The Other ~ A Capsule Book Review

The Other ~ A Capsule Book Review by Allen Kopp

The Other is a gothic horror novel by actor-turned-writer Thomas Tryon (1926-1991) that has become something of an American classic and has sold millions of copies. It is set in 1935 in a small Connecticut town.

The Perry family has had more than its share of tragedy. The father died accidentally when a trap door fell on him as he was going down stairs to a cellar. His widow, Alexandra, is fluttery and nervous and can’t leave her room. A visiting cousin, named Russell, falls on a pitchfork concealed in hay while playing in the barn and dies. A neighbor woman dies mysteriously and her body isn’t discovered for a week. A newborn baby disappears and a frantic search is underway to find her. Alexandra is badly injured when she falls down the stairs. What is going on here?

Niles and Holland are twins, age thirteen. Alexandra is their mother and Ada, Alexandra’s mother, is their grandmother. Ada is the matriarch of the family. She is a Russian immigrant and speaks with an accent. She brings superstitions with her from the old country. She teaches Holland and Niles a game of transference in which they imagine they are something or someone other than themselves. This game of transference is an important plot point.

Even though Holland and Niles shared the same womb for nine months, they are very different. Holland is cruel and sadistic. He enjoys hurting and killing people and animals. Niles is just the opposite. He is a ray of sunshine and a help to his shut-in mother and his elderly Russian grandmother. Niles worships Holland. The good drawn to the bad. A moth to flame.

The Other is a breezy and clever (you might say, gimmicky) 288 pages and full of atmosphere. Can you guess the secret of The Others? If you can’t, the secret is revealed about three-quarter of the way through the novel. It has to do with twins Holland and Niles and the game of transference their grandmother teaches them. Holland gets what he deserves, but does angelic Niles deserve what he gets? It is, in a way, a story about mental illness.

Copyright © 2017 by Allen Kopp

A Prayer for Owen Meany ~ A Capsule Book Review

A Prayer for Owen Meany ~ A Capsule Book Review by Allen Kopp

John Irving’s 1989 novel, A Prayer for Owen Meany, is a story about friendship, faith and destiny. It takes place from the early 1950s through the late 1960s and into the turbulent Vietnam War years. The story is told in the first-person voice of John Wheelwright, best friend of Owen Meany. John and Owen live in the small town of Gravesend, New Hampshire. They both have things that set them apart. John was “born out of wedlock” and doesn’t know who his father is. (John and Owen spend many years trying to figure it out.) John lives with his pretty mother and snooty grandmother in a large, imposing house; his grandmother has plenty of money. Owen is very small and, when he grows to adulthood, will only be about five feet tall and weigh one hundred pounds. His voice is described as an arresting “falsetto” that doesn’t change and deepen as he gets older, as other boys’ voices “change.”

Owen doesn’t have the advantages that John Wheelwright has. He lives with his ignorant parents near a granite quarry, where there is always dust in the air. His father is in the granite and gravestone business. Owen is an only child. His mother, who might be retarded, sits and stares and doesn’t say much. The Wheelwright family practically adopts Owen; he almost spends more time in their home than he does in his own. When Owen and John are about ten years old, Owen is the unwitting cause of John’s mother’s death.

Despite his limitations, Owen is smart and funny and people love him. He feels terrible about what happens to John’s mother, but John doesn’t blame him. “It was an accident,” John says. John’s grandmother, who doesn’t like many people, likes Owen. She comes to be his benefactor in many ways. Another major character is Dan Needham, John’s stepfather and a widower now that John’s mother is dead. The Reverend Lewis Merrill, the stuttering minister, also figures prominently in the story.

The most important thing about Owen Meany is that he has an unshakeable faith in God. He seems himself as God’s instrument. He has a destiny to fulfill, he believes, and he will fulfill it, despite any obstacles placed in his way. John, who is at first an unbeliever, comes to believe in God because of his association with Owen. Owen’s odd father tells John toward the end of the book that they believe Owen was a “virgin birth.” Owen is different in so many ways and touches many lives. You have to read the book to know what a miraculous character Owen is.

A Prayer for Owen Meany is long (617 pages), too long at times, especially toward the end. The liberal 1980s politics that the narrator interjects seem out of date and unnecessary. (I cringe at the mention of the “Iran-Contra” affair of the 1980s. That doesn’t belong in this story. The politics of the Vietnam War era are at least relevant to the story.) Another quibble I had while reading the novel was the crude character Hester, John’s cousin to whom he is sexually drawn and Owen’s “girlfriend.” I for one could have done without her. The “cringe factor” of A Prayer for Owen Meany is small, though, and doesn’t ruin a generally compelling story. It’s fast, light reading that doesn’t require a lot of deep concentration.

