The Next Life

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The Next Life ~ A Short Story by Allen Kopp 

To those who knew him, he was known simply as Sidney. He lived on the big, wide-open streets of the city. By day (having nothing else to do) he roamed, ostensibly looking for work but more likely looking to snatch a purse or a briefcase. When he was feeling particularly adventurous, he would try his hand at shoplifting—although he was mostly kept out of the shops and stores because of his appearance—or hang around the train station and filch the occasional piece of stray luggage. At night he slept in the park, the cemetery, or any of the countless alleyways that were available to him, staying always one step ahead of the law.

When he heard about a three-day job with a work crew clearing brush in a cemetery, he was somehow able to produce from his pocket the bus fare to go see about the job. He took the wrong bus, though, and ended up in a far-flung suburb of the city. As soon as the bus roared away, he knew he wasn’t in the right place, but there he was, stranded in a world not his own. To find his way back to where he belonged, he would have to prevail upon some kind soul (who wasn’t repelled by his appearance) to give him, not only a little cash for bus fare, but also some directions.

He looked around at the strange neighborhood in which he found himself. The houses were large and beautiful; the trees that graced every spacious lawn graceful and scenic. All was pleasing to the eye, cool, clean and quiet. He imagined living in such a neighborhood but was unable to reckon what it would be like. For a few moments he had the sensation of being in heaven without dying first to get there. Or was he really dead and just hadn’t realized it yet?

A short distance away was a little neighborhood park with benches, many more trees, and picturesque rolling hills. Since it was getting on toward evening and he was feeling tired, he found a cozy spot, soft and dry, underneath a clump of bushes where he might rest without being seen from the street. He was glad to have eaten earlier in the day because the absence of gnawing hunger made his repose all the sweeter.

He ended up sleeping the night away and awoke at dawn to the singing of birds. He was confused at first and thought he was in the cemetery, but after he had stood up and stretched his legs and worked the kinks out of his back, he remembered the bus ride that had brought him to this place and his mind cleared a little. There was something about a job but he couldn’t recall all the details.

He staggered (he hadn’t had a drink in over a week) out of the park back to the street and stood, confused, on the sidewalk. He looked, first one way and then the other, for a clue to tell him which way to go. Nothing looked as he remembered it. He began walking in an easterly direction, toward the rising sun, because it had the advantage of being downhill.

After a few more blocks, he was even more confused. There were so many streets with odd-sounding names (Calderon, Ishmael, Augur, St. Pike) and none of them seemed like the right street to take.

Up ahead on the other side of the street a woman came a few steps out her front door and looked off to her left, in the direction away from him. He started toward her (he would be careful not to alarm her), but when he saw a police car turn the corner at the next intersection, it scared him so much that he ran into the yard of the house behind him and around to the back.

He looked around frantically for a place to hide. He was about to try to conceal himself behind some trash cans when a dog in the next yard spotted him and began barking. Nothing would attract the attention of a police officer faster than the frantic barking of a dog.

Down three steps was a door built into the foundation of the house. He sprang for the door and turned the knob but it was locked. When he gave one hard push with his hip and shoulder, using all his strength, the door sprang open. He entered, closed the door, and knelt down behind it, his heart pounding and his breath coming in painful rasps.

In a little while the dog stopped barking. He stood up partway and lifted the curtain to take a peek out the window in the door. He could see only a small portion of the yard but all was quiet. He seemed not to have aroused the people who lived in the house. He believed he was probably not seen at all. For once in his life he was lucky.

Instead of leaving at once, as he had planned to do, he lingered.  He was in a sort of play room, with pool table, musical instruments (including drums and guitars), TV set, record player, an enormous couch and some comfortable-looking chairs. On the far side of the room was a small bar. He had never known of anybody to have a bar in their own house before and had to take a closer look. He approached it cautiously, all the time listening for footsteps or for the sound of movement somewhere in the house.

