Earth has one moon, as we earth dwellers know. Jupiter, that mysterious “gas giant” that is the fifth planet in order from the sun and the largest planet in the solar system, has—count them—63 moons. Many of these moons, however, are not moons as we think of moons. Only eight are “regular satellites,” with prograde (a direction of rotation counterclockwise as viewed from the north pole of the sky or a planet) and nearly circular orbits not greatly inclined with respect to Jupiter’s equatorial plane. The other 55 moons are “irregular satellites” whose prograde and retrograde (moving in a direction contrary to that of similar objects) orbits are much farther from Jupiter and have high inclinations and eccentricities.
Of the eight “regular satellite” moons, four are called the Galilean moons because they were discovered by the astronomer Galileo in 1610. They are among the largest objects in the solar system and would be considered dwarf planets if they revolved around the sun instead of around another planet. They are Io, Europa, Callisto, and Ganymede and were the first objects discovered to orbit a body other than the earth or the sun. (The other four “regular satellite” moons are much smaller and closer to Jupiter, serving as sources of the dust that makes up Jupiter’s rings.)
Ganymede, the largest of the four Galilean moons, is the largest natural satellite in the solar system (larger than the planet Mercury) and the only satellite known to possess a magnetosphere (a region of space surrounding a planet that is dominated by the planet’s magnetic field so that charged particles are trapped in it). Ganymede is made up mostly of silicate rock and ice. A salt-water ocean is believed to lie underneath its surface, sandwiched between layers of ice. The surface has two types of terrain—highly cratered dark regions and younger (though still ancient) regions with many grooves and ridges. There is a thin oxygen atmosphere that includes ozone and some atomic hydrogen.
The second largest of the four Galilean moons is Callisto, ranking as the third largest moon in the solar system. Callisto is made up of approximately equal amounts of rock and ice, which makes it the least dense of the Gallilean moons. It has a very thin atmosphere of carbon dioxide and molecular oxygen. The likely presence of a subsurface ocean of liquid water suggests that Callisto can or could harbor life. Callisto is the most likely place for a human base for future exploration since it is farthest from the intense radiation of Jupiter.
Of the four Galilean moons, Io is the one closest to Jupiter and is the fourth largest moon in the solar system. With over 400 active volcanoes, it is the most geologically active object in the solar system. The surface of Io is dotted with more than 100 mountains, some of which are higher than Mount Everest on earth. Most moons (or satellites) in the outer solar system have a thick coating of ice, but Io is made up primarily of silicate rock surrounding a molten iron or iron sulfide core. Io has a thin atmosphere and is bombarded with radiation and magnetic fields from Jupiter.
Europa is the second closet to Jupiter of the four Galilean moons and is the smallest of the four—slightly smaller than earth’s moon. It is one of the smoothest objects in the solar system, with a layer of water surrounding the mantle of the planet. The smooth surface includes a layer of ice, while the bottom of the ice is theorized to be liquid water. The smooth appearance of the surface of Europa has led scientists to believe that a water ocean exists beneath it, conceivably serving as an abode for life. The prominent reddish-brown markings that crisscross Europa indicate low topography, meaning that few craters exist because its surface is tectonically active and young. Europa is made up primarily of silicate rock and likely has an iron core. Its tenuous atmosphere is composed primarily of oxygen.
All four of the Galilean moons are bright enough that they could potentially be seen from earth with the naked eye, but the brightness of Jupiter obscures them. They are, however, visible with even low-powered binoculars if the person looking through the binoculars knows where Jupiter is and knows exactly what he or she is looking for.
The new movie, The Raven, is a fictional and highly speculative account of the mysterious final days of Edgar Allan Poe. Nobody has ever been able to figure out exactly why Poe died at the relatively young age of forty in Baltimore in 1849, so it’s a subject that lends itself to invention and speculation. He was found on a park bench, critically ill, and died a few days later in a Baltimore hospital.
John Cusack plays Poe. He was, to paraphrase an editor of a newspaper that published some of his work, a man to whom God gave a great gift, with more than his share of misery thrown in. His genius as a poet and inventive creator of murder stories is entirely at odds with his private life. He was plagued his whole life by what was in the nineteenth century called melancholy. (The truth is he probably suffered from some kind of undiagnosed mental illness.) He was also an unregenerate drunk who never seemed to have any money—he lowered himself to cadging drinks from the local saloon whenever he was short of funds.
In the movie, Poe is in love with a young woman named Emily Hamilton (Alice Eve), whose father (Brendan Gleeson) violently disapproves of Poe. Emily might be the only thing that can save Poe from his demons. He has already lost one young wife and longs to marry Emily, but her father would gladly kill Poe if given the chance.
A “serial killer” (a phrase that wasn’t a part of common English usage in 1849) is at work in the city of Baltimore. The killer, whoever he is, is using methods of killing described by Poe in his stories. A twelve-year-old girl and her mother are mutilated for no apparent reason. A literary critic who unkindly criticized Poe’s work in the past is sliced in half by a pendulum, as in the story The Pit and the Pendulum. A murder victim’s tongue is sliced out and replaced with a pocket watch. The police suspect at first that Poe is behind the murders, but he is soon found to have had nothing to do with them. He can, however, assist police in finding the murderer. He is especially motivated to help the police when the murderer kidnaps Emily and keeps sending Poe cryptic messages about the horrible things he might be doing to her.
The story is neatly wrapped up at the end, with a conclusion that seems as logical as any conclusion might have been. It’s not a happy ending, but we find out who the murderer is, and, in a neat twist at the end, the police detective (Luke Evans) who befriended Poe in the course of the investigation exacts a satisfying revenge.
The Raven is a mainstream movie and is not a serious examination of the life and work of Poe. It is lightweight entertainment and would not be nearly as interesting if not for Poe. If you like a fast-paced cinematic mystery with lots of period touches and atmosphere (not to mention an interesting music score), however, it’s probably going to be well worth your time and effort to see it. You could do a lot worse.
The Tell-Tale Heart ~ A Classic American Short Story by Edgar Allan Poe (1809-1849)
TRUE! nervous, very, very dreadfully nervous I had been and am; but why WILL you say that I am mad? The disease had sharpened my senses, not destroyed, not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How then am I mad? Hearken! and observe how healthily, how calmly, I can tell you the whole story.
It is impossible to say how first the idea entered my brain, but, once conceived, it haunted me day and night. Object there was none. Passion there was none. I loved the old man. He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! One of his eyes resembled that of a vulture — a pale blue eye with a film over it. Whenever it fell upon me my blood ran cold, and so by degrees, very gradually, I made up my mind to take the life of the old man, and thus rid myself of the eye for ever.
Now this is the point. You fancy me mad. Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded — with what caution — with what foresight, with what dissimulation, I went to work! I was never kinder to the old man than during the whole week before I killed him. And every night about midnight I turned the latch of his door and opened it oh, so gently! And then, when I had made an opening sufficient for my head, I put in a dark lantern all closed, closed so that no light shone out, and then I thrust in my head. Oh, you would have laughed to see how cunningly I thrust it in! I moved it slowly, very, very slowly, so that I might not disturb the old man’s sleep. It took me an hour to place my whole head within the opening so far that I could see him as he lay upon his bed. Ha! would a madman have been so wise as this? And then when my head was well in the room I undid the lantern cautiously — oh, so cautiously — cautiously (for the hinges creaked), I undid it just so much that a single thin ray fell upon the vulture eye. And this I did for seven long nights, every night just at midnight, but I found the eye always closed, and so it was impossible to do the work, for it was not the old man who vexed me but his Evil Eye. And every morning, when the day broke, I went boldly into the chamber and spoke courageously to him, calling him by name in a hearty tone, and inquiring how he had passed the night. So you see he would have been a very profound old man, indeed , to suspect that every night, just at twelve, I looked in upon him while he slept.
Upon the eighth night I was more than usually cautious in opening the door. A watch’s minute hand moves more quickly than did mine. Never before that night had I felt the extent of my own powers, of my sagacity. I could scarcely contain my feelings of triumph. To think that there I was opening the door little by little, and he not even to dream of my secret deeds or thoughts. I fairly chuckled at the idea, and perhaps he heard me, for he moved on the bed suddenly as if startled. Now you may think that I drew back — but no. His room was as black as pitch with the thick darkness (for the shutters were close fastened through fear of robbers), and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.
I had my head in, and was about to open the lantern, when my thumb slipped upon the tin fastening , and the old man sprang up in the bed, crying out, “Who’s there?”
I kept quite still and said nothing. For a whole hour I did not move a muscle, and in the meantime I did not hear him lie down. He was still sitting up in the bed, listening; just as I have done night after night hearkening to the death watches in the wall.
Presently, I heard a slight groan, and I knew it was the groan of mortal terror. It was not a groan of pain or of grief — oh, no! It was the low stifled sound that arises from the bottom of the soul when overcharged with awe. I knew the sound well. Many a night, just at midnight, when all the world slept, it has welled up from my own bosom, deepening, with its dreadful echo, the terrors that distracted me. I say I knew it well. I knew what the old man felt, and pitied him although I chuckled at heart. I knew that he had been lying awake ever since the first slight noise when he had turned in the bed. His fears had been ever since growing upon him. He had been trying to fancy them causeless, but could not. He had been saying to himself, “It is nothing but the wind in the chimney, it is only a mouse crossing the floor,” or, “It is merely a cricket which has made a single chirp.” Yes he has been trying to comfort himself with these suppositions ; but he had found all in vain. ALL IN VAIN, because Death in approaching him had stalked with his black shadow before him and enveloped the victim. And it was the mournful influence of the unperceived shadow that caused him to feel, although he neither saw nor heard, to feel the presence of my head within the room.
When I had waited a long time very patiently without hearing him lie down, I resolved to open a little — a very, very little crevice in the lantern. So I opened it — you cannot imagine how stealthily, stealthily — until at length a single dim ray like the thread of the spider shot out from the crevice and fell upon the vulture eye.
It was open, wide, wide open, and I grew furious as I gazed upon it. I saw it with perfect distinctness — all a dull blue with a hideous veil over it that chilled the very marrow in my bones, but I could see nothing else of the old man’s face or person, for I had directed the ray as if by instinct precisely upon the damned spot.
And now have I not told you that what you mistake for madness is but over-acuteness of the senses? now, I say, there came to my ears a low, dull, quick sound, such as a watch makes when enveloped in cotton. I knew that sound well too. It was the beating of the old man’s heart. It increased my fury as the beating of a drum stimulates the soldier into courage.
But even yet I refrained and kept still. I scarcely breathed. I held the lantern motionless. I tried how steadily I could maintain the ray upon the eye. Meantime the hellish tattoo of the heart increased. It grew quicker and quicker, and louder and louder, every instant. The old man’s terror must have been extreme! It grew louder, I say, louder every moment! — do you mark me well? I have told you that I am nervous: so I am. And now at the dead hour of the night, amid the dreadful silence of that old house, so strange a noise as this excited me to uncontrollable terror. Yet, for some minutes longer I refrained and stood still. But the beating grew louder, louder! I thought the heart must burst. And now a new anxiety seized me — the sound would be heard by a neighbour! The old man’s hour had come! With a loud yell, I threw open the lantern and leaped into the room. He shrieked once — once only. In an instant I dragged him to the floor, and pulled the heavy bed over him. I then smiled gaily, to find the deed so far done. But for many minutes the heart beat on with a muffled sound. This, however, did not vex me; it would not be heard through the wall. At length it ceased. The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead. I placed my hand upon the heart and held it there many minutes. There was no pulsation. He was stone dead. His eye would trouble me no more.
If still you think me mad, you will think so no longer when I describe the wise precautions I took for the concealment of the body. The night waned, and I worked hastily, but in silence.
I took up three planks from the flooring of the chamber, and deposited all between the scantlings. I then replaced the boards so cleverly so cunningly, that no human eye — not even his — could have detected anything wrong. There was nothing to wash out — no stain of any kind — no blood-spot whatever. I had been too wary for that.
When I had made an end of these labours, it was four o’clock — still dark as midnight. As the bell sounded the hour, there came a knocking at the street door. I went down to open it with a light heart, — for what had I now to fear? There entered three men, who introduced themselves, with perfect suavity, as officers of the police. A shriek had been heard by a neighbour during the night; suspicion of foul play had been aroused; information had been lodged at the police office, and they (the officers) had been deputed to search the premises.
I smiled, — for what had I to fear? I bade the gentlemen welcome. The shriek, I said, was my own in a dream. The old man, I mentioned, was absent in the country. I took my visitors all over the house. I bade them search — search well. I led them, at length, to his chamber. I showed them his treasures, secure, undisturbed. In the enthusiasm of my confidence, I brought chairs into the room, and desired them here to rest from their fatigues, while I myself, in the wild audacity of my perfect triumph, placed my own seat upon the very spot beneath which reposed the corpse of the victim.