Copyright © 2017 by Allen Kopp

The Door That’s Always Closed

The Door That’s Always Closed ~ A Short Story by Allen Kopp

My name is Charles Anson. I moved in with my mother after my father died. At first I hated the idea of living with my mother at the age of thirty-seven, but soon I got used to it and thought of her home as my own. And I have to admit, my life was easier there. She had a cook and a housekeeper, so I no longer had to buy or cook my own food or do any housecleaning, which I was never very good at, anyway.

My mother was in her mid-forties when I was born. She was always older than the mothers of my friends, more like a grandmother. She had developed a bad heart in the years after my father’s death and told me she was happy to have me there with her—I was her only family that counted, she said—even though we argued at times about things I did that she didn’t like: I drank too much and I sometimes didn’t bother to call her when I wasn’t coming home. At those times, I had to remind her that I was no longer fifteen years old. She had to relinquish what she considered her “rights” as a mother and treat me with the respect I deserved as an adult.

She was known for her temper, which my father could tell you about if he was here. I remember when I was little and heard them fighting in the night. It wasn’t unusual to hear yelling, breaking glass or splintering of wood. When my father got enough of my mother goading him, he would end up throwing a vase or something at her head. In the morning when I asked what had happened, my mother would laugh and say my father had a little accident while sleepwalking. I knew it wasn’t the truth but it was a good way to gloss over an ugly situation.

I went to work every day and when I came home my mother was there and dinner was on the table and all was well. After dinner, I would usually step out if I felt like it, even though I knew my mother was jealous if I didn’t spend all my free time with her. In the evenings she watched old movies on TV and was happy to have me sit and watch with her, but it wasn’t my idea of a good time. I can only take so many Depression-era comedies with wisecracking dames and maids masquerading as madcap heiresses.

Most of the time when I came home from a night on the town, sometimes at one or two in the morning, my mother would have the TV and all the lights on, but would have retired to her room. This made her feel safer when she was alone, she said. I would turn everything off, starting with the TV, and make my way to bed, sleep for about four hours, get up and begin my day all over again, as so many of us working stiffs do. My mother had told me I didn’t even need to work, that she had plenty of money for us both to live on, but I couldn’t see myself hanging around all day with just her to talk to and having to ask her for money anytime I wanted to go out and have a few drinks.

On weekends I always tried to spend either Saturday or Sunday with my mother, just the two of us. She liked to go for a drive and I would very often take her to the cemetery where my father was buried and then take her to a good restaurant for lunch. If it was a Sunday, we would try to take in a museum or a concert. If I ever had the idea of going to a movie theatre and seeing a movie, she said she preferred seeing them on TV. When I told her that most people who liked movies wanted to see them at the theatre and not on TV, she only shook her head. The movie screen gave her a headache, she said, and she didn’t like the smell of popcorn.

All in all, my life was agreeable. I didn’t spend most of the money I made, so I was able to invest. The market was doing well, so I did well. I didn’t miss the things I didn’t have that other people had, like a marriage and children. I had learned early in life that not everybody in the world is the same and I found it out more and more as I got older. What’s right for most people is not right for everybody.

My mother went on for years with her bad heart, but she came to a point where she couldn’t go on any longer. She looked pale and drawn all the time and spent most of her time lying down. She stopped fixing herself up and having her hair done up. Some days she didn’t even bother to get dressed.

She went to the hospital for a few days and when she came home she said she was never going back, no matter what. She wanted to be in the privacy of her own home and not have a bunch of strangers around her at the end. I hired a nurse to be with her during the day when I was at work and a different nurse at night. They just did their work quietly and effectively and didn’t bother me. I paid them when the time came and left them to do whatever needed to be done.

I decided to quit my job in early summer. I didn’t need to work, as I said before, and all the time I was away I was worried that the end would come for my mother and I wouldn’t be there when she needed me. I dismissed both nurses and told them I would take over from there.

My mother moved into one of the guest bedrooms—she didn’t want to mess up her own room where all her treasures were—and became entirely bedridden. Her doctor sympathized with her desire to be at home and gave me lots of pills to give to her. He told me I didn’t have to hold back in administering her medicine and nobody would ever know the difference. I knew what he was saying without further explanation.

We kept her heavily sedated and I knew she wasn’t in any pain. Every so often she would open her eyes and look at me and I knew she was happy with the way things had turned out. She died peacefully on a hot afternoon in August. She was breathing and then she wasn’t. I hoped that when my time came, I would die so simply and easily.

