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The Godfather ~ A Capsule Movie Review

The Godfather ~ A Capsule Movie Review by Allen Kopp

In any list of the best American movies of all time, The Godfather is always near the top, along with Citizen Kane, Casablanca, and The Wizard of Oz. It was a huge critical and financial success at the time of its release and still resonates with audiences forty-two years later. It’s a multi-generational story about the American dream that touches on the themes of loyalty, honor and family; an epic gangster film on a lavish scale with a running time of almost three hours.

The Godfather covers the period from 1945 to about 1955. Marlon Brando plays Vito Corleone, the humble Italian immigrant who becomes one of the most feared and respected crime bosses in America—the Don, the Godfather. People kiss his hand as if he is a pope or a king. They come to him for “justice,” for favors that only he can grant. He doesn’t do their bidding, however, without expecting something in return—loyalty and friendship, if nothing more.

When we first meet Don Vito Corleone, he is old, nearing the end of his productive years. He has three sons: the hothead stud Sonny, the fool Fredo, and straight-arrow Michael, who has a Barbie doll-like girlfriend and an illustrious war record. One of the sons will one day take over the family business. He also has a daughter, Connie. When the story begins, the family is celebrating her marriage. Her choice of a husband, however, proves, in time, to not be a happy one.

When Don Corleone is shot five times by his rivals early in the movie while buying fruit, his son Michael (played by Al Pacino) steps in and takes charge of things, even though he seems constitutionally unfit to lead a criminal empire. He is sensitive and seems physically slight in comparison to his brother Sonny. He wants to marry his girlfriend and have a quiet, peaceful (crime-free) life, but he is being pulled in the opposite direction. When he shoots and kills two of his father’s rivals, he hides out in Sicily for an extended period, where he falls in love with, and marries, a young Italian girl. When she is murdered by a car bomb that is meant for him, he eventually returns to the United States, a hardened man, determined to take his place as head of the Corleone family. He becomes the new Don as his father (who recovered from his gunshot wounds but was never the same again) recedes into the background and eventually dies of a heart attack.

Of course, there’s much more to the story that we see in The Godfather. Two years later, in 1974, there was The Godfather Part II, which explores the early life of Vito Corleone, and The Godfather Part III in 1990. It’s a story that goes on and on.

The Godfather has been digitized and restored and looks flawless in its current iteration on the Cinemax network. If you haven’t seen it in a long time, as I hadn’t, it’s worth seeing again, if for no other reason that to see how much Al Pacino, Diane Keaton, James Caan, and others, have changed in forty-two years. Abe Vigoda, at the current age of 93, still looks about the same. Some people never change.

May 5, 2014May 5, 2014 by allen0997

Churn Thy Butter, Volume 3, April 2014

Churn Thy Butter ~ Issue 3, April 2014

(My short story “Happy Trails” is in this issue of Churn Thy Butter.)

Time to traverse the eccentricities of Church Thy Butter, Issue 3. First is Aaron Polson’s “Evidence,” which offers up a creepy VHS tape. Next is Colin Dodds’ poem “The Last Will and Testament of Spill-O.” It features surreptitious sausages, but really isn’t that the only kind of sausage? Harkens back to Upton Sinclair’s The Jungle. Lastly is a tale called “Happy Trails” written by Allen Kopp. Reminiscent of Kafka’s The Metamorphosis, but thankfully not as sad or disgusting.

Volume 3 may be read at the link below. (You might find the PDF version easier to read than the version where you have to turn the pages with the mouse.)

http://www.iridumsound.co.uk/magazines/issue.php?issue_id=22

May 4, 2014May 4, 2014 by allen0997

Heaven is for Real ~ A Capsule Movie Review

Heaven is for Real ~ A Capsule Movie Review by Allen Kopp

Heaven is for Real is based on a book and is supposedly a true story. Greg Kinnear plays a down-to-earth, small-town Nebraska minister named Todd Burpo. (I know—that’s kind of an absurd name.) He has a wife and two children. His son, named Colton, becomes inexplicably sick with a high fever. When Todd and his wife take Colton to the hospital after four days (why didn’t they take him sooner?), doctors find he has a ruptured appendix. They rush him into surgery but he is seriously ill and might not live. He eventually recovers, though, and the life of the family resumes as it was before Colton’s illness.

