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Gospel Hour ~ A Capsule Book Review


Gospel Hour ~ A Capsule Book Review by Allen Kopp

Southern writer T. R. Pearson (born 1956 in Winston-Salem, North Carolina) has a writing style all his own, as you will know if you’ve ever read any of his books. It’s a style that might discourage a lot of readers, but if you persevere and don’t give up after a few pages, you get into the rhythm of the writing and find that it’s fun and not all that difficult to read. Some writers, such as William Faulkner, write such long, esoteric, cerebral sentences that it’s sometimes hard to understand what the man is saying; you might have to go back and break the sentence down into its separate clauses before you know what’s going on. While T. R. Pearson writes some very long sentences, he’s not as challenging to read as William Faulkner and you should be able to extract the meaning of his sentences at the first reading, as long as you are paying attention and don’t have too many distractions. Here is an example of one of T. R. Pearson’s sentences, from his novel Gospel Hour:

But she failed unaccountably to disclose to him just what precisely had transpired there in the sanctuary between the doxology and the bi-weekly prayer for the shut-ins which left Donnie Huff quite unable to anticipate the visit he received come Tuesday evening from a Laurel Fork delegation, the call he entertained from Mrs. Troy Haven and Mrs. Norma Baines and the Reverend Mr. Worrell’s wife Louise in addition to Miss Cindy Womble who’d seen fit herself to tote with her her sizeable hooters that Donnie Huff commenced straightaway to appreciate and know in his heart such gladness about that he left the ladies to stand for a time on the front slab while he simple gazed enchantedly through the screenwire until Opal Criner prevailed upon him to admit please the pack of them into the house.

And this is just one sentence!

Gospel Hour is a comic Southern novel about good-old-boy Donnie Huff who lives in a small house with his wife, Marie; his mother-in-law, Opal Criner; and his small son, Delmon. Donnie Huff is not very smart or ambitious. He swills beer and spends his evenings in front of the TV. He works as a lumberjack with a crew of other men just like him. One day when these men are poaching lumber (stealing lumber that doesn’t belong to them), Donnie Huff has an accident with a skidder (whatever that is) and ends up in the river upside down underneath the skidder. When his co-workers pull him out of the river, they believe he’s dead. After a couple of minutes, though, he revives. He has had, they believe, the rare experience of dying and being brought back to life.

Donnie goes on about his business and doesn’t think much about what happened to him in the river. All he saw, he says, were green spots. Nothing much to rave about. When his devoutly religious mother-in-law Opal Criner and other ladies of the church find out that he has had a dying-and-brought-back-to-life episode, they make it into a transformative religious experience. Egged on principally by his religious mother-in-law, Opal Criner, Donnie becomes convinced that he saw Jesus at the portal of heaven and that Jesus touched a “downy patch” on his arm. Suddenly Donnie, who never attracted much positive attention before in his life, becomes a celebrity. People begin donating money to his “ministry.” Donnie knows a good thing when he sees it. He’s tired of scratching out a living as a lumberjack. There’s real dough to be made as a minister. People want to be healed of their afflictions and they believe that touching the “downy spot” on Donnie’s arm that Jesus touched will do it for them. Donnie’s biggest sceptic is his droll wife, Marie. She’s mainly interested in decoupage and she’s not buying into Donnie’s sudden religious conversion.

Religion, as we see in Gospel Hour, is, in some (but not all) instances, a “business” whose main goal is reaping profits. When Donnie sees people in a tent revival who are sincerely crushed by grief, disappointment, and the general nastiness of life, his true conversion begins. He can’t really help these people by letting them touch the “downy spot” on his arm, he realizes, and he can’t fool them into believing he’s something he’s not. Even though he’s not very smart, he sees the phoniness in what he’s doing, and this, at the end of the novel, is his real moment of triumph.

Copyright © 2017 by Allen Kopp

The Gap of Time ~ A Capsule Book Review


The Gap of Time ~ A Capsule Book Review by Allen Kopp

The Winter’s Tale is one of Shakespeare’s later plays and is less well-known than many of his other plays. It’s about King Leontes, King of a country known as Sicilia, who has a wife, Hermione, and a best friend, Polixenes. Hermione is about to give birth to a baby. With no proof at all, Leontes gets the idea into his head that Hermione and Polixenes have been having an affair and that Polixenes is the father of the baby that Hermione is about to have. When the baby is born, it’s a girl and Hermione names her Perdita. Leontes can’t stand to look upon the baby and threatens to dash its brains out. Rather than killing it, however, he agrees to let a character known as Antigonus take the baby away and “cast it to fortune.”