Arrayed behind the bar on glass shelves were all shapes, sizes, and colors of bottles, as beautiful as any work of art. There were wines, liqueurs, vodka, tequila, rye whiskey, scotch, bourbon and other bottles that confused him because their labels were in foreign languages. He picked up a small glass from the bar and filled it with vodka and drank it down.

For a minute the room spun around and he thought he was going to be sick. He sat down on the couch that was a deep-red color like the color of wine and put his head forward. When the sick feeling passed, he had another glass of vodka and then a glass of scotch.

With just three small drinks, he was well on his way to being drunk and he knew it was because he hadn’t had any food since the day before. Did he dare go to the kitchen and grab something to eat before he left? Having food in his stomach would make anything that happened to him easier to face.

He sat down on the luxurious couch (he was already in love with the house) and rested. He longed to lay down and kick off his stinking shoes and go to sleep but didn’t dare let down his defenses to that extent.

He heard a clock chime somewhere in the house and jumped to his feet, not realizing at first what he was hearing. There was still no sound, though, of voices, footsteps, or anything else to indicate that anybody was at home. It was still early in the morning, he had to remind himself, and maybe they were still in bed.

The stairs seemed to beckon to him. Come over here and climb us, they seemed to be saying. If you think this room is something, wait until you see the rest of the house. Before he knew what he was doing, he was creeping up the steps, holding on to the wall, his senses on high alert.

At the top of the stairs was a hallway. To the left was the kitchen and to the right the dining room. He paused and held his breath. He took the silence as encouragement and went into the kitchen.

He caressed the immaculate countertop as if it was a religious article and, moving around the room, stopped at the enormous refrigerator. He opened the door and looked over the array of foods inside; he selected a half-full bottle of green olives and began eating them with his blackened fingers. When he had eaten all the olives, he discarded the jar and opened a can of sardines and ate them while standing at the kitchen sink looking out the window.

When he was about to open the refrigerator door again to see what else he might find, he saw a note attached to the door that he hadn’t seen before. The note read: To the maid. My husband and I will be out of the country until the twenty-third. Please be here at 9:00 o’clock on the twenty-fourth to resume your duties. And make sure all the doors are locked before you leave! Mrs. Hester Chuffee.  

He smiled and then laughed at the note. So, that’s the way the cards were stacked! He believed, although he wasn’t entirely certain, that it was the seventeenth of the month, meaning that it would be six days before the owners of the house came back. He didn’t need to be in any hurry to leave. What quirk of fate had put a cockroach like him in such a place?

Feeling confident and almost at home, he began exploring the other rooms. First the downstairs with its living room (comfortable, overstuffed furniture, fireplace, thick carpet), dining room (a table big enough to accommodate fourteen chairs and another fireplace) and den (dark-paneled walls with thousands of books and a collection of guns). Then the upstairs with its five bedrooms, each with its own bathroom. He had never seen a house like it before. To live in such a house and to own such things, one must be very rich.

In the lovely surroundings in which he found himself, he was aware of the smell that was coming off his body and of how filthy his clothes were. He wasn’t able to remember the last time he had taken everything off and washed all over. He went into one of the five bathrooms, the one that seemed to beckon to him the most, and closed the door. The gleaming tub looked as if it had never been used. He turned on the water and, while waiting for the tub to fill, removed his clothes and let them fall in a heap to the floor.

He scrubbed himself thoroughly from top to bottom and when he was finished he refilled the tub with fresh water, this time using a generous portion of bubble bath, and washed again. When he was as clean as he was going to get, he got out of the tub and, standing at the sink with a towel around his middle, shaved off his scrubby growth of beard and cut his hair with a pair of scissors.

Emerging from the bathroom, he went into the bedroom to find something to put on, as his old clothes were nothing more than a pile of smelly rags that he couldn’t stand to touch, now that he was clean. He opened the door to the closet, which was another room in itself. He had never seen so many clothes! There were suits of all colors, evening clothes, casual clothes, shirts, ties, shoes. He selected a pair of pants and a shirt. First, though, he needed undergarments.

