Men haven’t changed much in a hundred years.
Andrew Jackson and the Miracle of New Orleans ~ A Capsule Book Review
Andrew Jackson and the Miracle of New Orleans ~ A Capsule Book Review by Allen Kopp
Thirty or so years after the American Revolutionary War, America fought the Second War of Independence with the British. This was the War of 1812. The hero of that war was Andrew Jackson of Tennessee, an Indian fighter who didn’t have much experience as a strategic war planner, but who possessed a natural instinct for defeating a mighty foe. The British army was the best equipped and best trained army in the world. They had defeated the mightiest armies of Europe (the Battle of Waterloo was yet to come, in 1815). They had their sights set on New Orleans, a city of strategic importance at the mouth of the Mississippi River. If they could conquer that city—and they were fully confident they could—they could take possession of the entire country west of the Mississippi and make it their own…or so they thought.
The British forces assembled a few miles to the east of New Orleans and prepared to move on that city. The wealth and plunder that New Orleans possessed was to be shared by all of the invading force. They expected only token resistance from the Americans, as they had when they burned the city of Washington. After all, weren’t they (the British) skilled in warfare and superior in numbers and in weaponry? The one element the British didn’t count on was General Andrew Jackson.
The area east of New Orleans known as the Chalmette Plain is where the Battle of New Orleans was fought. General Jackson pulled together a diverse amateur army of farmers, old and young, country people and city people of all nationalities, blacks, woodsmen, riverboat men, and even some pirates who pledged their support to protecting the country from British invasion. Some of them didn’t even have weapons. This “inferior” army overwhelmed the British forces through tenacity and strategic planning on the part of General Jackson. Though he was wounded and far from well, he fought side by side with his men and wouldn’t allow them to become discouraged and complacent.
The terrain—boggy swamps, marshes and bayous—was unkind to the British; they weren’t used to fighting in three feet of water. General Jackson and his army stopped them from advancing on New Orleans. British losses were heavy, while American losses were minimal. Demoralized and defeated, the British army withdrew.
Andrew Jackson was the man of the hour. He was seen as saving, not only New Orleans, but the Union. He was to this war what George Washington had been to the Revolutionary War. The unpopular war was at last redeemed in the eyes of the American people and President James Madison left office on a high note. And, of course, Andrew Jackson a few years later himself became the seventh president of the United States.
Andrew Jackson and the Miracle of New Orleans, by Brian Kilmeade, is American history made entertaining. In under 270 pages, we get a glimpse of wartime America in 1812-1814 and of the resolve that won a war against overwhelming odds. The British, after two wars fought on American soil, would not come calling again.
Copyright 2017 by Allen Kopp
Hollywood Suicide
She was just another vapid Hollywood blonde who tried to become a movie star and failed. Her name was Peg Entwistle. She was only in one movie (Thirteen Women, released in 1932). She is famous today for climbing to the top of the “H” on the Hollywoodland sign and jumping fifty feet to her death in 1932. She was 24 years old.
Three Billboards Outside Ebbing, Missouri ~ A Capsule Movie Review
Three Billboards Outside Ebbing, Missouri ~ A Capsule Movie Review by Allen Kopp
With the multiplex given over almost entirely to comic book super heroes, sequels, and animated films for the kindergarten set, it’s hard sometimes to find a movie for grown-ups. Such a movie is Three Billboards Outside Ebbing, Missouri. It’s a wry look at the after-effects of a murder in a small town.
Middle-aged mother Mildred Hayes (Frances McDormand) will do almost anything to find the person who murdered her daughter, Angela, seven months ago. Mildred is tough and fearless; if you have a confrontation with her, she might hit you in the stomach and humiliate you in front of your friends. When the local police in all that time don’t have a suspect, Mildred decides to take some drastic action. For $5,000 a month she rents three unused billboards on the old highway that hardly anybody uses anymore to advertise her message: “My daughter died while being raped. Why no suspects?”
People sympathize with Mildred over the loss of her daughter, but most believe the billboards are a bad idea. Mildred’s belief is that the police will work harder to find the murderer if their laxity is made public via billboard advertising. The foul-mouthed police chief of the town, Bill Willoughby (Woody Harrelson), has plenty of problems of his own. He’s dying of cancer and doesn’t have long to live. A glimpse inside the police station shows us that this police force is anything but efficient. Maybe it is time for somebody to hold them accountable for something. Their bumbling is personified by dim-witted officer Jason Dixon (Sam Rockwell), who lives with his strange mother and makes Barney Fife look like a genius.
Three Billboards Outside Ebbing, Missouri was written and directed by Martin McDonagh who, despite being English, seems to have a feel for small-town Americana and the American way of speaking. Despite the movie’s somber theme (trying to find a murderer), there’s lots of clever dialogue and some funny lines. Some of the plot twists are implausible, such as the no-consequences torching of the police station, but the whole thing is so unexpected and original that we don’t care. Originality is a rare quality these days in American movies. There’s even a town midget and a middle-aged divorced father with a ditzy nineteen-year-old girlfriend who turns every statement she says into a question. What more could you want from a movie?
Copyright © 2017 by Allen Kopp
One Way Passage (1932)
They meet on a passenger liner bound for San Francisco from the Orient. Joan Ames (Kay Francis) is ill and doesn’t have long to live. Dan Hardesty (William Powell) is in police custody and is being taken to San Quentin to be hanged. They are doomed from the start, but as long as they are at sea they have Paradise Cocktails and each other.