The officers were satisfied. My MANNER had convinced them. I was singularly at ease. They sat and while I answered cheerily, they chatted of familiar things. But, ere long, I felt myself getting pale and wished them gone. My head ached, and I fancied a ringing in my ears; but still they sat, and still chatted. The ringing became more distinct : I talked more freely to get rid of the feeling: but it continued and gained definitiveness — until, at length, I found that the noise was NOT within my ears.
No doubt I now grew VERY pale; but I talked more fluently, and with a heightened voice. Yet the sound increased — and what could I do? It was A LOW, DULL, QUICK SOUND — MUCH SUCH A SOUND AS A WATCH MAKES WHEN ENVELOPED IN COTTON. I gasped for breath, and yet the officers heard it not. I talked more quickly, more vehemently but the noise steadily increased. I arose and argued about trifles, in a high key and with violent gesticulations; but the noise steadily increased. Why WOULD they not be gone? I paced the floor to and fro with heavy strides, as if excited to fury by the observations of the men, but the noise steadily increased. O God! what COULD I do? I foamed — I raved — I swore! I swung the chair upon which I had been sitting, and grated it upon the boards, but the noise arose over all and continually increased. It grew louder — louder — louder! And still the men chatted pleasantly , and smiled. Was it possible they heard not? Almighty God! — no, no? They heard! — they suspected! — they KNEW! — they were making a mockery of my horror! — this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! — and now — again — hark! louder! louder! louder! LOUDER! —
“Villains!” I shrieked, “dissemble no more! I admit the deed! — tear up the planks! — here, here! — it is the beating of his hideous heart!”
A Rose for Emily ~A Classic American Short Story by William Faulkner
WHEN Miss Emily Grierson died, our whole town went to her funeral: the men through a sort of respectful affection for a fallen monument, the women mostly out of curiosity to see the inside of her house, which no one save an old man-servant–a combined gardener and cook–had seen in at least ten years.
It was a big, squarish frame house that had once been white, decorated with cupolas and spires and scrolled balconies in the heavily lightsome style of the seventies, set on what had once been our most select street. But garages and cotton gins had encroached and obliterated even the august names of that neighborhood; only Miss Emily’s house was left, lifting its stubborn and coquettish decay above the cotton wagons and the gasoline pumps-an eyesore among eyesores. And now Miss Emily had gone to join the representatives of those august names where they lay in the cedar-bemused cemetery among the ranked and anonymous graves of Union and Confederate soldiers who fell at the battle of Jefferson.
Alive, Miss Emily had been a tradition, a duty, and a care; a sort of hereditary obligation upon the town, dating from that day in 1894 when Colonel Sartoris, the mayor–he who fathered the edict that no Negro woman should appear on the streets without an apron-remitted her taxes, the dispensation dating from the death of her father on into perpetuity. Not that Miss Emily would have accepted charity. Colonel Sartoris invented an involved tale to the effect that Miss Emily’s father had loaned money to the town, which the town, as a matter of business, preferred this way of repaying. Only a man of Colonel Sartoris’ generation and thought could have invented it, and only a woman could have believed it.
When the next generation, with its more modern ideas, became mayors and aldermen, this arrangement created some little dissatisfaction. On the first of the year they mailed her a tax notice. February came, and there was no reply. They wrote her a formal letter, asking her to call at the sheriff’s office at her convenience. A week later the mayor wrote her himself, offering to call or to send his car for her, and received in reply a note on paper of an archaic shape, in a thin, flowing calligraphy in faded ink, to the effect that she no longer went out at all. The tax notice was also enclosed, without comment.
They called a special meeting of the Board of Aldermen. A deputation waited upon her, knocked at the door through which no visitor had passed since she ceased giving china-painting lessons eight or ten years earlier. They were admitted by the old Negro into a dim hall from which a stairway mounted into still more shadow. It smelled of dust and disuse–a close, dank smell. The Negro led them into the parlor. It was furnished in heavy, leather-covered furniture. When the Negro opened the blinds of one window, they could see that the leather was cracked; and when they sat down, a faint dust rose sluggishly about their thighs, spinning with slow motes in the single sun-ray. On a tarnished gilt easel before the fireplace stood a crayon portrait of Miss Emily’s father.
They rose when she entered–a small, fat woman in black, with a thin gold chain descending to her waist and vanishing into her belt, leaning on an ebony cane with a tarnished gold head. Her skeleton was small and spare; perhaps that was why what would have been merely plumpness in another was obesity in her. She looked bloated, like a body long submerged in motionless water, and of that pallid hue. Her eyes, lost in the fatty ridges of her face, looked like two small pieces of coal pressed into a lump of dough as they moved from one face to another while the visitors stated their errand.
She did not ask them to sit. She just stood in the door and listened quietly until the spokesman came to a stumbling halt. Then they could hear the invisible watch ticking at the end of the gold chain.
Her voice was dry and cold. “I have no taxes in Jefferson. Colonel Sartoris explained it to me. Perhaps one of you can gain access to the city records and satisfy yourselves.”
“But we have. We are the city authorities, Miss Emily. Didn’t you get a notice from the sheriff, signed by him?”
“I received a paper, yes,” Miss Emily said. “Perhaps he considers himself the sheriff . . . I have no taxes in Jefferson.”
“But there is nothing on the books to show that, you see We must go by the–”
“See Colonel Sartoris. I have no taxes in Jefferson.”
“But, Miss Emily–”
“See Colonel Sartoris.” (Colonel Sartoris had been dead almost ten years.) “I have no taxes in Jefferson. Tobe!” The Negro appeared. “Show these gentlemen out.”
II
So SHE vanquished them, horse and foot, just as she had vanquished their fathers thirty years before about the smell.
That was two years after her father’s death and a short time after her sweetheart–the one we believed would marry her –had deserted her. After her father’s death she went out very little; after her sweetheart went away, people hardly saw her at all. A few of the ladies had the temerity to call, but were not received, and the only sign of life about the place was the Negro man–a young man then–going in and out with a market basket.
“Just as if a man–any man–could keep a kitchen properly, “the ladies said; so they were not surprised when the smell developed. It was another link between the gross, teeming world and the high and mighty Griersons.
A neighbor, a woman, complained to the mayor, Judge Stevens, eighty years old.
“But what will you have me do about it, madam?” he said.
“Why, send her word to stop it,” the woman said. “Isn’t there a law? ”
“I’m sure that won’t be necessary,” Judge Stevens said. “It’s probably just a snake or a rat that nigger of hers killed in the yard. I’ll speak to him about it.”
The next day he received two more complaints, one from a man who came in diffident deprecation. “We really must do something about it, Judge. I’d be the last one in the world to bother Miss Emily, but we’ve got to do something.” That night the Board of Aldermen met–three graybeards and one younger man, a member of the rising generation.
“It’s simple enough,” he said. “Send her word to have her place cleaned up. Give her a certain time to do it in, and if she don’t. ..”
“Dammit, sir,” Judge Stevens said, “will you accuse a lady to her face of smelling bad?”
So the next night, after midnight, four men crossed Miss Emily’s lawn and slunk about the house like burglars, sniffing along the base of the brickwork and at the cellar openings while one of them performed a regular sowing motion with his hand out of a sack slung from his shoulder. They broke open the cellar door and sprinkled lime there, and in all the outbuildings. As they recrossed the lawn, a window that had been dark was lighted and Miss Emily sat in it, the light behind her, and her upright torso motionless as that of an idol. They crept quietly across the lawn and into the shadow of the locusts that lined the street. After a week or two the smell went away.
That was when people had begun to feel really sorry for her. People in our town, remembering how old lady Wyatt, her great-aunt, had gone completely crazy at last, believed that the Griersons held themselves a little too high for what they really were. None of the young men were quite good enough for Miss Emily and such. We had long thought of them as a tableau, Miss Emily a slender figure in white in the background, her father a spraddled silhouette in the foreground, his back to her and clutching a horsewhip, the two of them framed by the back-flung front door. So when she got to be thirty and was still single, we were not pleased exactly, but vindicated; even with insanity in the family she wouldn’t have turned down all of her chances if they had really materialized.
When her father died, it got about that the house was all that was left to her; and in a way, people were glad. At last they could pity Miss Emily. Being left alone, and a pauper, she had become humanized. Now she too would know the old thrill and the old despair of a penny more or less.
The day after his death all the ladies prepared to call at the house and offer condolence and aid, as is our custom Miss Emily met them at the door, dressed as usual and with no trace of grief on her face. She told them that her father was not dead. She did that for three days, with the ministers calling on her, and the doctors, trying to persuade her to let them dispose of the body. Just as they were about to resort to law and force, she broke down, and they buried her father quickly.
We did not say she was crazy then. We believed she had to do that. We remembered all the young men her father had driven away, and we knew that with nothing left, she would have to cling to that which had robbed her, as people will.
III
SHE WAS SICK for a long time. When we saw her again, her hair was cut short, making her look like a girl, with a vague resemblance to those angels in colored church windows–sort of tragic and serene.
The town had just let the contracts for paving the sidewalks, and in the summer after her father’s death they began the work. The construction company came with riggers and mules and machinery, and a foreman named Homer Barron, a Yankee–a big, dark, ready man, with a big voice and eyes lighter than his face. The little boys would follow in groups to hear him cuss the riggers, and the riggers singing in time to the rise and fall of picks. Pretty soon he knew everybody in town. Whenever you heard a lot of laughing anywhere about the square, Homer Barron would be in the center of the group. Presently we began to see him and Miss Emily on Sunday afternoons driving in the yellow-wheeled buggy and the matched team of bays from the livery stable.
At first we were glad that Miss Emily would have an interest, because the ladies all said, “Of course a Grierson would not think seriously of a Northerner, a day laborer.” But there were still others, older people, who said that even grief could not cause a real lady to forget noblesse oblige– –
without calling it noblesse oblige. They just said, “Poor Emily. Her kinsfolk should come to her.” She had some kin in Alabama; but years ago her father had fallen out with them over the estate of old lady Wyatt, the crazy woman, and there was no communication between the two families. They had not even been represented at the funeral.
And as soon as the old people said, “Poor Emily,” the whispering began. “Do you suppose it’s really so?” they said to one another. “Of course it is. What else could . . .” This behind their hands; rustling of craned silk and satin behind jalousies closed upon the sun of Sunday afternoon as the thin, swift clop-clop-clop of the matched team passed: “Poor Emily.”
She carried her head high enough–even when we believed that she was fallen. It was as if she demanded more than ever the recognition of her dignity as the last Grierson; as if it had wanted that touch of earthiness to reaffirm her imperviousness. Like when she bought the rat poison, the arsenic. That was over a year after they had begun to say “Poor Emily,” and while the two female cousins were visiting her.
“I want some poison,” she said to the druggist. She was over thirty then, still a slight woman, though thinner than usual, with cold, haughty black eyes in a face the flesh of which was strained across the temples and about the eyesockets as you imagine a lighthouse-keeper’s face ought to look. “I want some poison,” she said.
“Yes, Miss Emily. What kind? For rats and such? I’d recom–”
“I want the best you have. I don’t care what kind.”
The druggist named several. “They’ll kill anything up to an elephant. But what you want is–”
“Arsenic,” Miss Emily said. “Is that a good one?”
“Is . . . arsenic? Yes, ma’am. But what you want–”
“I want arsenic.”
The druggist looked down at her. She looked back at him, erect, her face like a strained flag. “Why, of course,” the druggist said. “If that’s what you want. But the law requires you to tell what you are going to use it for.”
Miss Emily just stared at him, her head tilted back in order to look him eye for eye, until he looked away and went and got the arsenic and wrapped it up. The Negro delivery boy brought her the package; the druggist didn’t come back. When she opened the package at home there was written on the box, under the skull and bones: “For rats.”
IV
So THE NEXT day we all said, “She will kill herself”; and we said it would be the best thing. When she had first begun to be seen with Homer Barron, we had said, “She will marry him.” Then we said, “She will persuade him yet,” because Homer himself had remarked–he liked men, and it was known that he drank with the younger men in the Elks’ Club–that he was not a marrying man. Later we said, “Poor Emily” behind the jalousies as they passed on Sunday afternoon in the glittering buggy, Miss Emily with her head high and Homer Barron with his hat cocked and a cigar in his teeth, reins and whip in a yellow glove.
Then some of the ladies began to say that it was a disgrace to the town and a bad example to the young people. The men did not want to interfere, but at last the ladies forced the Baptist minister–Miss Emily’s people were Episcopal– to call upon her. He would never divulge what happened during that interview, but he refused to go back again. The next Sunday they again drove about the streets, and the following day the minister’s wife wrote to Miss Emily’s relations in Alabama.
