The Orphan Master’s Son ~ A Capsule Book Review

The Orphan Master's Son cover

The Orphan Master’s Son by Adam Johnson ~ A Capsule Book Review by Allen Kopp 

Every year I read the work of fiction (usually a novel but sometimes a volume of short stories) that wins the Pulitzer Prize for Fiction. For me, there have been many high points (Ironweed, Martin Dressler, The Hours, The Mambo Kings Play Songs of Love, The Road, A Confederacy of Dunces) and some low points (anything involving yuppie angst or “relationships”). It seems that some years the winner is based more on “suitability” or “political correctness” rather than merit.

This year’s winner is The Orphan Master’s Son by Adam Johnson. It is set in North Korea, the one country on earth that is like no other. I had never given much thought before to North Korea. It is a communist totalitarian society. People are routinely tortured or imprisoned in horrible prison camps where they are certain to die in a few months. There is no religion other than worship of the “Dear Leader” and the state. The simple freedoms we take for granted in the United States are absent. It is a crime punishable by death to own certain items, such as a Bible or an unauthorized radio. People “disappear” overnight, for no apparent reason, and nobody ever knows what happened to them. People must act and think at all time for the good of the collective. There is no individuality.

The protagonist of The Orphan Master’s Son is a young man named Jun Do. He grows up in an orphan asylum, although he claims he has one parent living, the “orphan master.” In young adulthood, he is conscripted to help kidnap people who happen to be unlucky enough to be in the wrong place at the wrong time. (What they do with these kidnapped people is not fully explained.) When he is older he ends up as a radio operator on a North Korean fishing vessel. What happens to him on the fishing vessel drives the narrative for the rest of the novel.

Only married men are allowed to work on fishing vessels. Their wives’ likenesses are tattooed on their chests. If any of them dare to defect to Japan or some other country, their wives and families can be tortured and killed. Since Jun Do doesn’t have a wife, the men on the fishing vessel tattoo on his chest the likeness of Sun Moon, Korea’s national actress and a favorite of the Dear Leader, who has made her what she is. All her films are propaganda disguised as entertainment.

Sun Moon’s husband is the mysterious and powerful Commander Ga. We don’t know much about Commander Ga, except that he is cruel and feared. Through a quirk of fate (or many quirks of fate), Jun Do kills Commander Ga and assumes his identity. From that point on in the story, Jun Do becomes Commander Ga. In pretending to be Sun Moon’s husband (and father to her two children), he falls in love with her and finally, through many twists and turns, determines her fate. He is inspired by the story of the movie Casablanca, in which “the honorable man stays behind.”

While The Orphan Master’s Son is easy to read and held my interest for much of its 443 pages, the reading of it seemed interminable to me. After about page 300, I was ready for it to end. Too much torture and unrelieved grimness. I mostly came away with the impression that I sure am glad I wasn’t born in North Korea. I don’t think I’d last a whole day there and it’s a world I don’t want to revisit anytime soon.

Copyright © 2013 by Allen Kopp 

Mud ~ A Capsule Movie Review

Mud

Mud ~ A Capsule Movie Review By Allen Kopp 

Mud is a contemporary story set almost entirely on an unnamed Arkansas river. Fourteen-year-old Ellis lives with his parents on a sort of houseboat and they make their living from the river. His parents are decent people but they seem unhappy. His mother wants to separate from his father and move into town. Their way of life on the river is coming to an end.

One day when Ellis and his friend Neckbone take their boat to an apparently uninhabited island on the river, they discover a boat, intact, about twenty feet off the ground lodged in a tree. It came to be there from a recent flood. When they climb up into the boat, they find signs that someone has been living in it. Soon after, they meet a man who is known only as Mud (Matthew McConaughey). He is dirty and hungry but friendly. Ellis is drawn to him and wants to help him but Neckbone is more skeptical. Mud makes a deal with Ellis and Neckbone whereby they will help him get the boat out of the tree in exchange for his .45 caliber pistol. He plans to use the boat to escape up the river, but first he is waiting for someone to come to him, a girl named Juniper (Reese Witherspoon), with whom he has been in love since he was a child.

Mud has to hide out on the island because he has killed a man who had wronged Juniper. The man’s brother and father are after Mud, intent on killing him. They are terrorizing Juniper because they believe she knows where Mud is and can lead them to him. If Mud can get the boat out of the tree and get it in running order, he and Juniper can run away together, he believes.

When Ellis and Neckbone see Juniper, they see why Mud loves her. Ellis begins taking letters to Juniper from Mud and generally helping Mud in any way he can in his plan to escape. They devise a plan whereby they will take Juniper to Mud, but she doesn’t show up at the appointed time. This is when Ellis begins to see things as they really are. Juniper is just a floozy who will take up with any man. She says she loves Mud but Ellis begins to doubt it. The perfect love that he thought held Mud and Juniper together doesn’t exist at all. He begins to see that Mud has only used him and Neckbone. This disappointment parallels the disintegration of his own family and their way of life on the river. Even his own romance with a slightly older girl named May Pearl ends in disappointment.

Mud is a story about the South that might have been written by William Faulkner or Erskine Caldwell. It’s a coming-of-age story but also a story about friendship, family, and lost love. There are no special effects, no computer-generated razzle-dazzle. Just believable characters and solid storytelling.

Copyright © 2013 by Allen Kopp

The Great Gatsby ~ A Capsule Movie Review

The Great Gatsby poster

The Great Gatsby ~ A Capsule Movie Review by Allen Kopp 

The Great Gatsby stars Leonardo DiCaprio as the fabulously wealthy, mysterious Jay Gatsby and Carey Mulligan as Daisy Buchanan, the woman who Gatsby has lost and attempts to regain, with tragic results. It is told by Gatsby’s one true friend and confidante, Nick Carraway (Tobey Maguire), who innocently falls under Gatsby’s spell. The Great Gatsby is directed by Baz Luhrmann in a grand visual style (remember Moulin Rouge a few years ago?) that never gets in the way of the story. There have been other film versions of the venerable American novel by F. Scott Fitzgerald, but this one is by far the best.

The story is set in the 1920s. No other decade could have spawned such a story. Not only did the 1920s roar, but they also boomed. There were fabulous amounts of money to be made. It was a time of great optimism. The bubble seemingly would never burst. Jay Gatsby is the perfect figure for the times. He lives in an enormous seaside “palace” on Long Island. He drives a custom-made yellow convertible. He gives lavish parties that he doesn’t attend but observes from a distance. He conducts shadowy business deals over the phone. Because nobody knows much about him, he is the object of much speculation.