The men’s underwear he found in the bureau drawer was so big he could hardly keep it on. Holding up the pants and shirt he had selected from the closet, he saw they were enormously big and he wasn’t going to be able to wear them, either.

Not knowing what else to do, he put on madame’s clothes, which, he found, were just the right size. Wearing a silk blouse and loose-fitting slacks made of a soft, stretchy material and a pair of sandals, he felt better than he had felt in a long time, since taking up the hobo life. He didn’t care that he was wearing women’s clothes. Nobody would ever know it and, if they did, let them laugh. One does what one must.

Through the rest of the day he moved quietly from room to room, sitting in one place in one room for a while and then moving to another place in another room. He drank generously from the bar downstairs and ate whatever was at hand from the refrigerator or pantry. That night he slept on the wine-colored couch in the playroom, more drunk than sober, sleep sweet and untroubled.

The next morning, after another bubble bath, he put on madame’s dressing gown and sat down at her dressing table. He looked at his reflection for a long time in the mirror, disliking the rat-faced thing looking back at him.

He longed to be somebody else, to have a different face. He began applying makeup. He didn’t know what some of the jars and bottles were for, but that didn’t stop him. The powdery stuff covered up the flaws in his skin. A bit of red stuff on the cheeks, flattened out with the fingertips, gave his face some color. A spot of eye shadow on the lids and mascara on the lashes made his beady eyes a little less so. An eyebrow pencil gave his eyebrows clarity and shape. A dab of tangerine-colored lipstick was what was needed for the lips. When he was finished, he laughed at himself because he looked so silly with his face all made up that way and his botched haircut. He was going to take a rag and wipe the stuff off his face when a thought came to him.

He had seen madame’s wigs on the top shelf in her closet. (At first he had thought they were small, sleeping animals.) He selected an auburn wig of medium length and carried it back to the mirror and put it on.  He turned this way and that and was pleased with the overall effect. The best thing about it was that he looked like somebody else, a person he didn’t know.

And he wasn’t able to stop there. He took off the dressing gown and put on madame’s undergarments and stockings, using rolled-up handkerchiefs where padding was needed. He selected a print dress with a full skirt from the closet and put it on over his head and succeeded in zipping it up in the back. He slipped his feet into a pair of madame’s two-inch high heels for casual wear, and the transformation was complete. He was somebody else. A new life had begun. The old life was over.

Feeling exulted, he began delving into madame’s things, careful to not mess them up or overturn them too much. He loved handling her intimate articles of clothing and uncovering things in the bureau drawers that only she had seen or touched. He felt close to her, almost that he and she were the same in some elemental way that he didn’t understand. He knew now why fate had brought him to this house, out of all the houses in the world.

Deep in one drawer he found a stash in bills inside a little wooden box. He counted it out and slipped it inside one of madame’s large shoulder bags that he planned on taking with him when he left. He believed the money had been left there for him. By her. He also put some blank checks and credit cards in the bag, along with a diamond bracelet and earrings that he would be able to pawn somewhere along the line when the money ran out, if it ever did.

Finding a medium-sized suitcase in the back of the closet, he began filling it with clothes: a couple of dresses, a suit, two pairs of slacks, some blouses, several changes of underwear and stockings, a couple pair of shoes, pajamas, dressing gown. What he didn’t have he could get when he got to where he was going.

He took one last fond look again into all the rooms and called a taxi. He left the house through the same door by which he had entered it, picking up a bottle of scotch and another of vodka and stashing them in the suitcase on his way out the door.

When the taxi arrived, he was waiting on the sidewalk in front of the house. The driver, believing he was a woman, got out of the cab and opened the door to the back seat for him. He got into the cab demurely, giving the driver a big smile and folding the skirt modestly under his thighs as he positioned himself on the seat.

“Where to, ma’am?” the driver asked.

“Take me to the New World hotel downtown,” he said, finding in himself the ability to raise his voice a couple of octaves so that he really sounded like a woman.

On the drive downtown, the transformation from male to female was complete. “He” was now “she.”