Antigonus takes the baby to the country of New Bohemia. A terrible storm at sea kills Antigonus, but Perdita is delivered safely to land. A poor shepherd and his dimwitted son named Clown, played by Jerry Lewis (just kidding), find Perdita and raise her as their own. Fast-forward sixteen years. Perdita is now about seventeen years old and has fallen in love with Florizel, the son of Polixenes, the one-time best friend of King Leontes of Sicilia. (Coincidence plays a very large part in this narrative, as you can see.) Polixenes apparently knows who Perdita is and is violently opposed to the match. Florizel and Perdita escape from New Bohemia and end up in good old Sicilia.

When Leontes meets Perdita, he is attracted to her, not knowing she is really his own daughter. (Yuck!) The shepherd who raised her and his son, Clown, show up (just when needed) with proof of who Perdita is (apparently articles that were left with her when they found her as an infant). Everybody is reconciled and Leontes admits that he wronged his wife Hemione and treated her unfairly. When he sees a statue of Hermione in a friend’s home, it is so lifelike that he wants to kiss it.

The Gap of Time is a novel by the English writer Jeanette Winterson. It is a “re-imagining” of Shakespeare’s play The Winter’s Tale. All of Shakespeare’s characters are now hip contemporary characters. Leontes is now an unlikable jerk with a foul mouth known as Leo, head of a big company known as Sicilia. Hermione is a singer (wouldn’t you just know she’d be something like that?) named MiMi. Polixenes is now Xeno and he’s gay. Just to keep things contemporarily politically correct, the shepherd is now black and is known as Shep. His son Clown is now Clo and he and Perdita consider themselves brother and sister, even though he’s white and she’s black.

So, The Gap of Time is a Shakespeare play with the Shakespeare part removed. I’m not sure what the point is here. Did the world really need to have The Winter’s Tale by William Shakespeare “re-imagined” by a contemporary writer?  Does Jeanette Winterson add something that Shakespeare left out? Do Shakespeare’s characters need to be updated and made to sound groovy and hip like characters in a Sylvester Stallone movie? Do we really need to have any of Shakespeare’s plays “dumbed down” for a contemporary reading public? (The vast majority of the public never reads a book.)

The Gap of Time is engaging at times with some good dialogue, especially in the first half. There’s a lot of claptrap interspersed throughout the novel about time, about how time affects its players, and about how time…I’m not sure what time is supposed to do here, and I’m not sure exactly the point that Jeanette Winterson is trying to make about time, but I do know that time is of immense importance to this story.  Am I to conclude that time heals all wounds and wounds all heels? If you think you want to read The Gap of Time, don’t. Instead get a copy of Shakespeare’s play, The Winter’s Tale, and read it. You’ll feel a lot smarter for it.

Copyright © 2017 by Allen Kopp

Perfidia ~ A Capsule Book Review


Perfidia ~ A Capsule Book Review by Allen Kopp

Writer James Ellroy is unapologetically politically un-correct. If you are offended by racial slurs and blunt sex talk, he is not the writer you should be reading. He manages to insult almost every ethnic and niche group. He gets away with it, it is assumed, because all his novels are set in the not-too-distant American past, where racial prejudice and racial slurs were much more a part of everyday discourse than they are now. “If you’re looking for political correctness,” Mr. Ellroy says, “go someplace else.”

His big (almost 700 pages) novel Perfidia (a Spanish word meaning betrayal or treachery) is set in Los Angeles in the days following the Japanese attack on Pearl Harbor in December 1941. With all those Americans dead in Hawaii and with the country now at war, fear and unease—and in some cases, hysteria—are the order of the day. The west coast of California seems the logical place that the frighteningly aggressive “Japs” will attack next. And those mandatory blackouts don’t do anything to ease peoples’ fears, either. (Imagine moving through a big city at night with all the lights turned off.)

The Japanese people in the Los Angeles area are being rounded up, no matter how innocent or blameless they are. Their property is being confiscated and they are being housed in “internment” camps. Americans are so anti-Japanese because of Pearl Harbor that they want to kill or at least defile almost every Asian they see. (Most people can’t tell the Japanese from other Asians). It’s in this atmosphere of fear and distrust that Perfidia is set.