Five years earlier, at the end of World War I (before Gatsby made his fortune), he had met and fallen in love with one Daisy Fay of Louisville, Kentucky. Daisy loved him in return but was not going to marry a man without money. She ended up marrying a brutish lout of a man named Tom Buchanan, heir to one of the largest fortunes in the country, and they took up residence on Long Island.

During the five years that Gatsby and Daisy are apart, he never forgets her and never stops believing that the two of them can be together, even though she is married to another man. Now immensely wealthy, he buys the estate just across the bay from Tom and Daisy and spends a lot of time standing on the pier looking across the bay, reaching for the green light that represents for him what is unattainable. He gives lavish parties, to which nobody is invited but goes to anyway, because he’s hoping that Daisy will just “appear” at one of them. Nick Carraway, callow and humble bond salesman, rents the caretaker’s cottage near Gatsby’s home and befriends Gatsby. Learning that Nick is a cousin of Daisy Buchanan, Gatsby gets Nick to arrange a reunion. When Gatsby and Daisy meet again, the old spark of five years earlier is reignited. Will she divorce Tom and marry Gatsby? In the end, it seems she hardly knows what she wants.

Fans of Fitzgerald’s novel, of which I am one, will not be disappointed with this movie adaptation. It is faithful to the novel but, for me, the best thing about it is its lavish visual style. It is, first and foremost, a visual experience (in 3D, no less), especially for those who know the story so well and know what is coming. My favorite scene is Gatsby’s party with everybody happy and dancing to Gershwin’s Rhapsody in Blue, with fireworks exploding in the sky. I want to see it again.

The Great Gatsby does not have a happy ending but it couldn’t have been any other way. The grand future that Gatsby envisioned with him and Daisy happily in love is not meant to be. The bubble always bursts, but it sure was fun while it lasted.

Copyright © 2013 by Allen Kopp

Let’s Explore Diabetes with Owls ~ A Capsule Book Review

Let's Explore Diabetes With Owls cover

Let’s Explore Diabetes with Owls ~ A Capsule Book Review by Allen Kopp 

Let’s Explore Diabetes with Owls is the title of David Sedaris’s new book of essays. This book is much like David Sedaris’s seven other books of essays (Barrel Fever, Naked, Holidays on Ice, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, When You are Engulfed in Flames, Squirrel Seeks Chipmunk), meaning that it’s funny, entertaining and full of his trademark self-deprecating humor.

If you are a fan of David Sedaris, you know that his writing is as easy and quick to read as anything you’ve ever read in your life. The word “essays” seems a little formal and academic for these little stories that differ from fiction stories in that they are about real life instead of being made up. They could easily pass for fiction if you didn’t know any better. At the center of each story is David Sedaris himself talking about things that have happened to him (sometimes, but not very often, in the voice of somebody else).

The experiences he relates involve everything from his outspoken, rough-around-the-edges parents to visiting a French dentist to dealing with litter in the English countryside; from having a colonoscopy to meeting an interesting stranger on a European train; from feeding strips of meat to a kookaburra (a large bird) in Australia to dealing with a stolen laptop computer; from eating at less-than-sanitary restaurants in China to purchasing a stuffed owl from a very forthcoming British taxidermist.

The only thing about Let’s Explore Diabetes with Owls that I didn’t like is when he ventures into the odious and offensive subject of politics. I despise politics, politicians and all things political. I would rather not hear anybody’s political views. If you don’t bore me with politics, I will extend you the same courtesy.

David Sedaris is a true literary star, a real celebrity, although you’d never know it from his humble demeanor and appearance. Years ago I stood in line for over an hour at one of his book signing events to get him to sign my copies of Holidays on Ice and Me Talk Pretty One Day. (The bookstore where the event took place waived its no-smoking policy for him only for that evening.) I had been to many book signings but had never stood in line that long before (or since). Somehow it seemed worth it. I still have the two signed books. Maybe someday it will be like owning a signed, first-edition copy of Tom Sawyer.

Copyright © 2013 by Allen Kopp

The Beauty Box

The Beauty Box image 1

The Beauty Box ~ A Short Story by Allen Kopp

When Noreen set the plate of salmon croquettes and macaroni and cheese in front of Odell, he gave her a significant look but didn’t say anything. He was hoping for chicken or beef stew, at least. He didn’t like salmon croquettes; they had little soft fish bones in them that he tried not to think of as bones as he chewed them.

“Do you notice anything different about me?” Noreen asked as they began eating.

“You’re wearing a different shade of lipstick,” Odell said, barely looking at her.

“I’m not wearing any lipstick,” she said. “Guess again.”

“You got a new pair of pedal pushers.”

“No!”

She turned around so he could see the back of her head. “I’m wearing what they call a ‘fall,’” she said. “It’s an addition that blends in with the rest of my hair so you can’t tell the fake hair from the real hair.”

“Do you mean you’re wearing a hairpiece?”

“Well, if you want to call it that.”

“Why don’t they call it a hairpiece, then?”

“Because ‘fall’ sounds better.”

“The more important question, I suppose, is why do you need a hairpiece?”

“Well, I don’t really need it, but it makes my hair look better, don’t you think? Thicker and fuller? It somehow makes me look younger?”

“If you say so.”

“I went to the Beauty Box today. They have this wonderful new hairdresser named Enzo. He took one look at me and said, ‘A fall would do wonders for your hair!’.”

“Enzo is a man?”

“Yes.”

“Why is it that hairdressers are all men now? Hairdressers used to be women. Now they’re men. Men with foreign-sounding names.”

“I don’t know. Why don’t you conduct a survey?”

“Is Enzo a homosexual?”

“I didn’t think to ask.”

“Well, it seems you would want to know the sexual preferences of a person fixing your hair.”

“It doesn’t matter.”

“What country is he from? Is ‘Enzo’ an Italian name?”

“If I had to guess, I’d guess he’s an American.”

“Does he speak with an accent?”

“No.”

“Do you want me to go punch him in the face for you?”

“What for?”

“For raising so many questions for which there are no answers.”

“But don’t you think my hair looks cute?”

“It looks flat in the back and pushed up on top,” he said. “The way it looks when you get up in the morning.”

“Enzo said I have lovely hair.”

“Isn’t he paid to say that?”

“He looked at my face with a magnifying glass and he said I have beautiful skin. He said a lot of women have weather-beaten skin, but he could tell that I take care of mine. He said you can tell a lot about a person’s general health just by looking at the skin on their face.”

“And if Enzo said it, you believe it.”

“It’s his business to know about those things.”

“If he told you to make yourself up to look like a frog, would you do it?”

“Of course I would!”

“Are you in love with Enzo?”

She laughed. “Hardly.”

“Why don’t you divorce me and marry Enzo?”