At the hotel she asked for a room on an upper floor and signed the register Mrs. Hester Chuffee. When the clerk asked her if the fifteenth floor was all right, she nodded her head, took the key from him, and gave him a significant look.

Alone in the room, she took the two bottles from the suitcase and set them on the dresser, labels facing outward. She called room service and asked for some ice. After it was delivered, she locked herself in and took her dress off and hung it carefully in the empty closet. She fixed herself a drink, switched on the TV to hear what they were saying about her, and lay down on the bed in her slip. The new life was about to begin and when it did she planned on being ready for it.

Copyright © 2013 by Allen Kopp

Insidious: Chapter 2 ~ A Capsule Movie Review

Insidious, Chapter 2

Insidious: Chapter 2 ~ A Capsule Movie Review By Allen Kopp 

Insidious, released in 2010, is a solid horror film with some genuinely creepy moments (the “woman” at the ironing board, for one). When a small boy named Dalton Lambert goes into an extended coma for which there is no medical reason, his parents, Josh and Renai Lambert (played by Patrick Wilson and Rose Byrne) call in a psychic. The psychic, named Elise, discovers that Dalton is in a place called “the further,” which is a kind of spirit realm. The spirits in the further like nothing better than to latch on to a living person because they want to “possess” that person. Since they are dead and are not in a very nice place, they covet life. Josh’s mother (Barbara Hershey) reveals that the problem really began when Josh (Dalton’s father) was a child, at which time he was targeted by a spirit from the further. Josh and his mother believe, however, that Josh was rid of the problem forever with Elise’s help. Not so. When Josh goes into the further to bring Dalton, his son, back, he brings back more than he bargained for.

Insidious: Chapter 2 picks up the story a short time after the events in Insidious. It has the same director, writers, and cast as Insidious, so it has the same feel and tone. Ordinarily I’m opposed to sequels on principle, but that didn’t keep me from seeing this one.

When Josh goes into the further to bring back his son, the same terribly twisted sprit that had targeted him as a child latches on to him again, a female spirit who wants him to kill his wife and children. In life, she had forced her own son to act and dress like a girl named Marilyn and she bid him to become a serial killer. (“If she knows you’re here, she’ll make me kill you.”) This mother and son make Norman Bates and his mother look like a Sunday school story.

Josh’s wife, Renai, and his mother, Lorraine, know that he is not the same as he was before he went to the further to bring back Dalton. What are they going to do? They can’t get Elise, the psychic, to help them because she was killed in the first movie. (She is in the sprit world, however, and knows what is going on.)

All in all, Insidious: Chapter 2 is a worthy sequel to the original, if you like this sort of thing. It is completely implausible and absolutely far-fetched, so you will have to “suspend disbelief” to enjoy it. The terribly sophisticated and those who are too grounded in reality aren’t going to like it or be taken in by it. They seem to forget what the movies are for. If movies were exactly like real life and the ugly present, they would be so dreary that nobody would ever want to see them.

Copyright © 2013 by Allen Kopp

The Maid’s Version ~ A Capsule Book Review

The Maid's Version cover

The Maid’s Version ~ A Capsule Book Review by Allen Kopp 

Daniel Woodrell is one of the best current American writers. He is from Missouri and his characters are country people, poor white trash and small-town people. His novels are darkly realistic, spare (averaging about 200 pages), and are so much fun to read because they are so good and so different from a lot of current fiction that is bloated and pretentious. My favorite books by Daniel Woodrell are Tomato Red and The Death of Sweet Mister. I went to one of his book signing events in St. Louis and came away with signed copies of both those books. Daniel Woodrell in person is about what you would expect him to be from his writing. There’s nothing flashy or pretentious about him. You wouldn’t know by looking at him that he’s a celebrated writer.

Daniel Woodrell’s latest book is The Maid’s Version. It is the fascinating story, set in the fictional Missouri Ozarks town of West Table, of an illicit love affair that leads to tragic consequences. The maid of the title is one Alma Degeer Dunahew, an uneducated woman who is employed as a domestic in the home of one of the leading citizens of the town, Arthur Glencross. Arthur lives in a fine house with his wispy wife and two children and is president of the bank.

