Before His Time

Before His Time image

Before His Time ~ A Short Story by Allen Kopp

What can you say about addicts? That they engage in irrational behavior to get whatever it is they are addicted to? That they will kill if necessary, even if they don’t see themselves as killers? Did he really believe that going into a pharmacy with a gun and killing a woman and shooting another person was the right thing to do? Did he think nobody would know it was him? Did he really believe he would get away before he was caught?

His name was Gerald Lashley, but that wasn’t his real name. He broke his back in an accident. (It hurts so bad!) Doctors thought he might never walk again but he did. A long, slow recovery. He took pain killers for two years and came to depend on them. After two years, the doctor said to him, “You’re well enough now that you’re on your own. I will give you no more pain killers.”

Except that he still had pain. A lot of it. He tried to get along without the pain pills but he just couldn’t do it. He drank prodigious amounts of whiskey to take the place of the pills. Whiskey dulled the pain some but not enough. He began laying around all the time, drinking and not eating. Not washing himself and not speaking to anybody.

He saw himself many times going into a drugstore and stealing the pills he needed but he was afraid. He wasn’t the type of man to steal. He had been brought up in the church and had the fear of God in him.

Finally the pain got the best of him. When he called his doctor once again to try to get some help, the young girl who answered the phone told him the doctor was on vacation. (Do people still do that?) He slammed down the phone and sat on the couch and sobbed. He was thinking about the various ways that he might kill himself, but this, also, was against his moral beliefs.

He didn’t remember who the gun belonged to. Somebody in his family. It was still in an old wooden box in the basement along with some other junk. Also some bullets. He loaded the gun and put it in the pocket of his bathrobe and in that moment he felt better than he had felt in a long time. With hope in his heart, he went to sleep and when he woke up he knew exactly what it was he was going to do.

Except that it would never work without careful planning. There were drugstores anywhere but he would have to pick the right one. Not one in his hometown, either, where people knew him, but away, in some other town. And he would take the loaded gun along, of course, but never use it. It would just be to make sure people knew he meant business and to scare them. Not to hurt anybody.

After two weeks of planning he arrived at the “when,” the “where” and the “how.” The drug store was about twenty-five miles away in a town that was connected to the town he lived in by an old, seldom-used country road. He knew they had the kind of pain medicine he needed because he had called and asked. Yes, sir, the lady said, we have in a fresh supply; always happy to oblige. The pieces were falling into place for him.

He chose a Saturday morning at the end of winter. The sky was gray, threatening rain, like so many other days. He wore a lightweight coat with zip pockets and a knit cap pulled down to just above his eyebrows. That would make it harder for people to identify him later, if it came to that. He put the gun in the right-hand pocket—he was right-handed—and zipped it up.

Traffic was light, as he knew it would be. Not a lot of people out stirring on a dreary Saturday morning. He tried to look at the sky and concentrate on the scenery because when he thought about what he was about to do he felt light-headed and breathless. He believed his nerve might fail him, but only if he let it.

The town was nearly deserted. There were a few cars parked at the drug store and other businesses in the block, but not many. He drove around the block and parked on the street in the direction he would need to take to get away. He checked the gun in his pocket one last time and went inside.

The prescription counter was all the way in the back of the store. As he approached it, a female worker came forward, smiled, and asked if she could help him. He handed her the note he had written out beforehand and showed her the gun, holding it close to his side so nobody else would see it. She nodded her head, one time, and then turned away.

When she was gone for more than thirty seconds, he began to panic. She was taking too much time. She was telling somebody else what was happening. She would try to stall him while somebody in the back called the police. But then she reappeared from the back bearing a white plastic bag of the stuff he wanted and he felt relieved for the moment.

“Anything else?” she asked, and he knew she said this to every customer.

Before he took the bag from her, he said, “Put all the money from the cash drawer in there with the medicine.”

At that moment he was jumped from behind by somebody he didn’t see. His gun discharged with the reflex of his hand and he was aware that the bullet struck the female worker and she went down behind the counter as he was being pulled back.

The pain from the weight on his back nearly tore him in two, but he was able to throw the person off, which, he saw in just a moment, was a small old man with bent back and white hair. As the old man got up from the floor and began to charge him again, he fired the gun again. The bullet struck the old man in the upper thigh, taking him down.

Before the female worker went down, she had put at least some money in the white plastic bag with the stuff and the bag lay on the counter. He grabbed for it and ran for the front of the store, hearing gasps and screams as people in the store realized what was happening.

His hands were shaking as he opened the car door and started the engine. He sped away from the curb without even looking to see if the way was clear and drove through town.

As he was about to make the left-hand turn on the edge of town to get onto the highway, two speeding police cars appeared, their sirens deafening. One of them pulled around in front of him and stopped at an angle to keep him from going any farther and the other one stopped behind him. Officers swarmed from both cars and in a moment had him facedown on the ground. The whole thing had taken seventeen minutes.