“That’s too much trouble.”

“If you heard Enzo talking to other women, I’ll bet you’d hear him say the exact same things to them, no matter how old and ugly they are.”

“Are you saying I’m old and ugly?”

“No, I’m just saying I’m wondering what Enzo’s game is.”

“I don’t think he has one. He’s just a very nice man.”

“He made you feel important.”

“Well, yes, I guess so.”

“He made you feel special.”

“When you put it that way, I guess he did.”

“And you gave him a great big tip.”

“I always tip my hairdresser.”

“What else?”

“What do you mean?”

“What else did you feel compelled to do for him because he’s such a nice man?”

“I bought some beauty products from him.”

“How much?”

“A hundred and eighty-seven dollars.”

“And that on top fixing your hair and selling you the fall?”

“Well, yes.”

“How much did you spend today at the Beauty Box?”

“Everything is always about money with you, isn’t it?”

“How much?”

“Three hundred and thirty dollars.”

“So there you have Enzo’s game.”

“I don’t know what you’re talking about.”

“He’s a crap artist! He flatters you and makes you feel special and gets you to liking him. Then he just happens to mention these beauty products he’s selling. By that point you have no sales resistance. You wouldn’t be able to turn him down if he was selling real estate on the moon.”

“Now you’re just being silly.”

“I didn’t get fleeced out of three hundred and thirty dollars today.”

They were silent for the rest of the meal until Noreen was serving the dessert. “There’s a Doris Day movie on tonight,” she said. “It’s one we haven’t seen before. Do you want to watch it with me?”

“I told Willard I’d stop by and see him this evening,” he said tersely.

After he was gone she stacked the dishes in the sink and went to the phone and called the Beauty Box and asked to speak to Enzo. She had to wait what seemed a long time but finally he came on the line.

“Enzo?” she said. “This is Noreen Baggett. I was in the shop today.”

“Yes, darling,” he said. “I was just about to leave for the day. What can I do for you?”

“I just wanted to make sure you have me down for the seventeenth at ten o’clock.”

“Just a minute, dear. I’ll check the book.”

He laid down the phone and when he came back he said, “Yes, dear, we’re all set for the seventeenth.”

“I’m so looking forward to it!” she said.

“Well, so am I, dearest!”

After she hung up the phone, she turned on the TV and sat down in the recliner and made herself comfortable. The Doris Day movie was just beginning.

Copyright © 2013 by Allen Kopp

The Place Beyond the Pines ~ A Capsule Movie Review

The Place Beyond the Pines poster

The Place Beyond the Pines ~ A Capsule Movie Review by Allen Kopp 

The Place Beyond the Pines is an ambitious, complex story that is in fact three interwoven stories about how people’s lives can interconnect in a way that seems like fate. It begins in the 1990s with blond-haired, tattooed bad boy Luke Glanton (played by Ryan Gosling), who is employed as a stunt motorcycle rider in a traveling carnival. We don’t know much about his past except that is probably unsavory. When he reconnects with an old girlfriend named Romina (Eva Mendes), he discovers that she has had a baby by him, a son named Jason. He wants desperately to win Romina back and to play a part in Jason’s life, but Romina has moved on. She has another man in her life and she knows that Luke is not the sort of person that anybody can depend on.

Desperate for money to prove to Romina that he can provide for her and their son, Luke turns to robbing banks with a male companion. His excellent motorcycle riding skills allow him to get away easily. He pulls off a few robberies without a hitch but, as expected, his good luck runs out. He meets his end at the hands of a young police officer named Avery Cross (Bradley Cooper), who, it turns out, has an infant son about the same age as the child that Luke has fathered with Romina. Avery is injured but victorious in his violent encounter with Luke Glanton and is hailed as a hero.

We learn that Avery Cross is more than a police officer; he’s also a lawyer and the son of a distinguished judge. As a police officer, he’s exposed to a level of corruption on the police force that he can’t stomach. He uses his position as an injured hero and as the possessor of knowledge about his fellow officers to advance himself to the position of assistant district attorney. He knows how to play the game.

Fifteen years later, Avery Cross is emerging as a player in state politics. He is running for the office of attorney general and is no longer married to the mother of his son. The son, AJ, is now a pouty, mumbling teenager in high school. He meets another seemingly troubled boy at school to whom he is drawn for some reason. We learn that this boy is Jason, the son of Luke Glanton and Romina.

Jason, as a seventeen-year-old, is much like Luke Glanton, the father he never knew. He steals drugs from a pharmacy and has an explosive temper. He is going to come to a bad end. He gradually learns who AJ is and, more importantly, who AJ’s father is and the role he played in Luke Glanton’s death fifteen years earlier. He’s wired like a time bomb.

For the serious moviegoer, The Place Beyond the Pines is thoughtful, intelligent and well-written, with enough twists and turns to keep the viewer engaged. It’s no surprise to me that it’s not playing at the multiplex in my neighborhood, where you can see all the latest G.I. Joe movies, chainsaw movies, and special effects-laden action-adventure movies. It’s the kind of movie that’s worth seeking out, wherever it might be playing, even if it’s at an “art” house in a part of the city where you’d really rather not go. (The whole time you’re watching the movie, you’re probably thinking at the back of your mind: Is my car really safe parked there?)

Copyright © 2013 by Allen Kopp 

Charmaine Chatsworth, Society Girl

 Charmaine Chatsworth image 1

Charmaine Chatsworth, Society Girl ~ A short story by Allen Kopp 

Fifi opened the curtains, letting the sun in. Charmaine was instantly awake. She groaned and sat up in bed as if reveille had been sounded.

“You said you wanted to be up by seven, miss,” Fifi said.

She wanted to pick something up and throw it at Fifi for interrupting such a lovely sleep but, after all, she was only doing her job.

“Where are mummy and daddy?” she asked.

“Breakfast is being served on the terrace, miss.”

She got slowly out of bed and went into the bathroom. After brushing her teeth and dabbing at her face with a washcloth, she ran a brush over her hair, put on a dressing gown and went down to the terrace.

“Good morning, dear!” mummy said cheerily. “I hope you slept well.”

“I always sleep like a dog,” Charmaine said.

“I think that’s ‘sleep like a log’,” daddy said, not bothering to look up from the paper he was reading.

“Well, that’s a cliché,” mummy said. “We try to avoid clichés in our speech.”

The maid came with coffee for Charmaine.

“None of that,” Charmaine said. “I’ll just have some grapefruit juice and toast.”

“I’m afraid you’re not eating enough,” mummy said. “You’re as thin as a nail.”

“I think you mean ‘thin as a rail’,” daddy said.

