Author: allen0997

Baby

Baby ~ A Short Story by Allen Kopp

(Published in the literary journal, Streetcake, Issue 43.)

Louise was gone for three days. When she returned home, she was carrying a bundle in the crook of her arm.

“Where have you been all this time?” Theodore asked. “I was about to call the police.”

“Oh, you silly man!” Louise said. “Where do you think I’ve been? I’ve been giving birth to your son.”

She lifted the corner of the blanket to show him the baby’s face.

“This one has blue eyes,” Theodore said.

“He has your eyes.”

“My eyes are brown.”

“I’m going to name him Nathaniel,” she said. “After Hawthorne.”

“Name him whatever you want.”

“If I give him the name of a great writer, he might turn out to be a great writer himself.”

“Uh-huh.”

“You like that name?”

“It’s as good as any other, I suppose.”

She laid the baby down gently on the couch and took off her coat and laughed.

“Believe me,” she said. “It’s not easy carrying a newborn baby home on the uptown bus. I had to stand up the whole way, holding the baby in one hand and trying to keep from falling with the other. You’d think a gentleman might have given me his seat, but nobody even noticed me.”

“I could have come down and met you.”

“Oh, that’s all right,” she said. “I managed perfectly fine. And, anyway, I wanted to surprise you. What do you think of our new son?”

“He’s, uh…I can’t seem to find the words. I’m speechless.”

“I know! It’s a shock, isn’t it? Seeing him for the first time?”

“Especially since I didn’t know he was expected.”

“But that makes it that much more fun, doesn’t it?”

“If you say so.”

“Now, don’t you be an old grump puss! I’m going to need lots of help from you with this baby. Feeding him, changing his diapers, bathing him, and all the rest of it.”

“I don’t think that baby is going to be any trouble at all,” he said.

“No, of course not! He’s such a good baby! I can tell already, as young as he is.”

Theodore played piano in a jazz combo in a bar, so he had to leave to go to work. “Don’t wait up for me,” he said.

“Have a good time,” she said, “and don’t worry about me. The baby and I will be here when you get back.”

With Theodore gone, Louise was glad to have some time alone with the baby. She carried him into every room in the apartment, talking to him all the while, even though she knew he didn’t understand a word she said. She fed him, bathed him, and put him to bed in the crib at the foot of her own bed.

She slept until one o’clock, at which time she got up and fed him again. After she put him back in his crib and got back into bed, she had trouble going back to sleep. She kept thinking about how Theodore didn’t seem very happy about the baby. Well, men, she thought. You can’t ever tell what they’re thinking or how they really feel. They keep it all bottled up inside.

At two o’clock she still hadn’t gone back to sleep. She got up and checked on the baby and when she saw he was sleeping peacefully she knew the problem wasn’t with the baby but with her. She was lonely and sad. She picked up the sleeping baby and put him in the bed beside her. After that she was able to go to sleep.

Theodore came home about three-thirty. He undressed quietly and got into bed and after a couple of minutes Louise began to cry.

“What’s the matter?” he asked.

“I’m not going to have any more children,” she said.

“Okay.”

“I don’t think you love them.”

“Could we postpone this conversation to another time? I’m very tired.”

“Take Nathaniel and put him with the others. They need to get acquainted.”

“I just got into bed. Can’t you do it?”

“You’re the father.”

He sighed and got out of bed again without turning on the light. He picked Nathaniel up by the neck and carried him out of the room and down the hallway to another room. In this room was a bed with six lifelike plastic dolls lying side by side, all exactly like Nathaniel. He added Nathaniel to the collection and went back to bed.

“Better now?” he asked Louise.

“Yes.”

“And this is going to be the last one?”

“Yes, I think so. Seven is my lucky number.”

Copyright © 2017 by Allen Kopp

by allen0997

Psycho (1960)

There’s a spooky old house, a deserted motel, a desiccated corpse in the fruit cellar, a deranged young man who dresses in his mother’s clothes and wig and kills people with a big knife, a main character who dies thirty minutes into the movie, and a creepily effective music score. What more could you want from a great horror movie?

The Bates Motel is off the main highway. Norman Bates is the proprietor.
Norman Bates lives in the big house behind the motel. That’s his mother in the window. Or is it?
Wayward traveler and thief Marion Crane gets lost in the rain and ends up at the Bates Motel.
Norman Bates is attracted to Marion Crane, or at least a part of him is.
After they say goodnight, Norman Bates spies on Marion Crane through a peep hole in the wall.
Marion Crane decides to take a shower, which gives us a chance to see her in her underwear.
Marion Crane in the pivotal shower scene.
The delightful Mrs. Bates, Norman Bates’ mother.

by allen0997

When He Saw They Were Dead

When He Saw They Were Dead ~ A Short Story by Allen Kopp

(This ghost story I wrote was published in an anthology called Legends: Paranormal Pursuits 2016, by Grey Wolfe Publishing.)

His name was Edgar Delong and in 1921 he was fifteen years old. He had an accident in his sleep and his mother and father wouldn’t stop laughing at him. They called him baby and said he ought to be ashamed of himself. They kept it up all day. Finally he went and got a shotgun they didn’t know he had and, at seven minutes after four in the afternoon, he shot both of them in the chest, his mother first and then his father. When he saw that they were dead, he went up the stairs in the old house to the attic. He found a rope, climbed up on a table and tied one end of the rope to a rafter and the other end around his own neck. After pulling on the rope to make sure it would hold at both ends, he stepped off the table into the void. As he strangled to death he said, “This is the thing I’ve always wanted.”

