Annihilation ~ A Capsule Movie Review by Allen Kopp
Annihilation is a science fiction/horror story based on a novel by Jeff Vandermeer. Lena (Natalie Portman) is former military, a biologist specializing in cellular development who teaches medical students in a university. Her husband, Kane (Oscar Isaac), also in the military, went on a secret mission a year ago and never came back. Lena wants some answers.
Three years before the action of the story takes place, a streak came out of the sky and settled on a lighthouse on an unspecified beach and, after that, mysterious things began happening. There’s some kind of force field emanating from the lighthouse and it’s getting bigger all the time. Nobody knows what’s going on. When teams of scientists go to the lighthouse to investigate, they never come back. It turns out that Lena’s husband, Kane, was one of those who went to investigate. After being gone for a year, missing and presumed dead, he casually turns up again one day. He’s not himself, though. He doesn’t know where he’s been or what has happened to him. He becomes violently ill, Lena summons an ambulance, and while he and Lena are enroute to the hospital in the ambulance, it is stopped in a not-very-subtle way by what appears to be a convoy; Kane and Lena are taken into custody.
Lena awakens, after being sedated, in what is apparently a military facility. She is told that Kane is very critically ill and is probably dying, but nobody knows exactly what’s wrong with him. Lena isn’t allowed to leave the facility. She becomes acquainted with some of the other people there, who just all happen to be women. Some of them decide they will go on an expedition, led by psychologist Dr. Ventress (Jennifer Jason Leigh), to Area X, the strange area surrounding the lighthouse that is getting bigger all the time (the fear is that it will soon encompass the entire world). This area is also known as the “Shimmer.” It’s probably a suicide mission, because, as we know, none of the people who have gone to investigate the Shimmer have ever returned.
So, we have five women going into the Shimmer on this very dangerous mission, including Lena and Dr. Ventress. The first thing that happens to them is they can’t remember anything and seem to have lost time (days? weeks?) for which they have no explanation.
The Shimmer is a frightening but also a beautiful place where the laws of nature seem to be turned upside down. Unusual and colorful flowers, unlike any seen in the real world, grow in profusion. And, if that isn’t enough, species have apparently been mutated with other species, which the members of the expedition discover when they are attacked by a vicious, enormous alligator that behaves in a very aggressive way and runs as fast as a dog. Later, there is a kind of a faceless bear that is intent on killing them. This is the stuff of nightmares.
Some of the women in the expedition meet horrible deaths, as you might expect, but Lena, our main character, makes it to the lighthouse. What she discovers there will confuse you and leave you wondering but will not bore you. Since Annihilation is the first installment of a trilogy, I’m figuring there will be a sequel, as long as this movie makes enough of a jingle at the box office.
A full explanation is never given of what the Shimmer is, but my takeaway is that it’s an alien life force that will slowly but gradually consume the earth without the aliens (whoever they are) ever lifting a finger (do they have fingers?) or engaging in any kind of warfare with earthlings. Maybe I’m wrong, but this is the only explanation that comes to hand at the moment.
Annihilation is challenging science fiction, unlike silly space adventures geared to the youth market. It’s the same kind of cerebral science fiction as Arrival, a movie from 2016. In both movies, the principal character (a woman in both cases) confronts the profound and unimaginable. We live vicariously through these characters because none of us will ever confront the profound and unimaginable, except maybe when we die.
Copyright © 2018 by Allen Kopp