“Isn’t that what all women strive for?” Charmaine said.

Daddy put the paper down and looked at Charmaine’s dressing gown. “Are we not even bothering to get dressed anymore?” he asked.

“I don’t know about you,” she said, “but I’m not getting dressed until there’s a good enough reason.”

“Why don’t we all just sit around in our drawers, then?” he said.

Chester came out onto the terrace, kissed mummy on the cheek and sat down at the fourth side of the table.

“Morning all,” he said.

“Yes, isn’t it?” Charmaine said.

Chester was two years younger than Charmaine and already quite a man. He was six feet, two inches tall, had blue eyes and a dimple in his chin. He looked nothing like either mummy or daddy. Nobody was more entranced by his handsomeness than he was himself.

“How’s my favorite son this morning?” mummy asked, reaching over and patting him on the hand.

“I’m your only son, mummy,” he said.

“Unless, of course, you count Rexford, my dog,” she said. “He’s like a son, really, when you think about it, except that I didn’t give birth to him.”

“Why are you all dressed up so early in the day?” daddy asked, pointing at Chester’s tie and jacket. “You’re not by any chance planning on doing any work today, are you?”

“Heaven forbid!” Chester said. “I stand to inherit a very large fortune. Why would I work for it when I don’t have to?”

“There’s a little thing called ambition,” daddy said.

“Of which I have none. No, I just have a little business in town, that’s all.”

“What kind of business?” mummy asked.

“I think it comes under the heading of private business.”

“You’ve just been told to mind your own beeswax, mummy.” Charmaine said.

“It’s not some intrigue with some woman, I hope.” daddy said.

“Nothing as tawdry as that,” Chester said. “I’m going to the travel bureau and then I’m having lunch at the Seafarers’ Club with Dexter and Louie.”

“Louie’s that musician fellow, isn’t he?” mummy asked.

“That’s the one.”

“I’m afraid he isn’t a very savory companion for you.”

Chester laughed. “I believe I can choose my own friends, if it’s all the same to you.”

“Well, I just want you to be careful with that sort.”

“I hear he smokes reefers,” Charmaine said to tease Chester. “And that’s just for starters.”

“Oh, he does not!” Chester said. “You stay out of it!”

“How about you, daddy?” Charmaine asked. “Aren’t you going in to the office today?”

“Not today,” daddy said. “I’m taking a few days at home.”

“It wouldn’t matter if he never went to that horrible old office again,” mummy said. “He’s already got a hundred and seventy-five million dollars. Let those other people scramble and claw at each other to make money. Daddy doesn’t have to do that anymore.”

“Three years ago, in 1929, I had two hundred million,” he said.

“This awful Depression,” mummy said. “I don’t know what people are supposed to do.”

“Yes,” Charmaine said. “Isn’t it awful to have to squeak by on a hundred and seventy-five million?”

“The way you females spend money,” daddy said, “I’m wondering how long it’ll take you to run through the hundred and seventy-five million.”

“Oh, you exaggerate so!” mummy said.

“You ever notice how much of the conversation in this family centers around money?” Chester said.

“Well, since you’re not using Liggett this morning,” Charmaine said, “I thought I could get him to drive me in to town.”

“Oh, not you, too!” mummy said. “Why do both of my children have to go to town today when it’s a perfectly lovely spring day and we have this charming old thirty-five room house to knock around in?”

“I’m sure Rexford won’t want to go,” Chester said.

“Well, it’s like this,” Charmaine said. “I haven’t seen my friend Claudia Millet for ages. I told her I’d spend the day with her today and I might even stay the night if she invites me. We’ll probably see a show or something.”

“Well, if you think you should,” mummy said. “I have to keep reminding myself that you’re a grown-up person now.”

“I was going to take a cab to town,” Chester said, “but since Liggett is going to drive you, Cha-Cha, I’ll just tag along. He can drop me off at the travel bureau. I can walk to the Seafarers’ Club from there and I’ll take a cab home.”

“Oh, why must you use that horrible nickname?” mummy asked. “I cringe every time I hear it.”

“What’s wrong with Cha-Cha? It’s a perfectly logical diminutive of Charmaine.”

“It sounds like a floozy or a harlot or something.”

“Well, isn’t that what she is?”

“Watch who you’re calling names, buster!” Charmaine said. “Two can play at that game. I might think of some names to call you that you wouldn’t especially like.”

Charmaine ordered the car for nine o’clock. Liggett was waiting for them at the front door. All the way into town, she and Chester spoke little. Chester closed his eyes and appeared to be dozing, while she looked out the window at the trees, which were just beginning to come into full leaf.

Liggett dropped Chester off first and then turned around in the front seat and asked Charmaine where she wanted to go.

“Just let me out at the library,” she said, “and I’ll walk from there.”

As she was getting out of the car, she dismissed Liggett for the day. She was spending the night in town, she said, and wouldn’t need him. He looked pleased that he wasn’t going to have to wait for her and could go back home and do as he pleased until he was needed again. He touched the brim of his hat in a kind of salute and drove away.

From the library, she walked six blocks to a different part of the city. She turned at a corner as if she knew where she was going and walked two blocks down until she came to an old hotel on a corner opposite an empty warehouse. She went inside and engaged a room for the night. The desk clerk told her she could have the room only if she paid for it in advance.

Alone in the room with the door securely locked, she put her little suitcase on the bed and opened it. She took off her expensive-looking dress and changed into an ugly gray one like a female prisoner would wear. She changed her stylish shoes for a pair of scuffed oxfords and then put her dress, shoes and leather handbag into the suitcase and put the suitcase under the bed. She wiped the lipstick and makeup off her face and put on a brown felt hat that completely covered her hair. Checking herself over in the mirror, front and back, she then went back down the dark, foul-smelling stairs to the street.

From the hotel, she walked five blocks and turned and began walking toward the river. She could smell the river and feel it in her mouth from a long way off. Finally when she came to a charity soup kitchen in a building whose windows had been covered with newspaper, she paused for a moment and then went inside. She found the man who ran the soup kitchen, a Reverend Peebles, and told him she was there to help. He gave her an apron and put her behind the counter.

She ladled soup into bowls until the pot was empty and somebody from the kitchen came and replaced the empty pot with a full one. She was sweating and her feet ached. Still the indigents came, an endless flow of them. The bowl of soup and slice of bread was all the food most of them would have all day.

After a couple of hours she spotted him far back in the line. His turn came, finally, and she filled his bowl. She smiled at him and he smiled back. When she saw him take a seat at the back of the room and begin eating, she gave her ladle to the girl standing closest to her and said she needed to take a little break. She took off the apron and went to where he was sitting and sat down across from him.

