fantasy – Literary Fictions

The House He Lived In ~ A Short Story

The House He Lived In image 1

The House He Lived In
~ A Short Story by Allen Kopp ~

Sid Bone was small for his age. He was the boy in school with the funny clothes: the pants too big and the sweater too small, the shoe with the flapping sole and the holes in his socks. His classmates never invited him to any of their parties because he wasn’t the party type and, anyway, he had a funny smell.

Sid Bone would never grow to manhood. When he was twelve, his liquor-addled mother gave him sleeping pills to make him unconscious and then she wrapped an electrical cord around his neck and strangled him. She just couldn’t take care of a twelve-year-old boy anymore, she said. It cost too much money to feed him and just having a kid underfoot all the time wore on her nerves. Without him, she’d be able to get her life in order, get off the booze, find a decent man. Then, later on, when everything was jake, she’d have another baby and they’d all be happy. Maybe the new one would be a girl who would take care of her in her old age.

After she sobered up a little, she was sorry for what she had done to Sid Bone. She would never have had the courage to do it if she hadn’t been drunk. She sat in her easy chair and blubbered and wailed for a while. Since there was no one to hear her, she let loose with some anguished screams. After she had cried herself out, she gave a little laugh, peed in her pants because she couldn’t get up, and reached for the bottle again.

After a day and a night spent in the chair, drinking and feeling bad about her terrible life, she made herself get up and go into the bathroom and clean up, wash her face, comb the mats out of her hair and put on some clean clothes. She was going to have to call the police. They would send someone out. She needed to make herself look decent and presentable.

She had the story straight in her head. She worked out all the details. Her boy, Sid Bone, had met with a bad accident. She had been sick, sleeping in the other room; she didn’t hear a sound and she wasn’t even sure what happened. When she found him lying on the bed, unconscious, she tried to revive him, but, of course, it was too late. He must have done himself in because the kids at school laughed at him. There could be no other explanation.

For a while, several days at least, Sid Bone didn’t realize he was dead. He woke up in the morning and sleepily went to school as he always did. He thought it was a little funny that his mother wasn’t in any of her usual places, on her bed or sitting at the kitchen table, but he didn’t mind her not being there; he could manage fine on his own without her.

At school, he sat at his desk all day long, as he always did, doing what he was supposed to do: listen to teacher talk, copy problems off the blackboard, read this or that book, get up for recess or lunch. Then when school ended, he walked home as he always did. The next thing he knew, he was getting out of bed in the morning to start his day all over again. He had no recollection of anything in between.

On the fourth day, Sid Bone knew something was different; something had changed. Somebody new was sitting at the desk he had occupied all year. When he went to the front of the room and tried to ask teacher about it, she didn’t seem to see him but instead looked right through him. He turned around and faced the room at large, thirty-two of his classmates, and screamed Hey! in his loudest voice, but nobody looked up or turned their heads in his direction. It was if he no longer existed.

Not knowing what else to do, he went upstairs to the nurse’s office. Miss Faulk should be able to look at him, touch his head and tell what was wrong. She was better than any doctor.

Miss Faulk wasn’t in her office, though. The only person there was a woman he had never seen before, sitting at Miss Faulk’s desk, writing. When he paused in the doorway, she looked up at him and motioned for him to come into the room. He was a little relieved to know that somebody was seeing him, even if it was somebody he didn’t know.

“I’ve been waiting for you,” the woman said, standing up and coming around to the front of the desk. He saw that she was quite short and her face was crisscrossed with tiny lines like a road map.

“You have?” he asked, genuinely surprised. “Do you know me?”

“Well, I know of you. I’m Miss Munsendorfer. I used to be a teacher here a long time ago.”

“In horse-and-buggy days?”

“Not quite that long ago. We had cars then.”

“I was looking for Miss Faulk.”

“She’s not here right now, but I am here.”

“I wanted to see if Miss Faulk could take my temperature or something and see if I might be sick.”

“I think I can tell you you’re not sick.”

“How do you know?”

“You’ll never be sick again.”

“How do you know?”

“You don’t need to come to school anymore, either.”

“Why not?”

“I don’t know how best to explain it to you, so I’ll just show you.”

She took him by the hand. Before he knew it, they were outside on the playground and then they were walking down the hill away from the school. Then, in the beat of a heart and the blink of an eye, they were in the church on Windsor Avenue.

“What are we doing here?” Sid Bone asked.

“You’ll see,” Miss Munsendorfer said. “Just be patient.”

The church was full of people, a funeral in progress. There was a closed casket at the front of the church draped in yellow-and-white flowers. All the people in the church looked solemn. Some of them dabbed at their eyes. An old man, a minister, was standing at the pulpit talking about evil in the world and how the only way to accept it is to recognize it as part of God’s plan. The words coming from the minister’s mouth sounded funny as if they were being spoken underwater.

Just when Sid Bone was looking out over the sea of faces in the church, picking out the ones he knew, Miss Munsendorfer touched his hand again and they were outside, moving away from the church and, once again, before he knew what was happening, they were in a different place: they were standing on the street where he lived.

The street was there, of course, but the falling-down house that he lived in with his mother was gone, as if by magic. In its place was bare dirt; even the junk and debris in the yard were gone.

Sid Bone was beginning to catch on. He wasn’t especially surprised the house was gone; he would have been more surprised if it had still been there.

Miss Munsendorfer again took him by the hand and, again, in the beat of a heart and the blink of an eye, they were standing in the hallway of the women’s penitentiary two hundred miles away.

“What is this place?” Sid Bone said. “I don’t like it here.”

Miss Munsendorfer pointed into one of the cells. When Sid Bone turned his head and looked, he saw his mother in the cell, sitting on the bed. She looked a human wreck: dejected, wretched, forlorn. He turned away before he started to cry.

Miss Munsendorfer again took by the hand, standing in that hallway of the women’s penitentiary, and in a flash they were back in the nurse’s office at school. Miss Faulk still wasn’t there.

Sid Bone found himself overpoweringly sleepy. He lay down on the nurse’s cot they kept in the corner for the suddenly ill and Miss Munsendorfer covered him over with an army blanket, tucking him in the way a mother would, with all but the kiss goodnight.

“Are you an angel?” Sid Bone asked her.

“No, I’m not an angel. I’m only here to help you.”

“Okay.”

“But you don’t need my help any more. You can do the rest on your own.”

She patted him on his shoulder and then she was gone.

When he awoke, he was in a place he had never been before. There were flowers and birds and lots of trees; animals of all kinds, but even the lions and bears wouldn’t hurt him because they were tame and gentle; he could walk right up to them and tug at their fur and they would only look at him. There were also people, some of whom he remembered or thought he remembered, but they left him alone whenever he wanted to be left alone. Most surprising of all, it never rained or got dark until he was ready.

December 12, 2025 by allen0997

Beautiful in the Way of Mannequins ~ A Short Story

Mannequins 4

Beautiful in the Way of Mannequins
~ A Short Story by Allen Kopp ~

Poppa’s face was dry and lined, like old leather. The red pouches under his eyes made his eyes look half-closed, even when they were open all the way. His mouth was a thin, lipless line in which a Marlboro cigarette was inserted. For sixty of his seventy years, he had smoked Marlboros, an untold and uncalculated number of them.

He reclined in his chair that had molded itself to the shape of his body—or his body had molded itself to the shape of the chair. The room was dark and low, the perpetual cloud of smoke hanging like a pall between Poppa and the ceiling. A small lamp with a little cluster of red flowers painted on the lampshade, the only color in the room, sat on a table between his chair and Momma’s.

Poppa and Momma both puffed on their cigarettes. For them, puffing on a cigarette was part of the act of breathing. A breath wasn’t a breath without a puff to complement it. And while they puffed away they both kept their eyes on the screen a few feet in front of them. The screen was the eye on the world, the only eye, to which they had given their fealty. It didn’t matter what was on—a boxing match, a train wreck, news of the world, cowboys and Indians, romance, dancing, drama, music or laughter—it was all the same: they regarded everything the eye brought to them with the same fish-eyed blankness.

The door opened and Elma entered. Momma and Poppa didn’t look up but instead kept looking at the eye. Elma took off her coat and hat and stood in the middle of the room; she looked expectantly at Momma and Poppa, though the eyes through which she saw them were only slits.

“Beer, beer, beer!” Poppa said.

“Popcorn, popcorn!” Momma said. “Peanuts, Peanuts!”

Elma went into the kitchen to get the things they wanted and took them back into the living room. When she set the bottle of beer on the table next to Poppa’s arm, he didn’t look up, but his arm reached out, seemingly of its own accord, and brought the bottle to his lips. He took a long drink and smacked his lips and set the bottle back down.

Elma had mixed the peanuts and popcorn together in one bowl, the way Momma liked them. Momma grabbed the bowl and began eating hungrily, never looking away from the eye. Elma opened a new carton of Marlboros and stacked the packs on the table, five on Poppa’s side and five on Momma’s, and when these things were done she went up the winding stairs to her own people.

The room seemed crowded now with twelve of them. They sat or stood about in different poses. Elma had dressed, wigged and hatted them according to her own whims. There was the society lady with the fox fur, the businessman with a pencil-line mustache, the small boy standing beside the dresser in play togs, ready to catch a ball, the lady with one leg canted out, hands on hips. They all had beautiful, painted-on, perfectly proportioned faces, luminous eyes and pearl-like teeth.

Some had movable arms and legs so they might be posed sitting or reclining. Elma liked these best because they seemed more real. To amuse herself, she would sometimes dress a man in a lady’s dress—including a hat with a veil—or a lady in a man’s work clothes or overalls. She also tried different wigs and hats to get a different look or feel. In this way she amused herself for hours and kept from being lonely.

There was one man in particular she liked to whom she had given the name Frankie. His arms and legs moved and his head swiveled from side to side. His skin was soft and pliable and warm to the touch. Elma dressed him in silk pajamas and put him beside her in the bed and covered him up. On cold nights, with the light off, she would have almost sworn there was a living, breathing man in the bed beside her. It gave her a feeling of well-being unlike anything else.

For twelve of her thirty-nine years, Elma had worked in the office of a mannequin factory. All day long she sat at a desk and typed letters or did small errands for the two bosses. They liked her because she always did what she was told to do without complaint, worked for very little money, never missed work, and didn’t mind working an hour or two over when the work was piling up. She was the very rare woman who had little to say and didn’t believe that her opinions were of any importance. If they could have ordered a dozen more like Elma, they would have.

Anytime a mannequin couldn’t be used or was defective in any way, Elma asked if she might have it to keep for her own. Nobody at the mannequin factory ever asked her why she wanted the mannequins or what she did with them, but they were always willing to comply. These mannequins that Elma rescued from the trash heap she added to her collection. When she carried one of the mannequins home, people stopped to look at her, but nobody ever suggested that she was doing something she shouldn’t do or that she should be stopped. Poppa and Momma, of course, never noticed what she did and never went up the winding stairs to her rooms.

One day Elma noticed a man looking at her at the mannequin factory. She discovered his name was Alexander A. Alexander but he went by the name of Shakespeare. She thought at first that he was looking at her because he was new and didn’t know anybody yet, but a week later he was still looking at her, although she didn’t know any reason why he should.

She was delivering a typed report to one of the bosses when she met Shakespeare face to face in an otherwise deserted hallway. Instead of veering away from her and keeping on his side, he stepped in front of her and stopped her in her tracks. He put his hand familiarly on the underside of her wrist and smiled.

“I believe I know you,” he said.