Soon, however, Colton begins to speak in a matter-of-fact way about things he saw when he was sick. He says he left his body (how could a four-year-old understand an out-of-body experience?) and saw himself on the operating table from above. He knew where his parents were and what they were doing while he was unconscious. He saw winged angels flying down toward him and when he was in heaven, he sat on Jesus’ lap and the lap of his long-dead great-grandfather. He met a little girl in “heaven” who, we find out later, was his sister who died before she was born, an event that Colton never knew about.

Were these “visions” just a childish fantasy, or did Colton really experience them? How is this story going to affect the community and Todd’s family? Believers continue to believe, but there’s plenty for scoffers to scoff at. Questions of faith are raised. Do you believe blindly, “taking out your brain and replacing it with the Bible,” as one character says, or do you harbor a certain amount of skepticism? When one child lives and another dies, what is the reason? Of course, there aren’t any answers to these questions, but people continue to ask them. Colton’s mother says at one point, during all the attempts at analysis, “Why can’t it just be a mystery?”

Heaven is for Real is a portrait of a family and a community. Like The Son of God earlier this year, it’s the kind of mainstream movie you don’t usually see at the multiplex. With all the Spiderman, Captain America, and X-Men movies being fed to the public these days, it’s good to see a movie every now and then that examines questions of faith and other issues that actually affect people’s lives.

May 3, 2014May 3, 2014 by allen0997

Color TV

Color TV ~ By Allen Kopp

In the early 1960s everybody wanted a color TV, but few people had them. They were expensive and, in the small town where we lived, not easy to get. You had to pay a nonrefundable deposit of twenty-five dollars to get your name on a waiting list to purchase one, which might take six months to a year, depending on how fast the dealer could get them from the factory. And, even if you had a color set, you were still going to be watching black-and-white TV most of the time because there were only three shows on in color. When you think of the early years of color TV, you think of The Wonderful World of Disney and Bonanza on Sunday nights and Hazel in the middle of the week. (I was never able to understand the appeal of Bonanza, in color or black and white.)

Color TV was so much to be desired that Woolworth’s offered a low-cost (cheap) solution to those who wanted a color set but, for whatever reason, didn’t have one. For one dollar, the lucky shopper could have the illusion of color TV with a cheesy little item that was essentially a sheet of plastic with three bands of horizontal colors; the top band was blue to represent the sky; the middle band green for trees or grass; the bottom band brown for the ground. You attached this sheet of plastic over your black-and-white TV screen with adhesive and, if you squinted hard enough, almost closing your eyes, you might have been able to convince yourself you were watching color TV. Of course, if you were watching indoor scenes where you don’t see the sky, trees or the ground, the colors didn’t make much sense, but who’s to quibble with such innovation? Our next-door neighbors had one of these things and their cat, apparently not liking it, shredded it with his claws.

My grandparents were the first to have a real color TV. They were modestly well off and had only themselves to look after, so they bought themselves a top-of-the-line model. It was a squat metal cube with a twenty-four-inch screen with rounded corners. It sat on four spindly legs canted outward, making it look like a Martian spaceship that had landed on earth. If we were ever at their house on one of the nights that a color show was on, we were thrilled (well, I was, anyway) to see TV in color. It was a real novelty. It didn’t matter what the show was; its being in color was the thing that made it cry out to be seen. I could tell everybody about it at school the next day and watch their grimaces of envy.

As thrilling and desirable as color TV was, though, it wasn’t without its problems. The color had to be adjusted every time the TV was turned on. This meant bending over and fiddling with knobs to try to get the color just right. With one knob you adjusted the color of the color. You waited for a face to appear on the screen and then turned the knob until the face was as close to the color of flesh as possible, which turned out to be about the color of baloney. With another knob you adjusted how much color you wanted. Did you want the color to look like it was just barely color, or did you want it to jump out at you in a blatant, unnatural way whenever you entered the room?

By the mid-to-late sixties, everything on TV was in color, so it was no longer the novelty that it once was; it was just one more thing to take for granted like electric lights and the internal combustion engine. TV technology improved, of course, but it would still be many years before we had more than three (five at the most) choices of what to watch. We had a channel for each of the three broadcast networks, an “educational” channel that had shows about such things as blue babies and dentistry, and one “independent” channel that was fuzzy all the time because it had a “weak signal” but had the huge advantage of showing The Three Stooges every weekday afternoon.