When a loved one dies, there are certain things that need to be done. I was supposed to call the doctor and get a death certificate and then call the funeral home and have them come and take her body away. I found I wasn’t able to do those things, though. I could not speak the words to anybody that she was dead. All I did was close the heavy drapes in the room where she lay and close the door to the room and lock it. I placed a beautiful Chinese screen she was fond of in front of the door to make it seem there was no door there at all.

I knew I would eventually have to have her taken away, but for now I just wasn’t able to disturb her at her rest. The bed in which she lay seemed more the place for her than a casket on display in a funeral home and then a grave. Some people would say I was crazy to do what I did, and maybe I was. It was my way of keeping her with me.

I suppose I was lonely and always had been. I realized after my mother was dead that she was the only person in the world who ever kept me from feeling lonely. I had friends, of course, but not close friends, and when I was away from them I didn’t care if I ever saw them again. I was indifferent toward them, as I had been indifferent toward many things and people in my life.

I kept the apartment dark and I started drinking heavily and taking my mother’s medications. If I didn’t know what they were for, it didn’t make any difference. If I took too many and didn’t wake up, it was all the same to me. I was in a state between living and dying.

Then, after a few weeks, I suppose I snapped out of it, at least partway. I looked at myself in the mirror and vomited. After that, I cleaned myself up and went out and had a good meal in a restaurant. The next day I hired some cleaning people to come in and clean the apartment and air everything out from top to bottom. I kept the door to my mother’s room locked, of course.

I began eating regular meals again and gained some weight. I bought some cook books and learned to fix dishes I had never fixed before, like standing rib roast and lemon trout almondine. I bought myself some new clothes and began going out more, but almost always alone. I walked farther than I ever walked before. I went to movies and different restaurants that were new to me and sometimes I went to church and sat in the back and listened and watched the people.

In the evenings I would pass the time reading novels, listening to classical music or watching old movies on TV as my mother had loved to do. I became as knowledgeable in movie lore as she had ever been. I saw the films of Ramon Novarro, Ruth Chatterton, and Kay Francis.

To keep from feeling so alone, I bought a life-sized human female doll. It was supposed to be a substitute companion for lonely men, but that’s not what I wanted it for. I wanted it to resemble my mother. I put makeup on it to make it look older, put one of my mother’s wigs on it and dressed it in my mother’s clothes. I created an illusion. At night in the dark, with just the light from the TV screen, it seemed as if my mother was sitting there. I knew she would have been pleased.

From there I took the next logical step and began dressing in her clothes myself. It made me feel close to her as though I were absorbing her essence into my body. She wasn’t a rotting corpse behind a closed door. She was right there with me and had been all the time.

After I dressed in her clothing a few times, I started experimenting with makeup. I applied it to my own face exactly as she would have applied it to her own. She had a couple of wigs on the top shelf of her closet and I got them down and tried them with different outfits. I would spend the entire day dressed as her. If it made me feel better and less alone, what did it hurt?

As I stood and looked at myself in her full-length mirror, I realized for the first time how much like her I was. My face was the same shape as hers, down to the dimple in my chin, and I had the same coloring. My beard stubble was light and nonexistent for at least a day after I shaved. I was the embodiment of my mother. I saw nothing of my father in me. He had been large with fleshy ears and a nose like a lump of cauliflower. When I was a child, I used to wonder how the two of them ever came to be together.

I spent hours practicing her walk, her laugh, the way she spoke, lit a cigarette or downed her vodka and tonic. I could match her signature so well that nobody would have been able to tell it wasn’t hers. But why was I doing all this? Was it just passing the time and keeping myself from feeling lonely, or was it something else?

One day when I was feeling brave and more than a little bold I decided to try a little experiment. Dressed as my mother—in her clothes, shoes, wig, hat and coat—I went down in the elevator and down the street to the market on the corner and bought a bag of groceries. I expected people to take one look at me and know I was a charlatan. If anybody noticed me at all, though, they didn’t give me a thought. It was exactly the effect I hoped for.

On my way home, a neighbor woman put her hand on my arm and stopped me on the sidewalk.

“I heard you were sick, Mrs. Anson,” she said. “I’m glad to see you looking so well.”

“I’m much better now,” I said. “My son has been taking care of me.”

I began going out more as my mother. People who had known her for years weren’t able to tell the difference. I kept them from looking at me too closely but, even if they had, I don’t think they would have suspected anything. People see what they want to see and are not all that observant.

Take my mother’s lawyer, for example. He had some documents he wanted her to sign. Now, my mother and her lawyer had known each since high school. Making him believe I was her would be the ultimate test. I was sure I could do it, but I was little anxious he would take one look at me and think I was attempting to perpetrate some kind of swindle. I knew I was taking a chance, but I was willing to risk it.

I didn’t need to worry. The lawyer held onto my gloved hand longer than was needed and led me to a chair in front of his desk.