Dr. Hideo Ashida is an Americanized Japanese. He is a brilliant forensic chemist employed by the Los Angeles Police Department. When all the Japanese people on the city payroll are canned just because of their ethnic background, Dr. Ashida manages to hold onto his job because he is so good at solving crimes. (He is, of course, called Charlie Chan and Mr. Moto, but he seems impervious to insult.) When he is out in public in the days following the attack on Pearl Harbor, people call him names, spit on him and, in some cases, threaten him. The police department assigns bodyguards to keep him safe.

Dr. Ashida has what he believes is a “shameful” secret. In the world that he inhabits of hyper-masculine, crime-fighting alpha-males, he is secretly gay. The lone object of his desire is one Bucky Bleichert, a boxer with whom he has been friends since high school. He sets up a hidden movie camera in the shower room to capture footage of Bucky naked. The one femme fatale in Perfidia, one Katherine “Kay” Lake, offers Dr. Ashida a roll in the hay but he, of course, isn’t interested.

On the day before the Pearl Harbor attack, a Japanese family of four, the Watanabes, are brutally murdered in their home. It appears to be a sort of ritualized killing, maybe a suicide, but the police just can’t figure it out. There’s an apparent suicide note written in Japanese that speaks of the “coming apocalypse,” but it’s too ambiguous. On examining the background of the Watanabes, the police discover they are “Fifth Column,” meaning they are part of the non-fighting branch of the Japanese military whose job it is to create disorder on the civilian front. The Los Angeles police are hoping to find a Japanese suspect to pin the Watanabe murders on, to somehow mitigate the internment of the Japanese people. If it turns out that a white person committed the murders, it will be a public relations nightmare.

If you read Perfidia and some of the other novels of James Ellroy (L.A. Confidential, American Tabloid, among others) you know that the Los Angeles Police Department of the past was unspeakably corrupt, or at least it is that way in the Ellroy universe. Most of the upper tier of the police department are on the “make” in some way or other. They have no allegiance to anything other than themselves. They take drugs, cheat on their wives, kill without compunction whenever it suits them, cover up evidence, and involve themselves with gangsters and shady characters that will advance their own interests. They don’t account to anybody but themselves. These crime fighters are in some ways worse than the criminals they pursue.

Some real-life people (Bette Davis, Joan Crawford, J. Edgar Hoover) appear as minor characters in Perfidia, and James Ellroy paints a very unflattering portrait of them. It’s probably a good thing they’re all dead or they might be initiating some legal action. Bette Davis having a torrid affair with police sergeant Dudley Smith? It somehow doesn’t fit in with the idea we have of Bette Davis. (Bette’s husband, we are told, is a “chains-and-leather queen.”) Joan Crawford seducing a young police officer half her age? Maybe so, but it’s an odious thought. J. Edgar Hoover with pomaded hair and buffed fingernails developing “crushes” on handsome L.A. police officers? I somehow doubt it. It’s all part of the badly damaged world of James Ellroy.

However you look at it, Perfidia is fun to read for its portrayal of a time and place. Very few of us alive now were alive seventy-five years ago at the start of World War II; this is a vivid “re-imagining” of those days. As long as the novel is, the chapters are short, the paragraphs are short, the sentences are short and punchy, and we never get bored. Keep turning those pages and eventually you’ll come to the end and want more.

Copyright © 2017 by Allen Kopp

Gulliver’s Travels ~ A Capsule Book Review

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Gulliver’s Travels ~ A Capsule Book Review by Allen Kopp

Irish writer and clergyman Jonathan Swift lived from 1667 to 1745. His most famous work, Gulliver’s Travels (complete title: Travels into Several Remote Nations of the World. In Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships) was first published in 1726. It’s an account, in four sections, of the seafaring adventures of one Lemuel Gulliver, ship’s surgeon, and his sometimes-bizarre adventures among the strange inhabitants of strange lands that nobody in Europe ever heard of or knew about. It’s always through misfortune that Gulliver has his adventures. First he is shipwrecked and finds himself in the land of Lilliput, where the people are about six inches (according to Gulliver’s measurement) tall. The tiny people don’t trust him, of course, because he is so big and might take it into his head to smash them to pieces. It takes many hundreds of them to tie him down, including by the hair of his head. Eventually they come to trust him, though, and let him roam freely. He falls out of favor with the King and Queen, though, because he puts out a fire in the tiny Queen’s chambers in the castle by urinating on it.