All she could do was shake her head and step around him and walk on. When she got back to her desk, she was breathless and a little confused. No man had ever paid any attention to her before and when she looked at herself in the mirror she knew why. By the kindest and most generous assessment, she was hideously ugly. Her nose was crooked, her hair mouse-brown, her eyes small and ferret-like, her teeth misshapen and brown. She could never remember a time in her life when she had cared much about the way she looked or about the effect that she might have on other people. If Shakespeare spoke to her again, she would ignore him or register a complaint.

On a blustery day in fall when she was walking home in the near-dark, she realized Shakespeare had fallen into step beside her. She hadn’t seen where he came from; he was just there.

“Leave me alone!” she said. “You don’t have any business bothering me!”

She looked at him and when she saw the hurt in his eyes, she knew she had been more unkind than she needed to be.

At home it was always the same. Momma and Poppa never looked at her or spoke to her. They just sat puffing and looking at the eye. She brought their food, which some days was only pretzels, candy, popcorn or beer. When she fixed them a sandwich or a bowl of soup, they hardly ever ate it and she ended up throwing it out.

In the evening after she saw they only wanted to be left alone with their cigarettes and with the eye, she retreated to her rooms and to the people there with whom she felt comfort and peace. She began to ask herself: What kind of life is this I’m living and do I plan on doing these same things every day of my life until I die? The answer, if there was one, did not make itself known.

For the first time in her life, her sleep was disturbed by nightmares, and during the day at the mannequin factory she began to be nervous and tense. She took much longer to do her work than usual and any time one of the bosses sent her on an errand, she usually managed to find a private place, in the ladies’ room or elsewhere, to stand quietly and stare at the wall for a half-hour or so in a trance-like state before returning to her desk.

She didn’t see Shakespeare for several days and wondered what had happened to him. Maybe he wasn’t suited to his job, spray-painting mannequins, and had already been fired. She was more than willing to put him out of her mind.

The next time she saw Shakespeare, it was not at the mannequin factory but on the sidewalk down the street. When she saw him coming toward her in a crowd, she looked away but, again, he stopped her in her tracks and put his hand on her arm.

“I believe we knew each other once,” he said.

She stepped around him and kept going, eyes to the ground.

“Have you ever thought about trying a little makeup?” he said in a loud voice.

“Mind your own business!” she snapped.

Then one day Elma found herself on a tiny elevator with Shakespeare, going up to the fourth floor. For a couple of minutes, at least, she was stuck with him in close quarters and couldn’t walk away.

“We knew each other in school,” he said.

She looked at him with distaste. “I don’t remember,” she said.

“It was a long time ago.”

“I never saw you before,” she insisted.

On a rainy Friday as she was leaving work, Shakespeare was going out the door at the same time she was.

“Would you like to talk?” he asked.

“No!” she said.

He walked along beside her and there was nothing she could do but keep walking with her eyes down and pretend he wasn’t there. When they came to an establishment where liquor was sold, he looked at her and inclined his head to indicate they should enter. Without knowing why, she let herself be led inside.

They sat side by side at a bar. She had never been inside a barroom before and only wanted to leave. When a beer in a glass was set in front of her, she looked at it and didn’t seem to know what she was supposed to do.

“It’s a small world,” he said. “Isn’t it?”

“I don’t know why you’re bothering me,” she said, “but I want it to stop.”

“Do you think whenever a person speaks to you, they’re bothering you?”

“I want to be left alone,” she said. “I have to be getting home.”

“Wait a minute,” he said. “I have something I want to give you.”

“I don’t want it.”

He gave her a tiny pill that he took out of a little brown envelope in his pocket. She looked at the pill in her palm and started to give it back. “What is it?” she asked.

“It’s something that will make you feel better. About the world and about life. Take it and see if it doesn’t.”

“You’re a dope dealer?” she asked.

He laughed, showing his long teeth. “All things are relative,” he said.

“I don’t know what that means,” she said. “I have to be getting home.”

“Put it in your pocket and take it with you. Tomorrow is Saturday and you don’t have to go to work. Take the pill in the morning when you’re alone and see if you don’t have a wonderful day.”

“I won’t take it,” she said. “I’ll flush it down the toilet.”

He laughed again. “Suit yourself!”

When she walked into the house, she was more than usually disgusted by the sight of Momma and Poppa sitting in their chairs staring at the eye and puffing on their cigarettes. She wanted to leave again but the thought of the bleak, wet, lonely streets leading nowhere stopped her. Without acknowledging to Poppa and Momma even that she was home, she went up the winding stairs to her rooms and to the only people in the world who knew and loved her.

*****

Elma awoke, more than ever conscious that Frankie, in the bed beside her in silk pajamas, wasn’t a real person, but a mannequin with movable arms and legs. She groaned and sat up and covered Frankie with the blanket so she wouldn’t have to look at him. It was Monday morning and a squinty-eyed look at the clock revealed that it was already later than she thought.

On this morning she took more pains with her appearance than usual. She stood under a spray of scalding water and washed her hair; after it was dry, she brushed it vigorously in an attempt to give it some body. She had found an ancient tube of lipstick and this she dabbed to her lips, sparingly, to give her face a little color. When she was dressed, she tied a red-and-blue scarf around her shoulders, looking at herself in the smoky dresser mirror to determine if any of these little blandishments had made a difference.

At the mannequin factory, she didn’t say a word to anybody. She went to her desk and began doing the work that had been left to her by people she never saw and who treated her, not badly, but like a piece of the furniture.

In the middle of the morning, she was aware of somebody standing in the doorway looking at her. She turned toward the wall and blew her nose loudly into a wad of used tissue. When she turned back around, the person was still standing there, making clucking sounds with his tongue to get her attention. She looked up and when she saw it was Shakespeare, her heart gave a little lurch in spite of itself.

“Are you looking for someone?” she asked.

“Only you,” he said.

She bit her lip and said, “Humph!”

“You’re looking radiant today,” he said.

She knew how hideously ugly she was; she believed that anybody who suggested otherwise was making fun of her.

“Do you want me to tell Mr. Hilyer you’re here to see him?” she asked.

“I’m not,” Shakespeare said. “I’m here to see you.”

“How many times do I have to tell you?” she said. “I’m not interested in your little games.”

“You don’t mean that,” he said. “Your heart cries out.”

She stood up and walked to the door of Mr. Hilyer’s office and put her hand on the knob and started to open the door. It was the cue for Shakespeare to leave.

“I’ll see you later,” he said, waggling his fingers at her and disappearing around the corner.

She sat back down at her desk and Mr. Hilyer came out of his office. He was unused to hearing her speak at all, so he asked, “Who were you talking to?”

“Nobody,” she said. “Nobody here.”

At lunchtime she went down to the lunchroom to get a little carton of milk to have with her roll and apple. Shakespeare was sitting at one of the tables and when he saw her he jumped up and came toward her. She got her milk as fast as she could and turned her back to him, but he followed along behind her.

“Stay and talk for a little while,” he said. “Have a cigarette.”

“No!” she said. “Some of us have work to do!”

“Don’t you want to ask me anything?” he asked.

“Only why you’re bothering me!”

“So you want me to leave you alone, then?”

“Yes!”

“Well, why didn’t you say so?” He laughed and was gone.

When she left work at the end of the day, Shakespeare was waiting for her at the door, as if it was something he did every day.

She groaned and said, “I don’t want to see you!”

“I have a car today,” he said. “I’ll give you a ride home.”

“I don’t want it!”

Nevertheless, she let herself be led to his car, an old black Cadillac, and got in on the passenger side when he unlocked the door.

“At least it isn’t raining today,” he said as he got in and started the car. The car made a vroom-vroom sound and he said, “This is a classic. They don’t make them like this anymore.”

“You can let me out anywhere,” she said. “I’m used to walking.”

“You don’t want to have a drink with me?” he asked.

“No! I don’t drink!”

He turned and looked at her with a smile and she turned her face away.

“You don’t much like the way you look, do you?” he said.

“What business is it of yours?”

“I can help you if you’ll let me.”

“Let me out at the next corner.”

“All your life you’ve been told you’re ugly and they’ve got you believing it.”

“That’s enough. Let me out!”

“No, I don’t want to,” he said.

“Why do you persist in bothering me?” she asked. “Just look at me!”

“You know I spray paint mannequins at the mannequin factory?”

“I’m so happy for you!”

“No, you’re not. You’re very unhappy.”

“You know nothing about me.”

“I know more than you think I know.”

“If you don’t stop bothering me, I’m going to tell Mr. Hilyer.”

“What do you think he’d do? Is he your boyfriend or something?”

“You can let me out anywhere,” she said. “I’ve had enough of this and I’m going to walk the rest of the way.”

“Did you take the pill I gave you on Friday?”

“Pill?”

“Don’t you remember? In the bar after work I gave you a pill and told you to take it when you got home.”

“I remember saying I was going to flush it down the toilet.”

“Did you take it?”

“I flushed it down the toilet.”

“I wanted you to take it.”

“Why?”

“Because it will make you happy and beautiful, at least for a little while.”

“I was going to call the police and tell them you’re distributing illegal drugs, but I couldn’t remember your name and I didn’t think you were worth it, anyway.”

When he pulled up in front of her house, she realized she hadn’t told him where she lived. “How did you know?” she asked.

“I’m a good guesser.”

She opened the door and started to get out.

“Wait a minute,” he said. “I have something I want to give you.”

“I don’t want anything you have,” she said.

He took a pill out of a little bottle and put it in the palm of her hand. “Don’t flush this one down the toilet,” he said.

“What is it?”

“It wouldn’t help you to know the name.”

“You’re not going to make a dope fiend out of me, if that’s what your little game is.”

“It’s not like that,” he said.

“What will it do to me?”

“It won’t hurt you, I promise.”

“What will it do to me?”

“You’ll see the Celestial City.”

“Does that mean I die?”

“There is no death in the Celestial City.”

“I don’t know what you’re talking about, but the main thing is I don’t give a shit.”

“You will,” he said. “Give it time.”

For the rest of the week she didn’t see Shakespeare at the mannequin factory. She was both relieved and alarmed.

By the time the work week was over, she was sick. She had caught a cold and ached in every part of her body. When she tried to eat a little breakfast on Saturday morning, she threw up on the kitchen floor. After she cleaned up the mess, she locked herself in her room and went back to bed.

As she lay there, she remembered the pill that Shakespeare had given her. Without thinking too much about it, she arose from the bed, took it out of its hiding place in the dresser drawer, and swallowed it.

She lay back down on the bed, composing herself for death, legs straight out and hands over her abdomen. She knew she was taking a terrible chance by swallowing a pill that a person like Shakespeare had given her, but she was past caring. If she died, she would never have to see Momma and Poppa again or the mannequin factory, which had lately become more and more odious to her.

She felt nothing for a few minutes, but then the room began to move, not in a vertiginous but in a joyful, musical way. The people around her, the mannequins she had rescued from destruction at the mannequin factory, began to move around her in time to a beautiful melody. They were fluid in their motions, even the mustachioed outdoorsman and the little boy at play. She felt herself—saw herself—being lifted up from the bed, suspended in the air, surrounded by the mannequins in a circle of light and love. And just above her head, where the ceiling had been, the Celestial City opened up in a burst of brilliant light and untold beauty. A man stepped forward from the light, perhaps a mannequin and perhaps not; she wanted to go to him but was for the moment unable to move her arms and legs. Slowly the man dissolved into nothingness and she fell back on the bed in blackness and utter despair.