“Hello,” she said. “I was hoping you’d be here today.”

“Well, here I am,” he said.

“Are you feeling better than the last time?”

“No. I think I’m dying.”

“You should see the doctor at the free clinic.”

“What if I told you I don’t care that I’m dying?”

“Everybody wants to live,” she said.

“Do they?”

“Let’s not quarrel.”

“Who’s quarreling?”

“I read the first six chapters of your book.”

“Are you going to tell me I’m a lousy writer?”

“On the contrary. I’ve never read anything like it. You have a very interesting and unusual way of expressing yourself. I can’t wait to read the rest of the book.”

“There’s not going to be anymore,” he said. “I’ve given up writing. It’s a luxury I can no longer afford.”

“What about the six chapters?”

“Burn them. Use them for wrapping fish. I don’t care.”

“You can’t give up now.”

“Can’t I?”

“I got us a room,” she said, hoping to change the subject.

“Does this room have a bathtub?” he asked.

“Yes.”

He flashed one of his rare smiles at her and finished his soup.

When they were walking back to the hotel, she stopped at a little market and bought a loaf of bread, some cheese, a couple tins of sardines, a package of cigarettes, two apples and some oranges.

“First a room and now food,” he said. “Where is the money coming from?”

“I had a little saved,” she said.

“You’re not a prostitute, are you?”

She laughed. “I’ll try not to be too insulted by that,” she said.

At the hotel, she had to help him up the stairs to the room because he was so weak. She opened the door and when he saw the bed he went to it and lay down heavily on his back, gasping for air.

“When are you going to see a doctor?” she asked.

“Probably not until they’re doing the autopsy.”

“Ha-ha. What a wit.”

While he was taking a bath, she washed his underwear and socks the best she could in the sink and hung them up to dry. When he came out of the bathroom he got into bed and covered up because he had nothing to put on.

“You’re feeling much better now, aren’t you?” she said.

She lay down on the bed beside him, on top of the covers. She kissed him lightly on the lips and then lit a cigarette for him.

“I really don’t know what I see in you,” she said.

“Don’t you think I’m handsome?”

“Not especially.”

“What is it then?”

“I don’t know. It was something I felt the first time I saw you last fall. Something that can’t be explained in words. Some kind of mysterious connection.”

“I don’t believe in that kind of bull,” he said.

“What do you believe in?”

“Nothing.”

He took her hand and put it to his lips. “You look and smell so clean,” he said. “Not like the rest of us.”

“I had a bath before I walked over to the soup kitchen.”

“I know nothing about you,” he said. “Are you some kind of an angel or something?”

“Hardly.”

“Do you have family? A family of angels?”

She laughed. “I have a mother, father and brother, but I don’t think anybody would ever think of them as angels.”

“Where do they live?”

“Not far from here.”

“When do I get to meet them?”

“Soon.”

“You know, don’t you, that you’re wasting your time with me?”

“Why do you say that?”

“Because I’m no good. When I was growing up, my old man was always telling me I was worthless and I see now that he was so right.”

“Everybody has worth,” she said.

“I want you to just forget about me.”

“I could help you if you’d let me.”

“How do you mean?”

“I could give you money while you finish your book.”

“I’d rather die than take money from you.”

“You could think of it as a loan and pay me back when the book is published.”

“The book won’t ever be published. I told you. I’m washed up as a writer. I won’t ever write another word.”

They talked through much of the night and slept intermittently. He wanted to know about her upbringing. She told him as much as she could without actually lying, omitting, of course, certain details such as the family yacht and vacations in the South of France. They ate the food she bought, talked some more and slept some more.

When a police siren woke her up before dawn, he was gone. She waited for the sun to come up and then changed her clothes and left the hotel and found a cab to take her home.

At mid-morning when she was dozing on the terrace in the sun, mummy came out of the house and sat down close to her. When she realized mummy was looking at her with more than the usual scrutiny, she opened her eyes all the way and sat up.

“Are you going to the dance tonight at the country club?” mummy asked.

“I suppose so.”

“What dress are you going to wear?”

“The peach, I guess.”

“Who are you going with?”

“Talbot Lakey.”

“He’s very good-looking, isn’t he?”

“Yes.”

“But you don’t like him very much, do you?”

“Not very much.”

“He’s an accomplished polo player and already owns his own yacht.”

“Yes.”

“I think it’s time for you to start thinking about finding a suitable husband.”

“Maybe you can find one for me and save me the bother.”

“Did you and Claudia Millet have a good time?”

“Yes.”

“What show did you see?”

“Oh, we decided not to go to a show after all. We had lots of talk to catch up on.”

“Why don’t you tell me where you really were?” mummy said.

“I suppose it wouldn’t do any good to tell you it’s none of your business, would it?”

“No,” mummy said. “Not this time. I think you should see a doctor and have a thorough physical exam.”

“All right, mummy,” she said. “Anything you say.”

Copyright © 2013 by Allen Kopp

A Conversation Between Two Mothers

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A Conversation Between Two Mothers ~ A Short Story by Allen Kopp

It was Madge’s turn to host the card party and she still had much to do. She had put her hair up in curlers and was tying a scarf around her head to make herself presentable to go and buy some last-minute items, when there came a knock at the back door. She huffed with impatience, snuffed her cigarette out in the garbage pail, and opened the door to a short, toad-like woman with frazzled red hair.

“Mrs. Simple?” the woman said.

“It’s Semple,” Madge said.

“Well, Simple or Semple or whatever it is, I need to have a word with you.”

“What about?”

“You have a son named Dakin?”

“That’s right.”

“He’s been picking on my Leslie.”

“Picking on your what?”

“On my son Leslie, dodo bird!”

“Oh. And who are you?”

“My name, if it should happen to be of any interest to you, is Mrs. Felton. My son is Leslie Felton.”

Madge sighed and stepped out the back door. “Maybe you’d just better tell me what happened,” she said.

“Leslie was riding his bicycle on the sidewalk, minding his own business. Dakin jumped out from behind a tree and yelled and scared him and caused him to wreck his bike. He cut a big gash in his leg that was pouring blood.”

“I’m sure that’s an exaggeration.”

“And that’s not all. When Leslie was lying on the ground howling in pain, Dakin took his bicycle.”

“Oh, he’s just playing. That’s what boys do.”

“Oh, is that so? Well, if you want to know the truth, I think Dakin is a lunatic! Only a lunatic enjoys inflicting pain on others.”

“Now, hold on a minute!” Madge said. “You don’t have any right to speak to me that way about my child!”

“Then when Leslie finally got his bike back, it had some scratches on it that weren’t there before. Caused by your brat!”

