The Mill on the Floss ~ A Capsule Book Review

The Mill on the Floss ~ A Capsule Book Review by Allen Kopp

English country life in the nineteenth century: Mr. Tulliver is a miller and landowner. He owns a picturesque little mill on the River Floss. He has a not-very-bright wife named Bessie and a son, Tom, and a daughter, Maggie. The Tullivers are simple country folk who live modestly but comfortably. Tom is four years older than Maggie. They have a happy childhood until tragedy intervenes and the family is faced with financial ruin.

Mr. Tulliver is involved in a lawsuit with the wealthy Mr. Wakem involving water rights on the river where the mill is situated. Mr. Tulliver believes he will win his case, but he doesn’t and the family loses everything. Mr. Tulliver, blinded by his feelings of hatred for Mr. Waken, is unreasonable and refuses to seek a middle ground with the man he sees as the devil incarnate. We see subsequently that Mr. Wakem isn’t as bad as Mr. Tulliver makes him out to be. At the urging of Tom Tulliver, Mr. Wakem buys the mill and agrees and pay Mr. Tulliver wages to continue to run it. It galls Mr. Tulliver to have to work for Mr. Wakem, but he agrees to the arrangement for the sake of his wife and Tom and Maggie. Although the Tullivers can go on living in the same house at the mill, they have lost all their furniture and household possessions but, more importantly, they have lost their standing in the world, a thing that is very important to people of their class.

The years pass. Tom and Maggie are now young adults. Maggie devotes her life to her ill father—the loss of his lawsuit is what made him ill—and her feckless mother. She has adopted a philosopher of selflessness that she has taken from a medieval monk. Her dearest friend in the world is none other than Philip Wakem, son of the dreaded Mr. Wakem. Philip has a deformity, a hump on his back, that makes him something of an outcast in society. Maggie has to keep her friendship with Philip a secret from her father and brother. Mr. Tulliver believes that anybody by the name of Wakem is to be despised.

Tom, now grown to manhood, is ambitious. He becomes obsessed with the idea that he will work to pay back the money his father owes and restore the family to its former social standing. He begins working as a sort of apprentice for one of his uncles; he rises in the business and soon he begins to make money on his own, all of which he turns over to his father to help repay the family debt.

Taking his cue from his father, Tom believes that Mr. Wakem was the cause of the downfall of the family and that anybody by the name of Wakem is poison. He makes Maggie promise that she will have nothing to do with Philip Wakem, although Philip is innocent of any wrongdoing in the case with the Tullivers. Ever obedient to Tom and to the family honor, Maggie agrees to never see Philip again, even though Philip has told Maggie he loves her and she thinks she might love him with a love that is more than pity for his deformity.

The day that Tom, age twenty-three, finally makes enough money to restore the family to its former social standing is a happy occasion until Mr. Tulliver has a chance meeting with Mr. Wakem. They have a violent argument and Mr. Tulliver knocks Mr. Wakem off his horse and physically attacks him. Mr. Wakem is unhurt, but Mr. Tulliver, from the effects of violent feeling, experiences a kind of apoplexy and dies in a few days. With Mr. Tulliver dead, Tom carries on his hatred of the Wakem family. He makes Maggie promise that she will have nothing to do with Philip Wakem or with anybody named Wakem. Meanwhile, Maggie, now age nineteen and a stunning, raven-haired beauty, has a new gentleman admirer, one Stephen Guest, who is ostensibly the beau of her cousin Lucy. Maggie is not the usual Victorian coquette, though. She has experienced too much heartache in the world to be shallow and self-possessed.

Mary Anne Evans, who lived from 1819 to 1880, wrote under the name George Eliot because she believed that women writers were not taken seriously. She wrote seven novels, including Silas Marner, Middlemarch, Adam Bede, and Daniel Deronda. She published Mill on the Floss in 1860.

