

 

A Journal of the Plague Year ~ A Capsule Book Review

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A Journal of the Plague Year ~ A Capsule Book Review by Allen Kopp

English author Daniel Defoe (1660-1731) was a literary late bloomer. He wrote his three famous novels (Robinson Crusoe, Moll Flanders and A Journal of the Plague Year) after the age of sixty. A Journal of the Plague Year was first published in 1722 and is an account of the London plague epidemic in 1665, when Defoe was only five years old.

A Journal of the Plague Year is fiction but is told in first person, as if the narrator is there at the time of the epidemic. The fictional narrator doesn’t leave London when he has the chance when the plague starts, as many sensible people do, but stays behind. He is spared the infection but witnesses firsthand the horrors of the epidemic and lives to tell about them. Defoe supposedly drew on the journals of his uncle, one Henry Foe, in writing the novel. That is obviously what gives the story its sense of authenticity and immediacy.

People can have the plague and not even know it, so are spreading it to everybody they come into contact with. Is it airborne or does it come about only through contact with an infected person? In 1665, nobody seemed to know for sure. Those who have someplace to go outside the city leave before the epidemic takes hold. It’s mostly the poor people who have to stay behind, so they are the principal victims.

So many people are dying during the height of the epidemic that the niceties of burying the dead in coffins are dispensed with. With a thousand or more people dying a day, “dead-carts” are dispatched to round up the dead and dump them into a huge pit. The only requirement for the pits is that the dead be buried at least six feet deep. As the lucky people who collect the bodies sicken and die themselves, new people have to be found all the time to fill the job. (It sounds even worse than a job as a technical writer for a restaurant chain.)

As with any human tragedy, there are stories of heroism and sacrifice along with the stories of opportunism and charlatanism. Quack doctors prey on the poor and uneducated, selling them fake “medicines” that are supposed to be a surefire remedy against the plague. Houses of the sick are ransacked by thieves. Unscrupulous “nurses” murder the sick people they have been hired to care for. Infected people willingly spread the disease to those they know are uninfected. On the other hand, caring people risk their own lives to stay behind and care for the sick in the “pest houses.” Charities are set up that provide food and necessities to the poor to see them through the epidemic.

There isn’t much plot or story to A Journal of the Plague Year, but that doesn’t mean it’s dull reading. A plague epidemic in a large seventeenth-century city is dramatic enough without much embellishment. Once you get used to the old style of sentence structure, it’s a fascinating reading experience. I bought a paperback of the novel when I was in college for sixty cents (new, not used—so you know how long ago that was). I read a hundred or so pages of the novel back then but for some reason didn’t finish it. That’s why I undertook to read the entire book (a breezy 240 pages) this summer, and I’m glad I did.

Copyright © 2014 by Allen Kopp

The Fleet’s In ~ A Painting by Paul Cadmus

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The Fleet’s In (1934) by Paul Cadmus

Paul Cadmus was an American painter who lived from 1904 to 1999. His works combined elements of eroticism and social critique to produce a style referred to as magic realism.

The 1934 painting The Fleet’s In shows U.S. sailors having a good time on shore leave. It aroused some controversy in its day, not only for its depiction of the navy, but for its obvious sexual connotations that fed into the myth of navy life.

 

One Hundred Years of Solitude ~ A Capsule Book Review

One Hundred Years of Solitude cover

One Hundred Years of Solitude ~ A Capsule Book Review by Allen Kopp 

The novel One Hundred Years of Solitude was written by Colombian author Gabriel García Márquez (1927-2014), first published in 1967, and translated to English in 1970. It tells the story of seven generations of the Buendía family, whose patriarch, José Arcadio Buendía, founds the town of Macondo (the city of mirrors that will reflect the world around it) in search of a better life. Ursula, José Arcadio Buendía’s wife (and first cousin), lives for 130 years and is a dominant character in the life of the family. (Incest is a recurring theme throughout the novel.)

One Hundred Years of Solitude can be read and enjoyed as merely a chronological sequence of events in the lives of the Buendia family, but it helps to know something of the underlying meaning. Gabriel García Márquez uses a fantastic fictional story as an expression of reality, with myth and history overlapping. Myth serves as a vehicle to transmit history to the reader. For example, the characters in the novel experience the Liberal political reformation of their colonial way of life, the arrival of the railway, the Thousand Days’ War (1899-1902), the corporate hegemony of the “banana company,” the cinema, the automobile, and the massacre of striking workers.

The inevitable and inescapable repetition of history is a dominant theme in One Hundred Years of Solitude. Márquez reiterates the metaphor of history as a circular phenomenon through the repetition of names and characteristics belonging to the Buendía family. The characters are controlled by their pasts and the complexity of time. Throughout the novel the characters are visited by ghosts that are symbols of the past and the haunting nature that the past has over their lives.