So she had blood-kin under her roof again and we sat back to watch developments. At first nothing happened. Then we were sure that they were to be married. We learned that Miss Emily had been to the jeweler’s and ordered a man’s toilet set in silver, with the letters H. B. on each piece. Two days later we learned that she had bought a complete outfit of men’s clothing, including a nightshirt, and we said, “They are married.” We were really glad. We were glad because the two female cousins were even more Grierson than Miss Emily had ever been.
So we were not surprised when Homer Barron–the streets had been finished some time since–was gone. We were a little disappointed that there was not a public blowing-off, but we believed that he had gone on to prepare for Miss Emily’s coming, or to give her a chance to get rid of the cousins. (By that time it was a cabal, and we were all Miss Emily’s allies to help circumvent the cousins.) Sure enough, after another week they departed. And, as we had expected all along, within three days Homer Barron was back in town. A neighbor saw the Negro man admit him at the kitchen door at dusk one evening.
And that was the last we saw of Homer Barron. And of Miss Emily for some time. The Negro man went in and out with the market basket, but the front door remained closed. Now and then we would see her at a window for a moment, as the men did that night when they sprinkled the lime, but for almost six months she did not appear on the streets. Then we knew that this was to be expected too; as if that quality of her father which had thwarted her woman’s life so many times had been too virulent and too furious to die.
When we next saw Miss Emily, she had grown fat and her hair was turning gray. During the next few years it grew grayer and grayer until it attained an even pepper-and-salt iron-gray, when it ceased turning. Up to the day of her death at seventy-four it was still that vigorous iron-gray, like the hair of an active man.
From that time on her front door remained closed, save for a period of six or seven years, when she was about forty, during which she gave lessons in china-painting. She fitted up a studio in one of the downstairs rooms, where the daughters and granddaughters of Colonel Sartoris’ contemporaries were sent to her with the same regularity and in the same spirit that they were sent to church on Sundays with a twenty-five-cent piece for the collection plate. Meanwhile her taxes had been remitted.
Then the newer generation became the backbone and the spirit of the town, and the painting pupils grew up and fell away and did not send their children to her with boxes of color and tedious brushes and pictures cut from the ladies’ magazines. The front door closed upon the last one and remained closed for good. When the town got free postal delivery, Miss Emily alone refused to let them fasten the metal numbers above her door and attach a mailbox to it. She would not listen to them.
Daily, monthly, yearly we watched the Negro grow grayer and more stooped, going in and out with the market basket. Each December we sent her a tax notice, which would be returned by the post office a week later, unclaimed. Now and then we would see her in one of the downstairs windows–she had evidently shut up the top floor of the house–like the carven torso of an idol in a niche, looking or not looking at us, we could never tell which. Thus she passed from generation to generation–dear, inescapable, impervious, tranquil, and perverse.
And so she died. Fell ill in the house filled with dust and shadows, with only a doddering Negro man to wait on her. We did not even know she was sick; we had long since given up trying to get any information from the Negro
He talked to no one, probably not even to her, for his voice had grown harsh and rusty, as if from disuse.
She died in one of the downstairs rooms, in a heavy walnut bed with a curtain, her gray head propped on a pillow yellow and moldy with age and lack of sunlight.
V
THE NEGRO met the first of the ladies at the front door and let them in, with their hushed, sibilant voices and their quick, curious glances, and then he disappeared. He walked right through the house and out the back and was not seen again.
The two female cousins came at once. They held the funeral on the second day, with the town coming to look at Miss Emily beneath a mass of bought flowers, with the crayon face of her father musing profoundly above the bier and the ladies sibilant and macabre; and the very old men –some in their brushed Confederate uniforms–on the porch and the lawn, talking of Miss Emily as if she had been a contemporary of theirs, believing that they had danced with her and courted her perhaps, confusing time with its mathematical progression, as the old do, to whom all the past is not a diminishing road but, instead, a huge meadow which no winter ever quite touches, divided from them now by the narrow bottle-neck of the most recent decade of years.
Already we knew that there was one room in that region above stairs which no one had seen in forty years, and which would have to be forced. They waited until Miss Emily was decently in the ground before they opened it.
The violence of breaking down the door seemed to fill this room with pervading dust. A thin, acrid pall as of the tomb seemed to lie everywhere upon this room decked and furnished as for a bridal: upon the valance curtains of faded rose color, upon the rose-shaded lights, upon the dressing table, upon the delicate array of crystal and the man’s toilet things backed with tarnished silver, silver so tarnished that the monogram was obscured. Among them lay a collar and tie, as if they had just been removed, which, lifted, left upon the surface a pale crescent in the dust. Upon a chair hung the suit, carefully folded; beneath it the two mute shoes and the discarded socks.
The man himself lay in the bed.
For a long while we just stood there, looking down at the profound and fleshless grin. The body had apparently once lain in the attitude of an embrace, but now the long sleep that outlasts love, that conquers even the grimace of love, had cuckolded him. What was left of him, rotted beneath what was left of the nightshirt, had become inextricable from the bed in which he lay; and upon him and upon the pillow beside him lay that even coating of the patient and biding dust.
Then we noticed that in the second pillow was the indentation of a head. One of us lifted something from it, and leaning forward, that faint and invisible dust dry and acrid in the nostrils, we saw a long strand of iron-gray hair.
The Huntsman ~ A Classic Russian (translated into English) Short Story by Anton Chekhov
A SULTRY, stifling midday. Not a cloudlet in the sky. . . . The sun-baked grass had a disconsolate, hopeless look: even if there were rain it could never be green again. . . . The forest stood silent, motionless, as though it were looking at something with its tree-tops or expecting something.
At the edge of the clearing a tall, narrow-shouldered man of forty in a red shirt, in patched trousers that had been a gentleman’s, and in high boots, was slouching along with a lazy, shambling step. He was sauntering along the road. On the right was the green of the clearing, on the left a golden sea of ripe rye stretched to the very horizon. He was red and perspiring, a white cap with a straight jockey peak, evidently a gift from some open-handed young gentleman, perched jauntily on his handsome flaxen head. Across his shoulder hung a game-bag with a blackcock lying in it. The man held a double-barrelled gun cocked in his hand, and screwed up his eyes in the direction of his lean old dog who was running on ahead sniffing the bushes. There was stillness all round, not a sound . . . everything living was hiding away from the heat.
“Yegor Vlassitch!” the huntsman suddenly heard a soft voice.
He started and, looking round, scowled. Beside him, as though she had sprung out of the earth, stood a pale-faced woman of thirty with a sickle in her hand. She was trying to look into his face, and was smiling diffidently.
“Oh, it is you, Pelagea!” said the huntsman, stopping and deliberately uncocking the gun. “H’m! . . . How have you come here?”
“The women from our village are working here, so I have come with them. . . . As a labourer, Yegor Vlassitch.”
“Oh . . .” growled Yegor Vlassitch, and slowly walked on.
Pelagea followed him. They walked in silence for twenty paces.
“I have not seen you for a long time, Yegor Vlassitch . . .” said Pelagea looking tenderly at the huntsman’s moving shoulders. “I have not seen you since you came into our hut at Easter for a drink of water . . . you came in at Easter for a minute and then God knows how . . . drunk . . . you scolded and beat me and went away . . . I have been waiting and waiting . . . I’ve tired my eyes out looking for you. Ah, Yegor Vlassitch, Yegor Vlassitch! you might look in just once!”
“What is there for me to do there?”
“Of course there is nothing for you to do . . . though to be sure . . . there is the place to look after. . . . To see how things are going. . . . You are the master. . . . I say, you have shot a blackcock, Yegor Vlassitch! You ought to sit down and rest!”
As she said all this Pelagea laughed like a silly girl and looked up at Yegor’s face. Her face was simply radiant with happiness.
“Sit down? If you like . . .” said Yegor in a tone of indifference, and he chose a spot between two fir-trees. “Why are you standing? You sit down too.”
Pelagea sat a little way off in the sun and, ashamed of her joy, put her hand over her smiling mouth. Two minutes passed in silence.
“You might come for once,” said Pelagea.
“What for?” sighed Yegor, taking off his cap and wiping his red forehead with his hand. “There is no object in my coming. To go for an hour or two is only waste of time, it’s simply upsetting you, and to live continually in the village my soul could not endure. . . . You know yourself I am a pampered man. . . . I want a bed to sleep in, good tea to drink, and refined conversation. . . . I want all the niceties, while you live in poverty and dirt in the village. . . . I couldn’t stand it for a day. Suppose there were an edict that I must live with you, I should either set fire to the hut or lay hands on myself. From a boy I’ve had this love for ease; there is no help for it.”
“Where are you living now?”
“With the gentleman here, Dmitry Ivanitch, as a huntsman. I furnish his table with game, but he keeps me . . . more for his pleasure than anything.”
“That’s not proper work you’re doing, Yegor Vlassitch. . . . For other people it’s a pastime, but with you it’s like a trade . . . like real work.”
“You don’t understand, you silly,” said Yegor, gazing gloomily at the sky. “You have never understood, and as long as you live you will never understand what sort of man I am. . . . You think of me as a foolish man, gone to the bad, but to anyone who understands I am the best shot there is in the whole district. The gentry feel that, and they have even printed things about me in a magazine. There isn’t a man to be compared with me as a sportsman. . . . And it is not because I am pampered and proud that I look down upon your village work. From my childhood, you know, I have never had any calling apart from guns and dogs. If they took away my gun, I used to go out with the fishing-hook, if they took the hook I caught things with my hands. And I went in for horse-dealing too, I used to go to the fairs when I had the money, and you know that if a peasant goes in for being a sportsman, or a horse-dealer, it’s good-bye to the plough. Once the spirit of freedom has taken a man you will never root it out of him. In the same way, if a gentleman goes in for being an actor or for any other art, he will never make an official or a landowner. You are a woman, and you do not understand, but one must understand that.”
“I understand, Yegor Vlassitch.”
“You don’t understand if you are going to cry. . . .”
“I . . . I’m not crying,” said Pelagea, turning away. “It’s a sin, Yegor Vlassitch! You might stay a day with luckless me, anyway. It’s twelve years since I was married to you, and . . . and . . . there has never once been love between us! . . . I . . . I am not crying.”
“Love . . .” muttered Yegor, scratching his hand. “There can’t be any love. It’s only in name we are husband and wife; we aren’t really. In your eyes I am a wild man, and in mine you are a simple peasant woman with no understanding. Are we well matched? I am a free, pampered, profligate man, while you are a working woman, going in bark shoes and never straightening your back. The way I think of myself is that I am the foremost man in every kind of sport, and you look at me with pity. . . . Is that being well matched?”
“But we are married, you know, Yegor Vlassitch,” sobbed Pelagea.
“Not married of our free will. . . . Have you forgotten? You have to thank Count Sergey Paylovitch and yourself. Out of envy, because I shot better than he did, the Count kept giving me wine for a whole month, and when a man’s drunk you could make him change his religion, let alone getting married. To pay me out he married me to you when I was drunk. . . . A huntsman to a herd-girl! You saw I was drunk, why did you marry me? You were not a serf, you know; you could have resisted. Of course it was a bit of luck for a herd-girl to marry a huntsman, but you ought to have thought about it. Well, now be miserable, cry. It’s a joke for the Count, but a crying matter for you. . . . Beat yourself against the wall.”
A silence followed. Three wild ducks flew over the clearing. Yegor followed them with his eyes till, transformed into three scarcely visible dots, they sank down far beyond the forest.
“How do you live?” he asked, moving his eyes from the ducks to Pelagea.
“Now I am going out to work, and in the winter I take a child from the Foundling Hospital and bring it up on the bottle. They give me a rouble and a half a month.”
“Oh. . . .”
Again a silence. From the strip that had been reaped floated a soft song which broke off at the very beginning. It was too hot to sing.
“They say you have put up a new hut for Akulina,” said Pelagea.
Yegor did not speak.
“So she is dear to you. . . .”
“It’s your luck, it’s fate!” said the huntsman, stretching. “You must put up with it, poor thing. But good-bye, I’ve been chattering long enough. . . . I must be at Boltovo by the evening.”
Yegor rose, stretched himself, and slung his gun over his shoulder; Pelagea got up.
“And when are you coming to the village?” she asked softly.
“I have no reason to, I shall never come sober, and you have little to gain from me drunk; I am spiteful when I am drunk. Good-bye!”
“Good-bye, Yegor Vlassitch.”
Yegor put his cap on the back of his head and, clicking to his dog, went on his way. Pelagea stood still looking after him. . . . She saw his moving shoulder-blades, his jaunty cap, his lazy, careless step, and her eyes were full of sadness and tender affection. . . . Her gaze flitted over her husband’s tall, lean figure and caressed and fondled it. . . . He, as though he felt that gaze, stopped and looked round. . . . He did not speak, but from his face, from his shrugged shoulders, Pelagea could see that he wanted to say something to her. She went up to him timidly and looked at him with imploring eyes.
“Take it,” he said, turning round.
He gave her a crumpled rouble note and walked quickly away.
“Good-bye, Yegor Vlassitch,” she said, mechanically taking the rouble.