He was taken to the town jail and then to the county jail. He was wailing and blubbering and couldn’t speak, so he was put on suicide watch and given a shot that made him feel like he was falling down a black hole that had no bottom. When he woke up he was questioned by a roomful of officers whose job it was to piece together what had happened.

During his various court appearances, he didn’t understand what was being said, but he knew there would be no trial since he had given a full confession. There would only a hearing to decide what to do with him. His lawyer told him it didn’t look good for him. The old man would recover, but the woman, mother of three, had died. The prosecution was seeking the death penalty.

After much wrangling between lawyers, he was spared the death penalty—due to “mitigating circumstances”—and sentenced instead to life in prison with no possibility of parole.

Twenty-two years went by in prison. He was an old man before his time. He walked with a terrible limp or not at all. One morning when he woke up he was too sick to get out of bed and was moved to the infirmary. That same day, as he lay dying, he saw a hill on his grandfather’s farm from his childhood. He looked up the hill and shaded his eyes to see if he saw there any sign of the forgiveness that he wanted more than anything else on earth.

Copyright © 2016 by Allen Kopp  

“Alone” by Edgar Allan Poe

Edgar Allan Poe image 11

~ Alone ~

A Poem by Edgar Allan Poe (1809-1849)

From childhood’s hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then—in my childhood, in the dawn
Of a most stormy life—was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view.

Versailles ~ A Capsule Book Review

Versailles

Versailles: A Biography of a Palace ~ A Capsule Book Review by Allen Kopp 

The Palace of Versailles is possibly the most famous structure of its kind in the world. Situated about twelve miles outside of Paris, it was built in the 1680s by Louis XIV. For the next roughly hundred years it served as the seat of French government and home for the royal families and royal courts under three kings: Louis XIV, Louis XV and Louis XVI. Versailles: A Biography of a Palace, by Tony Spawforth, is a history of the Palace of Versailles, a history of the people who lived there, good and bad, the court intrigues, the adulterous affairs, the arrogance, the corruption, the extravagance and the bad press that eventually brought down the monarchy and replaced it with a republic. After Louis XVI and his queen, Marie Antoinette, were deposed and eventually guillotined in the 1790s, the Palace of Versailles came to represent tyranny and extravagance to the French people. There were calls for it to be demolished as a hated symbol of the repressive past, but it still stands today, a monument to what once was and never will be again.

Louis XIV, who built Versailles and made it what it would be for about the next hundred years, was a monarch down to his fingertips. He believed in the divine right of the French king, that the kind should live extravagantly and luxuriously. Up until the time of Louis XIV, the seat of French government had been the Louvre in Paris, but Louis wanted something different. He moved to the French countryside outside of Paris, to a little town known as Versailles. He destroyed three small villages to build what would become the sprawling palace that housed thousands of people at one time: courtiers and aristocrats, family of the king and queen, office holders, ministers and functionaries, appointees, cooks and lackeys, servants and attendants. Many of the people who lived in the palace were essentially leeches and served no real purpose, but were part of the elaborate system that comprised the king’s court.

After Louis XIV’s death, the reputation of the king and royalty in general began to deteriorate with the public and the press. Whereas Louis XIV was beloved and an inspiration to his people, Louis XV, his successor, was less punctilious in his kingly duties. He wasn’t so particular about his public image and openly engaged in adulterous affairs with many women, including the infamous Madame de Pompadour and Comtesse du Barry. He would flaunt his affairs of the heart to the world and didn’t seem to care about the ramifications. The image of the monarchy began to suffer.

Upon Louis XV’s death from smallpox in the year 1774, his grandson Louis XVI became king. Louis XVI resembled a pudgy schoolboy and wasn’t much interested in being king. He seemed feckless and completely bereft of the attributes necessary to run a great country. The worst thing that ever happened to him was being married off to an Austrian princess, who would later become known as Marie Antoinette. After her function of providing a male heir to the king was fulfilled, she indulged in her whims and mostly locked herself away from court functions and her role as queen. She wanted her own privacy and a good time and she didn’t care who knew it. She developed a terrible reputation with the public and in the press, which only became worse as her extravagances were revealed, and this while many “regular” people were starving because economic conditions were so bad in the country. Fairly or not, she came to represent the excesses of the monarchy at their worst. She and her husband, Louis XVI, were eventually beheaded in a cruel public spectacle. She was hated and reviled for years after her death but  remains a compelling figure to this day, around whom a cult of admiration has developed.