Alma has a difficult life. She lives in what is described as a shack. Her husband, named Buster, is a drunk and isn’t very reliable. She has to take care of three boys (one of whom, Sidney, is sick) out of her meager earnings. She also has a younger sister named Ruby, a vivacious girl who is popular with the men and who doesn’t much care whether they’re married or not. Ruby’s unlikely love affair with Arthur Glencross forms the emotional core of the novel. Arthur claims to be in love with Ruby but is terribly afraid that people will find out he is carrying on with her. Their meetings are furtive and passionate. Ruby is also in love with Arthur, so the secrecy is fine with her.

We learn at the beginning that Ruby, along with thirty-nine other people, dies tragically in a fire and explosion at a dance at the Arbor Dance Hall in 1929. (The unidentifiable victims, including Ruby, are buried in a mass grave in the town cemetery, marked by a black angel.) For decades people speculate about what, or who, caused the fire. There’s plenty of blame to go around, but nobody seems to know for sure. Was it a hellfire-and-brimstone preacher who wanted to teach people a lesson about the wrath of God, or was it St. Louis gangsters? Any theories that people have are all unproveable.

The Maid’s Version isn’t told in linear style. It moves back and forth in time and from one character to another, making it seem a little disjointed and more challenging to read that it might otherwise have been. (Some of the brief sections throughout the novel are glimpses at the lives of people who died in the fire and of how they came to be at the dance.) All the pieces come together at the end, though, and we learn, finally, the truth of how the fire got started and what made it so much worse than in might otherwise have been. The explanation is ironic but completely plausible.

Copyright © 2013 by Allen Kopp

Ballroom Dance

Ballroom Dance image 2

Ballroom Dance ~ A Short Story by Allen Kopp 

I needed a class for physical education credit. I had always considered myself more the “brainy” than the physical type and loathed the very concept of physical education, the effort, grunting, and humiliation that were a part of it. Of the classes that were available to me, swimming was out of the question. You had to dive from the high dive to pass the course and I’d rather face a firing squad. Archery, I had heard, was no fun at all after you shot your first arrow into the air and, if that wasn’t bad enough, threatening to shoot one of your classmates in the face was grounds for dismissal. Weight lifting class had its charms, I was sure, but it wasn’t for me.

When I heard about ballroom dancing, I knew it was probably as good as I could get. It was held indoors for one thing, but the most attractive thing about it for me was that you could wear your “street clothes.” You didn’t have to change your clothes in a roomful of strangers into “gym clothes” that you would never wear in a million years if you had a choice and then, when the class was over, take a communal shower with the same group of strangers before you could go on to your next class. (This is what hell really is, I’m sure!)

I signed up and hoped they weren’t already filled up. Finally, here was a class that might be a lot of fun where I could actually learn something that might be useful in later life. (If anybody ever needed a person who knew how to do the tango, that person was going to be me.) I found that I was looking forward to the class, a sensation I hardly recognized in myself.

When I arrived for the first class, I was thrilled to discover we had a real “dance studio” in the physical education building. It was an enormous, low-ceilinged room with a gleaming wooden floor like the basketball court. One entire wall was one long mirror with a bar for holding on to. You could dance while seeing what you looked like to other people. (I’m not sure that’s a good thing.)

It was a large class of about eighty people, all looking for an easy physical education credit the same as I was, I assumed. And there was to be no same-sex dancing because we were about evenly divided up (by design) between male and female. None of these girls would be able to dance with other girls because they didn’t like the boys, as they had done in high school. (If you prefer to dance with members of your own gender while people of the opposite gender are standing by, it doesn’t look good and people begin to talk.)

