Six and a Half

Six and a Half image 2

Six and a Half ~ A Short Story by Allen Kopp

A loud, insistent knock. She opened the door, quickly, so as not to have to hear another knock like that one, and there, standing on her doorstep, was a strange, blonde-haired woman holding a young girl by the hand.

“Mrs. Tovey?” the strange woman asked, smiling, or trying to smile.

“Yes,” Mrs. Tovey said, already annoyed by the sight of the woman. “If you’re soliciting for something or trying to get me to vote for a certain political candidate, I’m not interested.”

“Oh, no!” the woman said. “It isn’t anything like that! I was wondering if I might have a word with you.”

“Do I know you?” Mrs. Tovey asked.

“No, but you might know of me.”

“What is this about?”

A car went by on the street and the woman looked nervously over her shoulder. “Can we come in?” she asked.

Mrs. Tovey sighed and stood aside to let the woman and the little girl enter her home. Closing the door, she gestured toward the couch like a TV hostess, where the woman sat down, pulling the little girl down beside her. Mrs. Tovey remained standing.

“First off, I’d better tell you my name,” the woman said, leaning forward on the couch and crossing her ankles. “I’m Gilda Gray.”

“I’m sure we haven’t met,” Mrs. Tovey said. “What can I do for you?”

“I was at your husband’s funeral last week. I know you didn’t see me but I saw you.”

“There were lots of people at my husband’s funeral.”

“I was a friend of his.”

“Oh? I wasn’t aware that my husband had any friends that I didn’t know about.”

“Of course you didn’t know who I was or anything about me, but I figured you at least knew that I existed.”

“Why would I know anything about you at all?”

Gilda Gray put her arm around the little girl beside her. “This is my daughter,” she said. “She’s six and a half. We call her Ta-Ta.”

“That’s a ridiculous name,” Mrs. Tovey said.

“Her name is really Tatiana.”

Mrs. Tovey sighed. “I don’t mean to be rude,” she said, “but I’m awfully busy and it’s taking you a very long time to say what it is you want to say.”

“Does Ta-Ta look at all familiar to you?”

Mrs. Tovey drew in her breath and lowered her gaze at Ta-Ta. “She looks like thousands of other little girls I’ve seen. I’ve never seen her before, either.”

“The shape of her face or the way her chin sticks out?”

“Where is all this leading?”

“Your husband and I have been very good friends for about eight years. Right up until the time of his death.”

“I’m trying to be patient,” Mrs. Tovey said, “but I’m quite sure I don’t have time for this. Now, if you’ll excuse me…”

Gilda Gray drew from her purse an envelope and handed it to Mrs. Tovey. “This might help explain things a little better,” she said.

Mrs. Tovey opened the envelope and withdrew a little packet of pictures, which she glanced through and quickly handed back.

“I don’t know what you’re trying to do,” she said, “but it’s not going to work! That is not my husband in those pictures!”

“They were taken when we—your husband and I—were in Florida together.”

“My husband was never in Florida.”

“I assure you he was!”

“How do I know those pictures are real? Anybody can change a picture to make one person look like another.”

“I also have these,” Gilda Gray said.

“And just what is that?”

“It’s letters your husband wrote to me. He had a very distinctive handwriting. Are you going to tell me that’s not his writing?”

“I have no intention of reading your letters!” Mrs. Tovey said. “And if you don’t get out of my house in about five seconds, I’m going to call the police.”

“Your husband made me a lot of promises. He told me he would get a divorce and marry me. I was young and naïve and I believed every word. Of course, none of it turned out to be true.”

“If you proved to me in a court of law that my husband wrote those letters, I still wouldn’t believe you.”

“You’ll believe what you choose to believe.”

“What exactly is it you want?”

“I’m not a very good mother.”

“That I can easily believe! Your daughter is overweight and has far too much curl in her hair.”

“I don’t have a job. I can’t take care of her. I can’t even take care of myself.”

“Why should that be my concern?”

“You have this big house and property, and know you have plenty of dough in the bank.”

“That is no concern of yours.”

“I’m appealing to your sense of decency.”

“What makes you think I have one?”

“I’d like a hundred thousand dollars.”

“I think it’s safe to say that anybody would like a hundred thousand dollars.”

“It’s what your husband would have given me if he had lived.”

“You should have taken it up with him before he died.”

“I can get myself a lawyer if you refuse to play fair.”

“I can get myself a lawyer, too!” Mrs. Tovey said. “In fact, I already have one who was a good friend of my husband’s. He won’t stand for any kind of a shakedown like this.”

“You really think it’s a shakedown?”

“Indeed, I do!”

“You can’t see that I am in any way entitled to a hundred thousand dollars?”

“I cannot!”

“I could cause you a considerable amount of trouble. If I wanted to.”

“I’m sure you think you could!”

“So, you’re refusing the hundred thousand dollars?”

“I most emphatically am!”

“I have a counter-proposal, then.”

“You are in no position to propose anything! I believe you are only a thieving liar who heard about my husband’s death and are conducting—or trying to conduct—a scam.”

“I propose that you adopt Ta-Ta and raise her as your own daughter.”