Things have come a long way in fifty years. TVs now are sleek and lightweight. Gone are the heavy cabinets and consoles that weighed two or three hundred pounds. No more “picture tubes” (and other small tubes) that burn out like light bulbs and have to be replaced periodically. No more fiddling to adjust the color. No more knobs. No more metal TV antennas on roofs—most people are now connected to some cable or satellite system that offers hundreds of choices instead of just a handful. There’s a “niche” channel for every interest.

Old black-and-white movies (movies made before the wide-screen format became the norm) are shown on a high-definition TV with the same proportions as they had on the movie screen (with a black space on both sides of the picture), or you can see them “stretched,” in which case they cover the entire rectangular screen and you lose some of the crispness of the picture. Recent movies look much the same as they do in a movie theatre. With a high-end, high-definition, flat-screen TV, it’s almost like having a miniature movie screen in your living room. And the best thing about it is that movies are broadcast as they were meant to be seen. We no longer have to put up with movies being cut up to allow for endless, idiotic commercials and “reformatted” in dreadful “pan and scan.” There are some people who apparently care about the integrity of the art form. That’s the kind of innovation we don’t often see.

May 2, 2014May 12, 2014 by allen0997

The Lantern Bearers

The Lantern Bearers (1908) by Maxfield Parrish

Maxfield Parrish (1870-1966) was an American painter and illustrator, known for his distinctive saturated hues and idealized neoclassical imagery.

He painted The Lantern Bearers for Collier’s magazine in 1908.

April 30, 2014July 18, 2017 by allen0997

Chauncey Peeps

Chauncey Peeps ~ A Short Story by Allen Kopp

From the time she was a small child, Juniper Trent wanted to be a mother. She was a lonely child and so treated her roomful of dolls like living children or like the younger brothers and sisters she was never to have. She gave them all names, scolded them when scolding was needed—dressed, bathed, fed them—and treated them with the kindest loving care of which she was capable. In short, she taught herself how to be a mother, and, by the time she was in her early twenties, believed she was ready to embark on real—rather than pretend—motherhood.

She married the first boy who asked her, one Frederick Peeps, and, in a little over a year, she had her own real-live baby. He was a fine animal specimen in every way but not exactly what she or her husband expected. He was covered in dark hair, had a snout and a long tail, a large mouth and perfectly formed teeth. He resembled a baby ape more than a human child and, in fact, an ape is what he was. The doctor explained in his dry manner that these things sometimes happened, a little trick of nature, but there was no reason to believe that the monkey baby wouldn’t live a full and happy life.

She named him Chauncey and, after she recovered from the shock of his being so different from what she expected, she was delighted with him, as pleased and as proud as a mother could be. Her husband was a little pouty at first, wondering just who this woman was who could produce such a child, but took only a few days to get used to the idea of having a son unlike any other and came to love him as much as a father could, taking singular pride in his first steps, his first words and in his first bicycle ride.

Mrs. Peeps took Chauncey with her wherever she went. She soon became used to people staring and whispering, of wanting to get a closer look. Just about everybody who saw him wanted to touch him, to take his picture, or to have him grip their thumb with his furry little hand. They cooed in his face and made faces at him and, in so doing, made complete fools of themselves. Soon Mr. and Mrs. Peeps were receiving invitations to parties and dinners on the condition that they bring their unusual little Chauncey with them. They were invited to join the country club, the lodge and several church congregations, none of which held any appeal for them. They weren’t in any way “group” people or the joining kind.

Chauncey developed rapidly, physically and emotionally. He could read the newspaper at age three, recite Tennyson at age four, and, before he was five, perform the soliloquy from Hamlet. The summer before he started to school, he was juggling and doing acrobatics, singing, dancing and performing pantomime skits. His mother believed he was a natural-born performer.

When it came time for Chauncey to go to school, Mr. and Mrs. Peeps took a long, hard look at the situation. They had both attended public school as children and they knew what a cruel place it can be for someone who is different. They couldn’t stand to think of Chauncey being bullied, taunted, mistreated and made unhappy. They would rake together the money and send him to a special school for oddly turned, one-of-a-kind or freakish children.

He became a student at the Sore Bone Academy when he was six years old. For his entrance examination, he recited The Gettysburg Address (with much feeling) and did impressions of movie stars, including Marie Dressler and Zasu Pitts. The examining board, of course, was delighted, and accepted him on the spot without the usual expect-to-hear-from-us period. (They were privately thinking about the notoriety that such a talented and unusual child might bring to their school.)