Our teacher’s name was Miss Bobbie Alma. She possessed the warmth and charm of a concentration camp commandant. She was middle-aged, skinny and angular, with no curves anywhere. She wore her hair in a tight roll at the back of her head called a French roll. Her ears stuck out farther than any woman’s ears I had ever seen before. (You didn’t dare laugh.) In her boxy gray skirt with matching jacket and black oxford shoes, she was as graceless as a stevedore. (An older “boy” in the class, who had been in the military, would confide to me later in the semester how he wanted to get Miss Alma alone long enough to remind her she was a woman.)

“All right, now, listen up, you people!” she yelled. “I’m only going to tell you this one time! You are here for one reason and one reason only! That reason is to learn the art of ballroom dancing! This is not a place for cutups or jokesters! If you are not prepared to take this class seriously, then please leave now! Does everybody understand? Are there any questions?”

“What will be on the final?” a tall girl with a receding chin and frizzy hair asked. (I had found that in every class, no matter what it was, somebody always asked about the final on the first day of class. Wasn’t there going to be plenty of time—the entire semester—to worry about that?)

“You will have two tests in the course of the semester that will comprise most of your grade!” Miss Alma said. “You will have a mid-term exam and a final exam! This is one class where you will never wield a pencil! Your tests will be danced! I will be the sole judge of whether or not you have applied yourselves and have learned the steps the way you are supposed to learn them! Do I make myself clear?”

“Yes, ma’am,” the girl said meekly, although she wouldn’t have needed to say anything because the remarks were not addressed to her personally but to the class at large.

“And let me warn you about something!” Miss Alma continued. “This is one class where absenteeism will not be tolerated! You must make every effort to be present at every class! If you miss a class, you will not be able to catch up! If you miss a class, you must meet with me in my office and tell me why you missed! If you miss two classes without a very good reason, I advise you to voluntarily drop the class! If you miss three classes, whatever the reason, you will automatically be dropped from the roll! Do I make myself clear? Are there any questions?”

When nobody said anything, Miss Alma gave her famous rallying cry: “Men on that side, women on this side!” (She said these same words every class.)

Rather clumsily, we gathered according to gender on either side of the room, with an empty column of about fifteen feet separating the male group from the female group. Miss Alma selected an unlucky “volunteer” from among the “men” and proceeded to show us some waltz steps. After about ten minutes of this practical demonstration, she instructed us to “select a partner” and “listen closely to the music.”

It was not a time to select a partner for suitability or desirability. We had about ten seconds. I tapped the nearest girl on the shoulder (anybody would have been all right except Miss Frizz who had asked about the final). The girl turned around, gave me an appraising look, and fell into my arms. I’m sure she felt as silly as I did and as everybody else did.

In this way, we learned the waltz, the foxtrot, the cha-cha, and (my favorite) the tango. After we had done the dances for a while, we became more confident and less self-conscious. I’m sure I was never anything less than solemn and mechanical, kind of like a dancing robot (no joy, no feeling), but I learned the dance steps and performed them with a stolid precision.

I didn’t miss any of the ballroom dance classes. I was afraid to. I was nervous at first about having to dance in front of a lot of other people (I had never danced before), but after a while the nervousness went away. I never deluded myself that I was a good dancer. I was an adequate dancer, which was all that was needed.

I managed to go the entire semester without angering Miss Alma. When I had to come into direct contact with her, I called her bluff and didn’t let her know I was afraid of her, which, I found out, is the only way to deal with her type. I never crossed her, never did anything to attract her attention in a bad way, and tried very hard to do exactly as she said. (If I had put that much effort into all my classes, I would have been a better student.) I somehow wanted ballroom dance to work for me because it was unlike anything I had ever done before. I ended up, not with an “A,” but with the next best thing.

Of course, when the class was over and I no longer needed to know the dance steps, I forgot them. I received the physical education credit I needed for the year, which was all I ever wanted in the first place. I was on my way. To what, I didn’t know. Certainly not a career as a professional dancer.