What? Why would I do that?”

“Because I believe you know in your heart that what I’m saying is true and you wouldn’t want your husband’s child to live a disadvantaged life.”

“The kind of life your daughter lives is no concern of mine!”

“If you adopted her, I would completely remove myself from the picture. I swear I would never bother you again!”

“You are a lying, thieving tramp! It’s written all over you!”

Little Ta-Ta looked from her mother to Mrs. Tovey and back again at her mother and then began crying. She sobbed and wiped at her eyes with her knuckles.

“There, there, darling!” Gilda Gray said. “We’ll go in just a little bit. Mother is just finishing up here.”

“There’s nothing more to say!” Mrs. Tovey said. “You might as well take her and go right now!”

Gilda Gray stood up from the couch. “All right, I’ll go,” she said. “I won’t give you the satisfaction of throwing me out.”

“And if you ever think of coming here again, my door will not be open to you!”

After Gilda Gray was gone, Mrs. Tovey tried to put the episode out of her head. She knew, or thought she knew, that there was no woman like that in her husband’s life. He was too conventional, too boring. No young woman would ever have found him attractive or even mildly interesting. In the morning she would call the police and tell them what happened and she was sure they would be sympathetic. She hoped they would tell her that there had been a rash of these cases and it was nothing to worry about. It happens all the time and all you can do to protect yourself is be a little bit smarter than they are.

Just as it was getting dark that evening, there was another knock at the door, a small, timid knock. When Mrs. Tovey opened the door, there was little Ta-Ta looking up at her. She raised her little fist in greeting and the corners of her mouth turned down as though she knew she would not be welcome.

Mrs. Tovey looked behind Ta-Ta, but there was no one else there. “Why, where’s your mother?” she asked.

“They let me out of the car and drove on,” Ta-Ta said.

“Who did?”

“My mother and a man.”

“And I bet they’re laughing their socks off about now.”

“Can I come in?” Ta-Ta asked.

“I guess you’ll have to,” Mrs. Tovey said.

“My mother said you would love me and take care of me. Do you love me?”

“Why, child, I don’t even know you.”

“I’m very smart.”

“I’m sure you are.”

“Can I have a hot dog?”

“I don’t think I have any hot dogs, but come on into the kitchen and we’ll see what’s there.”

Mrs. Tovey pulled a chair out from the table for Ta-Ta to sit on and went to the refrigerator to see what she might fix for her to eat. There was some leftover liver and onions and some congealed spinach, but she was sure they weren’t appropriate for a child. She fixed her a ham and cheese sandwich and slathered it with mayonnaise.

After Ta-Ta had taken a couple of bites, she said, “This is so good!”

“You haven’t eaten for a while?” Mrs. Tovey asked.

“I don’t remember. Can I watch TV?”

“Finish eating and then we’ll see.”

“Can I stay here forever and ever? My mother said I could.”

“You can stay the night.”

“Can I sleep with you?”

“No. You can sleep in one of the spare bedrooms upstairs.”

“I might get scared.”

“That’s a chance you’ll have to take.”

Copyright © 2016 by Allen Kopp

Hail, Caesar! ~ A Capsule Movie Review

Hail, Caesar

Hail, Caesar! ~ A Capsule Movie Review by Allen Kopp

We’re in sun-drenched (except when it’s raining) Hollywood in 1951. Eddie Mannix (Josh Brolin), a decent fellow who goes to confession a lot and loves his family, is an executive at Capitol Studios. His job involves getting his “stars” out of trouble when they go astray and seeing that production runs smoothly. His trampy “aquatic” star, DeAnna Moran (Scarlett Johansson), is going to have a baby and doesn’t have a husband. This isn’t good for her screen image, so it’s up to Eddie Mannix to find a solution. Mr. Skank, head of the studio, wants cowboy star Hobie Doyle (Alden Ehrenreich), who speaks with a decided Western drawl, to star in a “drawing-room” drama based on a Broadway play. Hobie Doyle is in no way suited to such a role, but Mr. Skank is the boss, so what he says goes.

The studio’s biggest star is Baird Whitlock (George Clooney). Gossip columnist Thora Thacker (Tilda Swinton) is threatening to publish a potentially damaging story about Whitlock in his early days in Hollywood that involves “sodomy.” It’s up to Eddie Mannix to make sure this story never sees the light of day. As if this wasn’t enough drama, Baird Whitlock is kidnapped while Hail, Caesar! is being filmed. He plays the lead in the film (the studio’s “prestige picture of the year”) and production can’t go on without him. When the kidnappers (a communist “cell” of disgruntled screen writers) demand a hundred thousand dollars in ransom, it’s up to Eddie Mannix to deliver.

