Boardwalk Empire, Season Five ~ A Capsule Review

Boardwalk Empire poster

Boardwalk Empire, Season Five ~ A Capsule Review by Allen Kopp 

Boardwalk Empire is in its fifth and final season on HBO. Whereas the other seasons were set in the 1920s, season five skips ahead to the 1930s. 1931 finds Enoch “Nucky” Thompson, “one of the most powerful bootleggers in the country,” in Cuba with his business associate and sometime girlfriend Sally Wheet. Anticipating the end of Prohibition (the Volstead Act), Nucky is negotiating to become the distributor for Bacardi rum in the United States. He is looking to transform himself from an illegal businessman to a legal one. He has to be careful, though; other gangsters, principally Charles “Lucky” Luciano, want to rub him out. It’s a cutthroat business and the major players think nothing of bumping each other off in any number of ugly ways.

In the meantime, in Chicago, Al Capone is riding high. We’ve seen Al throughout all four seasons, but now that he is “on top,” he is especially vulgar, loud-mouthed and psychotic. He beats an associate to death with an Empire State Building figure that somebody gave him as a gift for laughing too long at a joke and for calling somebody a jerk. The “feds” are after Al for income tax evasion, but he believes they won’t be able to make it stick, any more than any of the other charges that have been brought against him.

If you are a fan and a follower of the show, you know that Gillian Darmody, mother of the now-dead Jimmy Darmody, was busted at the end of season four for a murder-of-convenience she committed in an earlier season. We find her at the beginning of season five in a mental institution with yowling inmates rather than prison. It seems the jury found her “temporarily insane” when she did her dirty deed. There’s a chance she will someday walk free if she can use her feminine wiles to convince the people in charge that she is cured of her insanity. Don’t count her out just yet.

Nucky’s estranged wife, Margaret, has been working in a brokerage firm in the intervening years. She had a “business relationship” with gangster Arnold Rothstein whereby she gave him stock tips and he gave her a decent apartment to live in with her two children in a building he owned. When Arnold Rothstein dies, his widow tries to extort money from Margaret, believing, wrongly, that she was his mistress. Margaret, not having seen Nucky for years, goes to him for help since her being “Mrs. Nucky Thompson” is the reason Mrs. Rothstein targeted her.

Albert “Chalky” White, Nucky’s former partner in the nightclub business, was in prison but escaped while on a chain gang. He took along another prisoner in the escape but soon had to kill him when they were terrorizing two women, a mother and daughter, and things got out of hand. (His killing the other prisoner actually saved the women’s lives.) Chalky has to stay hidden, of course, since he is a prison escapee, but he makes it back to Nucky, who agrees to help him to hide. He eventually comes face to face again with his former mistress, Daughter Maitland.

Pug-faced, former Prohibition agent Nelson Van Alden has been hiding out all these years (he killed two people, including his partner) under an assumed identity in Cicero, Illinois, with a strange Swedish woman who started out as his nanny. (You will remember he fathered a child with one of Nucky’s castoff girlfriends and had another child with the Swedish woman.) While working for the Capone gang, one of the mobsters identifies him as a former “prohee.” An undercover police office, pretending to be part of Capone’s gang, identifies him later from mug shots.

In addition to these recent developments in the lives of the characters we have come to know over four seasons, season five also gives us a glimpse into Nucky Thompson’s past, giving his character more depth. Through flashbacks, we see him first as an adolescent and then as a young man. (The two actors who play Nucky at different times in his life meld perfectly in appearance with the older, middle-aged Nucky.)

Nucky has an unhappy, disadvantaged childhood. His father is brutish and uneducated; his mother seems helpless. He sees his younger sister die because the family is too poor to get adequate medical care for her. He envisions a brighter, better future for himself in which he has plenty of money.

As an adolescent, he begins working for “the commodore,” a shadowy political figure/gangster in Atlantic City. He sweeps sand off the porch of the hotel the commodore owns and eventually is taken into the “business.” As a young adult, he enters the world of local politics and begins to see how he might become wealthy. Prohibition gives him his chance, making him wealthy and powerful.

Boardwalk Empire is bloody and violent and there is sure to be at least one gratuitous sex scene per episode. If you are like me and the sex stuff makes you cringe but the violence doesn’t bother you, well, you should know that there’s lots of other stuff here that makes the show worth watching, including intelligent writing, credible characters, and tons of period details in cars, clothes, interiors and music. Of course it’s not the same without my favorite character, the tragically disfigured Richard Harrow, who died at the end of season 4, but it’s still the best show on television. I may be a little prejudiced, though, since it’s the only show I watch. 

Copyright © 2014 by Allen Kopp

Horror at First Sight

Elsa Lanchester

Horror at First Sight ~ 

Wearing tons of makeup, the incomparable Elsa Lanchester in The Bride of Frankenstein (1935) registers horror at first sight of the man (monster) she is going to marry. The experience has given her hair a permanent frizz.