*****

She was without illusion. She was ugly. She would never be anything but ugly. Ugly was not without its compensations, though. People didn’t ask her for directions or to lift things down for them at the grocery story; they looked through her as if she wasn’t there. She had heard about women (mostly from watching the eye, which she didn’t bother with much, anymore) having terrible problems with boyfriends and husbands, or just men in general. And, then, of course, there were the children that resulted from the relationships with these men; the children were a whole different set of problems that one might avoid by being ugly. She didn’t choose to be ugly; it was just the way things happened. If she had been given a choice, would she have chosen to be beautiful with all its attendant problems? No, she would have chosen not to be born at all.

Shakespeare might have had any of a dozen women at the mannequin factory—and not just mannequin women, either, but real ones. He was, if not exactly good-looking, at least passable, with a good smile, abundant hair, clean fingernails and a flat stomach. Why he would pay any attention at all to Elma the Ugly was beyond her ken.

She was sitting at her desk when he came in and placed a chocolate bar with nuts in front of her. Her first instinct was to say she didn’t want it, but when she saw the way he was smiling at her she couldn’t bring herself to say it.

“What’s this for?” she asked.

“You don’t like chocolate?” he asked.

“Why me?”

“Because we’re friends.”

“No, we’re not.”

Her voice didn’t have quite the edge that it had before. She was softening toward him.

“Have lunch with me today,” he said.

“I never eat lunch.”

“I have something I want to discuss with you.”

“I don’t want to hear it.”

“Mr. Hilyer is out of town at a mannequin convention.”

“So?”

“Nobody will know if you step out for lunch today.”

“I’m not hungry.”

“I’ll come by about a quarter to twelve. We’ll go to a spaghetti place I know.”

“I don’t like spaghetti.”

“I’ll see you at a quarter to twelve.”

She spent ten minutes in the ladies’ fluffing up her hair and painting her lips with a lipstick she had taken to carrying around with her. At a quarter to twelve, her heart was pounding and she felt nauseated.

He showed up exactly on time and she was waiting for him.

The spaghetti restaurant was a ten-minute walk from the mannequin factory. He walked leisurely, as if he had all day. She worried about how much time she was going to be away from the mannequin factory but said nothing.

Over a plate of spaghetti, he leaned forward and said, “You look different now. Better.”

“There is no reason for you to make personal remarks about the way I look,” she said.

“You saw the Celestial City,” he said. “That’s why you look different.”

“I will admit that I took the stupid pill you gave me because I was feeling very bad.”

“And you were looking for an escape.”

“I thought I was going to die and I wouldn’t have cared much if I had.”

“You saw the Celestial City.”

“I saw something. I don’t know what it was. I won’t ever do it again.”

“It made you feel better, though, didn’t it?”

“I don’t know why I don’t call the police and report you for the drug dealer that you are.”

“That’s not what I am.”

“I have to get back to the mannequin factory. I shouldn’t even be here.”

“Nobody will know you’re gone.”

“Thanks for the lunch,” she said. “Let’s not do it again.”

“I have something important I want to discuss with you,” he said.

“No matter what you have to say, I don’t want to hear it.”

“I want you to meet me after work on Friday.”

“How do I know you won’t murder me?”

He surprised her by laughing. “If I wanted to murder you,” he said, “I could have already done it. Remember, I know where you live.”

“Let’s just forget the whole thing,” she said. “Forget you’ve ever seen me. Forget you know where I live.”

“It’s about your parents.”

“You don’t know anything about them. They keep to themselves and so do I.”

“I don’t want to say more now than what I’ve already said. Meet me on Friday at five o’clock.”

“I won’t,” she said.

“Yes, you will.”

He was waiting for her at the door as she exited the mannequin factory on Friday. She sighed when she saw him but went with him to his Cadillac.

He drove out of the city into the country and stopped at an old cemetery, the Cemetery of the Holy Ghost.

“Is this where you’re going to kill me?” she said.

“If I was going to kill you, this would probably be the place to do it,” he said.

They got out of the car and he led her past a myriad of grave monuments, down a hill and then up another hill to a recent grave that didn’t have a headstone. The dirt was still mounded up and there were some remnants of old flowers.

“I need to get home,” she said. “I have things to do.”

“I’ll bet you’d never guess whose grave this is,” he said.

“No, and I don’t care.”

“It’s my mother. She died almost four months ago.”

“All right. Now that we’ve seen it, can we go?”

“Not just yet. She made me promise before she died that I’d find you and tell you the truth.”

“The truth about what?”

“Let’s find someplace to sit down.”

“I’d rather stand. That way I’m closer to leaving.

“Suit yourself. Do you want to hear this or not?”

“Do I have a choice, now that you’ve dragged me out here?”

“Your father is Percy Costello and your mother is Estelle Costello? Is that right?”

“How do you know their names?”

“When my mother was young, she was a baby snatcher and she was never caught.”

“She was a what?”

“Just let me explain. She made her living as a baby snatcher. She was never married to my father and she needed money to raise me.”

“What does that have to do with me?”

“Percy and Estelle Costello are not your real parents.”

“Are you crazy? What are you talking about?”

“When you were nine months old, my mother kidnapped you from your real parents and sold you to Percy and Estelle for a thousand dollars.”

“That’s not true.”

“The police looked for you but after about three years they figured you were dead and gave up. Your real parents were dead by then, anyway, killed in a plane crash, so there was no reason to keep up the search.”

“I don’t know what your game is, but I don’t believe a word you’re saying.”

“My mother told me all about it from the time I was old enough to understand. She never stopped feeling guilty over it. She used to sit at night and cry about it. She had newspaper clippings about your disappearance as a baby and how the police never had any leads.”

“I don’t believe you.”

“Your real name is Paulette Merriman. Your father was a policeman and your mother a high school teacher. You were an only child. You lived in Lincoln, Nebraska.”

“I was never in Nebraska.”

“Percy and Estelle wanted you to help around the house because they had trouble walking and doing things for themselves. They promised my mother they would never mistreat you and would give you a good home, like a puppy or a kitten. She told them she’d keep an eye on them to make sure they kept up their end of the bargain. If there was any reason for her to think you were being neglected or mistreated, she threatened to go to the police and tell them the whole story.”

“I think you have me confused with somebody else. I never knew anybody named Paulette Merriman. That’s not my name.”

“When I was in high school, we lived about three blocks from you and we both went to the same school. I used to see you at school every day. You were so shy you wouldn’t even look at me.”

“I don’t remember.”

“My mother used to park on the street and watch you go in and out of your house. She would ask me almost every day if I saw you at school. She would want to know what you were wearing and if you seemed clean and happy.”

“What did you tell her?”

“That you were like a little mouse afraid of being eaten by the cat.”

“I don’t believe any of this.”

“There was an English teacher with a fake nose. Her name was Miss Jilson. I’ll bet you remember her, don’t you?”

“That doesn’t mean you went to the same school.”

“A boy a grade ahead of us got drunk and passed out on the highway at midnight and was hit by a car and killed. Everybody talked about it for weeks.”

“Ellis Persons,” she said. “That was his name.”

“Now do you think I’m lying?”

“Just because you know about Ellis Persons isn’t proof that what you’re saying is true.”

“Just think about what I’ve told you. I think it’ll all start to make sense after a while.”

“You’re a liar. Take me home now.”

“Ask Percy and Estelle if they’re your real parents. Ask to see your birth certificate. Ask them where you were born and when.”

“They’d only pretend they don’t know what I’m talking about. I’d never get the truth out of them.”

“Didn’t you always having the feeling there was something missing in the way Percy and Estelle behaved toward you? They didn’t mistreat you, but not mistreating you was the only good thing you could say about them.”

“How do you know so much about it? I want to go home now.”

On the way back to town, despite her objections, he stopped at a road house. They went inside and sat at a back booth, had chili and ribs. The place was quiet. She had her first beer out of a bottle and then a second.

She didn’t say anything for a long time and then she said, “All these years I’ve cleaned up after them, taken them their snacks, breathed their cigarette smoke, helped them to bed and to the toilet, and I’m not even related to them.”

“So, do you believe me now?”

“If it’s true—and I’m going to have to see some proof—I’m going to kill them.”

“No, you’re not. You’d go to prison.”

“Not if I do it right.”

“I have eighteen thousand dollars. That’s enough for you to go far away and live decently until you can find a job.”

“I don’t want money from you.”

“It’s not from me. It’s from the person who kidnapped you and ruined your life. I told her I’d see that you got it. She thought it would square her in heaven.”

He didn’t take her home until eleven o’clock, and when he pulled up in front of her house he shut off the engine.

“I want you to see my people,” Elma said.

“Percy and Estelle?”

“No. I mean my real people upstairs in my room.”

Momma and Poppa were sitting in front of the eye, puffing away in a fog of cigarette smoke. When Elma came into the house with a person they didn’t know and had never seen before, they didn’t even look up.

“Get me some cheese crackers!” Momma said.

“About out of smokes here!” Poppa said.

“Good evening, sir!” Shakespeare said. “How are you, ma’am?”

“They don’t hear you,” Elma said. “They’re in a trance. That’s what the eye does to them. And the Marlboros.”

“This is no way for a person to live,” Shakespeare said.

After Elma got Momma and Poppa the things they wanted, she took Shakespeare up the winding stairs to the rooms above and, once they were inside, she locked the door.

Shakespeare’s enthusiasm for the mannequins was equal to Elma’s own. He admired all the figures in her collection, their clothes and especially the way their faces made you feel that everything was going to be all right.

“I paint their faces, you know,” he said. “They speak to me in my dreams.”

Frankie, in the bed in the silk pajamas, was her favorite, she said. She pulled back the covers and picked Frankie up and set him on his feet beside the bed.

“I have another pair,” she said. “I want you to put them on and take Frankie’s place tonight.”

She took a pair of yellow-and-red silk pajamas out of the dresser drawer and handed them to Shakespeare. As he undressed, she turned away and prepared herself for bed.

So now she lay in bed, with Shakespeare beside her in Frankie’s favorite silk pajamas. She turned off the light and lay back and pulled the covers up to her chin. She didn’t need the Celestial City or anything else as long as he was there beside her, living and breathing.

*****

Shakespeare was gone in the morning and in his place in the bed was Frankie the mannequin. Elma couldn’t remember at first what had happened the night before, but when she saw the yellow-and-red silk pajamas folded neatly on the chair, it all came back to her.

She and the man from the mannequin factory she had been trying to repel, the man who angered her and made her forget what she was doing, the man known as Shakespeare, had spent the night sleeping side by side in the bed. Only sleeping, it must be emphasized—neither of them had crossed the invisible line that ran down the middle of the bed.

She gave Momma and Poppa their breakfast of sugar corn pops and donuts and, after they were finished eating and installed in front of the eye, she set out to the market to buy beer nuts and Marlboros. It was a cold, blustery day and she wore her coat made of genuine artificial monkey fur, the only one of its kind in the world, and the white fur hat with her hair tucked up inside. People looked at her curiously but she ignored them, even though she thought them rude.

She bought three cartons of Marlboros instead of two and, as she stood in line to pay for them, she thought of the many, many Marlboros she had bought in her life. Sometimes it seemed all she had ever done in her life was buy Marlboros. Momma and Poppa should rightly be dead by now, considering how many Marlboros they smoked and how much unhealthy food they ate, but the years went by and still they sat in their chairs, smoking, eating snacks and staring at the eye.

As she walked home, she told herself that the three cartons of Marlboros would be the last she would ever buy because she was going to kill Momma and Poppa. She didn’t know yet how she would do the deed; it was going to take some careful planning.

A door that had always been closed was now open. She had no blood connection to Momma and Poppa. They had bought her for a thousand dollars when she was a baby. Not only had they used her all her life as an unpaid servant, but they had lied to her. She would have gone on in the same way through all the weary years to come, but not now, though—now that she knew the truth.