Hail, Caesar! was written and directed by Joel and Ethan Coen, the most innovative filmmakers around, so it’s about as wry and sardonic as you might expect. In spite of a subplot about Communism and a bizarre scene with handsome tap-dancing movie star Burt Gurney (Channing Tatum) boarding a Soviet submarine with his small dog just off the coast of California, the tone throughout is light and frothy. We see a couple of big 1950s-style production numbers, with dancing sailors in a bar lamenting not having any dames at sea and a big splashy pool number with swimming star DeAnna Moran and dozens of girl swimmers (think Esther Williams). There are even some moments of slapstick, as when as when cowboy star Hobie Doyle is being given direction by prissy director Lawrence Laurentz (Ralph Fiennes) and when cigarette-smoking film editor, C. C. Calhoun (Frances McDormand), gets her neck scarf caught in the editing machine and nearly strangles. Those two scenes alone are worth the price of admission.

Copyright © 2016 by Allen Kopp

Android Karenina ~ A Capsule Book Review

Android Karenina

Android Karenina ~ A Capsule Book Review by Allen Kopp

Android Karenina is set in Russia, but it’s not the Russia that exists or that ever existed at any time in history. It’s a “steampunk” world, an “alternate universe” where every person over eighteen has a “beloved-companion” Class III robot that is a combination pet, servant, confidante, counselor and alter-ego; where ill people are put into orbit around Venus to help them recover; where people vacation on the moon; where robot technology has become so sophisticated, thanks to the discovery of a metal called “groznium,” that every task is performed by a robot and robots have advanced to the stage where they are unidentifiable from humans. The Tsars are gone, the horse and carriage are gone, old-fashioned steam-engine trains are gone; people travel on a conveyance called the Grav that runs on a magnetic bed. A group of lizard-like aliens erroneously called the “Honored Guests” threaten the world and the human race while incubating inside the bodies of sick people. This is the “Age of Groznium,” the world of Android Karenina.

Of course, proper credit must be given to Tolstoy’s classic novel Anna Karenina. A writer named Ben H. Winters has taken this masterpiece of Russian literature and cleverly transformed it into a steampunk, sci-fi adventure, using Tolstoy’s characters and situations but making them original enough to claim a lot of credit on his own. Beautiful society lady Anna Karenina is married to the cold, mechanical Alexei Karenin, an important official in the government. Karenin doesn’t appreciate Anna and can’t love her the way she wishes to be loved. When Anna meets dashing Count Vronsky, she enters into an illicit love affair with him that shocks society and humiliates her husband. She finds out then just how villainous her husband can be. His bitterness toward his wife makes him take revenge on the entire country by trying to nullify the Age of Groznium and returning to the old ways of doing things: steam-driven trains, telegrams as a means of communicating, horses and buggies for getting around in, real people doing the menial jobs that heretofore had been done by robots. Most cruel of all, he takes away everybody’s Class III “beloved-companion” robots, including Anna’s beloved Android Karenina, because he believes that robots are antithetical to the direction he wants the country to move in. Instead of moving forward, he wants to revert to the past. Wait a minute, though. Maybe Anna Karenina has a higher purpose in life than just being an unfaithful wife. Maybe she has been chosen, because of who her husband is, to render a service to her country and to the human race. We must read through to the end to find out what is really going on.

Like Anna Karenina on which it is based, Android Karenina is a pleasure to read. A little bit on the long side, at 538 pages, but well worth it. It’s a clever hybrid (a combination of two worlds), not for everybody, but certainly engaging, especially if you are a fan of the original novel and also an aficionado of the offbeat, the unusual, the quirky and the imaginative. You might end up envying the Class III robots and wishing you had one of your own to always agree with you, sympathize with you and do anything you want without complaint.

Copyright © 2016 by Allen Kopp   

13 Hours: The Secret Soldiers of Benghazi ~ A Capsule Movie Review

13 Hours

13 Hours: The Secret Soldiers of Benghazi ~ A Capsule Movie Review by Allen Kopp

If you follow the news at all, you will have heard about the terrorist attack on the American embassy in Benghazi, Libya, on September 11, 2012, that resulted in the deaths of four Americans, including ambassador Christopher Stevens. Benghazi was known to be one of the most dangerous and volatile places in the world, but still the United States continued to operate its embassy there, with dozens of employees in residence. When the terrorist attack occurred, the people on the ground were unprepared. When they repeatedly asked for help from American forces, they were denied (for whatever reason, political or otherwise). The attack could have (and should have) been prevented. The people “in charge” weren’t paying attention, underestimated the threat, or were preoccupied with partying or fundraising for their upcoming political races. To make matters worse, certain politicians lied in the aftermath of the attack in an attempt to cover their own asses. Yes, we know from this and other events that the people in charge of this country routinely lie to us for their own political expediency.

13 Hours: The Secret Soldiers of Benghazi is about the six military men who, despite orders to “stand down,” risked their lives to face the terrorists on their own and take control of the situation, without any outside help. There’s no political statement here, no political right or wrong, just a straightforward account of what happened, told entirely from the point of view of the Americans, especially one young American named Jack Silva, who wants to make it back home to his family but knows full well that he may die in a country “he doesn’t care about.” In this movie, we don’t find out anything about the terrorists or even see their faces. All we are told in the beginning is that Libya is a dangerous and crazy place and Americans have no business being there. The ones who are there certainly aren’t on a lark but are there with a sincere desire to help.