 

He Comes in On Little Cat Feet

He Comes in On Little Cat Feet

He Comes in On Little Cat Feet ~

Apparently stricken deaf, Elizabeth (played by the lovely Mae Clarke) doesn’t know the monster is behind her and is about to carry her away. When she can no longer deny that he is in the room with her, she screams and then faints (of course), facilitating the abduction.

The Spoils of Poynton ~ A Capsule Book Review

The Spoils of Poynton cover

The Spoils of Poynton by Henry James ~ A Capsule Book Review by Allen Kopp 

Henry James was an American writer who lived from 1843 to 1916. If he seems more an English writer than American, that’s because he did most of his work while living in England and, late in his life, gave up his American citizenship and became a British subject. He wrote about twenty novels, the most famous of which are The Golden Bowl, Wings of the Dove, and Portrait of a Lady. He is one of the key figures of nineteenth century literary realism.

The Spoils of Poynton is a short (for Henry James) novel first published in 1897 that touches on the themes of greed, friendship, the nature of love and the strength of familial connections. Mrs. Gereth is a headstrong widow who lives on her estate called Poynton. Poynton is filled with “treasures” (these are the “spoils” of Poynton) that Mrs. Gereth and her late husband collected, including furnishings, tapestries, old china, paintings, object d’arts, etc. According to a silly and unfair English law, all the things in Poynton (including the house and estate) belong (upon the death of Mrs. Gereth’s husband) to her son, Owen. Owen can do as he pleases with his mother. He can put her out of the house of he wants to. He is under no legal obligation to her.

Owen is engaged to be married to one Mona Brigstock, whom Mrs. Gereth, his mother, loathes. Mrs. Gereth can’t stand to see Mona installed in Poynton with all the “things” that she considers her own. She would do almost anything to keep Owen from marrying Mona. This is where Fleda Vetch enters the picture. She is a friend of Mrs. Gereth’s and Mrs. Gereth’s choice for Owen to marry instead of Mona. After Owen and Fleda meet a few times, they admit they have “feelings” for each other. Could it be love?

Mrs. Gereth moves out of Poynton at the prospect of her son’s marriage to Mona and takes up residence in a place called “Ricks.” Ricks is all right in its own way but far inferior to Poynton. To mollify his mother, Owen tells her she may have a few (a dozen or so) of her favorite pieces from Poynton. She surprises everybody by taking literally everything. Owen is outraged and threatens legal action. (Apparently the desire for earthly possessions is more important than the mother-son bond.) Mona tells Owen the marriage is off until the things are returned to Poynton. She wants to marry Owen, it seems, only if Poynton and everything in it are part of the bargain.

Mrs. Gereth’s friend, Fleda Vetch, is faced with a dilemma. She loves Owen and he apparently loves her, but she believes it would be improper for her to take him away from Mona. The only way she will get Owen herself is if Mona chooses to break off with him. Owen believes it his duty to follow through on his marriage to Mona, even though he seems at times to prefer Fleda. Which way will he go? Will Mona tell him she no longer wants to marry him? What will happen to the “spoils” of Poynton?

Somebody once said that Henry James could find more drama in a raised eyebrow than most people could find in an earthquake. The Spoils of Poynton is a simple and engaging story told in Henry James’s inimitable grand literary style. If a thing could be said in five hundred words, he will more than likely use five thousand. Let’s see…how many ways are there to say the same thing?

Copyright © 2014 by Allen Kopp

Mystery Girl

Mystery girl

Mystery Girl ~ 

In this disturbing and undated vintage photograph, a girl whose face is completely covered by some kind of a mask–and whose hands are covered–appears to look at a book. If there is a meaning, we don’t know what it is.

 

Smoking Boy

Smoking boy

Smoking Boy ~ 

A small, curly-haired, pouty-faced boy wearing strap-over shoes has a lighted cigarette dangling from his lips while sitting next to a large white chicken. No explanation given or needed.

On This Day

On This Day image 3

On This Day ~ A Short Story by Allen Kopp 

Traffic was light. Billie Rose Flint arrived at the cemetery at five minutes after three on a bright October afternoon. She knew the cemetery well and parked the car in the same familiar spot, underneath an old oak tree that at the moment was so suffused with sunstruck color that it was as pretty as any picture in a magazine. She breathed deeply of the pleasant leafy smell and, not even bothering to lock the car, walked up the hill that she knew so well, past the gravestones whose names she knew by heart.

By the time she came to her son’s grave, she was winded and her legs ached; she was, after all, getting old. She spread the blanket on the ground, kicked off her shoes and sat down facing the gravestone. It was a simple red-granite affair, not as showy as some of the others, with the name, Randall Wallace Flint, the date of his birth and the date of his death.

As always when she was in the cemetery and there was no one else around, she began to feel sleepy. She reclined on her back and looked up into the trees. The breeze on her face was fragrant and cooling. A little hump in the ground pressed comfortably into the small of her back as if it had been placed there especially for that purpose.