After high school, she had no friends and no life other than keeping house for Momma and Poppa and taking care of them. She rarely left the house except to buy food and other things they needed. Poppa had an old car that he kept locked up in the garage out back, but when Elma told him she wanted to learn to drive, he refused, saying that the car was too valuable to entrust to somebody like her. And, besides, she had two legs, didn’t she? That’s all she, or any other woman, would ever need.

When Elma was twenty, Momma had a serious operation and almost died. She was in the hospital for weeks. When she went home, she had a trained nurse to help her to recover, but she dismissed the nurse after two days and insisted that Elma do the nurse’s job. Through many long days and nights, Elma stayed by her bedside, while Poppa sat in his chair smoking Marlboros, watching westerns, news broadcasts, and war movies on the eye.

Elma always thought she would get a job the way other people do, but Momma and Poppa wouldn’t let her. They said she had too much work to do at home. She would have to prove to them she could handle the pressures of a job and all her work at home besides before they would even consider letting her get a job. They wanted her to get a full night’s sleep every night so she would be able to do all the things they needed her to do during the day. No, working at a job outside the home was out of the question.

In high school she took typing and shorthand and was good at them. She bought an old typewriter from the school for twenty dollars and this she used to keep up with her typing. She didn’t want to be completely useless in the world. Instinct told her that Momma and Poppa would die, or maybe turn her out after they got tired of her, and that she would have to earn her own living.

Poppa had some financial reverses when Elma was in her mid-twenties and it turned out that he and Momma didn’t have nearly as much money as they thought they had. There wasn’t going to be enough money to keep up with monthly expenses, so Elma went to work at the mannequin factory.

The job didn’t pay much, but Elma had never worked before so it seemed a princely sum. And, if she was frightened out her wits to be out in the world for the first time, she quickly adapted. In spite of her odd appearance and her eccentricity, she was good at her job because she ignored all the distractions that other people had. She didn’t care about her appearance, never socialized with the other employees and never, ever took smoke breaks or coffee breaks.

She had been at the mannequin factory now for twelve years. Her youth was gone and where did it go? Her beauty? She never had any to begin with. She was what they call a spinster. She had never been out on a date with a boy or a man and, when she looked at herself in the mirror, she knew why.

She had gone through a period in school where boys made fun of her, made pig sounds or monkey sounds when she walked into a room, but after they grew tired of her and desisted, they ignored her entirely, which, in a way, was worse than being laughed at. No male of the species had ever paid her any attention at all until Shakespeare came to work at the mannequin factory.

She still didn’t know quite what to make of Shakespeare. Now that she had had a day and a night to think about all he told her at his mother’s grave, the whole thing made perfect sense—all the pieces fell into place. Momma and Poppa never had any real regard for her because they had purchased her the way they would purchase a refrigerator. To them she was nothing more than a commodity. How could she have not seen it before? Did she not know enough about the world by the time she was grown to know how parents are supposed to behave with a daughter?

Sunday evening there was a knock at the door. Elma never answered the door, but she somehow knew it was going to be Shakespeare and it was.

“Can I come in?” he asked.

“No,” she said. “I’d rather you didn’t.”

“You’re getting better,” he said. “A while back you would have told me to leave you alone and then slammed the door in my face.”

She attempted a small smile but it turned into a grimace. “I was just about to roll up my hair,” she said.

“Come out for a while,” he said.

“Another cemetery?”

“No, just…out and back.”

She put on her coat and hat and left without a word. Momma and Poppa wouldn’t even know she was gone. They had all the smokes and all the snacks they would need for the evening.

“Have you thought about what I told you on Friday?” he asked after he had driven a couple of miles through town, out past the high school, the shoe factory and the sewage treatment plant.

“Yeah, I’ve thought about it,” she said.

“Do you believe me?” he asked.

“Yes, I believe you. Why would you say such a thing if it wasn’t true?”

“Nobody ever offered to give me eighteen thousand dollars to go away and start a new life,” he said.

“I told you I’m not going to take any money from you,” she said.

“It’s not from me. It’s from my mother. I thought I already made that clear.”

“It doesn’t matter. I’m going to stay right here and kill Momma and Poppa after what they did to me.”

“Do you want to go to prison?”

“It’d be worth it to see them dead,” she said.

“Don’t you think it would be better if you quit your job at the mannequin factory and went far away and didn’t tell Momma and Poppa where you were going? Wouldn’t that be punishment enough? Then they’d have to do things for themselves, get their own beer and cigarettes, instead of having somebody to wait on them.”

“No, I know them. They’d find themselves another small child to buy, the way they bought me. Probably an older one that would be beneficial to them right away. Six or seven years old. Old enough to fetch and carry and make beds and clean floors. I’m not going to let them do that.”

“Go to the police, then, and tell them the whole story.”

“I don’t have any proof. They’d think I was just some neurotic bitch with an axe to grind against my parents.”

“Killing them is not the answer, though.”

“Haven’t you ever heard of a revenge killing?”

“Only in the movies.”

He drove twelve miles to the next town and into the shopping district. The stores were closed and the streets nearly deserted, but he parked the Cadillac on the street and got out. She followed him, afraid to sit in the car alone.

He walked into the middle of the next block, to Pasquale’s Department Store, purveyors of high fashion. People with money shopped at Pasquale’s.

“What are we doing here?” she asked. “The store is closed. It’s Sunday night.”

“I want to show you something.”

In a broad display window were four female mannequins, spaced evenly apart: one blonde, one brunette, one auburn-haired and one with hair the same color as Elma’s fur hat.

“This one’s Rochelle and that one is Vivian,” he said. “The next one is Ruby and on the end is Charlotte.”

They were all beautiful, of course, dressed in evening gowns and swathed in jewels and furs. They were the society ladies that factory workers don’t ordinarily see.

“You drove all the way over here to see them?” Elma asked.

“We made them at the mannequin factory. I painted the faces. Aren’t they lifelike?”

“You can almost see them breathe.”

“Which one do you like best? Which one would you most like to look like?”

She chose auburn-haired Vivian in the gold gown, and he said, “I thought you’d choose her.”

“Does she have a last name?”

“Vincent. Vivian Vincent.”

“At least it’s not a grave you’re showing me this time.”

“I can make you as beautiful as Vivian Vincent.”

He took hold of her arms from behind and moved her to the side so that her face was reflected in the glass over Vivian Vincent’s face. “See? Elma becomes Vivian Vincent.”

“She’s a mannequin,” Elma said. “I’m not. What are you going to do? Paint my face the way you would a mannequin’s? And what about the clothes? All my clothes are ugly, just like me.”

He laughed. “It doesn’t hurt to imagine, does it? You play imaginary games with your mannequins all the time in your room, don’t you? You imagine that Frankie in your bed in the silk pajamas is a real man and that the other mannequins talk to each other and talk to you. It makes you feel good. Less alone in the world. There’s nothing wrong with that.”

“This morning when I woke up, I thought Frankie was you, or you were Frankie. You and Frankie are the same. I think I’m insane and always have been.”

“No more insane than anybody else,” he said. “You have to be at least a little insane to live in this world.”

On the way back, he said, “You don’t have to kill Momma and Poppa. I’ll take care of them for you.”

“You’ll kill them?”

“No, better than that.”

When he pulled up in front of Elma’s house, he turned off the ignition and, without a word, the two of them went inside. Poppa and Momma were immersed in their Sunday evening programs and didn’t even look up.

“Good evening, sir!” Shakespeare said. “Good evening, ma’am!”

“They don’t hear you,” Elma said.

As before, she took him up the winding stairs to her rooms and, once they were inside, she locked the door. They listened to the wind outside for a while and then Shakespeare gently removed Frankie from the bed and set him on his feet, as before. He slipped out of his clothes and into the red-and-yellow silk pajamas and he and Elma got into bed, both observing the invisible line down the middle.

“Do you want to see the Celestial City?” he whispered.

He took two pills out of the pocket and gave one to Elma and took the other one himself. In two minutes, the room began to shimmer and whirl and the mannequins began to dance with each other around the bed. The ceiling receded and in its place was the Celestial City, filled with unearthly light and happiness. Elma saw herself and she was as lovely as Vivian Vincent, even more so, and Shakespeare was handsome beyond believing—every bit as handsome as Frankie in the silk pajamas but better because he was alive.

The Celestial City was not a place for human language, but Shakespeare somehow conveyed to Elma this message: When you wake up you’ll find Momma and Poppa greatly changed.

Elma didn’t know how long she was in the Celestial City—it was time without measure. When she woke up, she wasn’t surprised to find that Frankie the mannequin, instead of Shakespeare, was in the bed beside her. Her first thought, though, besides Frankie and Shakespeare, was how, and in what way, Momma and Poppa were “greatly changed.” She put on her bathrobe and slippers and went down the winding stairs.

Momma and Poppa were in their chairs, as usual. Momma held a cigarette on the way to her mouth and Poppa held one between his lips, although both cigarettes had gone out. Across the room, the eye was blatting at them in its usual way, but Momma and Poppa weren’t seeing it because their eyes were made of unseeing glass. If Elma had taken a knife and cut them open, she would have found only stuffing inside.

Though they were now mannequins, they weren’t beautiful in the way of mannequins, but as ugly as they had been in life. Every wrinkle on their faces, every pouch and every crease was there; their eyes were small and rodent-like and their mouths hard and mean. Momma’s hair was iron-gray and unkempt and Poppa’s shirtfront held dribbles of all the food he had eaten in the last week. Elma gave them one long and satisfying stare and went back up the winding stairs.

Frankie had risen from the bed and was sitting in the chair, his face radiant with warmth and good will. His flexible arm was extended and in his flexible hand was an envelope with Elma’s name written on it. When she opened it, she found eighteen thousand dollars in cash.

She bought, for the first time in her life, some fashionable clothes that looked good on her and that complemented her luxurious auburn hair. She bought a large suitcase and packed all her new things in it and left the old things out.

She said goodbye to the mannequins in her room and left the house for the last time. She took a taxi to the train station and there bought a ticket to Lincoln, Nebraska, traveling under the name of Paulette Merriman.

She would spend a few days in Lincoln and see if there was any of her real family left who might remember what had happened to her when she was a baby. After that, she would keep going as far west on the North American continent as she could until the tracks ran out.

November 17, 2025November 17, 2025 by allen0997

Birth of the Dodo ~ A Short Story

Birth of the Dodo
~ A Short Story by Allen Kopp ~

I was ill but I recovered. When I awoke, I was in a place I had never been before and found myself purchasing a house. A large house it was, many-windowed, a hundred yards or so up the hill from a river. The river, with its protruding rocks and swift current, provided a scenic background to the setting.

I didn’t remember choosing the house out of other houses but, here I was, turning over a fat envelope full of cash to the owner and seller of the house, a woman named Mrs. Goldoni. She had platinum blond hair like a Hollywood starlet and a thin, lipless mouth. Her face was shriveled like a Mayan mummy and, due to an arthritic condition (she said), she didn’t always walk upright, but parallel to the floor like an insect, which is to say a cockroach or cricket. I’m not sure how many legs she had, but I’d say at least six.

As soon as the house was transferred over to me, I thought Mrs. Goldoni, the bug woman, would clear out and leave me to it, but she seemed reluctant to leave. Her husband was dead, she said, and her many children scattered to the four winds.

“I don’t have any place else to go,” she said pitifully.

“Why did you sell your house then?” I asked.

I agreed to keep her on as housekeeper, at least until one of her innumerable daughters could arrange to take her in. I pictured her children and I wondered what form they had taken, if they were insects like their mother or something else entirely. I was probably better off not knowing.