He returns home to his wife and children in England after his adventures in Lilliput, but he is a seafaring man and just can’t stay away from the sea. He is only home for a few months before he sets out again. This time misfortune brings him to Brobdingnag, a land where all the inhabitants are giants compared to him. He is kept as a pet or a curiosity in a “traveling box” and eventually ends up in the royal court, where he spends many hours conversing with the king in the king’s native language, which Gulliver quickly learns.  On a trip to the seaside, the box in which he is traveling is snatched up by an eagle and dropped into the sea, where Gulliver is rescued by sailors and returned to his native England.

On his next seafaring adventure, Gulliver’s ship is attacked by pirates; he is marooned and soon picked up by the “flying island” of Laputa. The people of Laputa aren’t overly big or small, but they are strange. They blindly pursue science without any practical results. They use great resources and manpower to research preposterous schemes such as extracting sunbeams from cucumbers, softening marbles for pillows, mixing paint by smell, and uncovering political conspiracies by examining the excrement of suspicious persons. After his sojourn in (or on) Laputa, Gulliver is awaiting passage to Japan when he visits the island of Glubbdubdrib, where he visits a magician’s dwelling and discusses history with the ghosts of historical figures, including Julius Caesar, Brutus, Homer, and Aristotle, among others. On the island of Luggnagg, he discovers the immortal race of people known as the struldbrugs. They don’t have the gift of eternal youth, though; they get old and stay old forever.

On his fourth and final adventure, Gulliver returns to sea as captain of a merchantman. His crew mutinies and keep him tied up below deck for weeks, after which they leave him on the first piece of land they come to and then continue as pirates. He comes across a race of hideous humanoid creatures, which he finds out later, are known as Yahoos. The Yahoos are filthy and savage, human beings in their basest form. We learn that Yahoos are merely what pass for people back home. This is Swift’s statement about the human race and his not-very-high opinion of it.

Soon he meets the Houyhnhnms, a race of intelligent talking horses. He finds them to be everything humans are not: kind, caring, thoughtful, considerate, selfless, and completely alien to the idea of lying, war and warfare. In short, they lack all the qualities that make human beings so odious.

Gulliver is treated well by the Houyhnhnms and comes to admire them among all creatures he has ever encountered. He comes to want to be like them and live as they do. Much to his dismay, however, an Assembly of Houyhnhnms decides that Gulliver, as a Yahoo, has too much reasoning ability for his own good and poses a threat to the Houyhnhnms. They expel him, even though he would like to live among them forever, and he thereby returns to England. He is unable to reconcile himself to living again among the Yahoos, even though he is one of them, and remains a recluse in his own home in England, avoiding his family and all other people, and spends his time in the company of his horses in the stable.

Gulliver’s Travels exists on several levels. It is a satire, a science fiction story, a fantasy, an adventure story, and a forerunner to the modern novel; strangely accessible and readable, almost three hundred years after its first publication. Jonathan Swift stated that one of his purposes in writing the story was to write it for all, the high-born and the low, and to vex the world rather than divert it. It became an instant classic upon its publication and a huge literary success.

Copyright © 2017 by Allen Kopp

The Prime of Miss Jean Brodie ~ A Capsule Book Review


The Prime of Miss Jean Brodie ~ A Capsule Book Review by Allen Kopp

The Prime of Miss Jean Brodie, a 1961 novel by Scottish writer Muriel Spark, is the story of an unconventional teacher in a conservative Edinburgh girls’ school (Marcia Blaine School for Girls) in the early 1930s. She has her own “set” of six girls (“Give me a girl at an impressionable age,” she says, “and she’s mine for life.”) and “progressive” teaching methods that make her a target of the “establishment” figures in the school, personified by stuffy headmistress Miss McKay. The ever-vigilant Miss McKay and others in the school would do anything to get the goods on Miss Brodie with the objective of getting her fired. They suspect her, on principle, of gross immorality and a multitude of sins and vices, short on specifics as they are. (We have here a perfect example of a novel incorporating the literary theme of “one against many.”)