I started reading Mill on the Floss as a senior in high school and didn’t finish it at the time because I was too preoccupied with other things. I always meant to go back and read it in its entirety and now I have done that very thing. With its long wordy sentences and long paragraphs, it’s a product of its time, meaning it’s not an easy book to read. It’s of moderate length (424 pages), though, and the story of a mid-nineteenth century English family, if not gripping, is compelling and interesting enough to carry us through to the end without too much in the way of pain.

Copyright © 2017 by Allen Kopp

Moonlight ~ A Capsule Movie Review

Moonlight ~ A Capsule Movie Review by Allen Kopp

Moonlight is a modest “art” film that made a big splash and walked away with a ton of awards, including Best Picture at this year’s Academy Awards, where La La Land was heavily favored to win but didn’t. Moonlight is an exploration of the life of a young black male named Chiron (pronounced Shy-rone.) We see Chiron as a boy of around nine, then as a teenager in high school, and then as a man in his thirties.

Chiron lives with his troubled mother in a drug-riddled section of Miami. She is alternately loving and frightening and takes Chiron’s money to feed her drug addiction. Chiron has other problems, too, besides his mother: he is perceived as being “different” by his classmates and is bullied and mistreated.

Chiron meets Juan, a drug dealer who, despite his profession, turns out to be a positive male influence in Chiron’s life. Juan and his kind girlfriend, Teresa, befriend Chiron and treat him in a way he is not used to being treated: with kindness and consideration. They feed him and give him a place to stay when he needs time away from his mother and the awful problems in the neighborhood.

When the second act begins, we see Chiron as a high school student, silent and withdrawn, still being bullied in a vicious way. (Chiron exacts revenge upon the most vicious of the bullies in a satisfying way.) Juan, the drug dealer who treated him kindly, is now dead, but Teresa, Juan’s girlfriend, continues to be take an interest in Chiron and help him whenever help is needed.

Besides Juan and Teresa, Chiron has few friends, but there is one boy is own age who stands out from the others. His name is Kevin. He connects with Chiron in a way that nobody else does. After years of friendship, Chiron and Kevin have a brief, unexpected sexual encounter on the beach one night. Kevin shrugs it off, but we know how significant it is to a boy of Chiron’s sensitive nature.

In the third act, Chiron is a self-confident man in his thirties. He has, we assume, buried the difficulties of the past. Now living in Atlanta, he receives an unexpected call from Kevin, whom he hasn’t seen or heard from in more than ten years. Kevin has been in jail and is working as a cook in a restaurant in Miami; he has been married and divorced and is the father of a small son. A few hundred miles separates Kevin and Chiron. Here is the chance for Chiron to connect with the one person in his past he hasn’t been able to put out of his mind.

Moonlight is an effective, memorable story, told in a minimalist style. There’s no razzmatazz, no special effects, no explosions, car chases, boobs, murders, stabbings or fistfights. There’s truth here, pain and hope, always hope, that a terrible life can be made better. Talented filmmakers don’t need a hundred million dollars or more to put an effective story on the screen that audiences can connect with. If talent and creativity are in play, it can be done for a tiny fraction of the cost.

Copyright © 2017 by Allen Kopp

The Subway ~ A Painting by George Tooker

The Subway (1950) George Tooker (1920-2011)

George Tooker’s 1950 painting, The Subway, takes as its theme the alienating nature of modern life. The central figure in the painting is a middle-aged woman in a bright red dress whose face reveals sadness and anxiety. She seems to feel threatened by the men around her, who all look shifty or unsavory. The eyes of the viewer are drawn to the woman in the red dress because the walls and railings create a fan-like effect around her.

Alfred Stieglitz (1864-1946)

Alfred Stieglitz was an American photographer who lived from 1864 to 1946. He was instrumental in popularizing photography as an art form. He was married to painter Georgia O’Keefe. Below are some examples of his groundbreaking photographic work.

Wet Day on the Boulevard
The Last Joke (1897)
Venetian Canal (1894)
Winter on Fifth Avenue
The Steerage