The day after I moved in, I was in one of the upstairs rooms putting things away, when I stopped what I was doing and looked out the window at the river. I heard Mrs. Goldoni’s rapid, tapping little footsteps come up behind me and I turned and spoke to her.

“What is the name of that river?” I asked.

“What river, sir?”

“There’s only one river out there, Mrs. Goldoni!”

“It’s the River Ishcabob, sir.”

“Ishcabob? I haven’t ever seen it on a map. Does it ever flood?”

“Oh, no, sir!” she said. “I’ve never heard of it flooding. Why ever would it flood?”

“Where I come from, rivers sometimes flood and cause a lot of trouble and damage.”

“Well, rivers may flood, but I’ve never known the River Ishcabob to flood.”

While I was watching the river, I saw a person, a man, floating along on the current. I could distinctly see his face and head and his struggling, flailing arms. In a few seconds there was another man and then another one.

“Oh, I my Lord!” I said. “Somebody has fallen into the river and is being swept away on the current! Not just one but three! I saw three different men! They were naked and they were struggling to keep their heads above the water. We should try to get them some help for them before they drown!”

“Oh, bless my soul, sir!” Mrs. Goldoni said. “It’s nothing to be alarmed about. It happens all the time.”

“What does?”

“People in the river. Those are the Transgressors.”

“The what?”

“You have to understand. Some poor souls are brought to the river.”

“What do you mean, brought to the river?”

“Is that the telephone phone ringing?” she asked.

“We don’t have a phone,” I said.

Mrs. Goldoni dropped to her tiny feet and skittered out of the room. I was left with the distinct impression she was evading my question.

“What kind of arthritis makes you grow extra legs and walk like a bug?” I asked, but of course she was gone and didn’t hear me.

While I was eating lunch, I noticed a small crowd of people standing in the doorway looking at me.

“Who are those people?” I asked Mrs. Goldoni, who was serving.

“Oh, they’re always here,” she said. “They won’t bother you.”

“Now, look here!” I said. “My privacy is important to me. I don’t want lots of strange people hanging around.”

“You usually have to be here a lot longer before you see them.”

“Who are they?”

“Don’t worry yourself about them, sir. After a while you’ll forget they’re here.”

“I still want to know who they are and why they’re here!”

“They’re always here,” she said. “We just don’t always see them!”

“Tell them to leave!”

After lunch I took a walk down the hill. It was the first time I had seen the river up close. I stood for a while close to the edge and looked down at its churning, blue-green depths. It was beautiful and mesmerizing but also frightening in a way because I had the feeling it (the river) had a will of its own and would suck me under if it could. I didn’t relish the thought of drowning—which I certainly would do if I ever fell in—or of being in uncontrollable water over my head. I suppose I had always had a fear of water. I would stay as far back from the river as I could.

While I was walking back up the hill, I noticed movement over to my left and turned and looked in that direction. What I saw was a clown dressed in a billowing red suit with a tremendous ruffled collar and enormous shoes. I was going to say something to the clown or at least wish him a good morning, but he was juggling a series of balls so fast while walking that they (the balls) were only a blur. He was the best juggler I had ever seen.

When I got back home, Mrs. Goldoni met me at the door. She was entertaining her good friend in the kitchen, Baby Estelle. Baby Estelle was not a baby but was instead a tiny, doll-like woman with flaming red hair and a twinkling smile. She curtsied and smiled demurely.

“Would you like to see me dance?” Baby Estelle asked.

“Um, I guess so,” I said.

She stood up and in the space between the table and the kitchen sink twisted and turned, jumped and dived, sashayed and pirouetted with absolute abandon. In five minutes she was out of breath and so completed her performance with an elaborate bow to the floor.

Mrs. Goldoni applauded enthusiastically. “Isn’t she a wonderful dancer?” she said. “I just don’t know how she does it!”

“I haven’t ever seen anything like that before,” I said.

“I was trained at the Sore Bone Academy,” Baby Estelle said.

“Isn’t that in Paris, France?” I asked.

“Of course not, silly!” Baby Estelle said. “It’s right here!”

“Right where?”

“Right under your nose, Mr. Smarty Pants.”

I didn’t know what she was talking about, but I didn’t care to pursue it any further.

“And that’s not all!” Mrs. Goldoni gushed. “Baby Estelle’s husband is a clown!”

“I think I just saw him!” I said.

“Where?” Baby Estelle asked.

“I walked down to the river and as I was walking back up the hill I saw a clown dressed in red off in the distance. I was going to speak to him, but he was juggling balls and he didn’t even know I was there.”

“That’s him!” Baby Estelle said. “The very one! That’s the clown in question! That’s Mr. Winklebottom!”

“Mr. Winklebottom is so handsome!” Mrs. Goldoni said. “So distinguished!”

“You must come and see us perform some night!” Baby Estelle said.

“I look forward to it,” I said.

Baby Estelle curtsied again and danced her way out the door.

“Baby Estelle is such a doll!” Mrs. Goldoni said. “I just love her to pieces!”

“I’m going to take a little nap,” I said. “Call me when dinner is ready.”

A couple of nights later I was sleeping soundly when Mrs. Goldoni knocked on my door and woke me up.

“Sir!” she called. “Sir! Wake up! I thought you would want to know!”

“Know what?” I asked. “There’s not a fire, is there?”

“No, sir, there’s no fire. Your wife is giving birth!”

I jumped out of the bed and opened the door. I didn’t mind her seeing me only partially dressed after such an absurd statement.

“What did you say?”

“I said your wife is giving birth!”

“Very funny!” I said. “You know I don’t have a wife.”

“Come with me!”

I followed her into a part of the house I hadn’t seen before, down some stairs and into a dark corridor to a doorway. Standing around the doorway were several women I didn’t recognize. As Mrs. Goldoni and I approached the doorway, the women stood aside to let me enter.

The room was dark with only a couple of candles burning. There was a large, high bed, and in the middle of the bed was a human-sized female doll. The doll’s face was turned toward the candle. She had painted circles on each cheek. Her eyes were large and expressive and her eyelashes long and curved like spider’s legs.

“What is all this?” I asked. I still wasn’t happy about being woke up at such an hour.

“Why, don’t you recognize her, sir!” Mrs. Goldoni asked. “It’s your wife, Curlicue. She’s about to give birth.”

“How many times do I have to tell you I don’t have a wife? And even if I had a wife, I wouldn’t have a doll for a wife!”

“You don’t have to worry, sir. She’s in a good hands. All will be well.”

“I’ll wake up in a minute and discover I’m having a nightmare.”

“Why don’t you go back to bed, sir? I’ll call you as soon as the baby is safely delivered.”

“Call me for when breakfast is ready and, other than that, don’t call me at all!”

“Just as you wish, sir, but what shall we do about the baby?”

“Give it to Baby Estelle and Mr. Winklebottom! I’m sure they can make it part of their act!”

“Yes, sir, but I think you’ll change your mind when see you the little darling little thing!”

Despite my instructions to the contrary, Mrs. Goldoni came to my bedroom again at eight o’clock to tell me the news that Curlicue had been safely delivered of a baby at four o’clock in the morning.

“A baby what?” I asked.

“You’re going to want to see it, sir!”

I wasn’t dressed yet, but I pulled on my robe and followed Mrs. Goldoni again, down the same stairs and the same dark corridor to the same doorway to the same room where I had seen Curlicue lying in the middle of the big bed the night before.

Curlicue looked no different. She had the same half smile on her lips and the same dreamy, expressionless eyes of a doll.

“Very funny!” I said. “I don’t see a baby at all.”

With a pleased smiled, Mrs. Goldoni pulled out from under the covers a fully formed dodo bird. She held it up so I could get a good look at it. It gave out with a couple of pitiful peeps and flapped its flightless wings. I heard people behind me gasp in wonder.

“That can’t be a dodo bird!” I said. “They lived on the island of Madagascar and they’ve been extinct for hundreds of years!”

“It’s your very own son. Wouldn’t you like to hold him?”

Not waiting for an answer, Mrs. Goldoni thrust the dodo bird into my arms and I had no other choice but to hold him. He looked into my eyes and made little cooing sounds.

“Oh, he knows his daddy!” Mrs. Goldoni said. “Isn’t he the smartest boy? And already just as cute as a bug!”

While I was still holding the dodo bird, Mrs. Goldoni leaned over the bed and put her ear to Curlicue’s mouth.

“She’s wants to name him Sheridan and she wants to know if the name meets with your approval, sir.”

“I can’t think of a better name for a dodo bird,” I said. “Now, can I get some breakfast, please?”

By the time I was finished with breakfast, I was already thinking of the dodo bird as Sheridan, as a unique individual. Of course, I wasn’t his father—and I didn’t want anybody to entertain the notion that I was—but I felt a certain amount of pride and proprietary interest in him. I recognized the significance of having the rarest of rare birds in my possession: a bird that had been extinct for hundreds of years, a bird that no living person had ever laid eyes on, and it was in my very own house!

It occurred to me that nobody was going to believe that I had a real, living, extinct-no-longer dodo bird in my possession. People would think I was a dangerous lunatic if I tried to tell them. I had to have photographic proof! I wasn’t in possession of a workable camera at the moment, but I was a mile or so from the good-sized town of New Garland and was sure there would be a store there where I could buy one, no matter the cost.

I changed clothes and put on my walking shoes and told Mrs. Goldoni I was going to be gone for a while and not to await luncheon on my account. Then I set out walking. Still within sight of the house, I was passing the River Ischabob over to my left, intent on the long walk ahead of me, when I saw a sight in the middle of the river that stopped me in my tracks.

On one of the large rocks protruding from the water, Sheridan the dodo bird was perched at a perilous angle, struggling to keep from sliding into the raging water. How did he get out of the house and down to the river? Wasn’t anybody watching him? I couldn’t let him be swept away on the current!

I couldn’t swim a stroke but, without concern for my own safety, I started trying to make my way from one rock to another over to the rock where Sheridan was sitting. He looked at me pitifully and squawked and I knew he recognized and remembered me. He would come to me if only he wasn’t paralyzed by fear.

I was within five feet of Sheridan when he gave a couple of surprising hops away from me, until he was all the way across the river to the other side. He was safe, but I couldn’t say the same for myself.

It became impossible for me to hang onto my rock any longer and I found myself in the river, being carried away on the current like an insignificant piece of flotsam. I flailed my arms and legs, but I knew it was no use. As I was swept away, I clearly saw Mrs. Goldoni standing on the bank of the river looking at me, along with Baby Estelle and the juggling Mr. Winklebottom. Sitting in a wheelchair in front of Mrs. Goldoni was Curlicue the human-sized doll, her alarming eyes with their spiderly lashes turned in my direction. None of them did anything to help me.

The current carried me away and away. I had the sensation of drowning over and over until I could drown no more. All went dark and I was lost.

But I would wake again.

When next I came to myself, I was in a large cage and hundreds people, it seemed, were looking at me. I knew, somehow, that hundreds more were lined up outside waiting to look at me. To express my indignation, I squawked at a large woman in a disgusting hat and flapped my flightless wings. When I didn’t get the response I hoped for, I turned around backwards and tucked my head under my barely adequate wing and hid my face the best I could.

November 15, 2025 by allen0997

You May Know Him as a Ghoul ~ A Short Story

You May Know Him as a Ghoul
~ A Short Story by Allen Kopp ~

(This story has been published in The Literary Hatchet.)

Blaise DeBeulah awoke to the rising of the sun and switched on the radio beside his bed. Dark Eyes by the Vincent Lopez Orchestra was playing. The beautiful melody brought a smile to his face, making him forget for the moment that had to get out of bed, get dressed, and face another distasteful day. He was just drifting off to a warm, intoxicating dreamland awash in saxophones and violins, when Bertha DeBeulah came bursting into the room.