If you’ve ever visited the Palace of Versailles, as I have, Versailles: The Biography of a Palace will make compelling reading, but it will even if you haven’t been there. It’s a readable history for the “casual” historical reader, never dull or academic; full of anecdotes and the “small” moments that history is made of. If you are a fan of the 1938 MGM movie, Marie Antoinette, you can’t help imagining Robert Morley and Norma Shearer as Louis XVI and Marie Antoinette, and Tyrone Power as the queen’s would-be boyfriend, Count de Fersen, who remained sympathetic to the end. As Count de Fersen hears the cheers of the crowd as the queen is beheaded, tears fill his eyes and he looks off into the middle distance, filled for the moment with thoughts of what might have been.

Copyright © 2016 by Allen Kopp

Sylvia Dell

Sylvia Dell

Sylvia Dell ~ A Short Story by Allen Kopp

In 1926 Mrs. Bertha Indelicato of Burbank, California, took her son, Sidney Indelicato, to a movie studio to audition for a part in a motion picture. She dressed him up in a light-blue jumper and a yellow shirt, with pork-pie hat and strapped, patent leather shoes. With Sidney’s cherubic face and naturally curly blond hair, he looked as much like a girl as a boy.

At the audition the casting director, a man named Perkins Belmont Perkins, wearing knickers and argyle stockings, separated the boys from the girls so he could get a better look. When Sidney was herded in with the girls, Mrs. Indelicato didn’t dare object, afraid that doing so might cost him a part in the movie.

When Perkins Belmont Perkins, eyeing Sidney critically, asked for the name, Mrs. Bertha Indelicato stepped forward quickly and gave the name as “Sylvia” Indelicato.

“She’s rather fat,” Perkins Belmont Perkins said, “but I think she has the “look” we’re looking for.”

“Oh, I’m so glad!” Bertha said.

“Have your daughter here at eight o’clock sharp on the fourteenth and I believe we’ll be able to use her.”

“Oh, thank you!” Bertha said. “We’ll be here! Of that you can be sure!”

After they left the studio, Bertha took Sidney to a drugstore down the street to get a banana split.

“Just think!” she said to him as he stuffed ice cream into his mouth. “We’re in!”

“In where, mama?” he asked.

“Why, didn’t you hear the nice man say they were giving you a part in the movie, honey?”

“What do I got to do?”

“Just look sweet and the director will tell you everything to do. Mama will be right beside you every step of the way.”

When Bertha’s husband, Buster Indelicato, came home from his job as a Ford salesman, Bertha told him the good news: Sidney landed a part in a movie.

“There’s just one thing,” she said. “They think Sidney is a girl.”

“What?”

“I had to think fast. I told them his name is ‘Sylvia’ Indelicato.”

“And they believed that?”

“Yes.”

“You always did dress him more like a girl than a boy.”

“If that’s the only way he can get a part in a movie, then a girl he will be!”

“Well, I always wanted a daughter, I guess,” Sidney said, reaching for a beer.

In the few days she had before the fourteenth, Bertha took Sidney shopping and outfitted him with complete feminine attire, down to the lacy bloomers. She fluffed out his hair and gave it some extra curl, insisting that she and Buster call him “Sylvia” at the dinner table and refer to him at all times as “she” and “her” instead of “he” and “him.”

“You’re going to confuse him,” Buster said, “and then we’ll have a mental case on our hands.”

“He’ll be fine,” Bertha said. “I guarantee it.”

“Why do I got to be a girl now?” Sidney asked.

“Because you are an actor,” Bertha said. “You will someday be a great actor. This will be your first acting lesson. Great actors pretend to be who and what they are not.”

“I don’t think I like being a girl.”

“Just remember that underneath the laces and frills you are still a boy. It’s only to the outside world that you are a girl.”

“If I’m an actor,” he said, “I want to be a cowboy.”

“That will come later, dear, after you are an established star.”

“What’s ‘established’ mean?”

On the morning of the fourteenth, Bertha had Sidney at the studio an hour early and was forced to wait nervously in an outer office to be called. Finally, when Sidney was called for a wardrobe fitting, Bertha was given a copy of the script. It was up to her to familiarize herself with the story and tell Sidney, as Sylvia, what he (she) was supposed to do.

The picture was called Baby Bountiful and starred that lovely young motion picture star, Arlette Joseph. She played a young mother who, when she loses her own baby to illness, goes with her handsome young husband to an orphanage to pick out another child. There are so many adorable children to choose from that the young couple can’t decide which one to take. That’s when the orphans show off their singing and dancing talents to help them make up her minds.

The young couple still can’t decide, so they go home, assuring the orphans they will return later and will, most assuredly, choose one of them to take home with them. That night, all the orphans dream of being the chosen one. The next day the young couple returns to the orphanage with some very exciting news. The young mother’s rich uncle has died and left her his millions. Since she will have all that money, she can take all the orphans and they will all live together on a fabulous Long Island estate with their new mommy and daddy.