He walked by a long road, straight as a taut strap. She, pale and motionless as a statue, stood, her eyes seizing every step he took. But the red of his shirt melted into the dark colour of his trousers, his step could not be seen, and the dog could not be distinguished from the boots. Nothing could be seen but the cap, and . . . suddenly Yegor turned off sharply into the clearing and the cap vanished in the greenness.
“Good-bye, Yegor Vlassitch,” whispered Pelagea, and she stood on tiptoe to see the white cap once more.
An Occurrence at Owl Creek Bridge ~ A Classic American Short Story by Ambrose Bierce
A man stood upon a railroad bridge in northern Alabama, looking down into the swift water twenty feet below. The man’s hands were behind his back, the wrists bound with a cord. A rope closely encircled his neck. It was attached to a stout cross-timber above his head and the slack fell to the level of his knees. Some loose boards laid upon the sleepers supporting the metals of the railway supplied a footing for him and his executioners–two private soldiers of the Federal army, directed by a sergeant who in civil life may have been a deputy sheriff. At a short remove upon the same temporary platform was an officer in the uniform of his rank, armed. He was a captain. A sentinel at each end of the bridge stood with his rifle in the position known as “support,” that is to say, vertical in front of the left shoulder, the hammer resting on the forearm thrown straight across the chest–a formal and unnatural position, enforcing an erect carriage of the body. It did not appear to be the duty of these two men to know what was occurring at the center of the bridge; they merely blockaded the two ends of the foot planking that traversed it.
Beyond one of the sentinels nobody was in sight; the railroad ran straight away into a forest for a hundred yards, then, curving, was lost to view. Doubtless there was an outpost farther along. The other bank of the stream was open ground–a gentle acclivity topped with a stockade of vertical tree trunks, loopholed for rifles, with a single embrasure through which protruded the muzzle of a brass cannon commanding the bridge. Midway of the slope between the bridge and fort were the spectators–a single company of infantry in line, at “parade rest,” the butts of the rifles on the ground, the barrels inclining slightly backward against the right shoulder, the hands crossed upon the stock. A lieu tenant stood at the right of the line, the point of his sword upon the ground, his left hand resting upon his right. Excepting the group of four at the center of the bridge, not a man moved. The company faced the bridge, staring stonily, motionless. The sentinels, facing the banks of the stream, might have been statues to adorn the bridge. The captain stood with folded arms, silent, observing the work of his subordinates, but making no sign. Death is a dignitary who when he comes announced is to be received with formal manifestations of respect, even by those most familiar with him. In the code of military etiquette silence and fixity are forms of deference.
The man who was engaged in being hanged was apparently about thirty-five years of age. He was a civilian, if one might judge from his habit, which was that of a planter. His features were good–a straight nose, firm mouth, broad forehead, from which his long, dark hair was combed straight back, falling behind his ears to the collar of his well-fitting frock coat. He wore a mustache and pointed beard, but no whiskers; his eyes were large and dark gray, and had a kindly expression which one would hardly have expected in one whose neck was in the hemp. Evidently this was no vulgar assassin. The liberal military code makes provision for hanging many kinds of persons, and gentlemen are not excluded.
The preparations being complete, the two private soldiers stepped aside and each drew away the plank upon which he had been standing. The sergeant turned to the captain, saluted and placed himself immediately behind that officer, who in turn moved apart one pace. These movements left the condemned man and the sergeant standing on the two ends of the same plank, which spanned three of the cross-ties of the bridge. The end upon which the civilian stood almost, but not quite, reached a fourth. This plank had been held in place by the weight of the captain; it was now held by that of the sergeant. At a signal from the former the latter would step aside, the plank would tilt and the condemned man go down between two ties. The arrangement commended itself to his judgment as simple and effective. His face had not been covered nor his eyes bandaged. He looked a moment at his “unsteadfast footing,” then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move, What a sluggish stream!
He closed his eyes in order to fix his last thoughts upon his wife and children. The water, touched to gold by the early sun, the brooding mists under the banks at some distance down the stream, the fort, the soldiers, the piece of drift–all had distracted him. And now he became conscious of a new disturbance. Striking through the thought of his dear ones was a sound which he could neither ignore nor understand, a sharp, distinct, metallic percussion like the stroke of a blacksmith’s hammer upon the anvil; it had the same ringing quality. He wondered what it was, and whether immeasurably distant or near by–it seemed both. Its recurrence was regular, but as slow as the tolling of a death knell. He awaited each stroke with impatience and–he knew not why–apprehension. The intervals of silence grew progressively longer, the delays became maddening. With their greater infrequency the sounds increased in strength and sharpness. They hurt his ear like the thrust of a knife; he feared he would shriek. What he heard was the ticking of his watch.
He unclosed his eyes and saw again the water below him. “If I could free my hands,” he thought, “I might throw off the noose and spring into the stream. By diving I could evade the bullets and, swimming vigorously, reach the bank, take to the woods and get away home. My home, thank God, is as yet outside their lines; my wife and little ones are still beyond the invader’s farthest advance.”
As these thoughts, which have here to be set down in words, were flashed into the doomed man’s brain rather than evolved from it the captain nodded to the sergeant. The sergeant stepped aside.
II
Peyton Farquhar was a well-to-do planter, of an old and highly respected Alabama family. Being a slave owner and like other slave owners a politician he was naturally an original secessionist and ardently devoted to the Southern cause. Circumstances of an imperious nature, which it is unnecessary to relate here, had prevented him from taking service with the gallant army that had fought the disastrous campaigns ending with the fall of Corinth, and he chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in war time. Meanwhile he did what he could. No service was too humble for him to perform in aid of the South, no adventure too perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.
One evening while Farquhar and his wife were sitting on a rustic bench near the entrance to his grounds, a gray-clad soldier rode up to the gate and asked for a drink of water. Mrs. Farquhar was only toe, happy to serve him with her own white hands. While she was fetching the water her husband approached the dusty horseman and inquired eagerly for news from the front.
“The Yanks are repairing the railroads,” said the man, “and are getting ready for another advance. They have reached the Owl Creek bridge, put it in order and built a stockade on the north bank. The commandant has issued an order, which is posted everywhere, declaring that any civilian caught interfering with the railroad, its bridges, tunnels or trains will be summarily hanged. I saw the order.”
“How far is it to the Owl Creek bridge?” Farquhar asked.
“About thirty miles.”
“Is there no force on this side the creek?”
“Only a picket post half a mile out, on the railroad, and a single sentinel at this end of the bridge.”
“Suppose a man–a civilian and student of hanging–should elude the picket post and perhaps get the better of the sentinel,” said Farquhar, smiling, “what could he accomplish?”
The soldier reflected. “I was there a month ago,” he replied. “I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tow.”
The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.
III
As Peyton Farquhar fell straight downward through the bridge he lost consciousness and was as one already dead. From this state he was awakened–ages later, it seemed to him–by the pain of a sharp pressure upon his throat, followed by a sense of suffocation. Keen, poignant agonies seemed to shoot from his neck downward through every fiber of his body and limbs. These pains appeared to flash along well-defined lines of ramification and to beat with an inconceivably rapid periodicity. They seemed like streams of pulsating fire heating him to an intolerable temperature. As to his head, he was conscious of nothing but a feeling of fulness–of congestion. These sensations were unaccompanied by thought. The intellectual part of his nature was already effaced; he had power only to feel, and feeling was torment. He was conscious of motion. Encompassed in a luminous cloud, of which he was now merely the fiery heart, without material substance, he swung through unthinkable arcs of oscillation, like a vast pendulum. Then all at once, with terrible suddenness, the light about him shot upward with the noise of a loud splash; a frightful roaring was in his ears, and all was cold and dark. The power of thought was restored; he knew that the rope had broken and he had fallen into the stream. There was no additional strangulation; the noose about his neck was already suffocating him and kept the water from his lungs. To die of hanging at the bottom of a river!–the idea seemed to him ludicrous. He opened his eyes in the darkness and saw above him a gleam of light, but how distant, how inaccessible! He was still sinking, for the light became fainter and fainter until it was a mere glimmer. Then it began to grow and brighten, and he knew that he was rising toward the surface–knew it with reluctance, for he was now very comfortable. “To be hanged and drowned,” he thought? “that is not so bad; but I do not wish to be shot. No; I will not be shot; that is not fair.”
He was not conscious of an effort, but a sharp pain in his wrist apprised him that he was trying to free his hands. He gave the struggle his attention, as an idler might observe the feat of a juggler, without interest in the outcome. What splendid effort!–what magnificent, what superhuman strength! Ah, that was a fine endeavor! Bravo! The cord fell away; his arms parted and floated upward, the hands dimly seen on each side in the growing light. He watched them with a new interest as first one and then the other pounced upon the noose at his neck. They tore it away and thrust it fiercely aside, its undulations resembling those of a water snake. “Put it back, put it back!” He thought he shouted these words to his hands, for the undoing of the noose had been succeeded by the direst pang that he had yet experienced. His neck ached horribly; his brain was on fire; his heart, which had been fluttering faintly, gave a great leap, trying to force itself out at his mouth. His whole body was racked and wrenched with an insupportable anguish! But his disobedient hands gave no heed to the command. They beat the water vigorously with quick, downward strokes, forcing him to the surface. He felt his head emerge; his eyes were blinded by the sunlight; his chest expanded convulsively, and with a supreme and crowning agony his lungs engulfed a great draught of air, which instantly he expelled in a shriek!
He was now in full possession of his physical senses. They were, indeed, preternaturally keen and alert. Something in the awful disturbance of his organic system had so exalted and refined them that they made record of things never before perceived. He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf–saw the very insects upon them: the locusts, the brilliant-bodied flies, the grey spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water-spiders’ legs, like oars which had lifted their boat–all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.
He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the two privates, his executioners. They were in silhouette against the blue sky. They shouted and gesticulated, pointing at him. The captain had drawn his pistol, but did not fire; the others were unarmed. Their movements were grotesque and horrible, their forms gigantic.
Suddenly he heard a sharp report and something struck the water smartly within a few inches of his head, spattering his face with spray. He heard a second report, and saw one of the sentinels with his rifle at his shoulder, a light cloud of blue smoke rising from the muzzle. The man in the water saw the eye of the man on the bridge gazing into his own through the sights of the rifle. He observed that it was a grey eye and remembered having read that grey eyes were keenest, and that all famous marksmen had them. Nevertheless, this one had missed.
A counter-swirl had caught Farquhar and turned him half round; he was again looking into the forest on the bank opposite the fort. The sound of a clear, high voice in a monotonous singsong now rang out behind him and came across the water with a distinctness that pierced and subdued all other sounds, even the beating of the ripples in his ears. Although no soldier, he had frequented camps enough to know the dread significance of that deliberate, drawling, aspirated chant; the lieu. tenant on shore was taking a part in the morning’s work. How coldly and pitilessly–with what an even, calm intonation, presaging, and enforcing tranquillity in the men–with what accurately measured inter vals fell those cruel words:
Farquhar dived–dived as deeply as he could. The water roared in his ears like the voice of Niagara, yet he heard the dulled thunder of the volley and, rising again toward the surface, met shining bits of metal, singularly flattened, oscillating slowly downward. Some of them touched him on the face and hands, then fell away, continuing their descent. One lodged between his collar and neck; it was uncomfortably warm and he snatched it out.
As he rose to the surface, gasping for breath, he saw that he had been a long time under water; he was perceptibly farther down stream nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.
The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning.
The officer,” he reasoned, “will not make that martinet’s error a second time. It is as easy to dodge a volley as a single shot. He has probably already given the command to fire at will. God help me, I cannot dodge them all!”
An appalling plash within two yards of him was followed by a loud, rushing sound, diminuendo, which seemed to travel back through the air to the fort and died in an explosion which stirred the very river to its deeps!
A rising sheet of water curved over him, fell down upon him, blinded him, strangled him! The cannon had taken a hand in the game. As he shook his head free from the commotion of the smitten water he heard the deflected shot humming through the air ahead, and in an instant it was cracking and smashing the branches in the forest beyond.
“They will not do that again,” he thought; “the next time they will use a charge of grape. I must keep my eye upon the gun; the smoke will apprise me–the report arrives too late; it lags behind the missile. That is a good gun.”
Suddenly he felt himself whirled round and round–spinning like a top. The water, the banks, the forests, the now distant bridge, fort and men–all were commingled and blurred. Objects were represented by their colors only; circular horizontal streaks of color–that was all he saw. He had been caught in a vortex and was being whirled on with a velocity of advance and gyration that made him giddy and sick. In a few moments he was flung upon the gravel at the foot of the left bank of the stream–the southern bank–and behind a projecting point which concealed him from his enemies. The sudden arrest of his motion, the abrasion of one of his hands on the gravel, restored him, and he wept with delight. He dug his fingers into the sand, threw it over himself in handfuls and audibly blessed it. It looked like diamonds, rubies, emeralds; he could think of nothing beautiful which it did not resemble. The trees upon the bank were giant garden plants; he noted a definite order in their arrangement, inhaled the fragrance of their blooms. A strange, roseate light shone through the spaces among their trunks and the wind made in their branches the music of Æolian harps. He had no wish to perfect his escape–was content to remain in that enchanting spot until retaken.