13 Hours: The Secret Soldiers of Benghazi is not exactly entertaining in the traditional sense but is well worth seeing so we may know what people oversees in dangerous places go through to protect lives and the interests of their country. The amazing thing about this movie is that it feels so authentic, with an absolute sense of immediacy, even though it was filmed in Malta and not in Benghazi. If moviemakers can make us believe that Malta is Benghazi, they could make us believe almost anything.

Copyright © 2016 by Allen Kopp

The Revenant ~ A Capsule Movie Review

The Revenant

The Revenant ~ A Capsule Movie Review by Allen Kopp 

The Revenant (meaning “one who returns from the dead”) is set in the 1820s in an unspecified American wilderness where there are Indians, snow and bears. It’s an inhospitable place for men, especially white men, but that doesn’t keep them from being there. Leonardo DiCaprio plays a character named Hugh Glass who doesn’t believe in giving up as long as he has a breath left in his body. He and his half-Indian son named Hawk (his Indian wife is killed) are with a party of trappers. Their troubles begin when they are set upon by Indians who want to steal the pelts they have gathered to use in trading with the French. The Indians mean business and are proficient with killing white men with their arrows (often through the neck). A lot of the men in the trapping party are killed, while Hugh Glass, his son, and a handful of others get away.

In an encounter with a very angry grizzly bear, Hugh Glass is horribly injured. When the men of his party find him, he is near death. They do what they can for him, which isn’t much, and they expect him to die quickly. At least one of them, John Fitzgerald (Tom Hardy), wants Glass to die as soon as possible so they can move on before they are attacked by Indians again (and so he can get the money he has coming to him and go to Texas and buy some land). When Glass lingers for days (with his son Hawk always by his side), they are going to “do the proper thing” and shoot him in the head for the sake of their own convenience, but their leader, Captain Andrew Henry (Domhnall Gleeson) can’t go through with it. He agrees to leave volunteers behind to look after Glass until they can get back to civilization and send somebody after them. Hawk, of course, volunteers to stay behind, along with Fitzgerald and a very young man named Bridger (Will Poulter).

When Hawk finds Fitzgerald trying to smother his helpless father, he, of course, tries to stop him. Fitzgerald ends up killing Hawk, which Glass sees from where he is lying on the ground. Fitzgerald then attempts to bury Glass in a very shallow grave, even though he is still alive. Fitzgerald lies to the only person remaining, the decent Bridger, and tells him they are about to be attacked again by Indians and that they have to leave quickly before they are killed. Bridger doesn’t feel right about going off and leaving Glass, but he does it because he believes it is his only choice, leaving behind his canteen of water for Glass.

Glass lives and claws himself out of the makeshift grave that Fitzgerald put him in. He can barely walk but he somehow survives alone in the wilderness, eating fish or dead meat or whatever disgusting food he can find. Along the way he is befriended and helped by an Indian who sees how badly he is wounded. When a snowstorm hits, the friendly Indian builds a shelter for Glass to stay in. When the snowstorm passes and Glass awakes, he finds that his Indian friend has been hanged by a band of Frenchmen. As Glass gradually gains strength and is able to walk again, he has one thought in his head: to find Fitzgerald and make him pay for killing his son Hawk, the only thing, Glass says, that he has in the world. This is a story that reminds us how cruel and unrelenting nature is for every living thing (or indifferent, depending on how you look at it). And, of course, the most brutal beast in the wilderness is always going to be man.

Filmed using only natural light, The Revenant is somber and dark (not only in tone but in the way it looks), as it takes place in the winter when there is a heavy cloud cover. With its snowy vistas, rivers, animals, etc., it is beautiful to look at, absent any bright colors. The bear attack early in the movie and the Indian raid have an intense “you are there” feel to them. The music score is haunting and memorable. People will complain about the all-male cast but, after all, this is not Pride and Prejudice.

Copyright © 2016 by Allen Kopp

The Call of Cthulhu ~ A Capsule Book Review

The Call of Cthulhu

The Call of Cthulhu ~ A Capsule Book Review by Allen Kopp

H. P. Lovecraft (1890-1937), like Edgar Allan Poe, is one of those American writers who achieved little success or recognition during his lifetime but whose fame and worldwide reputation grew after his death. This “Belle Époque Original” contains Lovecraft’s novella The Dream Quest of Unknown Kadath and the short stories “The Call of Cthulhu,” “The Statement of Randolph Carter” and “The Doom that Came to Sarnath.”

“The Call of Cthulhu” is one of Lovecraft’s most famous stories. A race of gigantic beings from beyond the stars once ruled earth before men existed. (They have dragon-like bodies, wings, and tentacles on their faces.) An earthquake or cataclysmic event caused the beings to become submerged in the ocean in a fabulous city. Though they are gone for the present, they are only sleeping and will one day return to their position of prominence on the earth. One of these beings, Cthulhu, controls the dreams of certain super-sensitive individuals (humans) who will keep the “Cult of Cthulhu” alive until the time that it (the beings) will rise again.

“The Statement of Randolph Carter” is a slight, though interesting, story of two friends who, while conducting unexplained “experiments” with the dead in a very old cemetery, encounter more than they bargained for.