At the Sore Bone, for the first time in Chauncey’s life, he had the chance to consort with other children who were as unique as he was. His classmates included an albino boy, Siamese twin girls, a boy with webbed hands and feet, a girl with a “twin” sticking out of her side, another girl with telekinetic powers who could make objects fly around the room, a boy with an exoskeleton and a tail, a girl who was covered all over with silky white hair, a boy whose head was attached backwards to his body, a girl with four working arms but no legs, a boy with the bodily proportions of a beach ball, and on and on. After one came to know them, they were more than just “freaks.” They were all bright and friendly in their own way and all fortunate to be shut away from the cruel world at the Sore Bone. Chauncey fit right in and became a student leader.

He excelled in all his studies and was encouraged to become the clown that he knew he was always meant to be. As he grew older, he began living his life as a clown instead of just as a monkey boy. He developed his “Mr. Peeps” persona that would serve him well in the years to come.

He had a complete clown wardrobe that his mother ran up for him on her sewing machine in her little attic room at home. And what a wardrobe it was, complete with junkyard tuxedos, top hats, the traditional red-and-white striped one-piece suits with ruffled colors, oversized suits containing compartments inside for the traditional rubber chicken and other clown paraphernalia, hobo pants with patches in the knees and seat, a long frock coat that dragged five feet behind him as he walked, and female clown dresses with voluminous padding for boobs and hips for when he performed in drag.

The school years passed happily and then it was time for graduation. Of all the clown students in his class, Chauncey (alias “Mr. Peeps”) was at the top of his clown class. As he accepted his diploma in his deep-purple cap and gown festooned with rubber chickens, his mother and father sat in the audience and beamed their happy smiles.

With school behind him, Chauncey had some important decisions to make. Was he going to be a clown all his life, or was he going to set his clownhood aside and pursue some more serious profession, such as lawyering or doctoring? He knew that many doctors and lawyers are also clowns, but he didn’t think he had it in him to combine the two professions. It had to be one or the other.

Just when he was beginning to enjoy his summer vacation, a bad thing happened. His father was run over by a pie wagon in Philadelphia. It was one of those events that just happens for which no planning is possible. After the funeral, Chauncey promised his mother that he would never leave her, no matter what. He would abandon all thoughts of pursuing a profession to stay at home with her. They had plenty of money and he was tired of the world anyway.

“We will defer all important matters for the time being,” his mother said. “I want to take a little vacation and get away from it all.”

They planned on going to a spa in the mountains to take the curative waters when, on the day before they were to catch their train, Chauncey received a telephone call from the Valeria Brothers Combined Shows. They knew his work, were great admirers, and were prepared to offer him a lucrative clown contract. He and his mother put off their trip for the time being, and he traveled alone two days later to meet with Valeria Brothers to discuss the job.

They gave him more money than he ever imagined and for his very first job! He knew that if he signed with them he was going to have to travel around from place to place, wherever the circus was performing, and he wasn’t altogether happy with that prospect. When he expressed a reluctance to leave his mother behind, they told him he could bring her along if she didn’t object to the nomadic life. The circus might even employ her in some capacity if she was interested.

When he told his mother the news, she was happy for a fresh start in life. What had seemed like the end of things was really the beginning of a new kind of life for her and her monkey boy.

Chauncey’s first experience at performing with the Valeria Brothers Combined Shows was a swing through the Southern states. And he was an instant success! As word of him spread, the Valeria Brothers saw their box-office receipts increase wherever they went. His mother became a sort of wardrobe mistress for Chauncey and for some of the other performers. She repaired their costumes when needed and saw that they were cleaned and pressed and ready for the next performance.

It was in the circus that Chauncey found true love. He was instantly drawn to a midget fat-lady clown who went by the name of Ima Pigg. She was about the same age as Chauncey and very naïve, having been sheltered by her wealthy family. When her father died and her mother remarried, she had stepped out into the world on her own and joined the circus and never looked back. Chauncey was her first romantic attachment and she was his.

In a few months, Ima Pigg became Ima Peeps. The wedding was performed before a capacity audience in the middle of the regular show. The Valeria Brothers realized they could have sold three times as many tickets if only they had had the space for that many people. They considered making marriage ceremonies part of the regular show.

Within a year, Ima Peeps gave birth to her own little monkey boy and named him Chauncey Junior. He was a tiny duplicate of his father. Chauncey and Ima were very happy, as was Chauncey’s mother, the wardrobe mistress.