A whiz and rattle of grapeshot among the branches high above his head roused him from his dream. The baffled cannoneer had fired him a random farewell. He sprang to his feet, rushed up the sloping bank, and plunged into the forest.
All that day he traveled, laying his course by the rounding sun. The forest seemed interminable; nowhere did he discover a break in it, not even a woodman’s road. He had not known that he lived in so wild a region. There was something uncanny in the revelation.
By nightfall he was fatigued, footsore, famishing. The thought of his wife and children urged him on. At last he found a road which led him in what he knew to be the right direction. It was as wide and straight as a city street, yet it seemed untraveled. No fields bordered it, no dwelling anywhere. Not so much as the barking of a dog suggested human habitation. The black bodies of the trees formed a straight wall on both sides, terminating on the horizon in a point, like a diagram in a lesson in perspective. Overhead, as he looked up through this rift in the wood, shone great garden stars looking unfamiliar and grouped in strange constellations. He was sure they were arranged in some order which had a secret and malign significance. The wood on either side was full of singular noises, among which–once, twice, and again–he distinctly heard whispers in an unknown tongue.
His neck was in pain and lifting his hand to it found it horribly swollen. He knew that it had a circle of black where the rope had bruised it. His eyes felt congested; he could no longer close them. His tongue was swollen with thirst; he relieved its fever by thrusting it forward from between his teeth into the cold air. How softly the turf had carpeted the untraveled avenue–he could no longer feel the roadway beneath his feet!
Doubtless, despite his suffering, he had fallen asleep while walking, for now he sees another scene–perhaps he has merely recovered from a delirium. He stands at the gate of his own home. All is as he left it, and all bright and beautiful in the morning sunshine. He must have traveled the entire night. As he pushes open the gate and passes up the wide white walk, he sees a flutter of female garments; his wife, looking fresh and cool and sweet, steps down from the veranda to meet him. At the bottom of the steps she stands waiting, with a smile of ineffable joy, an attitude of matchless grace and dignity. Ah, how beautiful she is! He springs forward with extended arms. As he is about to clasp her he feels a stunning blow upon the back of the neck; a blinding white light blazes all about him with a sound like the shock of a cannon–then all is darkness and silence!
Peyton Farquhar was dead; his body, with a broken neck, swung gently from side to side beneath the timbers of the Owl Creek bridge.
The Midnight Hideaway ~ A Short Story by Allen Kopp
The phone rang several rings before Tully was awake. He had been dreaming about when he was seven years old and saw a fat woman in a blue flowered dress having an epileptic seizure on the street; she lay on her back and twitched and moaned like a ghost but the thing that scared him the most was the foaming at the mouth. He was still having nightmares.
He picked up the receiver without turning on the light and almost dropped it. He could still see the woman’s face, the twitching. “Hello,” he said. “Tully here.”
“Tully, is that you?” a man’s voice said.
“I just said it was,” he said. He managed to look at the clock and see that it was nearly two in the morning.
“Got a job for you.”
“Who is this?”
“Wellington.”
“Couldn’t it have waited until morning?”
“Manners says it’s urgent. You know how he is.”
“Don’t you ever sleep like a normal person?”
“Yeah, I sleep sometimes.”
“Well, what is it then? I want to go back to sleep and see how my nightmare turns out.“
“You’re not going to like this job, I’m afraid. It’s the sort of thing you hate.”
“Just tell me what it is without the editorial comment.”
“They want you to kill a guy.”
He felt a contraction in his chest. “I’m listening,” he said.
“His name is Sidney Keen. He’s twenty-three years old. I’m going to send you over a couple of pictures.”
“Anything else I need to know?”
“He works at the Paradise movie theatre downtown and gets off work around midnight. He sometimes goes to a bar on his way home and stays there a couple of hours. Should be easy for you to pick off.”
“Who wants him dead and why?”
“You know we’re not supposed to ask.”
“When am I supposed to do this dirty deed?”
“Tomorrow night. You know the drill.”
“Okay.”
“Call me when it’s finished. And no slip-ups this time!”
Tully was still awake a couple of hours later when the runner slipped the envelope under his door. He got out of bed, turned on the light, opened the envelope and studied the pictures of the person he was supposed to kill. The first was of a young man in a tuxedo with a blonde in a black dress on his arm, all smiles, off to the country club dance. The other picture was of the same young man dressed in a baseball uniform with a big smile, standing at home plate swinging a bat; obviously just a pose because the uniform was too clean to be real and the young man’s hair too perfectly combed. He was a kid like a million others, not ugly and not pretty. No distinguishing characteristics but a good face with a strong chin and a straight nose.
Tully had killed anonymously before, but not often, and he hated doing it. Each time he had to tell himself there was nothing personal in it; he hoped somehow to convey that sentiment in the last few seconds, without words, to the person he was killing.
He stayed at home all day the next day; went out about seven o’clock in the evening and bought a newspaper. After checking the time of the last show at the Paradise theatre, he had a steak at his favorite restaurant and after that still had plenty of time to go to a hotel bar not far from the theatre and have a couple drinks to give him courage.
Ten minutes before the last show started, he walked to the Paradise and stood in line and bought a ticket. As soon as he entered the theatre lobby, he saw Sidney Keen, smiling at people as he took their tickets. There could be no mistake it was him: the same face as the one in the pictures, the same lock of dark hair falling forward on the forehead.
“Good evening, sir,” Sidney said to Tully as he tore his ticket in half.
“Show any good tonight?” Tully asked just to have something to say.
“Everybody’s crazy about it,” Sidney said. “I’ve seen it three times myself.”
“Must be good, then,” Tully said as he moved on.
About half the seats were filled; a fairly large crowd for the late show. Tully took a seat on the aisle in the shadows close to the back and took off his hat and rested it on his knee.
The picture was about a group of misfits pulling off a jewelry heist. They were naïve enough, or dumb enough, to believe they were going to succeed. The main character, who was the head of the gang, was going to go straight after he made the one final haul that would allow him to get away from all the things in the world he hated, such as women who wear too much lipstick and people who mistreat animals.
When the picture was over, Tully stood up, put on his hat and filed out with the others. He stood out in front of the theatre and smoked a cigarette and waited. In a few minutes the marquee went dark and the ushers and other people who worked in the theatre came out and, saying their good nights, went their separate ways.
Sidney separated himself from the others, took a few steps and stopped to light a cigarette. Then he walked briskly off into the night, trailing a stream of smoke. Tully waited until Sidney was about fifty yards away and then began following him.
The street after midnight was deserted, so Tully could have popped Sidney in the back right then and there without being seen, gone home and gone to bed and reported the next morning that all went well. It was too easy, though—he couldn’t quite bring himself to do it. Killing an unarmed, unsuspecting man that way just seemed too dishonorable. There had to be a better way, one that would let him sleep nights and live the rest of his days in relative peace.
Sidney came to a small bar about three blocks from the theatre called The Midnight Hideaway and went inside. Tully waited about five minutes and then went in himself.
The place was smoky and dark, lit by blue lights that barely allowed people to see where they were going. There were a few drunks sitting at the bar, some couples sitting at tables. Canned jazz music played softly in the background, punctuated by low conversation and drunken female laughter.
Sidney had taken a seat at the bar. Tully sat in the seat two over from Sidney and lit a cigarette. When the bartender asked him what he wanted, he ordered a scotch and soda.
“You were following me from the theatre, weren’t you?” Sidney said, turning to his left to face Tully.
“What’s that?” Tully said. Playing innocent was easy.
“I said you were following me from the theatre.”
“No, not at all.” He downed his drink and the bartender served him again.
“Then why are you here?”
“Everybody’s got to be someplace.”
“How did you like the picture?”
“I was a little disappointed in the ending. I’m always hoping the crooks get away with it and live happily ever after.”
“They can’t do that. Have stories turn out that way, I mean. It’s against the code of morals and ethics. People who commit crimes have to be punished.”
“You seem to know a lot about it.”
“I’ve been in the motion picture business now for two years, first behind the candy counter and then as an usher.”
“Sounds like you’ve got a real career going for you.”
“No, I’m going to quit soon. I don’t have to work if I don’t want to. I’ve only been doing it this long to have someplace to go in the evenings to get out of the house.”
“Independently wealthy?”
“My father is in the final stages of heart disease. I’m the principal beneficiary of his will.”
“Why are you telling all this to a complete stranger?”
“I’m not sure. I think I felt some kind of connection with you the minute I first saw you in the lobby of the theatre. You were looking at me in a way I’ve never been looked at before.”
“Don’t get the wrong idea. I’m not that sort.”
“What sort is that?”
“If you don’t know, I’m not going to explain it to you.”
“No, it’s nothing like that. It’s on a higher plane than that.”
“I don’t know anything about planes. But I do you know you should be careful who you spill your guts to. The enemy is everywhere.”
“That’s an odd thing to say.”
“I’m an odd sort of a fellow, I guess.”
“I have this stepmother, though. She’d like to see me dead.”
“Why do you say that?”
“My father’s will stipulates that I get the bulk of his estate. I think it has something to do with guilt over the way he treated my mother. There’s this other woman, though, that he’s has been married to for about five years, my darling stepmother. While she’s mentioned in his will, she’s not sitting as pretty as I am. The only way she can get the whole caboodle is if I die.”
“If something happened to you, wouldn’t the stepmother be the first to be suspected?”
“Well, yes, but she’d make sure there was never a shred of evidence connecting her to my death. People could suspect all they wanted to, but it would never go any farther than that. If she could arrange it, she’d make it appear that I was killed randomly by a crazed escapee from an insane asylum or in an accident. A runaway bus that just happened to run up onto the sidewalk where I was walking and flattened me would be the answer to her prayers.”
“Maybe she’s not as bad as you think.”
“She’s ten times worse. She’s Satan’s doxy. She’d sell her own young to the highest bidder.”
“Why did your father marry her?”
“He was afraid of being alone. She was available.”
A drunk fell noisily to the floor, pulling a chair over with him. Everybody turned to see what the disturbance was. Sidney took advantage of the lull in conversation to stand up in preparation for leaving.
“It was a pleasure talking to you,” he said. “I hope I didn’t bore you too much with my problems.”
“No, it’s all right,” Tully said. “I wasn’t bored.”
“Could I give you a lift somewhere? I have my car.”
“No, thanks. I’ll get a cab.”
“You won’t be able to find a cab this late, I’m afraid.”
“All right. You can drop me off downtown.”
When they left the bar, Sidney told Tully to wait for him on the street corner while he went to get the car. Tully waited so long he believed Sidney wasn’t coming back, but finally he pulled up at the curb and stopped for Tully to get in.
Tully, sitting on the seat two feet away from Sidney, fingered the gun in his pocket. He thought about how easy it would be to shoot Sidney in the head and be done with it. He thought about the freshly laundered sheets on his bed and how good it would feel to get between them and shut out the world, to have his work behind him and have nothing to think about.
“Now, maybe you can tell me who you really are and why you were following me,” Sidney said.
“I already said I wasn’t following you.”
“What’s your racket?”
“I don’t have a racket.”
“Did she send you to kill me?”
“Of course not.”
“I knew you weren’t there to see the show. All we get for the late show are smooching couples and giggling adolescents. People like you have better things to do than come to a third-rate theatre late at night to see a second-rate feature. What’s your story?”
“I don’t have one.”
Sidney surprised him by pulling a gun out of his clothing and pointing it at him.
“Put the gun away,” Tully said with a little laugh. “You don’t need it.”
“I started carrying a gun when I realized my life was in danger.”
“Why don’t you go someplace far away where nobody knows you? Change your name if you have to. Then when your daddy dies you can collect your inheritance and give the evil stepmother the boot.”
“It’s not that easy. I need to stay around and keep an eye on things.”
“Why don’t you go to the police and tell them your stepmother is trying to have you killed?”
“I don’t have any proof. They would just say I’m imagining things.”
“Look, just drop me downtown and I’ll forget you threatened to shoot me.”
“You still haven’t told me who you are.”
“I’m nobody.”
“What brings a nobody like you to this part of the city this late at night?”
“I have trouble sleeping. I’m a roamer. I like to roam around and go places I’ve never been before. I stop at a bar I’ve never been to before and have a couple of drinks and then I go back home and go to sleep.”
“I don’t believe you. Why were you at the theatre tonight?”
“People usually go to a theatre to see a show.”
“That’s not why you were there. I could see it on your face. When you saw me, you recognized me. Have we met someplace before?”
“No.”