“The Doom that Came to Sarnath” is a about a fabulous ancient city called Sarnath, the most glorious city on earth. For Sarnath to come into being and prosper, a race of undesirable beings from the moon (“in hue as green as the lake and the mists that rise above it; with bulging eyes, pouty, flabby lips, curious ears and without voice”) had to be conquered and eliminated. The moon beings never forget what happened to them, though, to make way for Sarnath and, after a thousand years, return to wreak their vengeance.

The Dream Quest of Unknown Kadath is too long to be a short story, so it must be a novella. It is a fantastic dreamscape that takes place entirely in the mind (dreams) of one Randolph Carter (the same name as in one of the short stories). In his wild and very imaginative dreams, Randolph Carter is on a quest to find the gods atop unknown Kadath and the “marvelous sunset city they so strangely withhold from his slumbers.” In his dreams he encounters many dangers and many hideous, unearthly creatures such as shantaks, night-gaunts, zoogs, moon-beasts, gugs, ghouls, etc. As repulsive as the ghouls are, they aid Carter in his quest because he facilitates the rescue of some of them who are being tortured by the moon-beasts. The quest to find what he is looking for is so difficult and dangerous that we have to wonder if it’s worth it or not, but apparently to Carter it is, possibly because he knows he is only dreaming and is never in any real physical danger.

The Dream Quest of Unknown Kadath is one continuous narrative with no chapter or section breaks. As usual with Lovecraft, the writing is dense and wordy, with long and effusive description, sometimes almost entirely description. I’m not a big fan of fantasy writing in this style, but Lovecraft is the grand master of the genre. He is such a good writer that he elevates genre writing to another level.

Copyright © 2016 by Allen Kopp  

The Big Short ~ A Capsule Movie Review

The Big Short

The Big Short ~ A Capsule Movie Review by Allen Kopp 

The Big Short exposes the Byzantine world of big banking and specifically the crisis that led to the worst financial crisis of the modern era in 2008, when the mortgage industry collapsed and brought the world economy down with it. We already knew that Wall Street is a morass of corruption and greed. This true story tells us just how bad it is. As one of the characters says, “Wall Street deliberately confuses people. They confuse people into believing that only they can do what they do.” To phrase it another way, nobody understands what’s going on on Wall Street and that’s the way Wall Street wants it.

There’s lots of talk, talk, talk in The Big Short. I hear all the words, all right, but I don’t know what they’re talking about a lot of time, which is all right, I guess, because I’m deliberately supposed to be confused. Most of the time talk that I don’t understand is boring and tedious, but in this case it’s not tedious because you know that something tremendous is underway, a crisis so bad that it “could well be the end of capitalism.” There were a few forward-seeing individuals who foresaw what was coming and did what they could to prepare for it, while most of the “experts” tried to assure the world that everything was fine and the banking industry never on a sounder footing. They couldn’t have been more wrong or more foolish. People don’t want to believe that something bad is going to happen, even when the handwriting is clearly on the wall. This is a statement on human nature.

The Big Short is a very fast two hours and ten minutes. While big banking is not a subject I’m interested in, this is a compelling story because we were all affected by what happened and we see that the level of corruption, greed and stupidity in the highest echelons of the nation’s banking system is astounding. And did banking suffer from the crisis and learn from its mistakes? No, it did not. The middle class bore the cost of the crisis (loss of homes and jobs), while banking executives took their obscene bonuses and laughed all the way to their estates in Nantucket. And will banking make sure that such a crisis never occurs again? No, it will not. After the dust settled, they went right back to doing what they had done that caused the crisis in the first place. Do what you can to protect yourself because it will all happen again, and it could be even worse next time.

Copyright © 2015 by Allen Kopp

I Went Home for Christmas

I Went Home for Christmas

I Went Home for Christmas ~ A Short Story by Allen Kopp

There’s a little man inside my head who sees with my eyes. I don’t know if he’s an angel or a devil or a combination of both. He told me I was dying and I told him I was too young. Not exactly young but too young to die.

It was December twenty-third and I was walking down a city street, right in the shopping district. You can imagine the press of people and the noise, the car exhaust and the oppressive feeling of being one of thousands in a herd. I crossed one street and just as I made it to the other side I felt a crushing pain; my vision began to fade and I crumpled to the sidewalk like a puppet with its strings cut.

When I woke up, I was lying in a high bed. Everything around me was white. An old woman, a nurse, I presume, stepped into my field of vision but didn’t look directly at me. I wanted to ask her what had happened to me, but the words wouldn’t come.

I drifted in and out, or, to put it another way, I was aware of what was going on around me and then I wasn’t. Doctors and nurses came and went; I was lifted, moved, probed and prodded. Finally, the little man inside my head told me to prepare myself for the unexpected. When I asked him what he was talking about, he wouldn’t tell me.

I don’t know how I came to be there, but I was in our old neighborhood on Vine Street. I was a child again and as I walked up the hill toward our old house, it was nearly dark. It was snowing a little and somehow I knew it was Christmas Eve.