“I’ve never seen you looking so radiant,” he said.

“Thank you,” I said, looking away.

“I don’t know how you do it.”

“Broccoli and blueberries.”

“It has to be more than that.”

“Well, we all have our little secrets.”

“You can’t fool me about your age. I know exactly how old you are because I’m the same age.”

“It’s only a number,” I said. “I stopped counting a long time ago.”

After I signed the papers, he invited me to lunch but I lied and told him I had an appointment to see my doctor. I wasn’t sure I could keep up the illusion through a long, liquor-infused lunch.

When I went out of the apartment now, about half the time it was as my mother. People were attentive and polite to a well-dressed woman alone. I got the best tables in restaurants and some man or other was always more than willing to give me a seat on a crowded subway or bus. People lit my cigarettes, opened doors for me and held elevators. I could always get a smile out of even the most sour-faced old buzzard.

Sometimes, but not often, I thought about my mother lying on the bed in that room behind the screen. I couldn’t visualize her as a rotting corpse. You hear stories about a dead body being closed up in a house and people realizing it’s there only because they can smell it. There had been no odors in my apartment and no complaints from any of the neighbors. I had heard stories about the bodies of saints that aren’t subject to the laws of decay. I could almost believe that my mother was one of those. Wondrous are the workings of heaven and not of nature.

I dreamed often about my mother, a happy dream in which I could hear her voice and see her laughing face. She was always excited about something she had seen or read, a trip she was taking, a play she was going to see or an old friend she had met again by chance. She was the only truly good person I had ever known. Everybody loved her.

When I was myself, Charles, I felt dull and uninteresting. My clothes were ill-fitting, no matter how much I paid for them or with what care I chose them. In dealings with other people, I was a nonentity. I had no desire to see them or be with them.

I went to a lecture on Nebuchadnezzar at the museum, not as my mother but as myself. There I ran into an old acquaintance named Freda Hobart. We had gone around together for a while right after college. It was never what I would have called a romance but more just something I did back then because it’s what everybody else was doing. After the lecture we had a drink and talked over old times. Freda told me she had been married and divorced two times. When I asked her if she thought she was ever going to get it right, she just laughed.

She gave me her phone number and a few days later, when I was feeling low, I called her and we spent the next couple of hours filling each other in on our lives. We went out to dinner the next day and a couple of days after that we went to a piano recital. She told me on our second outing that she had never stopped thinking about me and hoped we would somehow meet again. When I said I was surprised that she had ever given me another thought, she laughed and said my modesty was one of the things she had always loved about me.

We started spending a lot of time together. Since we were both alone, getting married seemed the next logical step. I was no way in love with her, but we were compatible and I didn’t relish the idea of spending the rest of my life with nobody to talk to or eat dinner with. When I asked her if she’d like to get married, she didn’t hesitate before saying yes.

She started making demands on me, though, telling me how “things” were going to be after we were married. When she told me I’d have to give up the apartment, I refused.

“We don’t need ten rooms for just the two of us,” she said.

“I’m not moving,” I said. “This is my mother’s apartment. She expects me to keep it up for her while she’s away.”

“Isn’t your name on the lease?”

“It doesn’t matter if it is or not. I’m not moving.”

“You’re being childish.”

“Women always say that men are being childish when they refuse to do as they’re told.”

We had a terrible argument, during which she demanded that I open the door to the room behind the Chinese screen.

“It hasn’t been opened in years,” I said.

“I want to see what’s in it.”

“Maybe it’s none of your business. Did you ever think of that?”

“It seems that since we’re to be married,” she said, “your business is my business.”

“Not always,” I said.

She cried, said I was “unnatural,” said she was glad she found it out before she made the mistake of marrying me. She threw a Chinese figurine at my head and stormed out the door. The next day when she called—or any day after that—I wouldn’t accept her calls.

It was for the best, I knew. A bad marriage was worse than no marriage at all. I didn’t feel like giving up half of everything I had to her in a divorce settlement. It was never going to happen.

After that, I came to an important decision. I drowned Charles in the bathtub, burned his tuxedo as a symbolic gesture, and vowed to live the rest of my life, however long that might be, as Margaret, mother of Charles. She would be so happy to know she was living again through me. If anybody asked me about Charles, I would say he had gone abroad to pursue his own interests and I didn’t know when he would be coming back.

I knew that one day I would die and there would be nobody to close the door and lock it for me the way I had done for her. That day might come sooner than I expected because of the way I had abused my body. I didn’t like to think about strangers coming into my house and finding me and then finding her and learning our secret.