“Get out of that bed, you lazy slug!” she commanded. “Do you think the world owes you a life of comfort and ease?”

“No, mother. The world doesn’t owe me anything. I’m getting up now.”

“Your brothers and sisters are hungry! They want fresh meat! Now!”

“I’m doing the best I can, mother. I’m not feeling very well.”

“Well, isn’t that just too bad?

“I was out last night until dawn. Fresh meat isn’t so easy to come by anymore.”

“I don’t want to hear any of your feeble excuses! And when I say fresh meat, I mean fresh! The longer a body has been buried, the worse it tastes! After a body has been dead three or four days, the embalming fluid ruins the taste! The ones you’ve been dragging home have been anything but fresh!”

“I know mother. I’m doing the best I can. I hang around the cemetery all day long, waiting for a funeral, but they have been few and far between.”

“I told you I don’t want to hear any lame excuses! If there haven’t been any funerals, you have to do the killing yourself! How about some nice, juicy, muscular gravediggers?”

“Would those be for you to eat, or for the brothers and sisters, mother?”

“Don’t you get fresh with me! I’ll tell your papa, Benedictus DeBeulah, you smarted out to me and he’ll knock your block off!”

“Yes, I know, mother. I know. He has knocked my block off so many times that my head no longer sits straight on my shoulders.”

“Well, it serves you right! And if you don’t bring home some fresh meat—and I mean fresh—I’ll let the brothers and sisters eat you!”

“I’m not exactly fresh, mother. I’m two hundred and thirty-seven years old.”

“You don’t have to tell me how old you are, Mr. Smarty Britches! I brought you into this world and I can take you out of it any time I choose!”

“Yes, mother, I know. You’d be doing me a blessing.”

“What was that?”

“I said I’ll be on my way as soon as I find my shoes.”

Though he was two hundred and thirty-seven years old, Blaise DeBeulah could pass for nineteen whenever he wanted to. He wrapped himself in a long trench coat and a scarf that, thanks to the icy wind, allowed him to cover the lower part of his face. He topped off the invisible man look with a broad-brimmed hat worn low over the eyes. Dressed in this way, he could pass for anybody, anywhere, without attracting any particular kind of attention.

To get to the cemetery, he had to pass through downtown. Since it was a college town, there were always lots of interesting people around his own age (not two hundred and thirty-seven, but nineteen), and he enjoyed seeing them and walking among them. He might even pass for one of them: a tall, well-dressed, rather stately young man, dignified and poised, aloof and intriguing.

He liked to linger outside a malt shop where people his age gathered. It had a red-and-white awning and exuded attractive smells such as cinnamon, chocolate and peppermint. The thing that attracted him most, though, was the music that was piped out to the sidewalk: the romantic dance bands and orchestras, the velvet-voiced crooners, the bouncy girl singers, the snappy dance numbers. It was like nothing he had heard before in his two hundred and thirty-seven years of a ghoul’s life.

He longed to go inside the malt shop, to sit at the counter and order a drink, maybe strike up a conversation with someone and end up slow-dancing on the dance floor with everyone watching. It was not going to happen, though. He had a ghoul’s hands and a ghoul’s legs. When people saw his face, they would know it was a ghoul’s face and they would run screaming from the place in terror. He would be more embarrassed than he could possibly imagine. Somebody would call the police and they would come and take him away and lock him up. He couldn’t let that happen.

With a lump of regret in his throat, he passed on to the cemetery, the music sounding in his head long after he could still hear it.

One small, poor-looking funeral was in progress on a hillside. A dozen or so black-garbed mourners gathered around an open grave. A priest said a prayer and when he was finished the mourners dispersed and a man standing by with a shovel began filling in the grave.

Blaise moved on. He wasn’t going to dig in the dirt with his hands just to get a freshly buried body. It would taste like embalming fluid, anyway, he was sure, and the brothers and sisters would gag. They could always tell a body that had been embalmed from one that hadn’t. He’d have to look elsewhere.

He knew that if he didn’t find a really fresh corpse he’d have to kill a man or a woman, or maybe a child, on his own. He hated the killing; he didn’t even like killing animals. He’d almost rather die himself.

He came to another funeral, a much larger one this time. A prominent man, a person of some fame, had died. There were maybe two hundred mourners on their feet around a dark-wood casket that gleamed in the sun. Some of the mourners cried and some smiled and laughed as if they were at a cocktail party. A holy man gestured over the casket with his arms and when the service was finished the people let out a gasp of relief like children released from school. They moved away quickly, some of them lighting cigarettes, toward cars dispersed along a scenic hillside.

Blaise stood behind a tree and watched. After a few minutes, all the mourners were gone and the casket was left unattended in the sun. The gravediggers hadn’t appeared yet to finish their job. The funeral director was nowhere to be seen; he was off someplace, probably having a cigarette or a nip from a bottle.

Without thinking what he was doing, Blaise approached the casket and lifted the lid. The deceased was an old man with a mottled face and a bald head. He appeared to have been ninety years old or older.

He scooped the old man up in his arms and, balancing the body against his right shoulder, managed to reclose the lid with his left hand. If all went well, the gravediggers would come and bury the empty casket, never suspecting that the body inside had been purloined.

He couldn’t exactly walk back through the streets of the town carrying a dead body, so he took it to the designated hiding place, a scooped-out trench along the north wall, hidden behind some bushes. He covered the body with dead leaves as an extra precaution and when he was finished he left the cemetery.

From a payphone downtown he called Daedalus, Bertha DeBeulah’s factotum, with his usual message in code: Some lovely peaches are to be had at the north wall. Daedalus would go and collect the body as soon as it was safe, take it back to the house and drop it down the meat chute in the kitchen wall, to the brothers and sisters who dwelt below.

Blaise walked the rest of the way home, then, relieved that he had delivered a body without having to kill it on his own and relieved, also, that he wouldn’t have another confrontation with Bertha DeBeulah at least for a day or two. Maybe something cataclysmic would happen in the meantime, such as a meteor colliding with earth.

He spent the rest of the day locked in his room, catching up on his sleep and dreaming about what his life might have been like if he had been born into a real family instead of a family of ghouls. He might have been one of those sleek college boys popping up soda pop rickeys to his heart’s delight. He might have driven a car and carried books under his arm.

About nine o’clock that night, he was listening to music on the radio when he heard a terrible commotion downstairs. He went to the top of the banister and looked down. Bertha DeBeulah and Benedictus DeBeulah were fighting, yelling at each other, throwing objects across the room. It was nothing new. He went back to his room and shut the door.

The fighting was not to be ignored, though. Bertha DeBeulah and Benedictus DeBeulah were engaged in all-out war, causing the old house to quake on its foundations. Blaise went downstairs, thinking to separate them and get them to stop fighting, but he could see it was no use. They were mad with rage. When he tried to get between them to pull them apart, Benedictus DeBeulah pushed him so hard against the wall that he went through to the next room.

“Stop it!” Blaise cried. “If you don’t stop it, I’m going to call the people from the insane asylum to come and get you and lock you up, where you belong! Then where would the brothers and sisters be?”

“I’m sick and tired of her!” Benedictus DeBeulah roared. “I’m going to kill the evil old bitch once and for all! Satan will be happy when she finally arrives in hell!”

“Kill me?” Bertha DeBeulah screeched. “I don’t think so! Not if I kill you first!”

Blaise could see they meant to do each other seriously bodily harm. He was going to run to the neighbors for help, but then he remembered they lived in a swamp and there weren’t any neighbors for miles.

Bertha DeBeulah and Benedictus DeBeulah had each other around the neck. There is nothing on earth like two old ghouls fighting to the death. They may destroy the earth, but one of them will live and the other one die.

Benedictus DeBeulah’s strength proved superior in the end, however. He pried Bertha DeBeulah’s fingers from around his neck and reared back and knocked her block off with so much force that her head flew off her shoulders and hit the wall like a bloody cabbage.

Bertha DeBeulah wasn’t finished yet, though. Her headless body rose up from the floor and produced from the air a ball of flame, a gift from her beloved Satan. She directed the ball squarely at the midsection of Benedictus DeBeulah and he became the ball of flame. He ran through the house, arms flailing, but he wasn’t able to extinguish the flames that engulfed him. He grabbed the dining room curtains and pulled them down on top of him. The curtains helped to extinguish the flames and keep the rest of the house from catching on fire, but they were of no use to Benedictus DeBeulah. He was not only clearly dead, but really most sincerely dead.

When it was all over, Blaise gathered up the charred remains of Benedictus DeBeulah and the headless remains of Bertha DeBeulah and dragged them into the kitchen and threw them down the meat chute. The brothers and sisters wouldn’t know that they were eating their own mother and father, but if they did know they wouldn’t care. Fresh meat is fresh meat.

After Blaise rested and had a cooling drink of water and some onions and herbs (he was trying to take up a vegetarian diet), he became fully aware of his good fortune. For the first time in his life, he was free of family exigencies, free to do as he pleased rather than as he was told.

He would buy a phonograph and all the latest recordings. He would buy a car and learn to drive and find the best tailor in town and have some stylish suits made to order. He would get to know some of those young college students and invite them to parties. He would tell them of his experiences in some of the bloodiest battles of the Civil War. They would love him. They would find him fascinating.

Just as he was contemplating his life to be, he heard the brothers and sisters howling below-stairs like the wild animals they were. They were well-fed, so what was wrong with them now? He would just ignore them and tomorrow, or maybe the next day, he would have a special treat for them.

October 10, 2025October 10, 2025 by allen0997

A Mate for the Monster

The mate for the monster.

A Mate for the Monster
~ A Short Story by Allen Kopp ~

The monster is seven and a half feet tall and as strong as ten men. He walks in a frightening, slow-gaited, halting manner. He has a bolt in his neck; his face is stitched onto his enormous head. He probably doesn’t know that he is made up of body parts from dead people (and if he did know he wouldn’t care). No matter where he goes or what he does, he scares people without even trying. That’s what makes him a monster.

He lives in a lonely castle on a mountaintop. He has no friends and his days are empty and pointless. His brain is not so addled that he can’t ask himself why he was ever created in the first place. He has recently taken to talking a bit and, when he’s not smoking cigars, drinking wine, or running around the countryside scaring people, he says things like, “Love dead—hate living.” This is not a good sign.

The mad scientist who made him, Dr. Victor Frankenstein, and his equally mad colleague, Dr. Pretorius, see that the monster is not happy. He is not fulfilled and is not living up to his full potential as a monster. After much thought and deliberation, the two mad scientists decide that the monster needs one thing above all others: a mate who will appreciate him for what he is and won’t be repulsed by the way he looks or by his crude manners. They toy with the idea of creating a male mate but that just doesn’t seem the thing, somehow, so they decide they will create for him a female mate.

Dr. Frankenstein sends his hunchback assistant, Fritz, out on a midnight graveyard run. From the graves of the newly dead, Fritz will gather the body parts needed to cobble together a female mate for the monster. He knows just the place, he says. Leave everything to him.

Now, Fritz has never been overly scrupulous about where he gets what he needs. He isn’t above going to the village and, seeing a lone woman standing on a corner singing a song, hitting her in the head to subdue her and then strangling her. When he makes sure she’s dead, he puts her in a burlap bag and throws it over his shoulder like a sack of potatoes and goes back to the castle. He knows Dr. Frankenstein will never ask questions as long as Fritz delivers the goods. The woman was just a nobody anyway. She’ll never be missed.