The big sycamore trees, the yard, the house, everything looked just the same. I was sure I was dreaming because the house—the entire neighborhood, in fact—wasn’t even there anymore. I walked up the steps and entered the front door. I was so surprised at seeing my mother standing there, who had been dead for fifteen years, that I couldn’t speak.

“Feed the dogs before it gets dark,” she said, barely looking at me. “When you’re done with that, go up to your room and make your bed and straighten up. We’re having guests. You don’t want people to think you’re a pig, do you?”

What was it she told me to do? Didn’t she know that she was dead, that the house was gone and I was now older than she was?

“How old am I?” I asked, taking off my cap with the ear flaps.

“What? Did you say something?”

“I asked you how old I am.”

“You’re eight,” she said. “Did you forget?”

“No.”

“Are you all right? You don’t have that stomach thing that’s going around, do you?”

She put her palm on my forehead. She smelled like cinnamon and cigarette smoke.

“I’m fine,” I said.

“Well, you want to get your chores done before everybody gets here.”

When we were all sitting around the dining room table, I could hardly keep from staring. There was grandma with her shiny new false teeth and her beauty parlor hairdo; it was good to hear her laugh again. Next to her was grandpa with his scented pipe tobacco and his shiny bald head. I wanted to ask them where they had been all the time I thought they were dead, but I knew I couldn’t say that because they didn’t know what I knew. Is that what death is? Reverting back to some moment or other in your childhood? Why this moment in particular of all my childhood memories?

Father sat at one end of the table and mother at the other. Father couldn’t have been more than about forty when I was eight and I couldn’t remember him looking so young. He would only have about sixteen more years before he would die of the heart disease that plagued his family.

Next to mother was her unmarried, school-teacher sister, Doris. Mother used to get mad at us for making fun of Doris’s prissy ways. She fluttered her hands and sucked in her breath because she had emphysema. She wouldn’t live much past the age of fifty.

My sixteen-year-old brother, Jeff, sat to father’s left. People used to make me mad by calling us Mutt and Jeff. I was Mutt, of course. As usual, Jeff and I didn’t have much to say to each other. If he wasn’t making fun of me, he was stealing from me or punching me in the arms, so I had learned to avoid him as much as possible.

Father’s brother, my uncle Quinn, was there with his new wife, Shirley. She was Quinn’s third wife and she didn’t seem to have much to say to any of us other than “Lovely to see you again” or “Thank you for having us.”  Quinn’s daughter from his first wife, my cousin Beryl, sat between Quinn and Shirley. Beryl was fourteen and looked miserable. She had pimples and awful hair. She avoided looking at any of us, I was sure she hated Shirley and I wasn’t sure Shirley didn’t hate her back.

At one point during the meal, grandma looked at me and said, “You’re awful quiet tonight, hon. You’re not sick, are you?”

“Sick in the head!” Jeff said, and guffawed.

“No, I’m not sick,” I said.

“He had a rough day at school,” father said.

“No, I didn’t!” I said defensively. Truthfully, I couldn’t remember a thing about the day before I saw the house from down the street.

“You need to get a good night’s sleep tonight,” grandma said. “You don’t want to be sick on Christmas.”

“I’m not sick,” I said.

“You never know what’s going on inside his head,” grandpa said, and everybody looked at me. Jeff was smirking at me and Beryl looked at me with curiosity.

Nothing’s going on inside my head,” I said.

I felt guilty with the terrible knowledge I had of everybody at the table, but I tried to keep it from showing on my face. I smiled and nibbled at my ham and sweet potatoes.

After dinner Doris played the piano. She liked to play Bach and Mozart but nobody wanted to hear that. She usually ended up playing My Melancholy Baby or My Funny Valentine. Since it was Christmas, she played I Saw Mommy Kissing Santa Claus and Silent Night, singing along in her quavering soprano.

“Doris should have been a professional musician,” grandma said.

“She became a school teacher instead,” mother said.

With the adults all sitting around drinking coffee and wine and Jeff talking to his latest girlfriend on the phone, I put on my coat and boots and went outside. I was surprised to see Beryl standing in the front yard smoking a cigarette. She tried to hide it, but I saw the smoke coming out her mouth.

“You won’t tell my dad I was smoking, will you?” she said.

“I don’t care,” I said. I wanted to tell her she shouldn’t be smoking at her age, but I knew it was none of my business.

“Where are you going?” she asked as I walked past her.

“Just for a little walk,” I said.

I was afraid she was going to ask if she could come with me, so I broke out into a little run.

In all those decades, more than forty years, everything in the neighborhood looked the same. I remembered every detail, every tree, every house, bush and street light. I had to remind myself that none of it was real and it existed only in my mind. If I was having a dream, it was one of the most life-like dreams I ever had. I was an eight-year-old boy carrying around the thoughts and memories of a man over six times eight. If I wasn’t dead, it had to be the result of a fever.

I took a couple turns around the neighborhood and by the time I got back home it was snowing heavily. Perfect for Christmas Eve, as perfect as it could be.

Father, grandpa and Quinn were in the dining room talking about football and politics. The women were all in the kitchen, laughing and smoking cigarettes, I knew. Beryl sat in the living room alone. She smiled at me and flipped her hair back from her forehead.