Copyright © 2013 by Allen Kopp   

Dysfunctional Family Story ~ An Anthology

Dysfunctional Family Story, An Anthology

Dysfunctional Family Story:
An Anthology 

Table of Contents: 

Brownie Mix by Alex Bernstein

Doodles by Clara Ibarra

Recall by Steve Rodgers

Mr. Fatty is Dead by Allen Kopp

Carter’s Grove by Kevin G. Summers

Chunky Monkey by Rebecca Daff

Compound Fracture by Elizabeth Glass

My Family is More Redneck Than Yours by Angie Ballard

Available for purchase on Amazon in print or Kindle version:

http://www.amazon.com/Dysfunctional-Family-anthology-misc-authors/dp/1492118915/ref=sr_1_1?ie=UTF8&qid=1377190062&sr=8-1&keywords=9781492118916

The Moon, August 2013

The Moon, August 2013

The Moon
Volume II Issue 8
August 2013 

Table of Contents: 

Cozycow by Nia Holdon

Where You Aren’t by Lyn Lifshin

Day Before the Day of the Longest Light by Lyn Lifshin

Walking Back from Ballet, June 17 by Lyn Lifshin

Mickey Lolich by Gary Every

Metamorphoses by B.Z. Niditch

Record Set by B.Z. Niditch

Malevich’s “White on White” by B.Z. Niditch

desperate character by t. kilgore splake

ashes by t. kilgore splake

That Music by Margaret Boles

Possibility of Perfection by Margaret Boles

The Beauty Box by Allen Kopp

Cat Scratch Fever by Allen Kopp

Irrigation by Thomas Michael McDade

The eBooks are available now through Amazon, Apple’s iBookstore, Barnes & Noble, Kobo and Google Books.

Blue Jasmine ~ A Capsule Movie Review

Blue Jasmine

Blue Jasmine ~ A Capsule Movie Review by Allen Kopp 

At age 78, Woody Allen is still making movies. His latest is Blue Jasmine, with Cate Blanchette as a Blanche Dubois-type character with an unhappy past and an uncertain future. She is Jasmine (née Jeanette) Francis, a former Park Avenue society lady who has taken a long fall. She tries to bolster herself up with bluster, pills, and booze, but she’s not fooling anybody, least of all herself.

Jasmine’s husband, Hal (played by Alec Baldwin), is a high-flying business entrepreneur. For the years that he is wildly successful, he and Jasmine live a fairy tale life. When Hal’s business dealings begin to unravel, though, he is found to be a cheat, a fraud and a liar. He has swindled investors out of millions. To make matters worse, he has been cheating on Jasmine with a whole string of other women. When he tells her he is in love with an “au pair girl” who is practically a teenager, Jasmine calls the FBI and informs on his dirty business dealings. He goes to prison and she loses her standing in society, not to mention her jewels, cars, furs, houses, etc.

With no money and no prospects, Jasmine goes to live with her odd, toothy sister, Ginger, in San Francisco. (For some inexplicable reason, men find Ginger wildly attractive.) Ginger lives in a modest apartment and is humbly employed as a bagger in a food store. She is divorced from her husband, Augie, and is the mother of two overweight boys. (When Augie and Ginger were still married, Jasmine’s husband, Hal, “invested” all their money for them and lost it.)

Ginger has a Stanley Kowalski-esque (yet another A Streetcar Named Desire parallel) boyfriend named Chili. He is crude, wears sleeveless T-shirts, has tattoos, and is prone to violence. He and Jasmine clash from the beginning. He sees that Jasmine looks down on him and Ginger. Jasmine believes that Ginger could find a better man if she only tried. (When Ginger attempts a romantic interlude with another man at Jasmine’s urging, it doesn’t work out and she goes right back to Chili.)

Jasmine eventually meets a man at a party named Dwight. He is apparently the kind of “good” man that she had been hoping to meet to take her out of her dreary existence. He works in the State Department, seems to have plenty of money, and has just bought a beautiful house that he wants Jasmine to decorate for him (she lied that she is a decorator). Dwight plans on marrying Jasmine until a chance meeting with her former brother-in-law, Augie. Augie is still bitter about the money of his that Jasmine’s husband lost and spills the beans to Dwight about all the sordid details of Jasmine’s life that she had kept hidden (and all the lies she told). After Dwight learns the truth about Jasmine, he no longer wants to marry her.