“Wait a minute!” Madge said. “Did you see Dakin do any of this?”

“He did it all right!”

“Did you see him do it?”

“Well, no, I was in the house, tending to my little girl.  She’s got a rash all over her body and we don’t know what’s causing it.”

“If you didn’t see Dakin do it, how do you know he did?”

“Because Leslie said so. If you could have seen how upset he was, it would have broken your heart. If you have a heart.”

“Maybe Dakin didn’t do it. There are lots of boys in the neighborhood.”

“Leslie said he did it and if Leslie says a thing, it’s true! He came into the house crying with the blood dripping down his leg. He was so upset he couldn’t speak. When I held him on my lap and got him to calm down, he told me what happened.”

“So, you’re taking Leslie’s word that Dakin did it?”

“Hell, yes!”

“You can’t always go on what kids say. They have a way of distorting the truth. Sometimes you have to find out what happened on your own.”

“So you’re saying my boy is a liar?”

“Look, Mrs. Whatever-your-name-is, I’m very busy at the moment and I don’t have time to stand here and jaw with you all day, as lovely a prospect as that is. When Dakin comes home, I’ll speak to him and I’ll find out what really happened. If he did what you say he did, he will be made to apologize.”

“And that’s all?”

“You want a written confession in blood?”

“I have a good mind to call the police.”

“They’ll just laugh at you for being so trivial.”

“You tell that little ham-handed troglodyte of yours to stay away from Leslie and Leslie’s bike and anything that belongs to Leslie.”

“You’d better watch who you’re calling names! You’ve got a lot of nerve coming to my door and raising such a fuss over nothing!”

“So now you’re saying it’s nothing? First Leslie is a liar and now it’s nothing!”

“I told you the matter will be taken care of! Now, so help me, if you don’t get off my property right now, I’m going to throw something at you!”

“My, aren’t we hoity-toity, though? You think you’re better than me, don’t you? Well, I’ll tell you something. I have no intention of getting off your property until I’m good and ready.”

“Oh!” Madge said. She ran into the kitchen, looking for something to throw. The first thing that came to hand was a bag of grapefruits. She carried the bag out the door and began lobbing grapefruits at the woman, one after the other. The first one hit her in the chest but the rest missed her.

“I see where Dakin gets his craziness from!” the woman said. “Only crazy people throw fruit!”

When Madge had run out of grapefruits, the woman, as deft as a monkey, rushed her and punched her in the chin with her fist. The blow almost knocked her off her feet but she caught herself on the doorframe.

“I’ll give you fifteen seconds to get off my property,” she said. “That’s how long it’ll take me to go to the bedroom closet and get the loaded gun my husband keeps there.”

“Oh, my!” the woman said, taking a few mincing steps and waggling her hips in a demonstration of hoity-toity. “You can see how scared I am, can’t you?”

“You are the most repulsive woman I’ve ever seen!”

“Well, that goes double for me!”

The gun was in the exact spot in the closet where Madge thought it would be, high up where the kids wouldn’t find it. She checked to make sure it was loaded and then before she knew what she was doing she was outside again, pointing the gun at the woman.

When the woman saw the gun, she didn’t leave as Madge hoped she would but bent over from the waist and made a raspberry sound with her tongue and lips. Then she stuck her thumbs in her ears and waggled her fingers.

“Hah-hah-hah!” she said. “Are you supposed to be scaring me with that little pea shooter? I’ve had bigger guns than that pointed at me!”

The first bullet struck the woman in the breastbone, the second knocked her off her feet. She was lying on the ground, struggling to stand up, as Madge fired all the bullets in the gun at her, six in all.

When she was sure the woman was dead, she dragged her body by the ankles into the bushes in the overgrown neighboring yard where the house just happened to be vacant. It would be a while before anybody found her and, when they did, they wouldn’t know what had happened.

She put the gun back in the closet and checked herself in the mirror. No, she didn’t look as if she had just killed somebody. She went out to the garage and backed the car out and zoomed up the street, waving and smiling at some of the neighbors. It was getting late and she had to get to the store before they were out of the best cuts of meat.

Copyright © 2013 by Allen Kopp

Curtain of Night

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Curtain of Night ~ A Short Story by Allen Kopp

She didn’t know how far she had walked, but it seemed more than a mile but not quite two. Finally when she came to an old house at the end of a dirt road with a split tree she knew she had come to the right place. She walked up rickety wooden steps to the front door and knocked timidly. In a moment an old woman came and peered out at her through the screen.

“Yes?” she said.

“Mrs. Wakes?” the girl asked.

“Yes.”

“I’ve walked all the way from town to see you.”

“Do you have any chocolate on you?”

“Why, no.”

“Are you alone?”

“Yes ma’am.”

“Well, come on in, then. And make sure you don’t have no mud on your shoes.”

Stepping in out of the bright sunlight, she could barely see. It was the darkest house she ever saw. The windows were covered up on the inside.

“Come on back to the kitchen,” Mrs. Wakes said.

She pulled a chair out from a table and gestured for the girl to sit. She took a glass and filled it with ice-cold water and put it on the table in front of her. “Better tell me who you are,” she said. “I like to know who I’m dealing with.”

“My name is Ernestine Bird. I live in town with my papa and my mama and my younger brother Gaither. My papa owns the feed and grain store. I go to church every Sunday.”

“What can I do for you, Ernestine Bird?”

“People say you’re a witch.”

“Uh-huh.”

“Are you a witch?”

“Do I look like one?”

“I’ve never seen a witch so I couldn’t say.”

“Some call it one thing. Others call it something else. If you feel good calling me a witch, then go ahead and do it.”

“You sell potions and things.”

“I don’t call them potions. They’re medicines, restoratives, mixtures, compounds and what-not. Whether or not they work is very often in the mind of the person using them.”

“Do you have something that could cause a person to die mysteriously, but really fast and without any pain or choking or fits or anything?”

“There is something called ‘Curtain of Night’ that brings instantaneous death to those that take it. I don’t give it to just anybody, though.”

“That’s the thing I want.”

“Just who is it you want to die?”

“It’s for me.”

Mrs. Wakes looked directly at her face as if studying her. “I don’t usually give it to people who want to use it on themselves,” she said. “It’s mostly always used for a sick family member who can’t get well or for revenge against an enemy.”

“I promise you nobody will ever know where I got it.”

She sat down at the little table and took Ernestine’s right hand in her own and turned it palm up.

“Are you going to read my fortune?” Ernestine asked.

“Nothing as silly as all that,” she said. She rubbed her palm against Ernestine’s palm. “Your hand is all sweaty.”

“I walked a long way.”

“Drink the water.” She pushed the glass toward Ernestine and watched as she drank.