“Are you a friend of my stepmother’s?”
“Of course not.”
“If you don’t tell me, I’m going to shoot you in the leg.”
“Why don’t you just stop the car right here? I’ll get out and we’ll forget we ever had this conversation.”
“And then you’ll come back tomorrow night and finish the job?”
“You’ve been seeing too many movies, sonny.”
To Tully’s surprise, Sidney shot him in the thigh. Tully pulled his gun out from where he had it hidden against his chest and pointed it at Sidney.
“You little bastard!” he said. “I’m going to blow your head off!”
“I’m driving fifty miles an hour. If you shoot me, and, if you survive the crash, don’t you think you’d have some explaining to do?”
“Just pull over and I’ll kill you properly, the way I should have done when I had the chance.”
“Now we’re getting down to cases. You are a hired killer, aren’t you?”
“I’m an operative. I do what I’m told.”
“And that involves killing people you don’t know?”
“It beats working in a factory. I’m going to bleed to death if you don’t stop the car and let me out so I can see a doctor.”
“It’s a flesh wound. I could have shot you in the knee and you would have walked with a limp for the rest of your life.”
“What makes you so tough?”
“It’s a rotten, stinking world. You’re either tough or you’re dead.”
“You’re just a kid. That’s why I didn’t kill you as soon as you left the theatre. I felt bad about killing somebody who looks so young.”
“How much did my stepmother pay you to kill me?”
“I don’t know anything about that, or even if it was your stepmother. It could have been somebody else, maybe your boss at the theatre or a girl friend you’ve wronged. The higher-ups make the arrangements and then give the assignments to the operatives to carry out.”
“If you don’t kill me, they’ll send somebody else?”
“There’s always somebody else.”
“Just go ahead and kill me, then, but not in the car or on the street. I’ll get a room in a cheap hotel and lie down on the bed and you can plug me in the head and leave quietly afterwards. Just make it quick.”
Tully put his gun away. “Drop me off at the hospital. My leg hurts like hell and I’m bleeding all over your upholstery.”
“And you’ll come back tomorrow night and kill me?”
“I won’t but somebody will. If you want to go on living, you’ll take my advice. Don’t go back to the theatre or the bar. Go into hiding for the time being. Hire a couple of body guards. Somebody paid ten thousand dollars to have you killed. That’s all I can tell you. When that much money is involved, there’s determination to get the job done.”
“And what about you?”
“I’ll be fine after I get the bleeding stopped.”
After Tully had his leg wound treated, it was seven o’clock. He stopped by a diner and had breakfast and then went home. He hadn’t been home more than a few minutes when the expected call came.
“Everything go all right?” Wellington asked.
“Couldn’t have been easier,” Tully said.
“The subject was dispatched as we discussed?”
“You have nothing to worry about.”
“I’ll let Manners know.”
He figured he had at least a day or two before they discovered the truth. When they came looking for him, he would be so far away it would be as if he never existed.
The Hunger Games ~ A Capsule Movie Review by Allen Kopp
The new movie The Hunger Games is set in a post-apocalyptic, far-distant future America that is now called Panem. Each of the twelve districts of Panem is required, once a year, to select, by lottery, one teenage boy and one teenage girl to travel to the Capitol and participate as contestants in the Hunger Games. These games are like the gladiatorial contests of ancient Rome in which the participants—through cunning, skill, and endurance—kill each other: Twenty-three will die; only one will survive. Everyone is required to watch the games on TV. It’s sort of a national yearly celebration that everybody seems to enjoy tremendously, except, of course, those who will die like hunted animals.
When the movie begins, participants are being selected in District 12 for the 74th Annual Hunger Games. When a young girl named Primrose Everdeen is selected to represent her district as the female contestant, her older sister, Katniss (played by Jennifer Lawrence), volunteers to take her place. She doesn’t want to be a contestant anymore than anybody else does, but she sacrifices herself to save her sister. Katniss wants to win so she can return home to her mother and sister, and she just might have the “fire” and the will to live that it takes to survive the Hunger Games. Whether she wins or not, we can see she’s going to make her mark.
The male contestant from District 12 is Peeta Mellark (Josh Hutcherson). He and Katniss know each other but don’t seem to like each other very much. They are taken in hand to prepare for the games by the very odd Effie Trinket (Elizabeth Banks) and a gone-to-seed previous winner of the games, Haymitch Abernathy (Woody Harrelson). Haymitch would rather get drunk than anything else, but he makes sure Katniss and Peeta benefit from his experience so they might have a real chance of winning—and surviving.
The games themselves take place in the wild, or in a virtual wild that the people back at the command center have complete control of. They can create a forest fire for the contestants to deal with, poison berries, a nest of deadly hornets, vicious animals, or any number of other obstacles. Every move the contestants make while in the “wild” is being eagerly watched on TV by the entire country. Within the first eight hours, eleven of the twenty-four contestants are killed. When a contestant falls, a cannon booms.
The Hunger Games is a lot of fun, even though the ending is going to seem kind of predictable to a lot of people, with enough of a twist, though, to make it interesting and believable. The games themselves seem to go on a bit too long; the movie seems to sag about three-quarters of the way through but revives for the conclusion.
My favorite part of The Hunger Games is when the action shifts to the Capitol. It is in complete contrast to the place where Katniss and Peeta come from. It’s interesting to see how movie makers portray a city of the far-distant future. The fashionable people of the Capitol are a spectacle that must be seen. The hairdos and makeup seem to have a decidedly 17th century influence. The unctuous TV host of the games (Stanley Tucci) has a blue hairdo that defies description. It must be seen to be appreciated.
Wet Saturday ~ A Classic British Short Story by John Collier
It was July. In the sprawling house they were imprisoned by the swish and the gurgle and all the hundred sounds of rain. They were in the drawing room, behind four tall and weeping windows, in a lake of damp and faded chintz.
This house, ill-kept and unprepossessing, was necessary to Mr. Princey, who detested his wife, his daughter, and his hulking son. His life was to walk through the village, touching his hat, not smiling. His cold pleasure was to recapture snapshot memories of the infinitely remote summers of this childhood — coming into the orangery and finding his lost wooden horse, the tunnel in the box hedge and the square light at the end of it. But now all this was threatened — his pride of position in the village, his passionate attachment to the house — and all because Millicent, his cloddish daughter Millicent, had done this shocking and incredibly stupid thing. Mr. Princey turned from her in revulsion and spoke to his wife.
“They’d send her to the lunatic asylum,” he said. “A criminal-lunatic asylum. We should have to move. It would be impossible.”
His daughter began to shake again. “I’ll kill myself,” she said.
“Be quiet,” said Mr. Princey. “We have very little time. No time for nonsense. I intend to deal with this.” He called to his son, who stood looking out the window. “George, come here. Listen, how far did you get with your medicine before they threw you out as hopeless?”
“You know as well as I do,” said George.
“Do you know enough — did they drive enough into your head for you to be able to guess what a competent doctor could tell about such a wound?”
“Well, it’s a — it’s a knock or blow.”
“If a tile fell from the roof? Or a piece of the coping?”
“Well, guv’nor, you see, it’s like this –“
“Is it possible?”
“No.”
“Why not?”
“Oh, because she hit him several times.”
“I can’t stand it,” said Mrs. Princey.
“You have got to stand it, my dear,” said her husband. “And keep that hysterical note out of your voice. It might be overheard. We are talking about the weather. If he fell down the well, George, striking his head several times?”
“I really don’t know, guv’nor.”
“He’d have to had to hit the sides several times in thirty or forty feet, and at the correct angles. No. I’m afraid not. We must go over it all again. Millicent.”
“No! No!”
“Millicent, we must go over it all again. Perhaps you have forgotten something. One tiny irrelevant detail may save or ruin us. Particularly you, Millicent. You don’t want to be put in an asylum, do you? Or be hanged? They might hang you, Millicent. You must stop that shaking. You must keep your voice quiet. We are talking of the weather. Now.”
“I can’t. I… I…”
“Be quiet, child. Be quiet.” He put his long, cold face very near to his daughter’s. He found himself horribly revolted by her. Her features were thick, her jaw heavy, her whole figure repellently powerful. “Answer me,” he said. “You were in the stable?”
“Yes.”
“One moment, though. Who knew you were in love with this wretched curate?”
“No one. I’ve never said a–“
“Don’t worry,” said George. “The whole god-damned village knows. They’ve been sniggering about it in the Plough for three years past.”
“Likely enough,” said Mr. Princey. “Likely enough. What filth! He made as if to wipe something off the backs of his hands. “Well, now, we continue. You were in the stable?”
“Yes.”
“You were putting the croquet set into its box?”
“Yes.”
“You hear someone crossing the yard?”
“Yes.”
“It was Withers?”
“Yes.”
“So you called him?”
“Yes.”
“Loudly? Did you call him loudly? Could anyone have heard?”
“No, Father. I’m sure not. I didn’t call him. He saw me as I went to the door. He just waved his hand and came over.”
“How can I find out from you whether there was anyone about? Whether he could have been seen?”
“I’m sure not, Father. I’m quite sure.”
“So you both went into the stable?”
“Yes. It was raining quite hard.”
“What did he say?”
“He said ‘Hullo, Milly.’ And to excuse him coming in the back way, but he’d set out to walk over to Lyston.”
“Yes.”
“And he said, passing the park, he’d seen the house and suddenly thought of me, and he thought he’d just look in for a minute, just to tell me something. He said he was so happy, he wanted me to share it. He’d heard from the Bishop he was to have the vicarage. And it wasn’t only that. It meant he could marry. And he began to stutter. And I thought me meant me.”
“Don’t tell me what you thought. Exactly what he said. Nothing else.”
“Well … Oh dear!”
“Don’t cry. It is a luxury you cannot afford. Tell me.”
“He said no. He said it wasn’t me. It’s Ella Brangwyn-Davies. And he was sorry. And all that. Then he went to go.”
“And then?”
“I went mad. He turned his back. I had the winning post of the croquet set in my hand –“
“Did you shout or scream? I mean, as you hit him?”
“No. I’m sure I didn’t.”
“Did he? Come on. Tell me.”
“No, Father.”
“And then?”
“I threw it down. I came straight into the house. That’s all. I wish I were dead.”
“And you met none of the servants. No one will go into the stable. You see, George, he probably told people he was going to Lyston. Certainly no one knows he came here. He might have been attacked in the woods. We must consider every detail . . . A curate, with his head battered in –“
“Don’t, Father!” cried Millicent.
“Do you want to be hanged? A curate, with his head battered in, found in the woods. Who’d want to kill Withers?”
There was a tap on the door, which opened immediately. It was little Captain Smollett, who never stood on ceremony. “Who’d kill Withers?” said he. “I would, with pleasure. How d’you do, Mrs. Princey. I walked right in.”
“He heard you, Father,” moaned Millicent.
“My dear, we can have our little joke,” said her father. “Don’t pretend to be shocked. A little theoretical curate-killing, Smollett. In these days we talk nothing but thrillers.”
“Parsonicide,” said Captain Smollett. “Justifiable parsonicide. Have you heard about Ella Brangwyn-Davies? I shall be laughed at.”
“Why?” said Mr. Princey. “Why should you be laughed at?”
“Had a shot in that direction myself,” said Smollett, with careful sang-froid. “She’d have said yes, too. Hadn’t you heard? She told most people. Now it’ll look as if I got turned down for a white rat in a dog collar.”
“Too bad!” said Mr. Princey.
“Fortune of war,” said the little Captain.
“Sit down,” said Mr. Princey. “Mother, Millicent, console Captain Smollett with your best light conversation. George and I have something to look to. We shall be back in a minute or two, Smollett. Come, George.”
It was actually five minutes before Mr. Princey and his son returned.
“Smollett,” said Mr. Princey, “will you come round to the stable for a moment? There’s something I want to show you.”
They went into the stable yard. The buildings were now unused except as odd sheds. No one ever went there. Captain Smollett entered, George followed him, Mr. Princey came last. As he closed the door he took up a gun which stood behind it. “Smollett,” said he, “we have come out to shoot a rat which George heard squeaking under that tub. Now, you must listen to me very carefully or you will be show by accident. I mean that.”
Smollett looked at him. “Very well,” said he. “Go on.”
“A very tragic happening has taken place this afternoon,” said Mr. Princey. “It will be even more tragic unless it is smoothed over.”
“Oh?” said Smollett.
“You head me ask,” said Mr. Princey, “who would kill Withers. You heard Millicent make a comment, an unguarded comment.”
“Well?” said Smollett. “What of it?”
“Very little,” said Mr. Princey. “Unless you heard that Withers had met a violent end this very afternoon. And that, my dear Smollett, is what you are going to hear.”
“Have you killed hiim?” cried Smollett.
“Millicent has,” said Mr. Princey.
“Hell!” said Smollett.
“It is hell,” said Mr. Princey. “You would have remembered–and guessed.”