After eight years, I unlocked the door and opened it. I stood there in the doorway of the darkened room, dust particles swirling around my head, and looked at her lying in the bed. She looked lovely, exactly as she had looked on that day in August when she stopped breathing.

I picked her up in my arms and carried her into the living room and set her on the couch, propping her up with the big pillows she had bought herself. Her head tilted forward a little and I knew she was comfortable. I sat down beside her and put my arm around her.

“I have so much to tell you,” I said.

With a gesture of impatience, she let me know she wanted to save the talk for later. Now she wanted to watch TV. It had been such a long time.

An old black-and-white movie from the 1930s was just beginning. We had seen it before, but it didn’t matter. I was the kind of thing we liked. I took off my shoes, brought my feet up, and nestled my head on her shoulder. The bad times were gone. The good times were back again.

Copyright 2017 by Allen Kopp

London Under ~ A Capsule Book Review

London Under ~ A Capsule Book Review by Allen Kopp

London Under, written by Peter Ackroyd, tells the story what’s going on underneath the ground of one of the largest, busiest and oldest cities in the world. In two thousand years of continuous occupancy, a lot of history has happened on the site. The Romans first established the city as Londimium in 43 A.D. Its location was desirable because of its proximity to the Thames river, allowing ships access by sea. During medieval times, toilets emptied into the river, making life generally unpleasant, with diseases such as cholera, typhoid, plague, and assorted fevers. Millions of people have been buried under the ground and then forgotten, with nothing to tell succeeding generations of their existence.

London has the oldest subway system in the world, going back 150 years. It’s a system that has developed a mythology and superstition of its own. When excavations began, certain superstitious people believed that a dark world, the world of the devil, was being unleashed on the world. There are many abandoned and unused subway tunnels—mysterious passages and stairways going nowhere—that have become home to thieves and murderers, those who dwell in the darkness; not to mention rats and a whole host of unpleasant creatures that dwell in the darkness. People claim to have seen spirits in the subways, especially at sites where fatal accidents have occurred. During World War II, many Londoners used subway tunnels for shelter during air raids. This led to a kind of psychosis whereby a person does not feel safe aboveground.

Ancient underground rivers vie for space beneath London with a vast sewer system that must accommodate a city of millions. (It must take a certain kind of person to be able to work in the dark world of sewers to service and maintain them.) Also, there are vast myriads of underground fiber optic cables, pipes, conduits, etc., for communications and utilities. An entire subterranean world exists that most people, casual visitors to the city, will never know about.

Copyright © 2017 by Allen Kopp

Shakespeare: The Biography ~ A Capsule Book Review

Shakespeare: The Biography ~ A Capsule Book Review by Allen Kopp

Shakespeare: The Biography, written by Peter Ackroyd, is a long (572 pages), minutely detailed account of the life and times and of the most famous dramatist/poet who ever lived. Many of the details of Shakespeare’s life are known—where he lived, mother and father, wife and children, brothers and sisters—but much about Shakespeare, especially about his writing, is speculative and endlessly debated by scholars and historians. As Peter Ackroyd says, “Wherever we look in Shakespeare’s work, we see the impossibility of assigning purpose or unassailable meaning.”

William Shakespeare was born in 1564 in the small (2000 people) English town of Stratford-upon-Avon, a hundred miles from London. His father, John Shakespeare, was a glover (maker of gloves), landowner, and local official. The family, if not exactly wealthy, was affluent and had pretensions of nobility. His mother, Mary Shakespeare, was a remote member of the noble Arden family. The Shakespeares were adherents to the “old” faith (Catholic), while the “approved” and accepted religion was the Anglican (Church of England) faith. The Queen, Elizabeth I, had originally taken a middle road on religion, but when her crown was threatened by the Catholic Mary Queen of Scots and her followers, she adopted a harsh tone against “recusants,” those who still practiced the old religion.

Shakespeare was educated in the grammar school near his home and never attended college or university. When he was eighteen, he married a woman several years older than he was named Anne Hathaway. She was carrying his child when they were married and she soon gave birth to a daughter, Susannah Shakespeare. Several years later, the couple had twins: a son, Hamnet, and a daughter, Judith. (Hamnet would die at age eleven.) Leaving his wife and three small children behind in his hometown, Shakespeare decamped to London where he could pursue a theatrical career (writing plays and acting on the stage).

The London of Shakespeare’s time was a busy, exciting, place—noisy, crowded, dirty and dangerous. The plague made periodic visitations upon the populace, usually during the summer months, killing thousands of people at a time. (Theatres and public gathering places were routinely shut down during plague epidemics.) Shakespeare thrived in London and soon made a name for himself in the theatre. He acted in many of the plays he wrote and also acted in plays written by other people. He and his acting troupe performed for the sovereign at court, first Queen Elizabeth I and then her successor, King James I. Unlike many great writers, Shakespeare enjoyed tremendous success and renown in his life.