“Now,” she said when the glass was empty, “tell me your foolishness, whatever it is. I’ve heard it all in my day.”

“There’s this boy I want to marry.”

“Oh, so it’s about love, then. Why am I not surprised?”

His name is Phillip Andrew Clague. He’s older than me. I’ve been out on dates with him exactly three times. He has a Ford that we ride in with the top down. One time we went to the picture show and the other two times for a drive in the country.”

“And he took advantage of you when you were least able to resist and now you’re in trouble, is that it?”

“Oh, no, that’s just the thing. He keeps his distance. He acts like I’ve got the plague or something.”

“So, he doesn’t like you very much, or not enough to suit you? Is that what you’re saying?”

“Yes, ma’am.”

“And you want to die because of it.”

“Recently he’s started stepping out with a girl named Hester Risley. She’s a whore but he doesn’t know it yet. I’ve heard from somebody who knows Hester that she’s got it into her head that she’s going to marry him. I can’t let that happen.”

“Is it worth dying over?”

“If I can’t have him I don’t want to go on living.”

Mrs. Wakes sighed. “Oh, foolishness, thy name is woman!” she said. “Take the word of an old harridan four times older than you. You don’t want to die over the first boy that bats his eyelashes at you. He’ll move out of your life and then somebody else will move in and, before you know it, you won’t even remember the name of the one you were willing to die for. It’s the way of young people. Go on home now and forget you were ever here.”

“I’ll pay you all I have. Twenty dollars.”

She leaned over and spit into a lard bucket on the floor against the wall. “Has it occurred to you,” she said, “that there might be some other way besides doing away with yourself?”

“I have the feeling you’re laughing at me.”

“I can give you a love elixir that will make any boy fall in love with you. Even one who thinks he doesn’t like you at all.”

“Is that possible?”

“It happens all the time. If you’re able to give him the elixir and take some yourself at the same time, he will love you throughout all eternity. Your spirit will be locked together with his as though you are one, forever and ever.”

“I’d like some of that, please.”

“Not so fast. You have to ask yourself if you really love him that much. You have to be sure because there’s no way to undo it.”

“The answer is yes.”

“How much do you know about him?”

“I know enough.”

“Do you know what his personal habits are like? Does he keep his word? Is he kind to animals? Is he kind to his mother? Do you know his opinions on the important subjects of the day? Is there anything going on in that head of his behind his pretty face?”

“I know enough, I tell you.”

“I want you to think about these things. Go away and come back in one week. After a week’s reflection, you might change your mind.”

“I don’t have one week and I won’t change my mind! If he decides he’s going to marry Hester Risley, it’ll be too late.”

“It’s your funeral. Don’t say I didn’t warn you.”

“So you’ll let me have it, then?”

“I don’t know yet. Only on the condition that you’ll think about it for a while before acting.”

“I will.”

“And, also, you’ve got to understand there are no guarantees.”

“Are you saying it might not work?”

“It’s not a hundred percent foolproof. Most of the time it works but not always.”

“If it doesn’t work, will you give me back my money?”

“After you leave here, you assume full responsibility for what happens or doesn’t happen. By the time you get back to town, you’ll forget that I exist or that you were ever here. You’ll have the love elixir but you won’t know where you got it.”

“How is that possible?”

“It’s something I do to you. In fact, I’ve already done it and you didn’t even know it.”

“You cast a spell on me?”

“Call it whatever you like.”

“Since the love elixir might not work, I want the Curtain of Night, too. Just in case.”

“I want you to make sure you understand the seriousness of the step you are about to take. You’re not playing a child’s game.”

“I know that.”

“Very well. Go into the next room and lie on your back on the bed. I’ll be with you in a few minutes.”

The room off the kitchen was just as dark as the rest of the house, but a small chink of light, enough to see by, came through at the top of a window. Against the far wall was a small bed with one pillow and a coverlet. She lay on the bed as Mrs. Wakes had instructed her to do and folded her hands over her abdomen. She breathed out and breathed in. Soon she was asleep.

When she came awake, she was on the road back to town with the odd sensation of not being able to remember how she got there, as if she had woken up while in the act of walking.

“She really is a witch,” she said to herself.

By the time she got back to town, though, she couldn’t remember Mrs. Wakes at all. When she got home and found the two tiny bottles in her pocket, one marked Love and the other Death, she couldn’t remember where they came from but she knew what they were for and how she was going to use them when the time came.

Copyright © 2013 by Allen Kopp

The Man Who Prepared Himself for Death

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The Man Who Prepared Himself for Death ~ A Short Story by Allen Kopp

(Published in The Zodiac Review.)

I’ve always lived a thousand miles from the ocean, so it’s rather a novelty for me to be able to stand on the beach with the surf lapping at my feet and look at out the endless horizon where water meets sky. At night when I get into bed, I can hear the waves, which for me is the sweetest kind of blankness to drop off to.

I have a beautiful room—more of a suite, really—on the eighth floor. Except for bellboys, waiters, and the maid who picks up in my room in the morning, I haven’t spoken a word to anybody since I’ve been here. I’ve almost forgotten what my own voice sounds like, which is altogether fine with me.

I gave my son, my only living relative, what I thought he deserved. When I gave him the keys to my house and car, I told him I was going away and never coming back. He asked me jokingly if I was going on an expedition to another planet and I told him that, yes, in a way I was. He could sell or keep all my possessions—it made no difference to me. When he could see I wasn’t joking, I thought I saw a flicker of concern pass over his face; it lasted only a second and then was gone. We shook hands whenever we parted as if we were business partners instead of father and son.

On Friday evening I get dressed and go down for dinner. The restaurant is an enormous room—I’m told it used to be a ballroom—with a thirty-foot-high ceiling. The outside wall, including part of the ceiling, is all glass, giving the illusion that one is both indoors and outdoors at the same time. The only difference is the tropical plants outside are growing in the ground and inside they are in huge planters. Off to the side is a pianist on a little raised platform. One has to twist one’s head all the way around to get a glimpse of him. He plays softly and tirelessly from the French repertoire: Ravel, Satie, and Debussy.

Everybody in the restaurant is seated alone. I suppose it would be possible for two or more people to sit together at one table, but nobody ever does. Something else that you might find peculiar is that everybody is facing the same direction, toward the glass wall. And, since everybody is a party of one, there is no conversation except with the waiters who move efficiently among the tables in what seems a sort of dance.

The dinner with its various courses takes upwards of two hours. In all that time I can’t help but notice the people in my line of sight, although all I can see are backs of heads and the occasional profile. They are mostly very ordinary people, like me; people you would see on any street in America. There are the well-heeled bottle blondes and the middle-aged men who don’t wear their clothes very well because of their lumpy bodies.