Another major theme is solitude. Macondo is in the remote jungles of the Colombian rain forest. The solitude of the town is representative of the colonial period in Latin American history, where outposts and colonies were, for the most part, not interconnected. The Buendías, isolated from the rest of the world, grow increasingly solitary and selfish. With every member of the family living only for himself or herself, they become representative of the aristocratic land-owning elite of that period in Latin American history.

Whether you’re interested in the political and historical implications or not, One Hundred Years of Solitude is still a multi-layered and entertaining story with many interesting characters. (Sometimes the names of the characters are difficult for the reader to keep straight because of the repetition of names.) José Arcadio Buendía and his wife Ursula are parents of José Arcadio, Colonel Aureliano Buendía, and Amaranta. Colonel Aureliano Buendía is a warrior and revolutionary leader. He starts thirty-two unsuccessful wars and fathers seventeen sons by seventeen different women. All of the sons have the name Aureliano with their mothers’ last names. He marries Remedios Moscote while she is still a child; she dies soon after the marriage during her first pregnancy.

Rebeca is the orphaned daughter of Ursula’s cousin who comes to live with the Buendías. She carries the bones of her parents in a bag and eats earth and whitewash off the walls. She eventually marries her adoptive brother José Arcadio and lives a life of seclusion after his death.

Arcadio is José Arcadio’s illegitimate son, a schoolteacher who assumes leadership of Macondo after Colonel Aureliano Buendía leaves. When Liberal forces in Macondo fall, he is shot by a Conservative firing squad.

Aureliano José is the illegitimate son of Colonel Aureliano Buendía. He joins his father in several wars but deserts to return home to Macondo because he believes he is in love with his aunt Amaranta. He is eventually shot to death by a Conservative captain midway through the wars.

Santa Sofía de la Piedad is a beautiful virgin girl who marries Arcadia Buendía. After her husband is executed, the Buendías take her in, along with her children.

Remedios the Beauty is Arcadio and Santa Sofía’s first child. She is so beautiful that several men die of love (or lust) for her. She is so naïve that she is perceived as being mentally retarded. Too beautiful and perhaps too wise for the world, she ascends into the sky one afternoon while folding a white sheet.

José Arcadio Segundo and Aureliano Segundo are twins born to Arcadio and Santa Sofía. José Arcadio Segundo plays a major role in the banana workers’ strike and is the only survivor when the striking workers are massacred. After the massacre, he spends the rest of his days studying the parchments of Melquiades (a history of the family written in Sanskrit, which is mentioned repeatedly throughout the novel) and tutoring the younger Aureliano. (The two twins die at the exact same time.) The twin brother, Aureliano Segundo, marries the beautiful and bitter Fernanda del Carpio and takes as his mistress Petra Cotes. After the long rains (four years, eleven months and two days), his fortune dies up. He begins searching for buried treasure, a pursuit that nearly drives him to insanity. He dies of throat cancer.

Renata Remedios, who is called Meme, is the second child and first daughter of Fernanda and Aureliano Segundo. To placate her mother, she learns to play the clavichord as well as a professional performer. When Meme falls in love with a mechanic named Mauricio Babilonia, her mother has him shot as a chicken thief and sends Meme off to a convent, where, a few months later, she gives birth to Mauricio Babilonia’s child. Her mother, Fernanda, takes the baby (Aureliano) and claims he was a foundling who came delivered in a basket to cover up her daughter’s promiscuity.

José Arcadio II (the only possibly gay character in the novel) is raised by Ursula, who wants him to enter the priesthood and become pope. He studies in Rome but doesn’t become pope. He eventually returns to Macondo and discovers buried treasure, which he wastes on lavish parties and escapades with adolescent boys. He plans to set up his nephew, Aureliano Babilonia, in business but is murdered in his bath by the adolescent boys, who ransack his house and steal his gold.

Amaranta Ursula is the third child of Fernanda and Aureliano. She never knows that the Aureliano Babilonia, the child sent to the Buendía home, is her nephew, the illegitimate child of Meme. Amaranta Ursula and Aureliano Babilonia become best friends in childhood and enter into a passionate affair when they are older, in spite of Amaranta Ursula having a husband, Gaston. Amaranta Ursula has a baby by Aureliano, which is born with a pig’s tail, as was prophesied. This baby, which is eaten by ants (also according to the prophesy), is the last of the Buendía line. As the line dies out, the town of Macondo is destroyed in a hurricane.

One Hundred Years of Solitude has become a classic of world literature and is the most famous work by Nobel Prize-winner Gabriel García Márquez, who died in April 2014 at the age of 87.

Copyright © 2014 by Allen Kopp