She dozed and in a moment she was aware of someone standing beside her. She opened her eyes and looked up into his face but the sun kept her from seeing him. He smiled and sat down beside her on the edge of the old quilt.

“How have you been keeping yourself?” he asked.

“Just peachy keen,” she said.

“I had a feeling you’d be here today.”

“It’s a special anniversary,” she said.

“Anniversary of what? You can say it.”

She looked at him and saw he was trying to keep from laughing, as if it was all a joke to him.

“Thirty years ago today,” she said, “you hanged yourself from a rafter in the garage after school.”

“Go on,” he said.

“I found you when I opened the door to pull the car in. You were just hanging there. There was a tipped-over chair. I knew right away it was too late.”

“And then what did you do?”

“I screamed. The woman who lived next door, Doris Ellsworth, was in her backyard and heard me. She came running to see what was wrong. When she saw what had happened, she closed the garage door and took me into the house and called an ambulance.”

“And then what?”

“They came and cut you down. By then, all the neighbors had gathered around to watch. The paramedics carried you out on a stretcher and put you into the back of the ambulance. They were moving very slowly because they knew there was nothing to be done.”

“What did you do then?”

“I drank a glass of scotch and called your father and told him he needed to come home.”

“And did he?”

“He was there in a few minutes. At first he didn’t believe you were really dead. He wanted to see to make sure for himself. They let him see you, with all those people watching, and then he turned to the ambulance driver and very calmly told him to take you to the funeral home. Then he made me get into the car with him and we drove there behind the ambulance and bought you a casket. Your father wrote a check to pay for it.”

“It was some funeral, though, wasn’t it?” he said.

“Yes, it was a big funeral.”

“Everybody from school was there. Standing-room only. There wasn’t a dry eye in the place. Suddenly everybody likes you when you’re dead.”

“They liked you before you were dead but you didn’t see it.”

“I was going through an adolescent phase. I thought I couldn’t go on.”

“If only there had been some way to help you before it was too late.”

“It doesn’t do any good to think that way. What’s done is done.”

“Was your life really so unbearable?”

“I was a misfit. I was failing algebra. I had acne. I couldn’t take being chosen last for basketball any more. Do you know how much I despise basketball to this day?”

“Those things would have passed. If you had only talked to me about what was bothering you, I could have helped.”

“Maybe not,” he said. “Who knows?”

“Insanity has always run in my family,” she said.

He laughed. “Do you think that’s what was wrong with me?”

“Who can say?”

“If that helps you to understand what I did,” he said, “I guess it’s as logical an explanation as any.”

“Do you think about all the things you missed?”

“Not much,” he said. “ I think more about the things I avoided. Like having to get a job, paying taxes and having a bad marriage.”

“What makes you think you would have had a bad marriage?”

“I don’t know. Aren’t all marriages bad in one way or another?”

“It depends on who you talk to, I guess.”

“You and father had a terrible marriage.”

“I wouldn’t say it was terrible.”

“You fought all the time.”

“Did we? I don’t remember.”

“I call that ‘convenient forgetting’,” he said.

“Anyway, it’s all in the past now and no longer matters.”

“Yes, all in the past.”

“I’m just glad you’re not in torment for what you did,” she said.

“No, not in torment. Not in heaven, either.”

“I won’t ask you what it’s like where you are because I don’t want to know. All I want to know is that you’re not being made to suffer for what you did.”

“Of course I’m not. There isn’t any such thing as hell.”

“Now you’re forty-five,” she said. “Or you would be if you had lived. When I look at you, I see a forty-five-year-old man. You look a little like your father but more like my side of the family.”

“You see what you want to see,” he said.

“The unhappy fifteen-year-old is gone. I can no longer even see his face.”

“Good riddance,” he said. “I never liked him much, anyway.”

“Are you sorry for what you did? I mean, ending your life before it even had a chance to begin?”

“If you say so, mother.”

She heard voices and when she turned her head to see who it was, she saw two very old ladies hovering over a fresh grave nearby. When she turned back to her son, he was gone. The spell was broken. He wouldn’t have wanted anybody else to see him.

She picked up her blanket and walked over to where the old ladies were and greeted them. One of the old ladies had an excess of makeup caked on her face and the other wore a man’s hat and suit, as if they had just come from a costume party.

“Lovely day,” the woman dressed as a man said.

“Fall is my favorite time of the year,” makeup face said.

“A sad day for me,” Billie Rose Flint said. “My son died thirty years ago today.”

“Oh, my!” makeup face said. “How sad! How old was he?”

“Fifteen.”

“Aww.”

She picked up a lily from the flowers that were left on the fresh grave and handed it to Billie Rose Flint. “In remembrance,” she said.

Billie Rose Flint took the flower and, in spite of herself, began crying uncontrollably, trying to cover her face with her handkerchief to keep the old ladies from looking at her. She opened her mouth to speak again but instead hurried off with the flower before she felt compelled to tell them the whole story.

Copyright © 2014 by Allen Kopp