Sidney was the orphan named Lulu. He wore a white dress and white stockings, a long wig with a large white bow. When the director told the orphans to jump up and down with excitement or to act sad, they did exactly as they were told.

Bertha stood behind the director and the camera, watching. She believed, of course, that Lulu stood out from the other orphans and that her acting was the most realistic. Her eyes brimmed with tears and her heart ached with pride. After all her years of dreaming, her own little Sidney was finally in motion pictures!

When filming was completed for Baby Bountiful, Arlette Joseph thanked all the children personally for playing orphans and everybody packed up to go home. A few days later Bertha received a fat check in the mail for Sidney’s appearance in the film. When she showed the check to Buster, he whistled and said, “That’s more than I make in a month!”

A week later the casting director from the studio called Bertha and asked if Sylvia was available to act in another picture. Bertha nearly dropped out her dentures on the kitchen floor in saying yes.

They hired Sylvia an agent, who promptly changed her name from Sylvia Indelicato to Sylvia Dell. The agent procured parts for her in five pictures the first year and seven the second year, with each part progressively larger than the one before it.

Buster quit his job and began staying home all the time, “seeing to things.” He managed Sylvia’s career from the sidelines with useless advice that nobody listened to. He began wearing double-breasted suits, smoking big cigars, and hosting luncheons at all the fancy restaurants around town.

Sidney, for his part, went along with what was expected of him. When he was at home he could be Sidney, but the minute he went outside the house he had to be Sylvia. Any time he became downhearted, Bertha presented him with a big bowl of ice cream and waved the most recent studio check in his face. When she went to the bank to cash his checks, she always took him along so he could see the big stacks of green and come to know how important they were to his family.

In 1929 the Hollywood studios stopped making silent films and converted to sound. Prepared as she was for any contingency, Bertha hired a diction coach to work with her Sidney. After all they had been through, she wasn’t going to let the advent of sound end her baby’s film career.

The diction coach, aware of how much money was to be made, declared Sylvia a “natural” after a few lessons. If he knew that Sylvia was really a boy instead of a girl, he never let on. He was accustomed to the ways of movie people and wasn’t squeamish about such things.

Sidney’s first sound picture was a big success. He had five lines, which he spoke with a convincing girlish intonation. After that, there were more offers for parts in other motion pictures. The money mounted up as Sylvia’s fame and popularity increased. Sylvia Dell fan clubs sprang up around the country. There were Sylvia Dell coloring books and dolls, an entire line of Sylvia Dell merchandise.

Sidney began to put on a lot of weight. The doctor advised Bertha to put him on a low-calorie diet, but she refused, certain the “pudginess” was part of his appeal. People had come to know him as fat and if he was no longer fat they would no longer know him.

When Sidney inevitably began to show outward signs of becoming an adult male, Bertha and Buster began to panic. They took him to a doctor and wanted to know if there was some way he, the doctor, could medically “alter” Sidney to enhance his feminine qualities and subvert the masculine ones.

“Are you suggesting I castrate him?” the doctor asked.

“If that’s what it takes,” Bertha said.

“Ask him if he wants to be castrated and I can almost assure you what his answer will be.”

“But he’s too young to know what’s best for him,” Bertha said. “He’s only a baby.”

“Good day to you!” the doctor said.

Luckily Sidney was fair-haired and the whiskers on his chin and cheeks could easily be covered up, but his deepening voice was more of a concern. Bertha began plying him with pills that she bought from a “medical consultant” and giving him cognac and whiskey toddies to “calm his nerves” and help him to sleep. In a few months he was a child alcoholic. He took to smoking prodigious numbers of cigarettes, even when he was in character as “Sylvia.” The sweet little girl had turned into a monster. The movie offers began to dry up.

Right before Sidney’s sixteenth birthday, he disappeared. Bertha believed he had been kidnapped and that soon the kidnappers would make their exorbitant demands for his return. She would pay any amount—every cent if she had to—for his return.

The police searched for Sidney but found no sign of him and after a year they gave up. They would keep his file on record, though, and if anything came up they would reopen the case. Bertha began walking the streets at night, looking for him in alleyways. She was certain he was all right and wasn’t very far away. All he needed was for her to find him.

Thirty years went by and Sidney didn’t return home. Bertha and Buster spent all the money and then there was no more. Buster died, leaving Bertha alone in her home with her memories. Her walls with lined with “stills” from Sylvia Dell movies. She never stopped thinking about Sidney.

Small packages began appearing on her doorstep, a packet with fifteen dollars in it and then one with twenty, a potted plant, a loaf of pumpernickel bread. She didn’t know who was leaving these little gifts, but when a box of chocolate-covered cherries appeared, she knew it had to Sidney. Only he would know that had always been her favorite kind of candy.

Copyright © 2016 by Allen Kopp