“Maybe,” said Smollett. “Yes. I suppose I should.”
“Therefore,” said Mr. Princey, “you constitute a problem.”
“Why did she kill him?” said Smollett.
“It is one of these disgusting things,” said Mr. Princey. “Pitiable, too. She deluded herself that he was in love with her.”
“Oh, of course,” said Smollett.
“And he told her about the Brangwyn-Davies girl.”
“I see,” said Smollett.
“I have no wish,” said Mr. Princey, “that she should be proved either a lunatic or a murderess. I could hardly live here after that.”
“I suppose not,” said Smollett.
“On the other hand,” said Mr. Princey,” you know about it.”
“Yes,” said Smollett. “I am wondering if I could keep my mouth shut. If I promised you–“
“I am wondering if I could believe you,” said Mr. Princey.
“If I promised,” said Smollett.
“If things went smoothly,” said Mr. Princey. “But not if there was any sort of suspicion, any questioning. You would be afraid of being an accessory.”
“I don’t know,” said Smollett.
“I do,” said Mr. Princey. “What are we going to do?”
“I can’t see anything else,” said Smollett. “You’d never be fool enough to do me in. You can’t get rid of two corpses.”
“I regard it,” said Mr. Princey, “as a better risk than the other. It could be an accident. Or you and Withers could both disappear. There are possibilities in that.”
“Listen,” said Smollett, “You can’t–“
“Listen,” said Mr. Princey. “There may be a way out. There is a way out, Smollett. You gave me the idea yourself.”
“Did I?” said Smollett. “What?”
“You said you would kill Withers,” said Mr. Princey. “You have a motive.”
“I was joking,” said Smollett.
“You are always joking,” said Mr. Princey. “People think there must be something behind it. Listen, Smollett, I can’t trust you, you must trust me. Or I will kill you now, in the next minute. I mean that. You can choose between dying and living.”
“Go on,” said Smollett.
“There is a sewer here,” said Mr. Princey, speaking fast and forcefully. “That is where I am going to put Withers. No outsider knows he has come up here this afternoon. No one will ever look there for him unless you tell them. You must give me evidence that you have murdered Withers.”
“Why?” said Smollett.
“So that I shall be dead sure that you will never open your lips on the matter,” said Mr. Princey.
“What evidence?” said Smollett.
“George,” said Mr. Princey, “hit him in the face, hard.”
“Good God!” said Smollett.
“Again,” said Mr. Princey. “Don’t bruise your knuckles.”
“Oh!” said Smollett.
“I’m sorry,” said Mr. Princey. “There must be traces of a struggle between you and Withers. Then it will not be altogether safe for you to go to the police.”
“Why won’t you take my word?” said Smollett.
“I will when we’ve finished,” said Mr. Princey. “George, get that croquet post. Take your handkerchief to it. As I told you. Smollett, you’ll just grasp the end of this croquet post. I shall shoot you if you don’t.”
“Oh, hell,” said Smollett. “All right.”
“Pull two hairs out of his head, George,” said Mr. Princey, “and remember what I told you to do with them. Now, Smollett, you take that bar and raise the big flagstone with the ring in it. Withers is in the next stall. You’ve got to drag him through and dump him in.”
“I won’t touch him,” said Smollett.
“Stand back, George,” said Mr. Princey, raising the gun.
“Wait a minute,” cried Smollett. “Wait a minute.” He did as he was told.
Mr. Princey wiped his brow. “Look here,” said he. “Everything is perfectly safe. Remember, no one knows that Withers came here. Everyone thinks he walked over to Lyston. That’s five miles of country to search. They’ll never look in our sewer. Do you see how safe it is?”
“I suppose it is,” said Smollett.
“Now come into the house,” said Mr. Princey. “We shall never get that rat.”
They went into the house. The maid was bringing tea into the drawing room. “See, my dear,” said Mr. Princey to his wife, “we went to the stable to shoot a rat and we found Captain Smollett. Don’t be offended, my dear fellow.”
“You must have walked up the back drive,” said Mrs. Princey.
“Yes. Yes. That was it,” said Smollett in some confusion.
“You’ve cut your lip,” said George, handing him a cup of tea.
“I … I just knocked it.”
“Shall I tell Bridget to bring some iodine?” said Mrs. Princey. The maid looked up, waiting.
“Don’t trouble, please,” said Smollett. “It’s nothing.”
“Very well, Bridget,” said Mrs. Princey. “That’s all.”
“Smollett is very kind,” said Mr. Princey. “He knows all our trouble. We can rely on him. We have his word.”
“Oh, have we, Captain Smollett?” cried Mrs. Princey. “You are good.”
“Don’t worry, old fellow,” Mr. Princey said. “They’ll never find anything.”
Pretty soon Smollett took his leave. Mrs. Princey pressed his hand very hard. Tears came into her eyes. All three of them watched him go down the drive. Then Mr. Princey spoke very earnestly to his wife for a few minutes and the two of them went upstairs and spoke still more earnestly to Millicent. Soon after, the rain having ceased, Mr. Princey took a stroll round the stable yard.
He came back and went to the telephone. “Put me through to Lyston police station,” said he. “Quickly … Hullo, is that the police station? This is Mr. Princey, of Abbott’s Laxton. I’m afraid something rather terrible has happened up here. Can you send someone at once?”
When we started for our drive the sun was shining brightly on Munich, and the air was full of the joyousness of early summer. Just as we were about to depart, Herr Delbruck (the maitre d’hotel of the Quatre Saisons, where I was staying) came down bareheaded to the carriage and, after wishing me a pleasant drive, said to the coachman, still holding his hand on the handle of the carriage door, “Remember you are back by nightfall. The sky looks bright but there is a shiver in the north wind that says there may be a sudden storm. But I am sure you will not be late.” Here he smiled and added, “for you know what night it is.”
Johann answered with an emphatic, “Ja, mein Herr,” and, touching his hat, drove off quickly. When we had cleared the town, I said, after signalling to him to stop:
“Tell me, Johann, what is tonight?”
He crossed himself, as he answered laconically: “Walpurgis nacht.” Then he took out his watch, a great, old-fashioned German silver thing as big as a turnip and looked at it, with his eyebrows gathered together and a little impatient shrug of his shoulders. I realized that this was his way of respectfully protesting against the unnecessary delay and sank back in the carriage, merely motioning him to proceed. He started off rapidly, as if to make up for lost time. Every now and then the horses seemed to throw up their heads and sniff the air suspiciously. On such occasions I often looked round in alarm. The road was pretty bleak, for we were traversing a sort of high windswept plateau. As we drove, I saw a road that looked but little used and which seemed to dip through a little winding valley. It looked so inviting that, even at the risk of offending him, I called Johann to stop—and when he had pulled up, I told him I would like to drive down that road. He made all sorts of excuses and frequently crossed himself as he spoke. This somewhat piqued my curiosity, so I asked him various questions. He answered fencingly and repeatedly looked at his watch in protest.
Finally I said, “Well, Johann, I want to go down this road. I shall not ask you to come unless you like; but tell me why you do not like to go, that is all I ask.” For answer he seemed to throw himself off the box, so quickly did he reach the ground. Then he stretched out his hands appealingly to me and implored me not to go. There was just enough of English mixed with the German for me to understand the drift of his talk. He seemed always just about to tell me something – the very idea of which evidently frightened him; but each time he pulled himself up saying, “Walpurgis nacht!”
I tried to argue with him, but it was difficult to argue with a man when I did not know his language. The advantage certainly rested with him, for although he began to speak in English, of a very crude and broken kind, he always got excited and broke into his native tongue – and every time he did so, he looked at his watch. Then the horses became restless and sniffed the air. At this he grew very pale, and, looking around in a frightened way, he suddenly jumped forward, took them by the bridles, and led them on some twenty feet. I followed and asked why he had done this. For an answer he crossed himself, pointed to the spot we had left, and drew his carriage in the direction of the other road, indicating a cross, and said, first in German, then in English, “Buried him – him what killed themselves.”
I remembered the old custom of burying suicides at cross roads: “Ah! I see, a suicide. How interesting!” But for the life of me I could not make out why the horses were frightened.
Whilst we were talking, we heard a sort of sound between a yelp and a bark. It was far away; but the horses got very restless, and it took Johann all his time to quiet them. He was pale and said, “It sounds like a wolf—but yet there are no wolves here now.”
“No?” I said, questioning him. “Isn’t it long since the wolves were so near the city?”
“Long, long,” he answered, “in the spring and summer; but with the snow the wolves have been here not so long.”
Whilst he was petting the horses and trying to quiet them, dark clouds drifted rapidly across the sky. The sunshine passed away, and a breath of cold wind seemed to drift over us. It was only a breath, however, and more of a warning than a fact, for the sun came out brightly again.
Johann looked under his lifted hand at the horizon and said, “The storm of snow, he comes before long time.” Then he looked at his watch again, and, straightway holding his reins firmly—for the horses were still pawing the ground restlessly and shaking their heads—he climbed to his box as though the time had come for proceeding on our journey.
I felt a little obstinate and did not at once get into the carriage. “Tell me,” I said, “about this place where the road leads,” and I pointed down.
Again he crossed himself and mumbled a prayer before he answered, “It is unholy.”
“What is unholy?” I enquired.
“The village.”
“Then there is a village?”
“No, no. No one lives there hundreds of years.”
My curiosity was piqued, “But you said there was a village.”
“There was.”
“Where is it now?”
Whereupon he burst out into a long story in German and English, so mixed up that I could not quite understand exactly what he said. Roughly I gathered that long ago, hundreds of years, men had died there and been buried in their graves; but sounds were heard under the clay, and when the graves were opened, men and women were found rosy with life and their mouths red with blood. And so, in haste to save their lives (aye, and their souls!—and here he crossed himself) those who were left fled away to other places, where the living lived and the dead were dead and not—not something. He was evidently afraid to speak the last words. As he proceeded with his narration, he grew more and more excited. It seemed as if his imagination had got hold of him, and he ended in a perfect paroxysm of fear – white-faced, perspiring, trembling, and looking round him as if expecting that some dreadful presence would manifest itself there in the bright sunshine on the open plain.
Finally, in an agony of desperation, he cried, “Walpurgis nacht!” and pointed to the carriage for me to get in.
All my English blood rose at this, and standing back I said, “You are afraid, Johann—you are afraid. Go home, I shall return alone, the walk will do me good.” The carriage door was open. I took from the seat my oak walking stick—which I always carry on my holiday excursions—and closed the door, pointing back to Munich, and said, “Go home, Johann—Walpurgis nacht doesn’t concern Englishmen.”
The horses were now more restive than ever, and Johann was trying to hold them in, while excitedly imploring me not to do anything so foolish. I pitied the poor fellow, he was so deeply in earnest; but all the same I could not help laughing. His English was quite gone now. In his anxiety he had forgot ten that his only means of making me understand was to talk my language, so he jabbered away in his native German. It began to be a little tedious. After giving the direction, “Home!” I turned to go down the cross road into the valley.
With a despairing gesture, Johann turned his horses towards Munich. I leaned on my stick and looked after him. He went slowly along the road for a while, then there came over the crest of the hill a man tall and thin. I could see so much in the distance. When he drew near the horses, they began to jump and kick about, then to scream with terror. Johann could not hold them in; they bolted down the road, running away madly. I watched them out of sight, then looked for the stranger; but I found that he, too, was gone.
With a light heart I turned down the side road through the deepening valley to which Johann had objected. There was not the slightest reason, that I could see, for his objection; and I daresay I tramped for a couple of hours without thinking of time or distance and certainly without seeing a person or a house. So far as the place was concerned, it was desolation itself. But I did not notice this particularly till, on turning a bend in the road, I came upon a scattered fringe of wood; then I recognized that I had been impressed unconsciously by the desolation of the region through which I had passed.
I sat down to rest myself and began to look around. It struck me that it was considerably colder than it had been at the commencement of my walk—a sort of sighing sound seemed to be around me with, now and then, high overhead, a sort of muffled roar. Looking upwards I noticed that great thick clouds were drafting rapidly across the sky from north to south at a great height. There were signs of a coming storm in some lofty stratum of the air. I was a little chilly, and, thinking that it was the sitting still after the exercise of walking, I resumed my journey.
The ground I passed over was now much more picturesque. There were no striking objects that the eye might single out, but in all there was a charm of beauty. I took little heed of time, and it was only when the deepening twilight forced it self upon me that I began to think of how I should find my way home. The air was cold, and the drifting of clouds high overhead was more marked. They were accompanied by a sort of far away rushing sound, through which seemed to come at intervals that mysterious cry which the driver had said came from a wolf. For a while I hesitated. I had said I would see the deserted village, so on I went and presently came on a wide stretch of open country, shut in by hills all around. Their sides were covered with trees which spread down to the plain, dotting in clumps the gentler slopes and hollows which showed here and there. I followed with my eye the winding of the road and saw that it curved close to one of the densest of these clumps and was lost behind it.