A few of the people stand out, for one reason or another: The large woman dressed all in black with a veil over her face. I wonder how she is going to eat with her face covered, but then her food arrives and she raises the veil like a curtain. (When the show is over, the curtain comes down again.) The distinguished-looking gentleman with the eye patch and the terrible limp who obviously has an artificial leg under his trousers. The platinum blonde in the glittery gown who, you realize on the second or third look, is really a man. The “movie star” with his perfect black hair (a wig?) and finely chiseled features. (No autographs, please!) Even with my limited knowledge of movie actors, I recognize him from movies he was in ten or fifteen years ago. I believe he’s what is known as a “has-been.”

The one person who stands out the most (for me, anyway) is the midget. Unlike other midgets I’ve seen, he’s perfectly proportioned; his head is a perfect oval shape and is not too big for his body. With his pencil-line moustache and his evening attire with top hat, cane and gloves, he resembles a doll or a ventriloquist’s dummy. You almost want to take him on your lap and see what happens. After he has been seated, he removes the top hat and places it upside-down on the corner of the table with the gloves inside and the cane beside the hat.

All the people in the room, like me, have been schooled in the art of closing themselves off from others. While sitting alone in a room with a hundred or so other people, you are able to radiate the illusion in your every movement that you are the only person present.

One by one, over the course of the next several days, those people who stand out for me cease to exist, along with others who merely seemed like ciphers. Every evening at dinner in the restaurant I notice new people who were never there before and an absence of those who were there when I first came. First the fat lady in black takes her leave; then the glamorous platinum blonde who is a man. Then, conspicuous in his absence is the gentleman with the limp, followed by the fading movie star. They all got what they came for.

For several days thereafter I continue to see the midget every evening when I’m eating my swordfish or filet mignon. Even though we’ve never met or spoken a word to each other, I feel some kind of a connection with him, a familiarity. I know, without knowing, that he has a fascinating story to tell; I’m sure I would like him and he me. Then, one evening when I take my place at my tiny table and look across the room to find him with my eyes, he, too, is gone. I think maybe he is just late in coming, but then he doesn’t come at all.

After dinner that evening I am unnerved and maybe even a little despondent. And I had been doing so well since I came here. At one a.m., I still haven’t been able to go to sleep, so I call the night attendant. I think he can give me a pill or speak a few words of encouragement.

“What’s the problem?” he asks as he comes into my room and sits down in the chair by the bed, puts his elbows on his knees and clasps his hands together. He wears a form-fitting blue shirt that shows his muscular frame. His name is Paul.

“I’m a little unsettled,” I say.

“Stomach bothering you? I can give you a bromide.”

“No, it’s not that. My stomach is fine.”

“Would you like a massage? It’ll help you to relax.”

“No, I don’t like being touched.”

He looks at me as if he’s trying to figure me out. He could break me in half if he wanted to.

“Do you want me to sing to you?” he asks.

“Does anybody change their minds after they get here? Decide they don’t want to go through with it?”

“You know that’s not possible,” he says. “That’s why they subject you to all that counseling and screening so you know before you get here that there’s no turning back.”

“Do you know how they do it?”

“No, I don’t, and you don’t want to know either. You’re not supposed to worry about that at all. You’re not supposed to even think about it or talk about it.”

“I wasn’t worried about it until this evening after dinner.”

“Did something happen at dinner?” he asks.

“No, it’s just that a friend of mine who had always been there wasn’t there anymore.”

“You didn’t come here to make friends,” he says with a sad smile.

“I know. I just can’t seem to help myself.”

“I can give you a pill if you like.”

“Is it the pill? The pill to end all pills?”

He laughs. “No, it’s not that,” he says. “That’s not my department. It’s just a simple little sleeping pill.”

He takes a little bottle out of his pocket and shakes a pill into my palm. He goes into the bathroom and gets a glass of water and when he comes back I take the pill like a trouper.

“I’ve been here now for two weeks,” I say. “I’m a little concerned about how much longer I’m going to have to wait.”

“The wait is making you nervous?”

“A little.”

“Everybody is different,” he says. “When the decision is made that you’re ready, your wait will be over.”

“I’m ready now. I was ready on the day I arrived.”

He surprises me by patting my hand. “You have absolutely nothing to worry about. Maybe you’re just feeling a little lonely. Do you want me to sit with you for a while until you go to sleep?”

“If you have nothing better to do.”

He makes himself comfortable in the chair and in a minute or two he’s snoring. I must have fallen asleep right after that because that’s the last thing I remember.

When I wake up I look at the clock and am surprised to see it’s nearly noon. Paul is gone, of course, and I haven’t heard him leave. I  have lost ten hours or more in sleep that seemed like ten minutes. I don’t know what was in the pill he gave me, but it was very effective. Oblivion in a bottle.

I force myself to get out of bed and take a few steps. I feel groggy and my legs feel like lead. When I open the curtains, I see the sky is gray instead of the customary brilliant blue; it’s raining out and foggy.

Unlike most people, I like the rain and the fog, so I get dressed and go down in the elevator and outside. I’ll walk for a while and then maybe I’ll feel like eating a light lunch.

The surf is choppy and I don’t see the usual small boats. It promises to be an interesting day, I think. We’ll see what all this weather brings. I feel a tiny bit of exhilaration, something I haven’t felt for a long time. Something is in the air; I’m not sure what.

I walk a half-mile or so down the beach from the hotel. I don’t see anybody, not even any gulls. I plan on going down just a little farther and then turning around and going back. I like the spirit of adventure, being out in wind, rain and fog that nobody else will brave. Take me for the fool I am.

As I continue walking, I hear a rushing sound, like a rush of air. I think it’s the wind picking up but when I turn and look out at the ocean I see a huge wave that seems to be coming right toward me. The wave is so big I know I can’t outrun it. I stand rooted to the spot and close my eyes and wait for the wave to crush me. My last thought is: So this is how they do it!

I don’t know how much time goes by. Time has lost its relevance. I’m lying in shallow water. I open my eyes and see people standing on a small pier looking down at me. Somebody jumps into the water and raises me up. I see right away it’s Paul, the night attendant who gave me the pill. He lifts me out and places me on my back on the pier. I choke and gasp for air. When I have revived a little bit I look up at the people standing over me. It’s the fat lady in black, the faded movie star, the gentleman with the eye patch, and the glamorous platinum blonde who is really a man. Someone is straddling my chest to force the water out of my lungs. I think at first it’s Paul but then I realize it’s the midget with the pencil-line moustache.

Copyright © 2013 by Allen Kopp