“I think your brother is cute,” she said.

“Uh-huh,” I said. “He’s a jerk.”

“Do you think he likes me?”

“I don’t think he likes anybody very much.”

I took off my coat and went into the kitchen and had a peanut butter cookie and a piece of fudge. Mother was sitting at the table writing out a recipe for grandma.

“Where have you been?” she asked me.

“I just went for a little walk,” I said.

“You might have at least told me you were going.”

Grandma started in on a story about a couple of girls who were abducted and murdered and I went upstairs to my room.

My flannel pajamas were right where I had left them, in the middle drawer of the dresser. I slipped out of my clothes and into the pajamas and got into the old bed, which, I have to tell you, was the most comfortable bed I ever slept in. I was cold so I pulled the covers up over my head. It was so quiet I could hear the snowflakes falling outside my window. Soon I went to sleep.

I was only eight, so my mother and I still practiced the conceit that Santa was real and I believed in him wholeheartedly. He left for me by the tree downstairs, on Christmas morning, a red bike, a sled, some books, a new coat and lots of other things. In my stocking were nuts in the shell, an orange, hard candy and a carton of Christmas candy cigarettes. I got candy cigarettes every year in my stocking and, in past years, had made everybody laugh by pretending I was lighting up and smoking. The more I hammed it up, the more they laughed.

After we had opened all the presents, we all got dressed up and went over to grandma and grandpa’s. Grandma always cooked Christmas dinner. Besides turkey and dressing, we had roast beef, mashed potatoes and gravy, cranberry salad, macaroni and cheese baked in the oven that was the best I ever tasted and, for dessert, orange peel cake, apricot bars, cherry pie and pumpkin pie with real whipped cream. I didn’t mind sitting at the kids’ table with Beryl and my cousins Naomi, Tibby, Gloria and Bennett. Beryl was disappointed that Jeff was old enough to sit at the main table. He didn’t look at her the whole time.

After dinner the kids played in the snow and the adults sat around in the house smoking and drinking cocktails. Grandpa went upstairs to take a nap. Doris played the piano again for a while and when she was finished playing grandma played some Christmas records.

There were people at grandma and grandpa’s that Christmas Day that I didn’t even know, uncles and cousins and people from out of town. They would look at me and ask me how old I was, what grade I was in at school and if I had been a good boy during the year. I could have amazed them with what I knew if I had wanted to.

Mother helped grandma put away the leftovers and clean up in the kitchen and, after we all had another piece of fruit cake or pumpkin pie, we packed up and went home. I was tired and I went to my room early. Mother was still convinced I was sick, so she didn’t give me any chores to do. Everything could wait until the next day.

I put on the flannel pajamas and got into bed and turned off the light. It had stopped snowing, the moon and stars were shining and the light coming in at the window was blue-tinged and restful. I was about to drift off to sleep when the little man in my head spoke to me again.

“Have you had a good time?” he asked.

“Yes, yes,” I said, “but I don’t understand what I’m doing here. Is this what happens when you die?”

“You think you’re dead?”

“I don’t know. Am I?”

“There are no simple answers to these questions. Or, to put it another way, it’s not for us to know.”

“I don’t want to be eight years old again forever and I don’t want to live the same stupid life over again. Going through the ninth grade again the same as it was before? No, thank you!”

“Hah-hah-hah!” he said. “You’re such a complainer. Always were!”

When I awoke again, I was in the same high bed. I blinked my eyes a few times and looked toward the window where I could see blue sky and white clouds.

“What day is it?” I asked a woman in white who was standing there.

“It’s December the twenty-seventh,” she said.

“I went home for Christmas,” I said.

She smiled uneasily and nodded her head.

“It was the best Christmas ever. They were all there. All the dead ones. I didn’t know it could be that way. Einstein was right, wasn’t he?”

The woman in white shrugged her shoulders and looked away. I had to look at her again to make sure she wasn’t an angel.

Copyright © 2015 by Allen Kopp

The Immortal Nicholas ~ A Capsule Book Review

The Immortal Nicholas

The Immortal Nicholas ~ A Capsule Book Review by Allen Kopp 

The Immortal Nicholas by Glenn Beck is an unusual Christmas-themed novel that never mentions the word “Christmas” and isn’t any traditional Christmas story as we’ve come to know it. The main character is a man named Agios (Ah-GEE-os). He is embittered because his wife dies and then his young son dies through what he believes is his own carelessness while harvesting frankincense from trees growing on a mountainside that he himself has protected from intruders with poisonous snakes. He has no hope in life and wants only to die. When he is forced to leave his home, he encounters in his travels a young man named Krampus who is physically handicapped and who has been tortured by the Romans. He immediately takes up with Krampus and becomes his protector and, in a way, his father. His knowledge of frankincense and his possession of a small amount of the precious substance eventually leads him into the company of three “kings” (Balthazar, Melchior and Caspar) who are following a star that they believe will lead to the foretold Messiah who will save the world.