It was written up in all the newspapers. People loved talking about it, recounting and embellishing all the details. The house where it happened stood vacant for years and was said to be haunted. Weeds grew up in the yard. Small boys threw rocks at the windows. The front porch began to sag. People claimed to hear demonic laughing coming from the house, gunshots and screams.

Finally a man bought the house and fixed the sagging porch, the broken windows, the missing shingles and the peeling paint. He lived with his large family in the house for more than twenty years. Then there were other families after that to put their imprint on the character of the house. The day would come when the only people who remembered Edgar Delong and what he had done were the superannuated.

Edgar Delong still existed, though, in the world the living cannot see. Every day in the house his mother and father laughed at him and every day he went and got the shotgun they didn’t know he had and, at seven minutes after four in the afternoon, shot both of them to death, first his mother and then his father. Every day he heard the startled cry from his mother right before he shot her and the strangled shout from his father. Every day he climbed the creaking old stairs to the attic, tied a rope around his neck and hanged himself. Every day he relived the whole thing, even though he was dead. Every day the same, the days unending.

More than eighty years after the death of Edgar Delong, a writer named Charles Delong rented the house for the summer. He was the grandson of Edgar Delong’s father’s brother and, so, a cousin of Edgar Delong. He had grown up hearing the stories and, when he began researching and writing a book about sensational murders, he knew he had to include a chapter in the book on the Delong double murder and suicide. He believed that by living in the house, if just for a few weeks, he would feel close to Edgar Delong and would understand him a way that no other living person could.

The house proved a wonderful inspiration to Charles Delong. While he didn’t believe in ghosts, he did believe that something of Edgar Delong remained behind in the house. Using newspaper accounts and photos of the day, along with family reminiscences and his own grandfather’s diary, he wrote an inspired and chilling account of the crime, to which he added a personal slant. “I am related by blood to the murderer,” he wrote, “and am writing about his crime in the house in which it occurred.”

He finished his book ahead of schedule and was sure it would be a success. He sent it off to his publisher and began working on his next book, a novel and a complete departure from crime. He still had a couple of weeks on his lease in the Delong house—which technically hadn’t been the Delong house for decades, although he still thought of it in those terms. He stocked up on groceries and planned to spend a quiet time alone.

Except that he wasn’t alone. Edgar Delong, his murderous young cousin, was there in the house with him, watching him, standing behind him, sometimes touching him on the shoulder or the back of the head. Edgar Delong would make himself known to Charles Delong when he believed the time was right.

The house had a soporific effect on Charles Delong. He took to taking naps on the couch in the afternoon, hearing only the ticking of the clock, the wind outside rustling the trees or the faraway barking of a dog. One afternoon during one of these naps he was made to see the thing that happened every day at seven minutes after four. He thought he was dreaming as he saw Edgar Delong emerge from the back of the house bearing a shotgun and walk with it toward his parents as they sat in the room they called the parlor. His mother drew back instinctively and gave a startled cry when Edgar shot her. His father began to stand up and emitted a strangled shout as the bullet entered his chest.

After he had killed them both, Edgar Delong turned to his cousin Charles Delong and said, “It’s always the same.”

Still believing he was dreaming, Charles Delong said, “I don’t understand.”

“Every day the same. They laugh at me and I keep killing them but I can’t make them stop.”

“None of this is real,” Charles Delong said. “You’re a figment. You don’t exit.”

“Maybe it’s a figment to you. To me it’s real and I can’t stop. I want to stop. I want you to help me to stop.”

“How can I do that?”

“Let me come into your body so I can have the means to leave this house.”

“No, I would never do that! It’s impossible!”

“I can make you see it every day. Live it every day. As I do.”

“No, it’s out of the question!”

“You wanted to know what it was like to be me.”

“You’re a murderer. I don’t want to be you.”

“We’re cousins. We’re the same blood.”

“No!”

“I’m going up to the attic now and hang myself, as I have thousands of times before. I want you to come along and watch.”

“No!”

“I think we’ve reached the point where there’s no longer a choice,” Edgar Delong said and raised the gun and shot his cousin Charles Delong squarely in the chest.

The body of Charles Delong wasn’t found for five days. When the police were called in to investigate and were unable to find a murder weapon or a motive, they deduced that the murderer was somebody that Charles Delong knew and had willingly admitted to the house.

And so it continued. Every day at seven minutes after four in the afternoon, Edgar Delong shot and killed first his mother and then his father, after which he climbed the stairs to the attic and hanged himself from a rafter. The only difference now was that he had his cousin Charles Delong there to experience the whole thing with him. Without end and ad infinitum. 

Copyright © 2017 by Allen Kopp

by allen0997

Fatty’s in Trouble

Silent film comedian Roscoe “Fatty” Arbuckle was at the top of his profession. He was the first movie star to make a million (tax-free) dollars a  year. His world came crashing down on a September day in 1921. At a party he threw in a San Francisco hotel room, a party girl and would-be actress named Virginia Rappe was injured and died a couple of days later. People said that Fatty raped her and, because he was so heavy, ruptured her bladder, leading to peritonitis. Fatty became the symbol for all that was corrupt in Hollywood. People were ready to believe the worst of him without finding out what really happened. The story became a nationwide sensation. Innuendo and rumor became accepted as fact, just as they are today. Fatty was eventually cleared by a jury in his third trial, but his career was essentially over. Motion picture distributors and exhibitors wanted nothing more to do with him. His name was tainted by scandal. He died in his mid-forties, some said of a broken heart. 

Fatty Arbuckle and his frequent costar, Miss Mabel Normand.

by allen0997