As I looked there came a cold shiver in the air, and the snow began to fall. I thought of the miles and miles of bleak country I had passed, and then hurried on to seek shelter of the wood in front. Darker and darker grew the sky, and faster and heavier fell the snow, till the earth before and around me was a glistening white carpet the further edge of which was lost in misty vagueness. The road was here but crude, and when on the level its boundaries were not so marked as when it passed through the cuttings; and in a little while I found that I must have strayed from it, for I missed underfoot the hard surface, and my feet sank deeper in the grass and moss. Then the wind grew stronger and blew with ever increasing force, till I was fain to run before it. The air became icy- cold, and in spite of my exercise I began to suffer. The snow was now falling so thickly and whirling around me in such rapid eddies that I could hardly keep my eyes open. Every now and then the heavens were torn asunder by vivid lightning, and in the flashes I could see ahead of me a great mass of trees, chiefly yew and cypress all heavily coated with snow.
I was soon amongst the shelter of the trees, and there in comparative silence I could hear the rush of the wind high overhead. Presently the blackness of the storm had become merged in the darkness of the night. By-and-by the storm seemed to be passing away, it now only came in fierce puffs or blasts. At such moments the weird sound of the wolf appeared to be echoed by many similar sounds around me.
Now and again, through the black mass of drifting cloud, came a straggling ray of moonlight which lit up the expanse and showed me that I was at the edge of a dense mass of cypress and yew trees. As the snow had ceased to fall, I walked out from the shelter and began to investigate more closely. It appeared to me that, amongst so many old foundations as I had passed, there might be still standing a house in which, though in ruins, I could find some sort of shelter for a while. As I skirted the edge of the copse, I found that a low wall encircled it, and following this I presently found an opening. Here the cypresses formed an alley leading up to a square mass of some kind of building. Just as I caught sight of this, however, the drifting clouds obscured the moon, and I passed up the path in darkness. The wind must have grown colder, for I felt myself shiver as I walked; but there was hope of shelter, and I groped my way blindly on.
I stopped, for there was a sudden stillness. The storm had passed; and, perhaps in sympathy with nature’s silence, my heart seemed to cease to beat. But this was only momentarily; for suddenly the moonlight broke through the clouds showing me that I was in a graveyard and that the square object before me was a great massive tomb of marble, as white as the snow that lay on and all around it. With the moonlight there came a fierce sigh of the storm which appeared to resume its course with a long, low howl, as of many dogs or wolves. I was awed and shocked, and I felt the cold perceptibly grow upon me till it seemed to grip me by the heart. Then while the flood of moonlight still fell on the marble tomb, the storm gave further evidence of renewing, as though it were returning on its track. Impelled by some sort of fascination, I approached the sepulchre to see what it was and why such a thing stood alone in such a place. I walked around it and read, over the Doric door, in German –
COUNTESS DOLINGEN OF GRATZ
IN STYRIA
SOUGHT AND FOUND DEATH
1801
On the top of the tomb, seemingly driven through the solid marble–for the structure was composed of a few vast blocks of stone–was a great iron spike or stake. On going to the back I saw, graven in great Russian letters:
“The dead travel fast.”
There was something so weird and uncanny about the whole thing that it gave me a turn and made me feel quite faint. I began to wish, for the first time, that I had taken Johann’s advice. Here a thought struck me, which came under almost mysterious circumstances and with a terrible shock. This was Walpurgis Night!
Walpurgis Night was when, according to the belief of mill ions of people, the devil was abroad – when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was alone–unmanned, shivering with cold in a shroud of snow with a wild storm gathering again up on me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.
And now a perfect tornado burst upon me. The ground shook as though thousands of horses thundered across it; and this time the storm bore on its icy wings, not snow, but great hailstones which drove with such violence that they might have come from the thongs of Balearic slingers – hailstones that beat down leaf and branch and made the shelter of the cypresses of no more avail than though their stems were standing corn. At the first I had rushed to the nearest tree; but I was soon fain to leave it and seek the only spot that seemed to afford refuge, the deep Doric doorway of the marble tomb. There, crouching against the massive bronze door, I gained a certain amount of protection from the beating of the hail stones, for now they only drove against me as they ricocheted from the ground and the side of the marble.
As I leaned against the door, it moved slightly and opened inwards. The shelter of even a tomb was welcome in that pitiless tempest and I was about to enter it when there came a flash of forked lightning that lit up the whole expanse of the heavens. In the instant, as I am a living man, I saw, as my eyes turned into the darkness of the tomb, a beautiful woman with rounded cheeks and red lips, seemingly sleeping on a bier. As the thunder broke overhead, I was grasped as by the hand of a giant and hurled out into the storm. The whole thing was so sudden that, before I could realize the shock, moral as well as physical, I found the hailstones beating me down. At the same time I had a strange, dominating feeling that I was not alone. I looked towards the tomb. Just then there came another blinding flash which seemed to strike the iron stake that surmounted the tomb and to pour through to the earth, blasting and crumbling the marble, as in a burst of flame. The dead woman rose for a moment of agony while she was lapped in the flame, and her bitter scream of pain was drowned in the thundercrash. The last thing I heard was this mingling of dreadful sound, as again I was seized in the giant grasp and dragged away, while the hailstones beat on me and the air around seemed reverberant with the howling of wolves. The last sight that I remembered was a vague, white, moving mass, as if all the graves around me had sent out the phantoms of their sheeted dead, and that they were closing in on me through the white cloudiness of the driving hail.
Gradually there came a sort of vague beginning of consciousness, then a sense of weariness that was dreadful. For a time I remembered nothing, but slowly my senses returned. My feet seemed positively racked with pain, yet I could not move them. They seemed to be numbed. There was an icy feeling at the back of my neck and all down my spine, and my ears, like my feet, were dead yet in torment; but there was in my breast a sense of warmth which was by comparison delicious. It was as a nightmare—a physical nightmare, if one may use such an expression; for some heavy weight on my chest made it difficult for me to breathe.
This period of semi-lethargy seemed to remain a long time, and as it faded away I must have slept or swooned. Then came a sort of loathing, like the first stage of seasickness, and a wild desire to be free of something—I knew not what. A vast stillness enveloped me, as though all the world were asleep or dead—only broken by the low panting as of some animal close to me. I felt a warm rasping at my throat, then came a consciousness of the awful truth which chilled me to the heart and sent the blood surging up through my brain. Some great animal was lying on me and now licking my throat. I feared to stir, for some instinct of prudence bade me lie still; but the brute seemed to realize that there was now some change in me, for it raised its head. Through my eyelashes I saw above me the two great flaming eyes of a gigantic wolf. Its sharp white teeth gleamed in the gaping red mouth, and I could feel its hot breath fierce and acrid upon me.
For another spell of time I remembered no more. Then I be came conscious of a low growl, followed by a yelp, renewed again and again. Then seemingly very far away, I heard a “Holloa! holloa!” as of many voices calling in unison. Cautiously I raised my head and looked in the direction whence the sound came, but the cemetery blocked my view. The wolf still continued to yelp in a strange way, and a red glare began to move round the grove of cypresses, as though following the sound. As the voices drew closer, the wolf yelped faster and louder. I feared to make either sound or motion. Nearer came the red glow over the white pall which stretched into the darkness a round me. Then all at once from beyond the trees there came at a trot a troop of horsemen bearing torches. The wolf rose from my breast and made for the cemetery. I saw one of the horsemen (soldiers by their caps and their long military cloaks) raise his carbine and take aim. A companion knocked up his arm, and I heard the ball whiz over my head. He had evidently taken my body for that of the wolf. Another sighted the animal as it slunk away, and a shot followed. Then, at a gallop, the troop rode forward—some towards me, others following the wolf as it disappeared amongst the snow-clad cypresses.
As they drew nearer I tried to move but was powerless, although I could see and hear all that went on around me. Two or three of the soldiers jumped from their horses and knelt beside me. One of them raised my head and placed his hand over my heart.
“Good news, comrades!” he cried. “His heart still beats!”
Then some brandy was poured down my throat; it put vigor into me, and I was able to open my eyes fully and look around. Lights and shadows were moving among the trees, and I heard men call to one another. They drew together, uttering frightened exclamations; and the lights flashed as the others came pouring out of the cemetery pell-mell, like men possessed. When the further ones came close to us, those who were around me asked them eagerly, “Well, have you found him?”
The reply rang out hurriedly, “No! no! Come away quick—quick! This is no place to stay, and on this of all nights!”
“What was it?” was the question, asked in all manner of keys. The answer came variously and all indefinitely as though the men were moved by some common impulse to speak yet were restrained by some common fear from giving their thoughts.
“It – it – indeed!” gibbered one, whose wits had plainly given out for the moment.
“A wolf—and yet not a wolf!” another put in shudderingly.
“No use trying for him without the sacred bullet,” a third remarked in a more ordinary manner.
“Serve us right for coming out on this night! Truly we have earned our thousand marks!” were the ejaculations of a fourth.
“There was blood on the broken marble,” another said after a pause, “the lightning never brought that there. And for him—is he safe? Look at his throat! See comrades, the wolf has been lying on him and keeping his blood warm.”
The officer looked at my throat and replied, “He is all right, the skin is not pierced. What does it all mean? We should never have found him but for the yelping of the wolf.”
“What became of it?” asked the man who was holding up my head and who seemed the least panic-stricken of the party, for his hands were steady and without tremor. On his sleeve was the chevron of a petty officer.
“It went home,” answered the man, whose long face was pallid and who actually shook with terror as he glanced around him fearfully. “There are graves enough there in which it may lie. Come, comrades—come quickly! Let us leave this cursed spot.”
The officer raised me to a sitting posture, as he uttered a word of command; then several men placed me upon a horse. He sprang to the saddle behind me, took me in his arms, gave the word to advance; and, turning our faces away from the cypresses, we rode away in swift military order.
As yet my tongue refused its office, and I was perforce silent. I must have fallen asleep; for the next thing I remembered was finding myself standing up, supported by a soldier on each side of me. It was almost broad daylight, and to the north a red streak of sunlight was reflected like a path of blood over the waste of snow. The officer was telling the men to say nothing of what they had seen, except that they found an English stranger, guarded by a large dog.
“Dog! that was no dog,” cut in the man who had exhibited such fear. “I think I know a wolf when I see one.”
The young officer answered calmly, “I said a dog.”
“Dog!” reiterated the other ironically. It was evident that his courage was rising with the sun; and, pointing to me, he said, “Look at his throat. Is that the work of a dog, master?”
Instinctively I raised my hand to my throat, and as I touched it I cried out in pain. The men crowded round to look, some stooping down from their saddles; and again there came the calm voice of the young officer, “A dog, as I said. If aught else were said we should only be laughed at.”
I was then mounted behind a trooper, and we rode on into the suburbs of Munich. Here we came across a stray carriage into which I was lifted, and it was driven off to the Quatre Saisons—the young officer accompanying me, whilst a trooper followed with his horse, and the others rode off to their barracks.
When we arrived, Herr Delbruck rushed so quickly down the steps to meet me, that it was apparent he had been watching within. Taking me by both hands he solicitously led me in. The officer saluted me and was turning to withdraw, when I recognized his purpose and insisted that he should come to my rooms. Over a glass of wine I warmly thanked him and his brave comrades for saving me. He replied simply that he was more than glad, and that Herr Delbruck had at the first taken steps to make all the searching party pleased; at which ambiguous utterance the maitre d’hotel smiled, while the officer plead duty and withdrew.
“But Herr Delbruck,” I enquired, “how and why was it that the soldiers searched for me?”
He shrugged his shoulders, as if in depreciation of his own deed, as he replied, “I was so fortunate as to obtain leave from the commander of the regiment in which I serve, to ask for volunteers.”
“But how did you know I was lost?” I asked.
“The driver came hither with the remains of his carriage, which had been upset when the horses ran away.”
“But surely you would not send a search party of soldiers merely on this account?”
“Oh, no!” he answered, “but even before the coachman arrived, I had this telegram from the Boyar whose guest you are,” and he took from his pocket a telegram which he handed to me, and I read:
Be careful of my guest – his safety is most precious to me. Should aught happen to him, or if he be missed, spare nothing to find him and ensure his safety. He is English and therefore adventurous. There are often dangers from snow and wolves and night. Lose not a moment if you suspect harm to him. I answer your zeal with my fortune.
– Dracula.
As I held the telegram in my hand, the room seemed to whirl around me, and if the attentive maitre d’hotel had not caught me, I think I should have fallen. There was something so strange in all this, something so weird and impossible to imagine, that there grew on me a sense of my being in some way the sport of opposite forces—the mere vague idea of which seemed in a way to paralyze me. I was certainly under some form of mysterious protection. From a distant country had come, in the very nick of time, a message that took me out of the danger of the snow sleep and the jaws of the wolf.