Dr. Frankenstein and Dr. Pretorius spend about two weeks creating what they think is a perfect mate for the monster. They take as much time as they need without rushing; they want to get every little detail just right. When the next violent thunderstorm occurs, they will be ready to harness the lightning.

They don’t have long to wait. All day long the next Saturday the sky is turbulent and dark. Finally, at night, a fearsome storm comes down the mountain, tearing at the castle walls. The wind howls and the rain falls as if a spigot has been opened in the sky. The lightning seems to be exactly on top of the castle, as if made to order. The two mad scientists place the as-yet lifeless body of the female mate on a table, connect the conductors that will attract the life-giving lightning, and hoist the table upwards through a hole in the ceiling.

The monster knows what is going on in the laboratory and paces his chamber nervously. Dr. Frankenstein has told him he must stay away until they are ready for him to see his mate. He combs his hair; he tries on several suits of clothes but nothing seems just exactly right. He fears that his mate will be afraid of him and will try to get away. He wonders if he will have to tie her up or club her in the head to be able to get a kiss from her. He lies on the bed and watches the storm out the window until there is a knock at the door; it’s the hunchback Fritz telling him that Dr. Frankenstein and Dr. Pretorius are ready for him to come to the laboratory.

When the monster sees his mate for the first time he is a little disappointed. She is standing between Dr. Frankenstein and Dr. Pretorius and she’s swaying from side to side as if she might fall over. Her hair is very high off her head and frizzy as if electrified; white strands on both sides resemble bolts of lightning. Dr. Pretorius has dressed her in a flowing white gown that goes all the way to the floor.

She tries to pull away when she sees the monster standing in the doorway, but Dr. Frankenstein and Dr. Pretorius hold her by the arms. As the monster walks across the room to her with a welcoming smile, she screams a piercing scream that rattles the castle to its very foundations. The monster is not put off by the scream but advances toward her. When he is face to face with her, Dr. Frankenstein and Dr. Pretorius let go of her arms and withdraw to the dark recesses of the room. She surprises the monster by hissing at him like a snake, which he finds very arousing. When she screams again, he puts his enormous hands around her throat to get her to shut up. And so begins a great romance.

Dr. Frankenstein proposes a toast and they all have a friendly glass of champagne. They break the champagne glasses in the fireplace for good luck and then Dr. Pretorius, who is also an ordained minister, marries the monster and his mate so there won’t be any question of immorality going on in the castle.

They all live happily for many years to come in Castle Frankenstein on their mountaintop. Eventually Dr. Frankenstein and Dr. Pretorius—even Fritz—all die because they are just ordinary men. The monster and his mate, however, live on and on. Through studying the writings of Dr. Frankenstein—and also Dr. Frankenstein’s father and grandfather—the monster has learned how to prolong his life and that of his mate for a very long time. The next thing he is working on is how to resurrect Dr. Frankenstein and Dr. Pretorius from the dead. If he is able to do that, there will be no stopping any of them.

October 30, 2024 by allen0997

Miss Wessel ~ A Short Story

Miss Wessel
~ A Witching Short Story by Allen Kopp ~

Rain had threatened all day but no rain came. Ragged horizontal clouds took on strange shapes in the sky and then merged with other shapes and moved on. The sun showed its face every now and then but mostly kept hidden. A gentle breeze blew into the third-floor classroom like a sigh, ruffling some papers, barely noticed.

It was Friday, the last day of October, Halloween. The children were restless. They wanted to be released from their bondage so they could don their ghost, devil, or cowboy costumes and go out into the world and make mischief and collect enough candy to last them through the winter that was coming.

Their teacher, Miss Wessel, also longed to be released. It was her day. She had been teaching ten-year-olds for decades. She was leaving for good, once and for all, at the end of the day. The time had come for her to fly off and live the rest of her life the way she wanted to live it. The children didn’t know they’d have a new teacher come Monday morning. That was the way Miss Wessel wanted it. Say good-bye to no one.

There was no need on this day to do any work, to put on a good face. She had designated this, her last afternoon, as a time for silent meditation. This meant reading, thinking, looking out the window, or whatever one wanted to do, as long as one did it quietly. If one wanted to sit and doze at one’s desk, so much the better.

All was quiet, but there seemed to be an unwritten rule that says a roomful of ten-year-olds cannot be perfectly still for more than a few minutes at a time, no matter what. An unusually large number asked to be excused to go to the restroom. Miss Wessel was inclined to tell them to hold on to it, but in every case she let them go because she simply didn’t care. If they didn’t come back right away she didn’t get up to go see what was keeping them. If they were wandering around the halls doing things they weren’t supposed to be doing, some other teacher would see them and send them back; if they never came back, that was all right, too.

A boy named Terry Hughie got up to sharpen his pencil and fell on his backside like the clown he was, causing everybody to laugh uproariously, which was exactly the response he was hoping for. A little while later, two boys were scuffling in the back of the room, apparently trying to strangle each other. When Miss Wessel threw a blackboard eraser at them, somehow managing to hit them both, they immediately desisted and sat back down in their seats.

With order restored, Miss Wessel slumped down at her desk and was just about to go to sleep when she heard footsteps approaching and someone standing beside her, breathing audibly. Opening her eyes, she saw Francine Quince standing inches away, looking at her with her strange dark eyes.

“Yes, Francine,” she said. “What is it? Can’t you see I’m busy?”

“I need to talk to you,” Francine said.

“What’s stopping you?”

“In private.”

“Can’t it wait until Monday?”

“No.”

With a sigh Miss Wessel stood and motioned for Francine to follow her into the cloakroom. She turned and faced Francine beside the fire extinguisher, clasping her hands in front of her to resist the urge to slap her. Of all the students in her class, she liked her the least.

“Did one of the boys draw an unflattering picture of you again?” she asked.

“Yes,” Francine said, “but that’s not what I wanted to talk to you about.”

Standing close to Francine, Miss Wessel realized—and not for the first time, either—what an odd child she was. She was taller than the other children and seemed older in some unidentifiable way; more worldly, somehow, than her years would have allowed her to become. She had a very long neck and pale skin and, in spite of the pinched-up features of her face, enormous dark eyes that were like pinpoints zeroing in on all she saw.

“I’m listening,” Miss Wessel said, when Francine seemed to hesitate.

“I don’t know quite how to say this,” Francine said.

“Did you have a naughty accident? Do you need to go home?”

“No, nothing like that. I just wanted to tell you that I know what you are and I know what you’re going to do at the end of the day today.”

“I don’t know what you’re talking about!” Miss Wessel said, mustering as much indignation as she could on such short notice.

“I want you to take me with you.”

“Now why would I take you anywhere?”

“Because I’m one of your kind.”

“And what kind is that?”

Francine laughed her grown-up laugh. “I’ve seen,” she said. “I know.”

“Francine,” Miss Wessel said sternly, not caring if the other children heard, “I don’t have the time or the inclination for this kind of nonsense! Please return to your seat and don’t talk of this again!”

“Everybody who knows me would be glad if I went away and never came back. They’d look for me, of course, because that’s what they’re supposed to do, but after a while when they didn’t find any trace of me they’d figure I ran away or was abducted by aliens or something.”

“Would you like to spend the rest of the day in the principal’s office?” Miss Wessel asked, not knowing what else to say.

“No.”

“Then return to your seat.”

“All right. I will. But I still want you to take me with you.”

The afternoon continued to its inevitable conclusion without further incident. When the bell rang to go home, Miss Wessel stood at the classroom door and handed everybody a paper bag of candy as they left. She made a point of looking them all in the face and calling them by name, as she would never see any of them again, and wishing them all a happy Halloween.

When everybody had left and there was one bag of candy left, Miss Wessel realized that Francine Quince was still in the room with her, sitting quietly at her desk. She had forgotten for the moment about Francine. She held the bag of candy above her head and smiled.

“There’s one bag left, Francine,” she said, “and it’s got your name on it. Happy Halloween!”

“I don’t want it,” Francine said.

“Then take it and give it to your little brother.”

“He doesn’t want it either.”

“Go home, Francine! School is over for the day and it’s time for all of us to leave. Your mother will be expecting you.”

“My mother’s a drunk and a whore who doesn’t even know what day it is.”

“Suit yourself. If you’re still here when the janitor comes in to straighten up, he’ll make you leave.”

“I’m going with you.”

“Francine, do you think I want to be responsible for the disappearance of a young girl? I think that’s a fairly serious charge.”

“It shouldn’t matter to a witch.”

“Witch or not, I have some scruples.”

“I’ll bet you’ve cast many spells on people and turned lots of men into toads!”

“It isn’t like that!”

“Then take me with you so I may know what it’s really like. You can make me your protégé.”

“Francine, I don’t even like you. Why would I want you with me all the time?”

“If you don’t take me with you, I’ll go to the police and tell them everything I know about you.”

“Why should that make any difference? I’ll be so far away they’ll never find me and they wouldn’t even know where to look.”

“Then take me with you.”

“I’m leaving now, Francine, and you’re leaving, too, but not with me.”

“I’ll kill myself if you don’t take me.”

“Do you know what it’s like to fly a broom? It takes skill and coordination, not to mention balance.”

“I can learn. You can teach me.”

“Good-bye, Francine. You have my sincere good wishes.”

Miss Wessel went out of the room, turning off the lights and closing the door. She knew that Francine was still inside, but she didn’t care; she was finished with her. When she walked down the hall to the seldom-used door to the attic, she knew that Francine was right behind her.

“You’re not supposed to be in the building after school hours, Francine,” she said.

She went up the dark, narrow steps to the attic, brushing away cobwebs. Francine was right behind her like a shadow. At the top of the steps, the fluttering of bat wings caused Francine to let out a little scream.

“If a few little bats scare you,” Miss Wessel said, “you’re not really a witch.”

“I just wasn’t expecting them,” Francine said.

“If you’re going to be a witch, you’ll learn to expect anything.”

Miss Wessel changed into a long, flowing black dress. After she had fastened all the buttons and smoothed the dress over her bony hips, she put on a black pointed hat with a wide brim. Her face, at that moment, took on a different look. Her nose and chin became more pointed, more prominent; her skin, always the color of ivory, took on a greenish tint. The wart on her chin that was barely visible before became enormous, complete with a tuft of bristling hair.

With her preparations complete, Miss Wessel pointed a long index finger at Francine and laughed a cackling laugh. “Are you quite sure you want to do this, my dear?” she asked.

Francine, in spite of herself, drew back. “Yes, I’m sure,” she said.

“Then follow me.”

She picked up her broom and climbed the ladder that was built into the attic wall and pushed open the trap door that led to the roof. After they had both gone through the trap door and were standing on the roof, Miss Wessel let the door slam back into place. Then, with Francine watching her closely, she straddled the broom with her legs.

“Get on,” she said, “and hold on. I would advise you not to look down until you get used to flying.”

Francine got onto the broom behind Miss Wessel and wrapped her arms around Miss Wessel’s waist.

“Are you ready?” Miss Wessel asked.

“Yes,” Francine said.

“Do you want me to put a curse on your mother before we go?”

“No. Her life is already cursed enough.”

“Very well, then. We’re off!”

The broom lifted, carrying its two passengers. Miss Wessel flew in a broad sweep over the school and the town so they could take one last look at the place that had been their home for so many years. Then, with the full moon as a backdrop, they flew away to points unknown, never to be seen or heard from again.

October 20, 2024October 20, 2024 by allen0997

The Last of Reginald ~ A Short Story

The Last of Reginald
~ A Short Story by Allen Kopp ~

Wexler Deal had been dead a long time. He died when he was a child, so his spirit-self would always be a child. Despite his apparent youth, he had experienced all the spirit world had to offer. Now he was lonely. Now he wanted a home.