Two male teachers (rare as they are in this environment) in the girls’ school are besotted with Miss Brodie. There’s Teddy Lloyd, the one-armed art master (he lost his arm in the “Great War”) and Gordon Lowther, the ginger-haired singing master. Teddy Lloyd already has a wife and a houseful of children, but this doesn’t dampen his interest for the unmarried Jean Brodie. Gordon Lowther, bachelor, lives in a big house all alone and seems to bring out the mother instinct in Miss Brodie and other of the female teachers. The two sewing mistresses, sisters named the Misses Kerr, do some housework for Mr. Lowther, and it’s in the performance of these duties that they find Miss Brodie’s nightdress folded underneath the pillow on his bed, the implication being that Miss Brodie and Gordon Lowther are sleeping together (and probably doing more than sleeping). As affectionate as Miss Brodie feels toward Gordon Lowther, she is in love with Teddy Lloyd, the art master, and he is in love with her. Miss Brodie, as she is eager to tell everyone, is a woman in her “prime.” Her prime is theoretically the best time of her life and she devotes her prime not to any mere male but to the edification of her students.  

The girls in Miss Brodie’s set are all exceptionally smart and talented, except for the doltish girl named Mary, who dies at a young age in a hotel fire, the implication being that she is too dumb to figure out how to escape a burning building. All in the set adore Miss Brodie slavishly and spend a lot of time in her company away from school, visiting points of historical interest or just talking over tea in Miss Brodie’s home. Miss McKay, the headmistress and Miss Brodie’s avowed enemy, has little private talks with each of the girls in the set, hoping to find out what exactly it is about Miss Brodie that makes her so different from the other teachers. All in the set remain faithful to Miss Brodie, but one of them will eventually betray her and Miss Brodie will go to her grave (dead from an “internal growth” at age fifty-six) not knowing which one it was.

The Prime of Miss Jean Brodie is a concise (156 pages), ironic, gem-like novel that is fun to read and never very challenging. We find in Miss Brodie one of the true “characters” in 20th century fiction. She claims to have had a fiancé named Hugh who died in World War I, but we wonder after a while if he is just somebody she made up. And, despite her dalliances with Mr. Lowther and Mr. Lloyd, she seems a natural-born spinster, made for finer things than just being somebody’s wife. In her admiration for Hitler and Mussolini (at a time when they are seen as a terrible threat to the rest of the world) and in almost every other way she can think of, she challenges convention. (“Safety does not come first,” she says in response to a poster on the wall at school. “Goodness, truth, and beauty come first.”) She refuses to join the “crowd” or the “herd,” even if doing so would make life easier for her. She is one of those who will always be at odds with the authority figures of the world. It’s a small club, but it exists.

Copyright © 2016 by Allen Kopp

Shiloh ~ A Capsule Book Review


Shiloh ~ A Capsule Book Review by Allen Kopp

The Battle of Shiloh (also known as the Battle of Pittsburg Landing) was fought in southwestern Tennessee, on April 6th and 7th, 1862. It was the mostly unsuccessful effort by the Southern forces to keep two armies of the Northern forces from joining together and advancing into the Confederacy. The soldiers of the South, commonly referred to as the Rebels, considered that they were trying to keep a foreign invader out of their land, as the Revolutionaries had done in 1776. Casualties were heavy on both sides (about 20,000), and people everywhere were shocked by the wholesale carnage. The Battle of Shiloh was the biggest and costliest battle up to that point in the Civil War. There were, however, worse battles to come.

Shiloh is a short (225 pages) novel by writer/historian Shelby Foote. Although it’s fiction, it’s based on actual historical records of the battle. The action is told from the point of view of regular fighting men (not generals or officers) who lived the battle firsthand: aide-de-camp, adjutant, rifleman, cannoneer, and scout. It’s told in the language of the common man, what he sees and hears on the ground, rather than that of the military strategist or the West Point graduate. We get the Southern point of view and then the Northern point of view in alternating chapters throughout the book. Both sides believed they were fighting a just cause and both sides were determined to win without giving an inch to the enemy. Many people in the South believed the war to be a lost cause from the start, considering the superior numbers and weapons of the North.

The Southern forces were winning on the first day of battle, but on the second day the tide turned in favor of the North. The two Northern armies joined forces and repulsed the Southern forces. The South wasn’t giving up, though. It was going to be a long and terrible war.

Copyright © 2016 by Allen Kopp

The Beautiful and Damned ~ A Capsule Book Review


The Beautiful and Damned ~ A Capsule Book Review by Allen Kopp

In college literature classes, we learned that there are about seven basic themes in all of literature and that nearly all great novels incorporate all seven of them. One of these themes is “the fall” or “fall of man.” F. Scott Fitzgerald’s second novel, The Beautiful and Damned (published in 1922), is an example of the theme of “the fall.” It concerns the young and doomed (by his own hand, by his own frailty) fictional character known as Anthony Patch. Anthony is young in the early years of the twentieth century. He is of the privileged class. He attends Harvard University and is the heir to a considerable fortune, being the only living relative of his grandfather, Adam Patch. We don’t learn how Adam Patch made all his millions, only that he is a “reformer.” From that word, we can deduce that he’s moralistic and Puritanical.