There is much in this book about Shakespeare’s brilliance and his “assimilative” mind. He wasn’t as well educated or as cultured as some of his contemporaries. To write his plays, especially the histories, he always started out with some source material, making it uniquely his own. He also “borrowed” heavily from other writers, which led to jealousy and personal attacks, especially after his plays became so successful. There were other celebrated playwrights during his time, but none so inventive and with so agile a mind and facile a talent. He died on his fifty-third birthday (April 23, 1616) in his hometown of Stratford-upon-Avon. The cause of death is not known today, but there is speculation that he died of typhoid fever. He was buried underneath the floor in the chancel of the old church near where he grew up.

Shakespeare: The Biography is everything you ever wanted to know about Shakespeare and then some. He had many friends, colleagues, relatives, business acquaintances, and rivals, and we meet them all here. There are so many names in this book that’s it’s sometimes hard to keep them straight, but it’s a wonderful, mostly fascinating biography of a great man and an evocation of a time long past.

Copyright © 2017 by Allen Kopp

Dunkirk ~ A Capsule Movie Review

Dunkirk ~ A Capsule Movie Review by Allen Kopp

In 1940, in the early days of World War II (before America entered the war), German forces had Allied soldiers (British, French, Canadian, Belgium) pushed to the sea and surrounded in a place called Dunkirk in northern France. Some 338,000 Allied soldiers were expecting destroyers to come and pick them up, but no destroyers were available. In what is known as the “Dunkirk Evacuation,” hundreds of small civilian boats (yachts, fishing boats, pleasure craft, lifeboats) crossed the channel to France and carried as many soldiers to safety in England as they could. It was a turning point in the war that could very easily have spelled disaster for the British war effort.

The new movie Dunkirk is a stirring recreation of the evacuation at Dunkirk, told from three points of view: from the land (the “mole”), the sea, and the air. We shift back and forth from one to the other. We follow a young British soldier, a young French soldier, a combat pilot (Tom Hardy), the men on the beach waiting to be picked up, and a small yacht piloted by an older British man (Mark Rylance) with two teenage boys. There’s lots of intense action and many harrowing moments, as when the pilot runs out of gas (he glides gracefully to the ground in enemy territory); when a civilian teenage boy on the yacht is hit by a Nazi bullet; and when a young flyer crash lands in the sea and can’t get his hatch open to get out as his plane sinks. All of it has a kind of “you-are-there” feel to it, but the movie has an unconventional structure and there isn’t much in the way of exposition, especially at the beginning, so it’s going to be difficult for people to understand what is going on who don’t know the circumstances beforehand.

World War II provides a seemingly endless supply of material for filmmakers. Dunkirk is a rarity: a serious summer movie not aimed at the youth market that is entertaining and informative. If you’re looking for a summer movie that doesn’t have comic book heroes, intelligent talking apes, space adventure, or raunchy sexual situations, Dunkirk might be the movie for you.

Copyright © 2017 by Allen Kopp

Maggie: A Girl of the Streets and George’s Mother ~ A Capsule Book Review

Maggie: A Girl of the Streets and George’s Mother ~ A Capsule Book Review by Allen Kopp

This slim volume contains two short novels by Stephen Crane: Maggie, A Girl of the Streets (1893) and George’s Mother (1896). Both explore the lives of lower working-class people in the section of New York known as the Bowery in the 1890s. These people speak fractured English, labor in factories and sweatshops, and most of them drink to excess to make their lives more endurable. They are contemptuous of people of wealth, refinement and education, and they have little or no hope of ever rising above their class.

The title character in Maggie: A Girl of the Streets lives with her family in a wretched tenement. Her mother is a drunken harridan and her brother a brutish lout almost devoid of human feeling. Despite her surroundings and her family, Maggie somehow manages to be attractive to men (the quality that will prove to be her downfall). Pete is a friend of Maggie’s brother who takes an interest in her. He is a bartender and Maggie believes he is sophisticated and worldly wise. She begins going around with him and they engage in sexual relations. After he gets tired of her, he discards her in favor of another girl. Maggie, at this point, is seen as “ruined” in the eyes of the world because she has given herself to a man who has rejected her. She has no chance for redemption.

The subtitle of George’s Mother is A Tragic Tale of the Bowery. George Kelcey is a laborer who lives with his mother in a Bowery tenement. Since all her other children have died, George’s mother is especially attentive to him. She harangues him to hang up his coat when he returns from work and to do all the things a mother thinks a son is supposed to do. She wants nothing more than for him to be the type of son she thinks he should be. He has an overwhelming fondness for alcohol, though, and he loves to spend evenings in the company of his male friends. After alcohol and merriment get the best of him, he loses his job and his irresponsible behavior begins to wear on his mother’s health.