He went back to the city of his birth, thinking that was as good a place as any to look for a home, but nothing looked the same. The hospital where he was born had been torn down and an office building stood in its place. The cemetery where he was buried was overgrown and unkempt, with a new highway built uncomfortably close. In the neighborhood where he had lived before he died, all the houses had been torn down and a shopping center built in their place.

Nothing was the same. There were no streetcars anymore. The little shops along Main Street were all gone. He didn’t see any horses anywhere, but there were lots of trucks. There were also lots of annoying people and much noise. He didn’t like the modern world.

“Just how long have you been dead, anyway?” he asked himself.

He sat in the park on a bench, watching living people go by and thinking how he didn’t belong and how he should find someplace else to go. If he was looking for happiness, he wouldn’t find it here.

He was watching a swan glide toward an island in the center of the lake when two people crossed his field of vision, a woman and a boy. The woman, smartly dressed, had soft-looking hair the color of straw. She was leading the boy by the hand. They stopped at the water fountain. The boy felt the fountain with both hands. She turned it on for him while he drank.

Wexler watched them as long as they were in the park and when they left he followed them.

They went home to a two-story brick house with a spacious yard. Wexler was fascinated by the boy who had to feel the water fountain with hands before he took a drink. He was a smart-looking boy just about Wexler’s age. He would make a good brother. The woman would make a good mother. He was sure of it.

The next day, he went back just as the boy and the woman were emerging from the house. He let them go ahead of him and then followed them.

This time they went to the library. The woman sat at a table and pulled a chair close to her for the boy to sit on. She began looking at newspapers. Whenever she went to the rack to get another newspaper, the boy sat quietly with his hands folded across his stomach and lowered his head. He closed his eyes as though he were asleep.

Wexler sat on the other side of the boy. Of course, the boy didn’t see him and didn’t know he was there. This gave Wexler a chance to look closely at the boy. Wexler saw how far the boy’s eyelashes extended from his eyes. His hair was exactly the same color as Wexler’s and, in fact, they looked enough alike to be brothers. The only difference was that Wexler had been dead for decades, but when he died he was about the same age that the boy was now, so, for all intents and purposes, they were the same age.

When they left the library, they stopped on the way home at a restaurant to eat lunch. They sat at a red-upholstered booth and ate tuna-salad sandwiches and drank malteds. Wexler sat beside the boy and watched him eat, mimicking him and imagining what it would be like to take food into his mouth and swallow it. He hadn’t eaten in decades, but he remembered what it was like.

Soon they were back home again. Instead of turning ar0und and walking away when the woman and the boy went inside, Wexler slipped inside with them. The woman closed the door, blissfully unaware that Wexler was there. Being a spirit certainly has its advantages.

The boy went upstairs, while the woman went into the kitchen. Wexler was going to go along with the boy to get better acquainted with him, but instead he wanted to spend some time exploring the house.

It was a big house. The rooms were splendidly furnished and there were a lot of them. These people must certainly have a lot of money, thought Wexler. I wouldn’t mind living in a place like this.

In a little while the woman went into the front room and laid down on the couch. Wexler watched her as she took off her shoes and made herself comfortable. She didn’t have to fix dinner or do any other work, Wexler was soon to discover, because she had a black maid named Ethel to do everything.

When dinner was ready, Ethel brought the food in from the kitchen and put it on the dining room table. The woman rose from the couch, and the boy came down from upstairs. They sat across from each other at the table. The woman put the food on the boy’s plate, and then on her own, and they began eating. Wexler hovered over the table and watched them as they ate. Finally he sat down beside the boy and listened to their conversation.

“Did you straighten your room?” the woman asked.

“Yes.”

“Did you hang up your clothes and put your underwear in the wash?”

“Yes, I did.”

“You’re not helpless, you know.”

“I never said I was.”

“Do you like the roast beef?

“Sure.”

After dinner, the boy went to his room and read a book that was little dots on a page. The woman watched TV while Wexler continued to explore the house, including the basement and attic.

At bedtime, the woman and the boy said their good nights, and the boy went into his room and changed into his pajamas. After he got into bed and was settling down to sleep, Wexler sat in a chair beside the bed and whistled an old tune.

“Who’s there?” the boy asked.

Wexler continued to whistle.

“I know there’s somebody there.”

“Yes, I’m here.”

“How long have you been following me?”

“Just for a couple of days.”

“I knew it! I could feel it!”

“Just between you and me.”

“What?”

“Is that woman your mother?”

“Of course not. She’s my guardian.”

“What happened to your mother?”

“She abandoned me when I was a baby.”

“Why did she do that?”

“Because I was born blind.”

“That’s terrible!”

“As you can see, I get along all right. Now, you’d better tell me who you are and what you want.”

“If I told you my name, it wouldn’t mean anything.”

“Tell me anyway.”

“My name is Wexler Deal.”

“That’s a funny name.”

“What’s yours?”

“Reginald Flinders.”

“I’d shake your hand, but I don’t have a hand.”

“Why not? Have you been in a terrible accident?”

“No, I…That’s a story for another time.”

“Why ‘for another time’?”

“I don’t think you’re ready for the truth about me right now.”

“Why not?”

“Just take my word for it.”

“All right. Now, tell me what you’re doing in my house.”

“I’ve been looking for a brother. When I saw you in the park, I thought you might be him.”

“That sounds suspicious. I think I should tell Grace the whole thing.”

“Who’s Grace?”

“She’s my guardian. She’ll want to know what you’re doing here. She’ll call the police.”

“No need for that.”

“I want to know how you got in without Grace or the maid seeing you.”

“Nobody sees me.”

“Why is that?”

“I’m not really there. Or here.”

“What are you talking about?”

“I’ve been dead for a long time. I’m a spirit.”

“Yeah, that’s a good one!”

“It’s the absolute truth. The reason Grace and the maid didn’t see me is because I’m not really there. Nobody sees me.”

“Uh-huh.”

“Do you believe me?”

“Of course I believe you.”

They talked for hours. They both realized how good it was to have somebody to talk to. Before the night was over, they both ended up asleep, side by side, in Reginald’s bed. In the morning they woke up and began talking again.

Reginald went to a school for the blind. In the morning some people came and picked him up and kept him at school all day, and in the afternoon they brought him back home again. When he wasn’t at school, he spent almost all his time with Wexler. They spoke on every subject imaginable. Reginald told him how he wondered about colors and what a cow looked like, or a chicken.

“One day you’ll see everything,” Wexler said.

“I don’t think so. I’ve always been this way.”

“I’d help you to see if I knew how.”

Another time, Reginald said, “Tell me what you look like. Describe yourself to me.”

“I don’t look like anything,” Wexler said. “I’m not here.”

“If you were here and I could see you, what would you look like?”

“When I had a body and a face, I looked just the way you look now.”

“I’ve never seen myself.”

“My hair is halfway between brown and blond. My nose is large but not too large. My eyes are blue and very handsome. My mouth is in the usual place.”

Despite Wexler’s discomfort, he let Reginald “see” him with his hands: head, ears, eyes, forehead, nose, mouth, chin, neck. When he was finished, he put his arms down and said, “So, that’s what I look like!”

“We’re just like twins,” Wexler said with a laugh.

Time went by quickly. The weeks became months, and it was winter again. Still Wexler stayed by Reginald’s side, with Grace, the guardian, and Ethel, the maid, never knowing there was another person in the house.

Wexler began to think that helping Reginald see was the best thing he could do in the world. He wanted Reginald to see everything he himself had seen all over the world. Unforgettable things like an octopus, a tall mountain, a full moon, a tropical rain forest, a desert, a waterfall, a polar ice cap. The list goes on and on.

He knew a doctor, a man named Gottschalk, currently living in New York. Dr. Gottschalk was a ghoul, hundreds of years old. He wasn’t really alive but was kept alive by artificial means. Wexler had met him socially on several occasions and had sat in on some of his lectures at the University of Vienna.

Wexler flew to New York and called Dr. Gottschalk and made an appointment to see him later in the day. Dr. Gottschalk remembered Wexler fondly.

Dr. Gottschalk hadn’t changed a bit. He was still frightening-looking with his white skin, long face and big teeth, but he was receptive and, as always, willing to help.

“Reginald is my best friend,” Wexler said to Dr. Gottschalk. “He’s alive, not a spirit like me. The problem is he can’t see. He was born that way. I want him to see all the wonders in the world that I’ve seen. I want to show him these things, as a friend.”

“I think I have just the thing,” Dr. Gottschalk said.

He opened a drawer in his desk and took out a little bottle and handed it to Wexler.

“This should do the trick,” he said.

“What is it?” Wexler asked.

“If I told you, you wouldn’t know what I was talking about.”

“Okay.”

“Mix this in with a glass of water and have your little friend drink it before bedtime. Right before.”

“I’ll tell him.”

“In the morning, there’ll be a drastic change for the better.”

“Are you certain?”

“It’s never failed yet.”

Wexler tried to pay Dr. Gottschalk, but he wouldn’t accept any payment.

“I already have all the money in the world,” Dr. Gottschalk said. “I like helping my friends!”

“I can’t thank you enough!” Wexler said.

Wexler held onto the bottle for a few days. He didn’t want to administer it before the time was right. He waited until late Friday night. It was snowing out.

He waited until Reginald was snugly in bed. “I have something for you,” he said.

“What is it?”

“It’s something that will make you see.”

“What is it?”

“I have a doctor friend. His name is Dr. Gottschalk. He’s a ghoul, but that doesn’t matter.”

“A ghoul? I like it already!”

“It’s a little bottle of liquid. I’ll mix it in some water and then you’ll drink it.”

“What are we waiting for?”

“It’ll make you see everything, but there’s just one bad thing.”

“What could be bad about seeing everything?”

“Your life as Reginald will end.”

“What are you saying?”

“You’ll die and you’ll be a spirit like me.”

“Oh.”

“No more guardians and no more school for the blind.”

“Will you stay with me? I mean, while I die?”

“Sure, I will.”

“Will it hurt?”

“I don’t think so, but if it does, it will only be for a minute.”

Wexler gave Reginald the chance to postpone the drinking of the liquid for a few days—or indefinitely—but Reginald wanted to go ahead with it. More than anything in the world, he wanted to see with his own eyes.

Wexler went into the bathroom and drew a glass of cold water from the faucet. He set the glass on the sink and watched as he poured the bottle of amber liquid into the water. Then he held it up to his eyes to get a better look at it.

When he took the bottle back into the bedroom, Reginald had propped himself up in bed and was ready to drink. When he took the glass from Wexler, his hands were steady and in his eyes were tears of unalloyed joy.

September 22, 2024September 22, 2024 by allen0997

The House He Lived In ~ A Short Story by Allen Kopp ~

Beautiful in the Way of Mannequins ~ A Short Story by Allen Kopp ~

Birth of the Dodo ~ A Short Story by Allen Kopp ~

You May Know Him as a Ghoul ~ A Short Story by Allen Kopp ~

A Mate for the Monster ~ A Short Story by Allen Kopp ~

Miss Wessel~ A Witching Short Story by Allen Kopp ~

The Last of Reginald ~ A Short Story by Allen Kopp ~

The House He Lived In
~ A Short Story by Allen Kopp ~

Beautiful in the Way of Mannequins
~ A Short Story by Allen Kopp ~

Birth of the Dodo
~ A Short Story by Allen Kopp ~

You May Know Him as a Ghoul
~ A Short Story by Allen Kopp ~

A Mate for the Monster
~ A Short Story by Allen Kopp ~

Miss Wessel
~ A Witching Short Story by Allen Kopp ~

The Last of Reginald
~ A Short Story by Allen Kopp ~