Agios finds himself in Bethlehem with the three kings at the stable where Jesus lay as a tiny baby. He wholeheartedly believes in the promise of Jesus’ birth and from that moment vows to protect Jesus, Mary and Joseph from those who would do them harm. He and Krampus follow Jesus around through the years, always staying in the background. He loses sight of Jesus until Jesus is a grown man and is going around ministering to the masses. Agios hears of Jesus’ ability to heal the lame and sick and he somehow believes that Jesus can cure Krampus of whatever is wrong with him if Agios can get him close enough to him. Agios and Krampus are present at the Sermon on the Mount but are not able to get very close to Jesus because of all the people. Finally, after all they go through to keep an eye on Jesus while staying always on the fringes of what is going on, they are there to witness the crucifixion. Agios is deeply stirred by the cruel death of the savior and goes away an embittered man. He believes that is the end of the promise that the birth of Jesus Christ gave to the world.

For some reason Agios doesn’t die but lives for centuries, to watch Krampus die and everybody else he ever cared about. While living as a hermit in the mountains centuries after the death of Jesus, he befriends a shepherd boy named Nicholas and learns from him that Jesus arose after his crucifixion, proving that his promise to the world was true and that he overcame death. From that moment on, Agios’ life is different. Despite his desire to not want to be near other people, he and Nicholas become close and Agios becomes a surrogate father to him. As Nicholas grows into adulthood, he becomes a priest with a very generous spirit and out of that the legend of Saint Nicholas grows, with a direct link back, through Agios, to the ministry of Jesus Christ.

The notes on the dust jacket tell us that Glenn Beck expanded The Immortal Nicholas into a novel for adults that started out as a children’s story. It’s simply written but smart and engaging enough for adults. It took a few surprising turns for me. When I started reading it, I didn’t know how a story about a man who lived at the beginning of the Christian Era could have anything to do with Saint Nicholas. I deliberately didn’t want to read any synopsis or summary while reading the book because I wanted to find out for myself where it would lead. Think what you will of Glenn Beck and his conservative principles, he is a very effective fiction writer.

Copyright © 2015 by Allen Kopp

In the Heart of the Sea ~ A Capsule Movie Review

In the Heart of the Sea

In the Heart of the Sea ~ A Capsule Movie Review by Allen Kopp

In the Heart of the Sea was directed by Ron “Opie” Howard and is based on a non-fiction book by Nathan Philbrick called In the Heart of the Sea: The Tragedy of the Whaleship Essex. It’s a true-life story that happened in 1820-21 and that thirty years later inspired Herman Melville to write his epic sea novel, Moby Dick.

The movie is structured as a flashback. The young author Herman Melville (played by Ben Whishaw, who was poet John Keats in Bright Star) visits a grizzled, middle-aged sea veteran named Tom Nickerson (Brendan Gleeson), who, thirty years earlier, at age fourteen, sailed on the whaleship Essex. Melville intends to write a novel about the Essex, but especially about the monster whale that was said to have rammed the ship and destroyed it, leaving its crew members stranded in the southern Pacific Ocean for more than ninety days. Nickerson doesn’t want to talk about his experiences on the Essex, but Melville (and Nickerson’s wife) persuades him to loosen his tongue and the two men spend all night talking about what happened, with Melville taking notes.

The captain of the ship, George Pollard (Benjamin Walker, who played Lincoln in Abraham Lincoln, Vampire Hunter) and the more-experienced first mate Owen Chase (Chris Hemsworth) don’t like each other very much. Captain Pollard, from an old navy family, doesn’t let Owen Chase, the son of a farmer, forget that he is in charge and has final authority in all matters. Pollard has promised investors that he will return with his ship full of whale oil (which might take as long as two or three years) and isn’t interested in taking precautions that Owen Chase believes are necessary to protect the lives of the men on board. What’s a life here or there when there’s money to be made?

They go out to isolated areas of the ocean and find whales and kill them (I know, it’s cruel), cut them open and extract oil from them. After several months at sea, they haven’t found enough whale oil to satisfy Captain Pollard, so he is willing to risk going to an area in the southern Pacific that he has been warned against. The Essex has an encounter with a giant white whale a hundred feet long, but the men are not able to kill it because it’s so big. (When it’s man against nature, man always loses.) They succeed in angering the god-like whale and it eventually “stoves” the ship, leaving all surviving crew members to toddle around in life boats thousands of miles from the coast of South America.

For those of us of a literary bent, In the Heart of the Sea is interesting because of its connection to Herman Melville and the creation of an American literary masterpiece, Moby Dick. It’s an old-fashioned kind of movie that could have been made in the 1940s or ‘50s (using the latest in 3D technology, of course) and for that reason it’s not going to be for everybody. (For my money, a true-life seafaring adventure like this one is much more interesting than a fabricated, flight-of-fancy piece of fluff like The Martian.) During the action sequences, the dialogue is almost unintelligible, so we can only get the gist of what’s being said, but that’s usually all we need. Christ Hemsworth as the star is not as commanding or charismatic as other male actors (for example, Tom Hardy in Mad Max Fury Road), but that’s only my opinion. Those considerations aside, there’s plenty in In the Heart of the Sea to recommend it to the discriminating moviegoer.

Copyright © 2015 by Allen Kopp