But the work of performing in the circus came first. The Valeria Brothers were constantly pushing Chauncey to try new routines. They didn’t want him to get stale. They had him juggling swords and live hand grenades and hanging from his teeth from a trapeze thirty feet in the air. It wasn’t enough for him just to be a clown anymore. The audience expected more from him. He had to do things that had never been done before.

One night to a packed house, when Chauncey and several of his clown colleagues were performing a stunt with rings of fire, the fire got out of control and began to spread very fast. All the lights had been turned off, making the situation more frightening for the audience when they began to see the fire coming toward them. They began screaming and running for the exits, trampling whoever got in their way. Eight people died and many others were injured without the flames ever getting to them.

Of the performers, Chauncey and three other clowns were killed. Those who were present stated later that Chauncey was a hero. He was able to get several people out of the way of the flames at the expense of his own life.

His mother left the circus and went home. She was heartbroken, of course, but not alone. Ima Peeps went with her and her grandson, Chauncey Junior. When she looked at him, she saw her monkey boy and she knew he wasn’t really dead. When she took him out into the world with her, she witnessed the stares and whispers. She was there for his first words, his first steps and his first time alone on a bicycle. Everything that had happened before was happening again.

April 24, 2014April 25, 2014 by allen0997

The Resurrection Day

~~~

John 20:16-18

Jesus said to her, “Mary.” She turned toward him and cried out in Aramaic, “Rabboni!” (meaning “teacher”). Jesus said, “Do not hold on to me, for I have not yet returned to the Father. Go instead to my brothers and tell them, ‘I am returning to my Father and your Father, to my God and your God.’ ” Mary Magdalene went to the disciples with the news: “I have seen the Lord!” And she told them that he had said these things to her.

~~~

April 20, 2014April 21, 2014 by allen0997

Transcendence ~ A Capsule Movie Review

Transcendence ~ A Capsule Movie Review by Allen Kopp

Transcendence has all the elements of a summer movie and it isn’t even summer yet: a one-word title, a big-name movie star (Johnny Depp) and a fast-paced techno plot with plenty of action. Johnny plays Dr. Will Caster (a part that almost any actor could have played). Dr. Caster works in the field of artificial intelligence. He and his team (including his wife, Evelyn, and his best friend, Max) are working on a computer system so advanced that it far surpasses human capabilities. The potential for helping mankind, curing illnesses, healing the planet, etc., are staggering. The one problem they can’t seem to figure out, though, is how to make the AI system “self-aware.”

A radical group wants to end the study of artificial intelligence, believing it has the potential to bring about the end of the human race, and murders some of the researchers. When Dr. Caster is shot, the gunshot doesn’t kill him, but it seems the bullet that entered his body was treated in some way to cause him radiation poisoning. He has only a short time to live. Before he dies, though, he will “upload” his consciousness into the computer system, providing the missing element of self-awareness that has hitherto been lacking. His fellow researchers, Evelyn and Max, are complicit in this plan. Evelyn sees it as a way for Dr. Caster to live on after his physical body has died. Max is more skeptical.

So, Dr. Caster is dead but his intellect and consciousness live on in the sophisticated, highly advanced artificial intelligence computer system. His wife is delighted at first that she can still talk to him and interact with him, but after a couple of years she sees where the whole thing is headed: he has a god complex. He believes he is so far superior to “simple organic” life (meaning humans) that he comes to see himself (the computer system) as the future and the human race as a thing that is completely unnecessary. He is sort of a modern-day Dr. Frankenstein in that he ventures into an unknown place where man is perhaps better off not to go.

Transcendence is engaging enough (more in the first half than in the second) for what it is, but there’s nothing unique about it. It’s in the cookie cutter mold of American movie making. There are other movies with the same look and feel. Now that summer is coming on, there will be lots of them because they make a ton of money and then are quickly forgotten until they turn up on TV.

April 19, 2014 by allen0997

The Fires of Vesuvius ~ A Capsule Book Review

The Fires of Vesuvius ~ A Capsule Book Review by Allen Kopp

During the early Christian era and for hundreds of years before, Pompeii was a thriving seaside town of 20,000 people or so, about 150 miles southeast of Rome. In the year 79 AD (or BCE), the volcanic mount Vesuvius erupted and literally buried the town alive under layers of pumice and volcanic debris. Scholars had known of the existence of Pompeii from written records, but the town itself wasn’t “rediscovered” until the 1700s, at which time archaeologists began the painstaking job of digging it out bit by bit. (Excavation continues to this day, 250 years later.) Since the town hadn’t been touched for all those centuries, its streets, temples, houses, paintings, etc., were remarkably well preserved. It gave the world a chance to know a lot more about a long-lost period in history than had been previously been known.