Stephen Crane was one of the first, if not the first, American writers to write in a naturalistic or realistic style. His most famous work is his Civil War novel, The Red Badge of Courage, which he wrote without ever seeing combat. His life and writing career were cut short when he died of tuberculosis in 1900 at age 28.

Copyright © 2017 by Allen Kopp

Theft by Finding ~ A Capsule Book Review

Theft by Finding ~ A Capsule Book Review by Allen Kopp

David Sedaris is a humor writer whose work is not raunchy or cruel. I’ve read all his books (Let’s Explore Diabetes with Owls, Squirrel Seeks Chipmunk, When You are Engulfed in Flames, Dress Your Family in Corduroy and Denim, Me Talk Pretty One Day, Holidays on Ice, Naked, Barrel Fever) and I usually buy his latest book from Amazon as soon as it comes out. I stood in line for over an hour at one of his book signings to get him to sign my copies of Holidays on Ice and Me Talk Pretty One Day. Then I sat down and rested.

His books are made up of engaging stories that, since they are true and not fiction, are informal “essays.” He writes about his family, people he’s met, his travels, and things that have happened to him, good or bad. His latest book, Theft by Finding, is something of a departure for him, because it’s not these informal essays but is instead diary entries going back forty years.

That’s what Theft by Finding is: 512 pages of diary entries. Some of the entries are little anecdotes and some are less than that. In his introduction, he says that he imagines people not reading the whole book page for page, but instead “dipping in” the way you would with a high school yearbook. I read the whole book page for page. If you think it’s tedious, it isn’t, especially after you’ve read for a while. The most engaging diary entries are the ones where he is recounting things he’s heard people say and things he’s seen them do, as in the IHOP restaurants where he used to hang out a lot, first in his home town of Raleigh, North Carolina, and then in Chicago. When he’s not hanging out at the IHOP, he’s struggling to make a living cleaning apartments or sanding furniture. He has not had an easy life, or if he has an easy life now, it hasn’t always been that way. He is kind of an “everyman,” uncovering the absurdity of living in the world today. You easily recognize yourself in what he’s saying. That must be the key to his popularity.    

Copyright © 2017 by Allen Kopp

Twin Peaks: the Return ~ A Capsule Review

Twin Peaks: the Return ~ A Capsule Review by Allen Kopp

Twin Peaks, the too-offbeat-for-mainstream TV series, appeared on commercial TV in 1990 and 1991. It didn’t last any longer than it did, we will assume, because it wasn’t the usual ho-hum TV fare (it was challenging to watch). Now, all these years later, we have Twin Peaks: the Return on the Showtime network, with, it must be assumed, less network censorship and more leeway on the part of the show’s creators to bring us disturbing images and situations, not to mention R-rated language. “Visionary” director David Lynch is back as one of the show’s two writers, its director and one of its principal actors. He’s still using some of the same directorial techniques he used forty years ago on Eraserhead.

If you can remember back all the way to 1990, you will remember the show’s premise: a high school beauty queen named Laura Palmer from the small town of Twin Peaks in the state of Washington is mysteriously murdered and “wrapped in plastic.” Handsome FBI agent Dale Cooper (Kyle McLachlan) is summoned to Twin Peaks to try to figure out who (it might have been anybody in the town) murdered Laura Palmer. (If I remember correctly, it was her own crazy father who killed her.)

Anyway, the early-thirties Dale Cooper of 1990 is now in his late fifties, although he still looks essentially the same. He has been missing since the end of the first series twenty-six years ago. He is still wearing the same darkly conservative suit and has been in a sort of nether world, where the floor is a red-and-white zigzag pattern, heavy red curtains hang all around, and the people (including the dead but now middle-aged Laura Palmer) speak as if they just landed here from another planet. (You’d have to hear it to know what I’m talking about.)

Dale Cooper has two (that we know of) “doppelgangers,” or doubles. One of the doppelgangers is (or has been until recently) in prison, has long hair and is terrible-looking. The other doppelganger is named Dougie Jones. Through a series of mishaps, Agent Dale Cooper is now living the life of Dougie Jones in the state of Nevada. He looks so much like Dougie Jones that nobody, including the real Dougie’s wife and son, knows it isn’t him. He goes to work every day at the Lucky 7 insurance company in Las Vegas and the people who work with him believe he’s Dougie Jones and don’t know that he’s not. Dale Cooper doesn’t know who he is, so he can’t tell them he’s not who they think he is.