Anthony meets a debutante named Gloria Gilbert and falls in love with her. Gloria’s beauty is the wellspring of her shallowness and self-centeredness. Her beauty and desire for social status are all she has going for her. Men are, of course, drawn to her, but that’s because they’re shallow. We know that when she gets older and her looks begin to fade, she will be finished. Anthony persuades Gloria to marry her; she is easily persuaded because one day he will be very rich. The two of them are happy for a while, at least a few years, but Anthony discovers that marrying Gloria was the worst thing he ever did.

It seems that old Adam Patch will never die. Anthony could get a job, but all he does is wait around for years for the big day when the old man dies and leaves him all his money. Anthony and Gloria are a socialite couple. They throw parties (or attend parties that other people give) every night. Drinking all the time, Anthony becomes an alcoholic, if he wasn’t already one. Gloria and Anthony have only limited money that they get from their investments but—not to worry—when Anthony gets his millions all will be well. The longer they wait for the money, the more they get on each other’s nerves. They begin to hate each other and their marriage deteriorates.

One night in summer old Adam Patch decides to pay an impromptu call on his grandson and his wife at the house they’re renting. On that night, Anthony and Gloria happen to be “entertaining” guests with drinking, dancing and raucous fun. Adam Patch is appalled at what he sees (people drunk out of their senses, dancing in their underwear). He dies soon enough, but when he does Anthony discovers that he has disinherited him, leaving all his money to servants. Anthony contests the will, being forced to retain an expensive lawyer, but he isn’t given much hope that the case will go his way in court.

So, Anthony and Gloria wait out a lengthy court case, with no reason to believe they will win it in the end. Anthony continues his drinking, his money problems get worse, and he and Gloria become more alienated from each other. While World War I rages, Anthony is drafted into the army. He ends up in a miserable training camp in Mississippi and it’s while he’s there that he begins an affair with a local girl named Dot. For Anthony it’s just a little fling while he’s away from home, but for Dot it’s all or nothing. She proclaims her love for him, suggesting that she might kill herself if for any reason he should happen to leave her. She knows that Anthony has a wife back in New York, but she doesn’t care very much, believing that he will choose her (Dot) over his wife. It’s while Anthony and his unit are waiting to be shipped to France that Germany surrenders and the war ends. Dot isn’t giving Anthony up without a fight, though.

After Anthony’s stint in the army, he returns to Gloria and things only continue to get worse between them. The suit he filed to contest his grandfather’s will isn’t going anywhere and Anthony and Gloria are down on their heels. They don’t know what they are going to do for money. Neither one of them will consider going to work and earning any honest dough. They drink and quarrel, as their friends and their hopes abandon them. Anthony becomes completely unraveled and degrades and humiliates himself. But, wait a minute! The court case is still pending! Is there any chance, even a slim one, that it might still go Anthony’s way, since public sentiment has turned against “reformers” because of Prohibition?

Almost more than any other American writer of the twentieth century, F. Scott Fitzgerald was a chronicler of his age, the World War I era, the years leading up to the war, the 1920s, Prohibition, and the “Jazz Age.” We get a vivid impression, though his books and stories, of what it was like to be alive in those days that were so different from our own. Of course, a hundred years’ passage of time has romanticized the era. Maybe in 2116, people will have a romanticized view of 2016 because they didn’t live it and couldn’t possibly know what it’s like with its leaf blowers (I hear one now), cell phones, microwave ovens, computers and political lunacy.

The Beautiful and Damned, if not a great a novel, is certainly a very good one, with a strong story, vivid characters and a strong sense of time and place. Where else could we learn about New York “café society” in the years before, during and after World War I? (Through Fitzgerald’s descriptions, we see the New York streets, the park, the buildings and the trees around Anthony Patch’s apartment.) The story of Anthony Patch and his lovely bride Gloria, we are told in background material, parallels the real-life story of Fitzgerald’s tumultuous relationship with his wife, Zelda Fitzgerald. Plenty of heartache to go around.

Copyright © 2016 by Allen Kopp