The Fires of Vesuvius by Mary Beard is an exhaustively detailed account of what the ruins and artifacts teach about what life was actually like in the Pompeii of two thousand years ago: how people lived (bad teeth, no toothbrushes), what their dwellings were like (those made of wood mostly don’t remain except for nails and fittings), how they navigated about town (one-way streets), how they got water into their homes (a fairly sophisticated system of “running” water that not everybody could get), how and what they ate (a fairly healthy diet of fruits and vegetables; cooking utensils and ovens for baking bread remain), how they made a living (farmers in the immediate vicinity around the town; shopkeepers, fullers and small-business owners in the town), what they did for entertainment (plays and gladiatorial games), how and who they worshipped (many gods to choose from; few or no signs of Christianity at the time of the eruption), what their political structure was like (only the rich could stand for office because they were expected to use their money to benefit the public in some way), what they wore (not so many togas), what artwork they admired (phallic symbols carved everywhere, meaning prosperity and good fortune), how they buried their dead (on the roads outside of town, elaborate memorials for the cremated remains of the rich; barely a hole in the ground for the poor), where they went to take a bath (elaborate public baths with little or no sanitation; sometimes turds floating in the water), and in some cases, their private thoughts expressed in “graffiti” that is everywhere in the town. The people of Pompeii were apparently a fairly literate bunch, and they took advantage of the quaint custom of writing their thoughts and feelings on walls or wherever they happened to be, much of which survives. Thankfully this custom has mostly died out. I, for one, don’t want to have to look at scribbled writing on every surface, which, I’m sure, would be unbelievably ugly.

Readers who have more than just a passing interest in Pompeii, or those who plan to go there, will find plenty in The Fires of Vesuvius to recommend it. The casual reader will probably be put off by the dense text (although it isn’t that difficult to absorb) and the wealth of minute detail, more than the average person reading for pleasure is going to want to know. If, however, you are a student of archaeology or are writing a research paper, this book will prove to be a valuable storehouse of information.

A tiny footnote that I found interesting that I hadn’t known before: During World War II, the Allies, in bombing Italy to subdue Il Duce, destroyed parts of the ruins of Pompeii. Whether this was deliberate or accidental isn’t stated. The irony is that some of the ruins had to be reconstructed to make them look the way they did before the bombing.

April 13, 2014April 14, 2014 by allen0997

Oculus ~ A Capsule Movie Review

Oculus ~ A Capsule Movie Review by Allen Kopp

An antiques-loving yuppie couple purchase a quaint, old, full-length mirror that hangs on the wall. The couple don’t know it, of course, but the mirror has a history, going back four hundred years, of bringing about violent death to its owner. An evil spirit resides in the mirror and this spirit protects the mirror from destruction as if it (the spirit) and the mirror are the same.

The couple, the Russells, have two children (Kaylie, age 12 and Tim, age 10). The father of these two becomes withdrawn and secretive. He won’t let anybody go into one room in the house that he calls his office. (It’s the room where the mirror is kept.) Kaylie, when she and her brother are playing in the yard, sees a strange woman embracing her father through the window, when she knows there is nobody else in the house except her parents. The man’s wife, the mother of the two children, becomes suspicious of her husband’s activities and begins doing some investigating on her own. This, as one might expect, leads to tragedy. Kaylie and Tim make a vow to each other that, when they are grown, they will do whatever they can to find out exactly what happened and to clear their family of wrongdoing.

Eleven years later, Tim, age 21, is being released from a mental institution, where he has been since he was 10. Kaylie, his sister, is now 23. In the intervening years, she has discovered the history of the mirror and is determined, with the help of Tim, to make good on the vow they made to each other 11 years earlier.

Oculus is an acceptable horror movie with a cast of unknown (at least by me) actors. While it doesn’t have the chills of Insidious or Mama, it’s intelligent and well-made with a few tense moments. It isn’t junk or schlock. If you are a fan of good horror films, like me, you will like it. If you try to dissect it too much, though, you’ll expose the holes in the plot, so just enjoy it without getting too analytical.

April 12, 2014April 14, 2014 by allen0997

Literary Fictions

Author: allen0997