If you have been watching the seven episodes that have so far aired, I defy you to explain the “plot” of Twin Peaks: the Return. There are so many characters and so many different things happening that one wonders if all the (seemingly unconnected) pieces will ever come together into a cohesive whole. Maybe the show’s writers don’t even know where it’s all headed.

Copyright © 2017 by Allen Kopp

Room 1219 ~ A Capsule Book Review

Room 1219 ~ A Capsule Book Review by Allen Kopp

Room 1219, by Greg Merritt, is an American success story; how one man from humble beginnings rose to the pinnacle of his profession. It’s also a true crime story showing how that same man was ruined by a press that is more interested in dishing dirt and promulgating scandal than in being fair and objective and getting at the truth.

Roscoe “Fatty” Arbuckle was the biggest movie star in the world, the first to sign a contract for a million dollars a year. His onscreen persona (a good-natured, bumbling man-child) was the most recognized in the world. He lived in a mansion (for which he paid $250,000) in the most exclusive section of Hollywood. At a time when a Model T Ford cost $370 (what most people were driving, if they drove at all), Fatty drove a custom-made, $34,000 Pierce-Arrow.

On Labor Day in 1921, Fatty Arbuckle’s world came crashing down. He drove his Pierce-Arrow the 350 miles from Los Angeles to San Francisco (the road wasn’t even paved the whole way yet), rented three adjoining suites on the twelfth floor in the exclusive St. Francis Hotel in San Francisco, and hosted a little party for a handful of his friends.

A minor movie actress named Virginia Rappe with pretentions of making it into the big time was in attendance at Fatty’s Labor Day party, along with three other women and three other men, besides Fatty. Miss Rappe was 30 but was always shaving a few years off her age, so it was given variously as 23 or 25. She was a showgirl, an alcoholic, and was no stranger to men or to sex. (Later, much to Fatty’s detriment, she was characterized as pure, unsullied and virginal.)

During the course of the party, Virginia Rappe became ill, apparently (to most observers) from drinking too much liquor. She began tearing at her clothes and complaining of terrible abdominal pain. She was crying and carrying on and saying things like “He hurt me” and “I’m dying.” When a doctor was summoned, the doctor determined that she had only had too much to drink and would be all right. Four days later she was dead. An autopsy revealed she had a punctured bladder resulting in peritonitis. What caused her bladder to puncture could not be determined; the autopsy doctor could only conclude it was from an “external force.”

Immediately Fatty Arbuckle, who had since returned to his home in Hollywood believing that nothing was amiss, was accused of Miss Rappe’s death. The love the world bore for him instantly turned to hate. The press labeled him as a beast and an ogre, a gross fat man with salacious appetites. He became a symbol for excess and for all that was morally wrong in America, particularly in the motion picture industry. Conversely, Virginia Rappe became a symbol for outraged purity. Both extremes were untrue and especially unfair in Fatty’s case.

What, if anything, did Fatty Arbuckle do to Virginia Rappe in that San Francisco hotel room that contributed to her death? That was the question the whole world was asking.

Fatty’s defense team (assembled at great expense) believed he would be charged with manslaughter (the grand jury’s recommendation). Crusading San Francisco district attorney Matthew Brady, however, had other notions: he sought a murder conviction. He was courting the women’s vote (woman had just been given the right to vote in 1920) and believed that women everywhere wanted Fatty to get the maximum punishment. The charge was changed from manslaughter to murder but, in the preliminary hearing, the judge determined that a murder conviction wasn’t warranted and again reduced the charge to manslaughter.

So, with much hoopla and publicity, Fatty was tried for manslaughter in a sensational trial that was the talk of the country. The trial resulted in a hung jury (10 to 2 favoring acquittal), so the whole thing had to be done over.

In the second trial, Fatty’s defense team seemed over-confident. They didn’t bother to put Fatty on the stand to explain for himself what had happened in the hotel room, and they didn’t give closing arguments. The result was another hung jury, but this time 10 to 2 for conviction.

Fatty was called to the stand to testify in his third trial. The jury believed him (the truth has a sound of its own) and, after about five minutes of deliberation, voted to acquit him. Finally, the ordeal was over. He was free to return home and resume his shattered motion picture (acting/writing/directing) career.

Not so fast, though! Six days after Fatty’s acquittal, all his movies were banned from American movie screens by the Motion Picture Producers and Distributors of America (MPPDA). (Studio heads wanted a clean slate, with Fatty gone.) So, after the terrible ordeal he had been through, he was not going to be given a chance to redeem himself in the eyes of the public. His career was effectively over. At thirty-five years of age, with possibly many more years of productivity ahead of him, he was ruined.

Copyright © 2017 by Allen Kopp