Blue Jasmine packs more of a punch than a lot of Woody Allen’s more recent movies. For my money, it is much more interesting than the highly acclaimed Midnight in Paris. Jasmine is such an interesting, complex character, as are Ginger, Augie, and Chili. I’m sure the similarities to Tennessee Williams’s A Streetcar Named Desire are not accidental (Jasmine as Blanche, Chili as Stanley, Ginger as Stella, Dwight as Mitch). What better starting point could there be?

Copyright © 2013 by Allen Kopp

Gaia’s Misfits Fantasy Anthology

 Gaia's Misfits, a Fantasy Anthology

Gaia’s Misfits: A Fantasy Anthology

Summer 2013

Edited by T.J. Lantz

Published 2013 by Happy Gnome Publishing
Copyright © 2013 Happy Gnome Publishing
All rights reserved

TABLE OF CONTENTS

Sir Dudley Tinklebutton and the Dragon’s Lair by T.J. Lantz

Pallbearer by Erica Hildebrand

Jenny and the Imps by Robert Lee Frazier

All Swords Melt by James S. Dorr

Did You Hear the One About…by Dianne Arelle

On the Face of It by Allen Kopp

The Tilting Table and the Exothermic Lawn Gnome by Laurie Gailunas

After the Rain by Rob Rosen

*  *  *

Collection is available for Kindle at this Amazon link:

The Butler ~ A Capsule Movie Review

The Butler

The Butler ~ A Capsule Movie Review by Allen Kopp 

The Butler is a panoramic view of recent American history seen through the eyes of a White House butler, Cecil Gaines (played by Forest Whitaker), who served under eight presidents, from Dwight Eisenhower almost through the present day. Cecil’s wife, Gloria, is played by Oprah Winfrey. Gloria is frequently lonely and unhappy because Cecil’s job at the White House takes up so much of his time. They have two sons, Louis and Charlie, and a nice house in the suburbs of Washington, D.C. Cecil has a better life than he ever expected to have, considering his humble beginnings and his lack of an education.

As a child Cecil lives with his family on a cotton plantation in Macon, Georgia. When his father is unjustly shot and killed, the family takes Cecil into the house as a house servant. They teach him all things connected with serving at table. He finds this work much easier than working in the cotton fields.

After a few years he leaves the Georgia plantation and ends up in Washington, D.C., where he lands a job in a hotel as a servant. He is well liked and does his job well. An older man whom he befriends at the hotel recommends him for a job at the White House. When he goes for an interview, he is hired, much to his surprise.

Cecil is so good at his job at the White House because, besides being so accommodating to those he serves, he is nearly invisible. He doesn’t talk about anything he might overhear and doesn’t express any opinions. No matter which political party the current president represents, Cecil remains the same: polite, respectful, and unobtrusive. (“May I do anything else for you, Mr. President?”) There is no political message in this movie. Political ideology is never mentioned.

A subplot in The Butler involves Cecil’s older son, Louis. When he grows up, he becomes involved in the Civil Rights movement in the South. Eventually he becomes more radical and a member of the Black Panther political party. He ends up in jail several times. He clashes with his parents, particularly his father, about his political views. The younger son, Charlie, goes into the army and to Viet Nam. He tells his brother, Louis, “You fight your country. I want to fight for my country.”

Don’t let the naysayers or the Oprah detractors keep you from seeing The Butler. While it’s not the greatest movie ever made or maybe even one of the best movies of the year, it is definitely worth seeing. It’s a little slow in places and probably longer than it needs to be, but the overall impression is a favorable one.

Jane Fonda alert: I don’t like her either and am offended by her presence wherever she is, but she only has a couple of minutes on-screen as Nancy Reagan near the end of the movie. Take a little during nap during her one brief scene and forget she’s even there. Don’t let it spoil the whole movie for you.

Copyright © 2013 by Allen Kopp